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Fatal Submarine OceanGate Trip Gets Netflix Documentary from ‘Britney v Spears' and ‘Gone Girls' Filmmakers — Watch Trailer

Fatal Submarine OceanGate Trip Gets Netflix Documentary from ‘Britney v Spears' and ‘Gone Girls' Filmmakers — Watch Trailer

Yahoo23-05-2025

After giving the world two years to breathe following the devastating, fatal OceanGate tragedy, Netflix is releasing a documentary about what went wrong underwater. 'Titan: The OceanGate Disaster' hails from Story Syndicate, the producing team behind 'Gone Girls' and 'Britney v Spears.' Mark Monroe directs the feature which will premiere at the Tribeca Festival on June 6 before streaming on Netflix June 11.
The Titan submersible was voyaging to the ruins of the Titanic in June 2023. All of the members onboard died. The submersible was operated by American sea tourism and expedition company OceanGate; the Titan went missing for four days while carrying five passengers, including OceanGate CEO Rush. On June 22, debris of the vessel was discovered on the ocean floor.
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The synopsis for the doc reads: ''Titan: The Oceangate Disaster' delves into the psyche of billionaire OceanGate CEO Stockton Rush and explores his relentless quest to bring oceanic exploration to the masses — at any cost. Through exclusive access to whistleblower testimony, pivotal audio recordings, and footage from the company's early days, the film provides an unprecedented look at the technical challenges, moral dilemmas, and shockingly poor decisions that culminated in the catastrophic expedition. Titan examines the doomed underwater endeavor that forced the world to reconsider the price of unchecked ambition in the depths of the ocean.'
Lily Garrison, Mark Monroe, and Jon Bardin produce, with Liz Garbus, Dan Cogan, Kate Barry, Mala Chapple, Tommy Coriale, Jude Gerard Prest, Hannah OIson, and Amy Herdy executive producing.
'Titanic' director James Cameron previously criticized OceanGate's handling of the Titan expedition. In July 2023, the filmmaker denied a false report that he was developing a project based on the Titan submersible explosion. He called the rumor 'offensive.' Cameron had previously issued a statement on the tragedy criticizing late CEO Rush and OceanGate for their reckless safety practices.
'I'm struck by the similarity of the Titanic disaster itself, where the captain was repeatedly warned about ice ahead of his ship, and yet he steamed at full speed into an ice field on a moonless night. And many people died as a result, and for a very similar tragedy, where warnings went unheeded, to take place at the same exact site, with all the diving that's going on all around the world, I think it's just astonishing,' Cameron said. 'It's really quite surreal, and of course, PH [Paul-Henry Nargeolet], the French legendary submersible dive pilot, is a friend of mine. It's a very small community. I've known PH for 25 years. For him to have died tragically in this way is almost impossible for me to process.'
'Titan: The OceanGate Disaster' premieres on Netflix June 11. Check out the trailer below.
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Colin Farrell and Makeup Designer Mike Marino Toast ‘The Penguin' — and Push Back Against AI
Colin Farrell and Makeup Designer Mike Marino Toast ‘The Penguin' — and Push Back Against AI

Yahoo

timean hour ago

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Colin Farrell and Makeup Designer Mike Marino Toast ‘The Penguin' — and Push Back Against AI

