logo
'Lilo & Stitch' passes 'Sinners' to become 2nd highest grossing film of 2025

'Lilo & Stitch' passes 'Sinners' to become 2nd highest grossing film of 2025

NBC News2 days ago

"Lilo & Stich" and "Mission: Impossible — The Final Reckoning" dominated the box office charts again after fueling a record-breaking Memorial Day weekend. Theaters in the U.S. and Canada had several new films to offer this weekend as well, including Sony's family friendly "Karate Kid: Legends" and the A24 horror movie "Bring Her Back."
According to studio estimates Sunday, it added up to a robust $149 million post-holiday weekend that's up over 120% from the same timeframe last year.
Disney's live-action hybrid "Lilo & Stitch" took first place again with $63 million from 4,410 locations in North America. It was enough to pass "Sinners" to become the second-highest grossing movie of the year with $280.1 million in domestic ticket sales. Globally, its running total is $610.8 million. "Sinners," meanwhile, is still going strong in its seventh weekend with another $5.2 million, bumping it to $267.1 million domestically and $350.1 million globally.
The eighth "Mission: Impossible" movie also repeated in second place, with $27.3 million from 3,861 locations. As with "Lilo & Stitch," that's down 57% from its opening. With $122.6 million in domestic tickets sold, it's performing in line with the two previous installments. But with a reported production budget of $400 million, profitability is a ways off. Internationally, it added $76.1 million (including $25.2 million from China where it just opened), bringing its global total to $353.8 million.
"This is the year of longterm playability," said Paul Dergarabedian, Comscore's senior media analyst. "The currency of word of mouth and the strong hold is more important than opening weekend dollars."
Leading the newcomers was Sony's "Karate Kid: Legends," with an estimated $21 million from 3,809 locations. The movie brings Jackie Chan and Ralph Macchio together to train a new kid, the kung fu prodigy Li Fong (Ben Wang). Chan starred in a 2010 reboot of the 1984 original, while Macchio has found a new generation of fans in the series "Cobra Kai," which just concluded a six-season run.
Reviews might have been mixed, but opening weekend audiences gave the PG-13 rated film a strong A- CinemaScore and 4.5 stars on PostTrak. It also only cost a reported $45 million to produce and has several weeks until a new family-friendly film arrives. "Karate Kid: Legends" opened earlier internationally and has a worldwide total of $47 million.
Fourth place went "Final Destination: Bloodlines," which earned $10.8 million in its third weekend. The movie is the highest-grossing in the franchise, not accounting for inflation, with $229.3 million globally.
The weekend's other big newcomer, "Bring Her Back" rounded out the top five with $7.1 million from 2,449 screens. Starring Sally Hawkins as a foster mother with some disturbing plans, the film is the sophomore feature of twin filmmakers Danny and Michael Philippou, who made the 2023 horror breakout "Talk to Me." It earned a rare-for-horror B+ CinemaScore and is essentially the only new film in the genre until "28 Years Later" opens on June 20.
A new Wes Anderson movie, "The Phoenician Scheme," also debuted in New York and Los Angeles this weekend, where it made $270,000. It expands nationwide next weekend.
The summer box office forecast remains promising, though there's a long way to go to get to the $4 billion target (a pre-pandemic norm that only the "Barbenheimer" summer has surpassed). The month of May is expected to close out with $973 million — up 75% from May 2024, according to data from Comscore.
Top 10 movies by domestic box office
With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore:
1. "Lilo & Stitch," $63 million.
2. "Mission: Impossible – The Final Reckoning," $27.3 million.
3. "Karate Kid: Legends," 21 million.
4. "Final Destination: Bloodlines," $10.8 million.
5. "Bring Her Back," $7.1 million.
6. "Sinners," $5.2 million.
7. "Thunderbolts," $4.8 million.
8. "Friendship," $2.6 million.
9. "The Last Rodeo," $2.1 million.
10. "j-hope Tour 'HOPE ON THE STAGE' in JAPAN: LIVE VIEWING," $939,173.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

These wireless headphones have finally outranked my all-time favourites
These wireless headphones have finally outranked my all-time favourites

