
Is THIS the world's most stubborn homeowner? Man refuses to leave home as developer demolishes neighbours' houses... and builds 10 storey pyramid instead
Most of Chen Tianming's village in Guizhou province, southwestern China, was razed in 2018 to build a lucrative tourist resort.
But the 42-year-old refused to leave and, after the project faltered, ignored a flurry of demolition notices to build his family's humble stone bungalow higher and higher.
The higher floors where he sleeps sway in the wind and dozens of ropes and cables tether the house to the ground as if the whole thing might one day float away.
Built with faded ply-boards and contorted beams, the teetering structure is a monument to one man's stubbornness.
He now presides over a bewildering 10-storey, pyramid-shaped warren of rickety staircases, balconies and other add-ons, drawing comparisons in Chinese media to the fantastical creations of legendary Japanese animator Hayao Miyazaki.
'I started building out of practicality, trying to renovate and expand our home,' Chen explained while climbing ladders and ducking wooden beams in his labyrinthine construction.
'But then it became more of an interest and hobby that I enjoyed,' he said.
'People often say it's unsafe and should be demolished... but I'll definitely never let anyone tear it down.'
Local authorities once had big plans to build an 800-acre tourist resort - including a theatre and artificial lake - in the region known for its spectacular rice paddies and otherworldly mountain landscapes.
They promised to compensate villagers but Chen's parents refused and he vowed to help them protect the home his grandfather had built in the 1980s.
While neighbours moved out and their houses were bulldozed, Chen stayed put, even sleeping alone in the house for two months 'in case [developers] came to knock it down in the night'.
Six months later, like many development projects in highly indebted Guizhou, the resort was cancelled.
Virtually alone among the ruined village, Chen was now master of a 'nail house' - a Chinese term for those whose owners dig in and refuse to relocate despite official compensation offers.
A quirk of China's rampant development and partial private property laws, nail houses sometimes make headlines for delaying money-spinning construction projects or forcing developers to divert roads or build around shabby older homes.
Even as Chen forged ahead, completing the fifth floor in 2019, the sixth in 2022 and the seventh in 2023, he continued to receive threats of demolition.
Last August, his home was designated an illegal construction, and he was ordered to destroy everything except the original bungalow within five days.
He said he has spent thousands of pounds fighting the notices in court, despite losing several preliminary hearings.
But he continues to appeal and the next hearing has been delayed.
'I'm not worried. Now that there's no one developing the land, there's no need for them to knock the place down,' he said.
In recent years, ironically, Chen's house has begun to lure a steady trickle of tourists itself.
On Chinese social media, users describe it as China's strangest nail house, likening it to the madcap buildings in Miyazaki's Studio Ghibli masterpieces 'Howl's Moving Castle' and 'Spirited Away'.
When dusk falls, Chen illuminates his home with decorative lanterns, and people gather on the nearby dirt road to admire the scene.
'It's beautiful,' local resident He Diezhen said, 'if there are no safety issues, it could become an [official] local landmark'.
Chen said the house makes many visitors remember their whimsical childhood fantasies.
'[People] dream of building a house for themselves with their own hands... but most can't make it happen,' he said.