It's not every day you get to bring your vigilante artistry to Gotham City. That joyous privilege and the power of practical effects was top of mind for 'The Penguin' star Colin Farrell and makeup designer Mike Marino, accepting the 2025 IndieWire Honors Wavelength award for their striking partnership in HBO's gritty superhero spinoff. 'We were two big kids in a really vast sandbox,' said Farrell at the Los Angeles event on June 5. 'Both of us grew up watching genre films. I grew up watching Danny DeVito. Well, I know I haven't fully grown up. I think we've established that. And we go to go to work every day and play in the sandbox. It was such a joy [and] nightmare Mike Marino's canvas.' More from IndieWire From a Mini 'Girlfriends' Reunion to 'Matlock' Rolling Deep, IndieWire Honors 2025 Was About Support The Return of 'Phineas and Ferb' Promises Aliens, Therapy, and the Best Summer Vacation Ever 'It means a lot to be recognized for something that was done entirely by human hands,' said Marino. 'Just clay, glue, rubber, inspiration, and the intention to create something special. There was no AI involved here. No shortcuts, just time, thought, and trust. Colin Farrell was fully committed.' Academy Award nominee Farrell reflected on his experience growing up 'enthralled' by Burgess Meredith's performance as The Penguin. He also shared the fear he felt taking on the role at first. 'Matt Reeves wrote the film 'The Batman,' and I was lucky enough to get the role of The Penguin in that. Then, Lauren LeFranc wrote this show, but it was only when I saw Mike's design of the visage of Oz Cobb that I couldn't leave it. Before that I was struggling to think of what I could bring to the project. I was going, 'I'm just going to be flat as fuck and it's going to be terrible.'' But looking at Marino's design for the first time, Farrell said, 'I couldn't believe it. I kind of got emotional because as I said, I'm 49 going on 10 sometimes and I just got so man is an extraordinary, extraordinary artist. I am so grateful.' He went to thank the legendary Christopher Tucker, the makeup artist on 'The Elephant Man' who inspired Marino to take up the craft. Farrell continued, 'Things are ever shifting now in a business where everything is going towards tech, and I understand that. I'm not like campaigning for pigeons with notes in their talons. But I also notice that there is a kind of edging away from practical makeup and the magic and the artistry and the tactility and the immediacy and the beauty of practical makeup.' Speaking on existential evolutions within the industry, Marino said, 'It takes many thousands of steps to do something so realistic. When you think you know what someone looks like in your mind and then you want to see it come to life, it's a huge task. We're in time when AI can create basically anything convincingly right now. That does make it a substitute for human creativity. If we want to protect the soul of filmmaking, we have to protect the people who make it.' The IndieWire Honors event took place at NeueHouse in Hollywood on Thursday, June 5. Other honorees for the evening included Ben Stiller, Owen Cooper, Julianne Nicholson, Kathy Bates, and more. Best of IndieWire 2023 Emmy Predictions: Who Will Win at the Primetime Emmy Awards? 2023 Emmy Predictions: Outstanding Documentary or Nonfiction Special 2023 Emmy Predictions: Outstanding Documentary or Nonfiction Series

Creating Costumes For Teen True Love In Netflix's 'Forever'
Creating Costumes For Teen True Love In Netflix's 'Forever'

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time2 hours ago

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Creating Costumes For Teen True Love In Netflix's 'Forever'