The Independent

time4 hours ago

  • The Independent

These wireless headphones have finally outranked my all-time favourites

Sony WH-1000XM6 design and comfort While the all-new XM6 borrow some of the same minimalist styling as the XM5, Sony's made enough changes here that it feels like an upgrade. The earcups are rounder and more sculpted, ditching that slightly squared-off look that never quite grew on me. They look more polished, with no seam running down the side of the earcups. But beyond the cleaner design, one of the first things you'll notice is that they fold again. After abandoning the hinges on the XM5, Sony's brought them back, and it genuinely makes a world of difference. The headphones now collapse inwards into a much more travel-friendly shape, making them easier to chuck into a bag. The only annoying bit? Despite the smaller footprint, the case is still just as big as the zip-up one that came with the XM5. That said, I genuinely love the design of the new case. You fold the headphones up, pop them in and close the lid. It's instant – it clicks shut with a magnetic flap, so there's no faffing about trying to line up a zip. You still get an internal pocket for cables, and the whole thing feels sturdy and protective. There's also a wider headband. It's still wrapped in that soft vegan leather, but the underside is now flatter and thicker towards the back, so it's easier to tell which way round to wear them without feeling around for the tactile L marker. The tweak is supposed to improve comfort and weight distribution – and maybe it will for some people – but I actually found its predecessor more comfortable. The new fit has a firmer clamping force that improves sound isolation, but after long sessions, I started to feel a bit of pinch at the crown. It's not unbearable, but a little more noticeable than I'd like. The XM5s felt more relaxed on my head, especially when wearing them for a full day. They didn't fall off or rattle around my head when I was wearing them at the gym, however. Talking of tactile markers, the power button has a small but welcome glow-up. It's now circular and slightly recessed, making it much easier to locate by touch, so no more thumbing around the cup wondering if you've just hit the ANC toggle by mistake. That's still a longer, flatter strip, so the two are thankfully easy to tell apart without looking. You can also turn the ANC button into a microphone mute button in the Sony Sound Connect settings – this will mute and unmute your mic if you click the ANC button twice. There are minor changes to the touch controls, but they feel more responsive this time around. I didn't find myself repeating gestures as often as I did with the XM5. There's still no haptic feedback, but there are sound effects, so you know when swipes and taps are registered. The XM6 come in black, platinum silver and a new midnight blue colour. Overall, it's just a much more refined pair of cans compared to the XM5. Sony WH-1000XM6 features The WH-1000XM6 are just as feature-packed as ever. If you've used the XM5s, most of this will feel familiar. Speak-to-Chat (which pauses your music the moment you start talking) isn't turned on by default anymore, a welcome change if, like me, you've always found it more annoying than helpful. Quick Attention mode is still here and works well – just cover the right earcup and it'll pipe in the outside world without you having to fumble with buttons. You've also got support for LDAC, high-res wireless audio, multipoint for two devices, and DSEE Extreme upscaling. But there are new tricks worth flagging. The first is auto switch, a feature borrowed from Sony's newer LinkBuds Fit and LinkBuds Open. It automatically switches the music to your LinkBuds speaker when you return home (or pause your music on your headphones). Leave the house, and it'll switch it straight back to your headphones again. It's a really neat little feature. One of my other favourite features from the LinkBuds is also here: Background Music mode. This pushes your music outwards, so it feels like it's coming from a distance, a little like listening to a playlist in a café. It's really good if you need to focus but don't want it to be completely silent. It'll stop you from singing along to tracks because it sounds so far away. The XM6 also feature a new QN3 processor that's said to be seven times faster than the QM1 chip in the XM5. It powers smarter noise cancelling, with a new adaptive NC optimiser that adjusts on the fly depending on your environment and how much you're moving (but more on