'I not only thought of it, I made it a reality.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Review Geek
7 hours ago
- The Review Geek
Glass Heart – J-drama Episode 3 Recap & Review
Tenblank's TV Debut Episode 3 of Glass Heart begins with the shoot for Crystalline Echo's music video. In the midst of it all, Naoki tells the others he wants the band to play on the TV show Music States. Naoki then gets a visit from Yukino who is shooting at the same studio. Akane seems shocked by how close they seem. Meanwhile, Kai tells Sho her concerns about the band going on TV and about Naoki not taking her opinion on anything. The next morning, Akane comes to the music studio at Naoki's place and finds Kazushi playing his own song. She then learns that they aren't practising that day since Naoki has a performance with Yukino. Akane goes home to help out at her mother's curry shop but finds that her mother has already hired her friend, Eiko, as a replacement. The night before Music States, Akane goes to the music studio alone to practice but is surprised to find Naoki there. He tells her that the world will be introduced to Tenblank the next day and assures her that even through the ups and downs, their band will make it through. The next day, the band arrives at the Music Stage location. Isagi is there and through a conversation with Naoki, we learn that he wrote Yukino's song and agreed to perform with her so Tenblank would get to be the final act of the show. Isagi expects Naoki to write and produce more of Yukino's songs but Naoki doesn't make any promises. Right before the band's rehearsal, Kazushi realises all of their audio tracks are missing. The group sets about recording them again and has to skip rehearsal. Kai tells Akane to head to the makeup rooms, which are located on a boat. On the way, she comes across Yukino who asks her how she doesn't fall in love with Naoki. Akane insists she's focusing on the music. Akane then gets a call from Toya, who is also sure that Akane and Tenblank are going to bomb. Back in the band's tent, Kai realises nobody is listening to her. She heads over to the makeup rooms boat and finds Akane playing the drums in an adjacent room instead. Kai seems overcome with emotion as she thinks about the sync between Naoki and Akane. She then slides the lock outside the room, trapping Akane. The band soon realises she's missing. As they look for her, the boat with the makeup rooms leaves the port and heads out. Akane realises what's happened and call for help. What's worse, her phone is in the other room. Meanwhile, the show begins and Naoki and Yukino play their new single. On the boat, Akane finds another door in the room and finds herself on the highest tier of the boat. She calls for help but no one is there. Luckily, another smaller boat comes towards them and she realises that it has none other than Naoki, Sho, and Kazushi. They get her out and end up making their big debut on the boat itself! Their performance is received well and soon positive comments begin to flood in on social media. Sometime later, the music video for Crystalline Echo comes out as well. As the band watches, Akane is shocked to realise she might be falling for Naoki after all. The Episode Review Glass Heart Episode 3 has some interesting developments. Who knew Kai would try to sabotage her own band? It's intriguing and while we do get some insights on her character — her frustration at being ignored and her insecurities as she compares herself to Akane comes across quite well — I hope the series dives into it in the following episodes too. With Tenblank' successful debut and the social media hype, the stakes are definitely going to be higher from now on. Akane continues to be her wide eyed self though and it is starting to feel a bit one note. Of course, the end of the episode does signal a change but I'd like to see more of Akane than her being awestruck around her band mates. The music continues to be great though with both Tenblank's new song and Yukino and Naoki's new single being solid additions to the soundtrack. Overall the series has a decent pace, never slows down too much, and that touch of melodrama keeps things quite engaging! Previous Episode Next Episode Expect A Full Season Write-Up When This Season Concludes!


Daily Mail
12 hours ago
- Daily Mail
I've been a fixer for some of Britain's biggest TV shows... Jeremy Clarkson threw a tantrum while filming Top Gear - so the crew got their revenge
A fixer used by top TV stars has lifted the lid on stars' furious off-screen rows, near-fatal crashes, 'demanding' antics and how viewers were tricked with faked scenes made to look dangerous. Digby Greenhalgh, co-owner of Explore Indochina, has guided stars including Jeremy Clarkson, Gordon Ramsay and Bear Grylls on motorcycle trips in South East Asia. Now he has opened up about his own experiences - including witnessing Clarkson flying into a vicious foul-mouthed tirade and spitting at a colleague. The row happened during filming for the Top Gear Vietnam special in October 2008 - seven years before he was sacked by the BBC for punching a colleague. In a blog post, Mr Greenhalgh, described the moment the presenter confronted executive producer and longtime friend Andy Wilman in a hotel foyer filming at a beach club finished for the day and they returned to the hotel without him. He wrote: 'In the confusion, understandable at the end of such a long and tiring day, Jeremy was left behind and mobbed by the tourists. 'He had trouble finding the hotel, and when he finally returned, it was just him, myself and Andy [Wilman] in the hotel's foyer. 'He was pissed off and went straight up to Andy and shouted, 'You care more about the crew than me. I'm out of here, you c***'. 'Then Jeremy spat in Andy's direction and stormed into the elevator. Andy was stunned and turned to me and said he'd been Jeremy's best man twice. 