Justin Edwards (Michael Cooper Jr.) and Keisha Clark (Lovie Simone) star in "Forever" on Netflix. Credit: Elizabeth Morris/Netflix © 2024 Elizabeth Morris/Netflix Tanja Caldwell designed the wonderful costumes for Mara Block Ali's Netflix series, Forever. But before that, it feels important to mention the source material on which the series is based. The novel, which has almost the same name, was first published in 1975, by beloved American author Judy Bloom. (Are You There God? It's Me, Margaret was also by Blume.) Forever-the-book won the Margaret A. Edwards Award in 1996, for its 'significant and lasting contribution to young adult literature,' and in 2019 was included in the BBC's list of the 100 Most Inspiring Novels. But regardless of its many commendations, the novel, intended for older teenagers, remains one of the 100 Most Frequently Challenged Books according to the American Library Association, 50 years after its original date of publication. Why? Because the book discusses sex and acknowledges that teenagers might be competent to both engage in the act and be able to deal with whatever consequences might arise afterwards. The reason the book resonated with teens in the 1970s and the 1990s is the same reason that the series resonates with viewers right now; it is a story that respects the voices of its young characters. In her adaptation, Ali made a point of conveying that respect, and of never looking down on her characters simply because they are young. Tiffany (Paigion Walker), Christian (Xavier Mills), Brittany (Adriyan Rae), and Shelly Clark (Xosha Roquemore) . Cr. Elizabeth Morris/Netflix © 2024. Elizabeth Morris/Netflix 'That was very important to Mara,' Caldwell told me, 'it was very important to Regina, who directed the first episode and was one of the executive producers, and all the directors that came on. Everyone, with Mara's lead, was about making it real and genuine to the time and to the people, the adults and especially the young people who are our main characters in this series. It was important to show that growth throughout. I think it's important to show young people in the diversity that they have, even at a young age. I think that gets them interested in their own storytelling, when we tell them in a way that's real and genuine to them.' [Caldwell, I need to tell you, was an assistant costume designer on Black Panther and Black Panther: Wakanda Forever, working under the incomparable Ruth Carter. It is so cool, I had to make sure you knew this.] Forever takes place in 2018 and 2019, a time which, post-Covid, feels almost technicolor in its innocence. These are also years that many members of Gen Z, the generation immediately following us millennials, spent in high school. Seven or eight years later those kids are all adults. Caldwell understood this, and she worked very hard to make her costumes Los Angeles in exactly those two years. Her research was incredibly extensive and the costumes reflect this fact, they are better for her diligent attentions but they never pull from the action occurring in a scene. Justin Edwards (Michael Cooper Jr.), Keisha Clark (Lovie Simone), Chloe (Ali Gallo), Aunt Katherine (Polly Draper) , Uncle Michael (Tim Bohn), and Jeanine (Sherri Saum) at the beach in episode five. Credit: Elizabeth Morris/Netflix © 2024 Elizabeth Morris/Netflix 'There are significant fashion differences between 2018-2019 and today,' Caldwell said, 'but there are also a lot of similarities. It was really important to make some distinguishing wardrobe options and choices, but we also were able to still play with more modern fashion, which helped us out a lot. The process for me really is discovery and research, about these different characters from the script, but also what young culture was in LA at that time.' Wardrobe on any production is a blend of apparel purchased, rented, tailored, remade, made from scratch. This show was no different, but needing clothing that was from a specific window of time, less than a decade old, meant the costume designer spent a lot of time in Los Angeles vintage stores. 'It was fun to dabble in vintage things, archive things, rare sneakers, rare t-shirts, things of that nature,' she told me when I asked about this. 'It was really fun to dig. When I was a teenager, I really loved vintage, I loved shopping for vintage. I think what I loved more than anything was the hunt, when you were able to find something really beautiful, really amazing, or more than one piece, and it was in great condition, or if it was a designer piece and in your size, so you just so happen to be able to fit it in.' Justin Edwards (Michael Cooper Jr.) and Keisha Clark (Lovie Simone) begin to bond in "Forever." Credit: Elizabeth Morris/Netflix © 2024 Elizabeth Morris/Netflix Figuring out who each character is, what they would wear and why, is something worked out between more than one person. The script might be specific about clothing, the showrunner and/or director will have thoughts, the production designer and the scenes they stage will impact how costumes read. Actor spend a lot of time figuring out who they are portraying, and for some performers that involves collaborating with the costume designer. It's a lot to think about and remember. 'Part of what I love about costume design is the research,' Caldwell said to me with a smile, deflecting my praise with precision. 'The discovery, who these characters are and how we see them through a lens of fashion, what will be distinguishing about their characters. One thing I talked about with Mara was creating somewhat of a uniform for Justin. Not that he was wearing the exact same thing, but if you look, you'll see most of the time he has a certain uniformity to what he's wearing.' 'He's always in Dickies,' the designer continued, 'different colors, some may be shorter or longer or more narrow or a little more aged. But he's always in Dickies, some form of a t-shirt, whether it's a plain shirt or it's a band shirt or something with a subliminal message on it. Then he's got a flannel shirt or some type of second layer, which I think is really indicative of Los Angeles culture. Layering is a big thing out here, just with the change of the weather.' Justin Edwards (Michael Cooper Jr.) in an awesome Dr. Dre tee from Episode 1 of "Forever." Credit: Hilary Bronwyn Gayle/Netflix © 2024 Hilary Bronwyn Gayle, SMPSP/Netflix When she was reading the script, the costume designer told me, she could feel the influence on Justin's character from his parents. She thought this might be something that would peek into his wardrobe, a tiny bit. 'His mother, especially,' Caldwell said. 'Whether he wants it or not, her influence, her hand on him is extremely close and heavy. I thought, if she's buying his clothes and she's watching him that closely, she's make sure he does his homework, she's got a tutor for him. She stays in touch with everything that he has going on. She's going to have some hands on his clothes. He's not going to have ripped distressed jeans with a lot of holes, w he's always going to look clean and put together, but still having his thumbprint on it some way, somehow.' 'With Karen Pittman's character, Justin's mother, having to be so strict because she loves him so much, maybe even a little bit to her fault, maybe a little bit overbearing. I think she still wants her son to show up in the world a certain way, that's how my parents were. You have some freedom to express yourself. But there are certain things in fashion, certain trends that you're allowed to do at this age and others you're not allowed to do, that's not the type of image you want to present yourself at this age or under my roof. These are the standards. I feel like that was more or less the way Justin's mother influences his style. His dad, I think he's the good cop. He doesn't say a lot, but when he speaks to his son, he always says something really profound and you just get it and there are some similarities in even the way that they dress. Even in the sweatshirts and hoodies, dad usually is very well put together, but he has this laid back feel. He's never super buttoned up or stuffy, but he doesn't look drabby or disheveled either. I think that's part of him being a chef and also an artist. I think that's why he may understand his son a little bit better.' Justin Edwards (Michael Cooper Jr.) and Darius (Niles Fitch) in personalized variation of their school uniforms. Credit: Elizabeth Morris/Netflix © 2024 Elizabeth Morris/Netflix As my regular readers will know, I am fascinated by uniforms, by the many, many ways there are to make or source garments en masse. I do love the challenge of military uniforms, but the sort worn to private schools offer similar challenges. 