She's Got No Name movie review: Zhang Ziyi anchors part one of Peter Chan's murder mystery
An unsolved real-life murder in Japanese-occupied Shanghai in 1945 provides the backdrop for a vicious battle of the sexes in She's Got No Name.
Peter Chan Ho-sun 's captivating period drama proves both morally ambiguous and thematically diffuse – though perhaps not entirely by its filmmakers' design.
Hong Kong film-goers should be aware that the 96-minute cut showing in the city's cinemas is very different from the sweeping 150-minute version that premiered out of competition at
the 2024 Cannes Film Festival
Unlike that presumably shelved edit, the theatrical one is actually the first half of a two-part film that Chan came up with towards the end of the project, which underwent various format changes and was even considered for release as a TV drama series.
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