Jaipuri Banno: Celebrating Craft, Empowering Women, Creating Timeless Fashion
Jaipuri Banno – Celebrating Craft, empowering women, creating timeless fashion
Founded by Neetu Mahajan, a homemaker and mother of two, Jaipuri Banno began not in a studio or fashion hub, but at a kitchen table. With no formal business background and no investors, Neetu followed her instinct and love for Indian textiles. She began working with block prints and pure cotton, creating garments that reflected both tradition and modern ease. What started as a personal pursuit quickly grew into a beloved brand, worn and adored by women across the country.
Jaipuri Banno is best known for its use of traditional hand block printing techniques combined with soft, breathable fabrics. Each garment is made with care by skilled artisans, many of whom come from families with generations of experience in this craft. The prints are thoughtful and earthy, the silhouettes are flattering yet relaxed, and the fabrics are chosen to suit the Indian climate and lifestyle. Whether it's a kurta for daily wear or something more vibrant for a festive moment, every piece carries the brand's signature of understated charm.
Among its many collections, two have stood out as favourites among customers and admirers alike – Raag and Patola.
The Raag collection is inspired by the emotional depth and graceful rhythm of Indian classical music. The garments in this line are soft, fluid, and rooted in a calm elegance. Raag uses earthy colour palettes, subtle prints, and flowing forms that feel meditative and timeless. Each piece is designed to be worn and re-worn – for quiet gatherings, moments of reflection, or simply when one wants to feel beautifully at ease. Much like a raag in music, the collection moves gently but leaves a lasting impression.
The Patola collection brings a vibrant and bold dimension to Jaipuri Banno's offerings. Crafted in breathable cotton and adorned with striking block prints, Patola is tailored into modern silhouettes that are both festive and functional. With jewel-toned colours, geometric and floral motifs, and easy-to-wear cuts, the collection has become a favourite for women who like to stand out without sacrificing comfort. Whether worn to a family celebration, a day at work, or a casual brunch, Patola delivers confident style with a distinctly traditional soul.
At the heart of Jaipuri Banno, beyond the design and fabrics, is a deep commitment to women's empowerment. As the brand gained recognition, Neetu remained rooted in her vision of using fashion as a tool for social change. With the support of the M3M Foundation, she began training young women from rural areas in garment construction, embroidery, and tailoring. This led to the formation of a collective proudly known as the Dream Weavers.
For many of these women, joining Jaipuri Banno marked a new beginning. Through their training and work, they gained financial independence, creative confidence, and a sense of identity. Today, they are not only the hands behind the clothes but also an integral part of the brand's story. Their proudest moment came during Times Fashion Week 2024, where the Dream Weavers didn't just work backstage – they walked the runway, side by side with professional models, presenting the very garments they had helped bring to life. It was a powerful moment of recognition, resilience, and celebration.
Jaipuri Banno's journey proves that fashion rooted in purpose and authenticity can quietly but powerfully shape the industry. With no need for gimmicks or mass marketing, the brand has built a loyal following through consistency, care, and an honest connection with its audience. Customers often describe the experience of wearing Jaipuri Banno as comforting, graceful, and deeply personal.
Today, the brand's collections are available on major platforms including Nykaa Fashion, Myntra, Ajio, and through its own official website. Despite its growing popularity, Jaipuri Banno remains focused on small-batch production, ethical practices, and a hands-on approach to quality. Each garment is still designed with the same attention to detail and emotional resonance as it was in Neetu's early days.
In a market filled with mass-produced fashion, Jaipuri Banno offers something far more meaningful – clothes that carry a story, honour a craft, and support a community. Whether it's a Raag kurta worn on a quiet evening or a Patola kurti that lights up a celebration, each piece is made to be remembered and re-worn.
Neetu Mahajan's journey is a reminder that powerful change often begins in the smallest of spaces. From her kitchen table to fashion week, from block printing to building futures, she has woven together creativity, purpose, and resilience into every thread of Jaipuri Banno. And through her work, she continues to inspire women everywhere to wear their roots with pride.
Jaipuri Banno is not just a brand. It is a tribute – to handmade artistry, to cultural continuity, and to the courage of women who dare to dream and do.
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No wonder, they love London and the space, read Hyde Park, which it gives them. July 30: Curator vs Gambhir – that's the fight of the day. Someone mixed the weight category. Curator is a giant, Gambhir isn't. There is an angry exchange of words. It is rumored that during the confrontations some from the ground staff said 'now you see the pitch you get'. It wasn't true, the Oval pitch was great. July 31: Late night adventure. Return to Airbnb after dinner, realise the key is inside. The host doesn't answer calls, the phone is dying. Call a reporter who isn't too far. Spend night on couch. Host wakes the next morning, says there is a spare key in the key box. What a night! Aug 1: What a day. 15 wickets fall. Siraj is winning hearts. He is playing the cheerleader to the Bharat Army. He is like a rock star playing to the crowd. Aug 4: To watch a match that would last barely an hour, a full house turns up. Siraj does it for India. Gets a hug from Shubman. They both are at the press conference. You wait for one and two turn up. Before the series, you would be fine with just 1 win but you get 2-2.