'We bought a ton of uniforms in the beginning,' Caldwell told me, 'because we knew we were going to need a multitude of them for background. We got a multitude of sizes. But before we even did that, we locked down with production, Mara especially, what the colors of the school are. Because there's a whole lot of work that goes into just clearing the name of a school and the colors that you use.' This is what I mentioned a little earlier, how no decision can be made independently of others. Telling stories on film is, by the nature of the medium, a collaborative art form. 'Once we decide what the colors are and what the name of the school is,' Caldwell told me, 'then we go out and we purchase from a uniform store. Then we go out and buy things for the main characters, just to add a little zhuzh to their particular uniform. But in this case, we tried to keep it really true to what it really is in LA. And a lot of private schools give you certain guidelines, on certain days you can wear this, and on certain days you can't. We were modeling their school off of a school that Mara and her nieces or nephews had actually gone to in Los Angeles. We tried to keep to what those standards and rules were. They all had their own little something because I think that's important.' Keisha Clark (Lovie Simone) in her school's uniform. Courtesy of Netflix Our main characters, Justin Edwards and Keisha Clark, don't attend the same high school, though they both do go to schools in LA. 'So, different colors and also two different standards of what the procedures are for those uniforms,' Caldwell reminded me. 'We did that research, and then we came about it organically. We tried on a bunch of different versions, the vest with the skirt, the vest with the plain skirt versus the plaid skirt. Her school didn't have a blazer. His school did, but didn't feel right for him but it felt great for Darius.' I asked the designer what she was concerned about most for Forever, what part of her job seemed to be most vitally attached to the arc the characters follow. 'For me, it was about trying not to draw so far outside the lines. I wanted to still be real and honest. And I love that the kids can wear their own sneakers, we definitely played that up with both of them. We definitely went in on the shoes. I think that was important, I think It's important to see representations of ourselves at every stage of life. If art is to imitate life, and vice versa, we have to show all those different stages, and we need to show it in the rawest, realest way. I think that sometimes we can be persuaded or influenced to show things in a way that we think we know it to be, not what it really is. So it is all about discovery and asking questions and observing people.' While I watched the series I kept noticing small things, like the way that the sportswear the teens wear after school at practice is carefully curated to the character who wears it. 'That's the thing about costume design,' Caldwell told me when I asked her about this,'just about everything is intentional, whether the viewer is aware of it or not.' How did this work practically? I was very curious, because things never happen on screen by accident, and when I see consistency across time, like I saw over and over in this series, I know it is because a person made certain that it did. The designer told me how she used color to subtly nod to the character wearing each costume. Tammy (Emyri Crutchfield) and Keisha Clark (Lovie Simone) in Episode 1 of "Forever." Credit: Elizabeth Morris/Netflix © 2024 Elizabeth Morris/Netflix 'For Tammy,' Caldwell explained, 'we put more in these darker muted colors, but they were still rich. We kept Keisha in the bright fluorescents, just because she's the star not only of the show, but she's also the star of the team. She's really pushing herself to get on a university track team and get that scholarship so she can attend. So I wanted her to stand out, even amongst her peers, when she was running. Even when she was with Christian at the Nike camp, I wanted her to seem bright. When she's at the Canyon, which worked really well because it was dawn, she's in a fluorescent orange, two-piece sports bra and matching shorts. When she's first running against Tammy and wins, she's in a fluorescent yellow Nike bra top and Nike shorts.' I asked Caldwell if she would tell me about something she was really proud of, something she figured out or made happen for Forever. There are so many more solutions than we are conditioned to see, and costume design is excellent proof that I am correct. A dozen costume designers presented with the same challenge would come back with a dozen different ways of making it happen. So, while working on this Netflix series, Caldwell generously told me this story, 'This was a really crazy story and something you don't see as much. We were doing interstitials, towards episode eight, Instagram shots that you see really quick that helps us pass time. There is a shirt that we actually made, one that we found, that was vintage,' the designer told me. 'We had to get it made because we needed multiples of it. And later we ended up revisiting it in a scene with Keisha and with Justin. ' 'In those shots,' Caldwell explained, 'Mara was putting them at a Little Uzi Vert concert. We went and found the Little Uzi Vert tour t-shirts from 2018, 2019, saw what those shirts looked like, and we really tried to get them. We only found one or maybe two. Scouring the world, you know, Etsy and vintage shops online and here in LA. The one thing about vintage is that when you're not looking for it, that's when you find it. If you look for something, you never find it. A few of them we had to recreate because we didn't have enough to place on all four actors. Costume designer Tanja Caldwell. Courtesy of Tanja Caldwell 'What's great about our process is in the beginning of prep, we were able to just start collecting a lot of beautiful vintage things. LA still has quite a few really great vintage stores that still collect, an assortment of really great tees in great condition. That was something from the research, in 2018, 2019, what did band tees look like? What concerts were going on? What artists were big then that teenagers were listening to?' Would she be willing to share any names of the places she likes to shop for vintage. 'I'm not a gatekeeper,' the designer said to me with a laugh. 'I like to share information because I like to get their information back. 'We found some really good t-shirts at American Rag on Melrose,' she continued. 'They're always really helpful and were really great, especially with Justin's band tees. They have a great assortment of vintage; skater, hip hop, old vintage Ralph Lauren… It was a really one-stop shop that we could go to. There's a really great shop, Virgo, that I love personally. It's in downtown LA and the owner is this really special young woman who started it. I go there to shop and I love their stuff.' When the last episode of Forever came to a close, I desperately wanted to warn the characters that Covid-19 was coming. That is how real these characters and story feel; the suspension of disbelief is as seamless as the costumes Tanja Caldwell designed for the series. 'I'm just really fortunate that I was able to be a part of it,' said the designer. All episodes of season one of Forever are available to stream on Netflix.