that below). There's now a dedicated Cinema mode that upmixes stereo sound into Sony's 360 Reality Audio. I tried this while watching a couple of shows on Netflix and was genuinely surprised by how immersive it felt. Dialogue still sounded clean and centred, but ambient effects and music had a bit more air and spatial separation. Is it Dolby Atmos? No. But for stereo content, it's surprisingly convincing. There's also a new ten-band EQ (up from the 5-band EQ on the XM5), including a dedicated Gaming preset, plus support for Bluetooth LE Audio and Auracast, though there's not much that takes advantage of those just yet. One neat upgrade is that you can now listen while charging – something the XM5 didn't allow. Sadly, there's still no USB-C audio, so wired playback is limited to the 3.5mm jack. Sony WH-1000XM6 noise cancellation and call quality Sony's noise cancellation has always been among the best, but the WH-1000XM6 improve that even further, making noise cancellation more consistent and natural. The XM5 had a slightly annoying lag with the ANC when the noise level changed. I found that if I walked from a quiet room into a noisy office, I'd hear that swoosh of sound sneak in before the ANC kicked in to silence it. It wasn't a deal-breaker, but it was distracting. I'm pleased to report that doesn't happen on the XM6 in my initial tests. With the new adaptive NC optimiser, it now feels much more stable and immediate. It handles shifts in environmental sound well without drawing attention to itself. It's better in every way. It's not quite as forceful as the Bose QuietComfort Ultra, which still has a kind of vacuum-seal feel, but the XM6 is less fatiguing and more natural over long sessions. Wind noise was barely an issue in testing, even when walking outdoors or near traffic. Saying that, I still think ambient mode is better on the AirPods Max. While it's definitely improved, and you can hear practically every sound in your environment, the AirPods always make it sound like you're not wearing any headphones at all. There's still a little bit of blunting of environmental sounds with these headphones. In terms of call quality. Sony's new beamforming setup now uses three mics per earcup instead of two, and combined with some clever AI, it's remarkably good at isolating your voice. I made a few long calls in loud environments and didn't get a single 'Can you repeat that?' back. However, it still struggles a little with the wind. If you wanted better and more subtle noise-cancelling from your headphones, Sony's really delivered with the XM6 on first test. Sony WH-1000XM6 sound OK, Sony's done it. These are my favourite-sounding noise-cancelling headphones right now – and I don't say that lightly. I already liked the tuning on the XM5s, but I always found that the bass lacked a little richness. These fix that issue and bring the sound to an all-new level. There's a newly developed 30mm driver built with the same carbon fibre composite materials in Sony's premium Walkman range, and it has been tuned in collaboration with Grammy-winning mastering engineers. Sony says this gives your music better separation, deeper bass and more clarity across the board. There's also a look-ahead noise shaper built into the processor, designed to smooth out sudden changes in volume and reduce distortion when streaming. Even without playing around with any EQ settings, the XM6 sound more spacious and balanced. When I listened to the vocals on Olivia Rodrigo's Sour, I could feel more depth and better separation in the mids. Bass is stronger too, but not in a showy way; it's less murky, more present. The rubbery synth bassline on MGMT's Little Dark Age used to feel a bit bloated on the XM5s, but here it's tight and punchy, gliding underneath the track without swallowing everything else. Dan Romer's Station Eleven score also sounds sparse and intimate. The XM6 do a better job of capturing string swells, with a sense of texture that wasn't quite as defined on the XM5. If you're coming from the XM5s, it's a clear step up, and I think the XM6s are more musical than the Bose QC Ultra or the AirPods Max. After a few days of listening, these are excellent. As for battery life, it's still rated at 30 hours – the same as the XM5 – but I haven't had long enough with them to say how accurate that claim is just yet. They've held up well so far, even with ANC on, but I'll need more time to test them properly across longer stretches. Still, in 2025, 30 hours doesn't feel quite as generous as it used to. Plenty of cheaper models can eke out more.