'It had been an extremely long day.' The Top Gear Vietnam special which aired in December 2008 saw Clarkson and co stars Richard Hammond and James May, travelling 1,000 miles across the country in eight days and proved a huge hit with fans with 6.7 million viewers tuning in. Explore Indochina provided further assistance with them during filming and Digby revealed the back wheel nearly fell off Clarkson's Vespa moped but the BBC refused to spend more than $400 on a safer but more expensive alternative. Digby - who carried the lead cameraman on the back of his bike - also revealed the crew became so sick of Clarkson's outbursts they wouldn't fix a short circuit on his Vespa moped so he was repeatedly electrocuted. He added: 'At one point, the director asked Jeremy to repeat what he'd just said, but while looking at the camera. Jeremy said 'Since when do you do the talking? This is Top Gear, and I do the talking'. 'The Vespa started to give Jeremy electrical shocks, and we all smiled behind his back. One of the crew members said he could probably fix it, but it was decided that he should just let him suffer.' In 2009 Digby joined the crew filming Bear Grylls' Man vs Wild show in the Khe Bang-Phong Nha National Park - and revealed the adventurer slept one night in a cave before secretly checking into a hotel that had to be booked out so nobody got a photo of him relaxing by the pool. He also accused the ex-SAS trooper of faking other scenes including filming wilderness scenes right next to the road, hidden safety wires during river crossings and an 'encounter' with a cobra bought from a local snake restaurant and tied to a tree. He wrote: 'All these [filming] spots had to be no more than a 20-minute walk from a road, and, ideally, right next to the road. 'Next time you watch the show, notice how he's always running around, giving the impression that he is covering lots of ground. In reality, he just runs around in circles. 'The whole snake in a national park issue was solved by buying a massive cobra in a snake restaurant outside the park and then tying it to a tree. Bear comes across it, says some BS about it being a spitting cobra, and goes around it.' He was also employed by the BBC for an episode of Most Dangerous Roads in which Sue Perkins and Liza Tarbuck drove the Ho Chi Minh Trail. He wrote: 'I was hired as the Trail guide and expert but spent most of my time keeping the presenters happy. 'The pair were rather demanding, and accommodation on the Trail in those days was rough, so one of my jobs was to ride ahead of Perkins and Tarbuck and ensure their rooms were presentable. 'That meant splashing bleach on the floor and bathrooms to eliminate unpleasant odours, laying out fresh, clean, disposable sheets, and sweeping up any nasty surprises.' On another BBC show - Without Limits - he claims the shoot almost ended in tragedy when a modified jeep blew a gasket, lost steering and crashed while the brake disk on a disabled presenter's modified bike broke off. He wrote: 'The shoot occurred during the middle of a scorching summer, which, apart from making it very uncomfortable for the presenters, almost resulted in a terrible crash when the jeep overheated and blew a gasket. 'The loss of hydraulics disengaged the steering wheel, and the jeep hit the roadside barrier. Only three kilometres down the road was an extremely steep descent above a very high cliff, which would have been fatal if the gasket had blown there. 'On the same pass, the back disk brake on one of the presenter's bikes broke off, and he was lucky to escape unscathed. In both cases, the root cause of the problem was the rushed schedule imposed on us to get the vehicles and motorcycles ready for the shoot.' Digby also filmed with Gordon Ramsay when he travelled to Vietnam to learn how to prepare famous local dishes for Gordon's Great Escape. He revealed the show's legal department decided the TV chef was 'too valuable' to ride on any public road and could only go around in circles on a closed-off cement road. But as soon as he got out of sight of the director Gordon, 58, gunned his 650cc Ural bike through traffic and past a police road block. He wrote: 'Gordon's off-camera demeanour was very different to his trademark grumpy persona. Polite and professional, he was a pleasure to work with.'


The Guardian
15 hours ago
- The Guardian
‘This vertical city is so dense, the only way to build is up': Victor Cheng's best phone picture
Victor Cheng describes his adopted city as 'organised chaos'. The photographer, originally from Toronto but now based in Hong Kong, says that while many people have a stereotypical view of the city, based on classic kung fu movies or Rush Hour, it's 'actually quite modern, and full of skyscrapers. It's also fast-paced; even at times when you have nowhere to be, you get caught up in the busy streets and start to feel you have to move faster!' Despite that, Cheng says he sees the city as a 'photographer's paradise. There are so many photogenic spots and scenes.' The Yick Cheong building seen here, known colloquially as Monster Building or Monster Mansion, is usually teeming with locals and tourists. When Cheng took this shot, however, the Covid lockdown was in force. Sign up to Inside Saturday The only way to get a look behind the scenes of the Saturday magazine. Sign up to get the inside story from our top writers as well as all the must-read articles and columns, delivered to your inbox every weekend. after newsletter promotion 'I think it gained its nickname after it was in a Transformers movie,' he says. 'It's a residential building, but downstairs there are shops, cafes and wet markets. Because of the pandemic, it felt like I had the place to myself. I set a timer, put the phone down and used the wide-angle lens to get the shot.' Cheng later applied minor adjustments using the Lightroom app. 'I hope that people would be amazed at how dense this vertical city is,' Cheng says. 'Space is so limited that the only way to build is up.'