‘Resident Evil Requiem' Sets February 2026 Release From Capcom
‘Resident Evil Requiem' Sets February 2026 Release From Capcom

Yahoo

time2 hours ago

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‘Resident Evil Requiem' Sets February 2026 Release From Capcom

The ninth installment in the 'Resident Evil' video game franchise, titled 'Resident Evil Requiem,' is set to release in February 2026. The new game was announced during Summer Game Fest in Los Angeles on Friday, complete with a trailer drop, which came as a surprise after developer Capcom teased the 'Resident Evil' franchise's upcoming 30th anniversary and a ninth game earlier in the presentation — but didn't include any new footage or release date. More from Variety 'Resident Evil' Sets September 2026 Release From Sony 'Resident Evil 4 Remake' Honors the Original: Video Game Review 'Resident Evil' Canceled After One Season at Netflix About 20 minutes later, 'Resident Evil Requiem' was the final piece of news revealed before the SGF 2025 show ended. The survival horror game will launch on PlayStation 5, Xbox Series X and S and Steam on Feb. 27, 2026. Watch the trailer for 'Resident Evil Requiem' below. Best of Variety 25 Hollywood Legends Who Deserve an Honorary Oscar New Movies Out Now in Theaters: What to See This Week Emmy Predictions: Animated Program — Can Netflix Score Big With 'Arcane,' 'Devil May Cry' and the Final Season of 'Big Mouth?'

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