Unbelievable secret behind year's 'most terrifying film' Bring Her Back's vomit-inducing scenes
Unbelievable secret behind year's 'most terrifying film' Bring Her Back's vomit-inducing scenes

Daily Mail​

time5 hours ago

  • Daily Mail​

Unbelievable secret behind year's 'most terrifying film' Bring Her Back's vomit-inducing scenes

It's been dubbed 'the most terrifying horror film' of the year. Bring Her Back, from Australian directors Danny and Michael Philippou, follows two siblings who find themselves caught up in an occult ritual by their foster mother. The supernatural chiller rattled moviegovers over the weekend, with many claiming that the film's stomach-churning scenes had left them nauseous. One shocking scene sees troubled Ollie, played by 12-year-old child star Jonah Wren Phillips, being fed a piece of fruit on the end of a large knife by his foster brother Andy. When Andy turns his back, Ollie begins voraciously gnawing on the knife in order to satiate a demonic spirit inside of him. As he chews on the razor-sharp blade, blood begins gushing everywhere and his teeth begin to crack and become dislodged. In another scene, the demon completely takes over Ollie's body and he begins trying to eat everything in sight, including the edge of a wooden table that immediately splinters and starts tearing into the child's face. Explaining the secrets behind both horrific scenes, prosthetic FX designer Larry Van Duynhoven told Variety that they used a set of prosthetic teeth and added some chocolate to the prop table to disguise the taste for Phillips, who plays Ollie. 'He was able to really go to town because we had the dentures that helped protect his teeth and mouth,' Van Duynhoven said. 'The dental technician designed some breakaway teeth in the dentures, so some of those teeth snap off.' Phillips added, 'They said they put chocolate in it a little bit. I didn't taste it because I had blood in my mouth. It was more of a texture because they hollowed it out so it was really crunchy.' Director Danny Philippou told Polygon, 'The entire table was laced with chocolate, so he enjoyed eating it. He was still munching on it between takes.' For the jaw-dropping knife scene, a rubber prop was used whenever Phillips was present, and then a puppet head whenever they needed to use a real blade. Philippou added, 'We had a [prop replacement for Jonah's head], so we could put a real knife in this fake head and rip his lip.' Bring Her Back opened in US theaters over the weekend, pulling in $7 million. Critics have praised the film so far, while viewers have been left sick by some of the violence and realistic practical effects. 'Bring Her Back made me so nauseous, it was so good,' gushed one fan on X, formerly Twitter. 'Bring Her Back WAS SOOOO GOOD I felt sick watching that scene,' added a second, while a third wrote, 'Bring Her Back is sick. Definitely seeing it again.' A fourth wrote, 'If y'all need a movie to watch this week go see Bring Her Back in theaters. My first time ever a movie made me literally set up to vomit. The plot is crazy too.' Bring Her Back is from the directors of Talk To Me, which is currently the highest-grossing horror film in A24 history. According to the filmmakers, the flick is so scary moviegoers passed out during preview screenings. 'We've had three faintings,' Danny admitted during an interview on Australian talk show The Project. Oscar-nominated English actress Sally Hawkins, 48, known for her roles in Paddington, Wonka and Happy-Go-Lucky, stars in Bring Her Back. Hawkins plays grieving mother Laura, who attempts to bring her daughter back from the dead using a paranormal ritual.

Disney laying off several hundred employees worldwide
Disney laying off several hundred employees worldwide

Leader Live

time6 hours ago

  • Leader Live

Disney laying off several hundred employees worldwide

A Disney spokesperson confirmed the action on Tuesday. The exact number of jobs being cut is unknown, but lay-offs will occur across several divisions, including television and film marketing, TV publicity, casting and development, and corporate financial operations. No entire teams will be eliminated. 'As our industry transforms at a rapid pace, we continue to evaluate ways to efficiently manage our businesses while fuelling the state-of-the-art creativity and innovation that consumers value and expect from Disney,' the spokesperson said. 'As part of this ongoing work, we have identified opportunities to operate more efficiently and are eliminating a limited number of positions.' Last month, Disney posted solid profits and revenue in the second quarter as its domestic theme parks thrived and the company added well over a million subscribers to its streaming service. The company also boosted its profit expectations for the year. Disney's also been riding a wave of box office hits, including Thunderbolts* and Lilo & Stitch, which is now the second-highest grossing movie of the year. In 2023, Disney CEO Bob Iger announced that Disney would cut about 7,000 jobs as part of an ambitious company-wide cost-savings plan and 'strategic reorganisation'. Disney said at the time that the job reductions were part of a targeted 5.5 billion dollars cost savings across the company. Shares of Disney, which is based in Burbank, California, rose slightly in midday trading.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store