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Cardi B announces release of new album Am I The Drama?

Cardi B announces release of new album Am I The Drama?

Wales Onlinea day ago

Cardi B announces release of new album Am I The Drama?
Posting on Instagram, the 32-year-old, whose full name is Belcalis Cephus, shared the news that she will be releasing her new album, Am I The Drama?, on September 19.
Cardi B
Hip-hop star Cardi B has announced the release of her first album in seven years.
Posting on Instagram, the 32-year-old, whose full name is Belcalis Cephus, shared the news that she will be releasing her new album, Am I The Drama?, on September 19.

This will be the US rapper's second studio album and the first released in seven years since her Grammy Award-winning debut record, Invasion Of Privacy.

Posting the album cover on her Instagram page, the singer said: "AM I THE DRAMA? My new album is out September 19th!"
Fans flooded the comments section to show their support, with some posting fire emojis, while others wrote "let's gooo".
The hip-hop star rose to fame on VH1's Love & Hip Hop: New York before she launched her solo music career.
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She has since been nominated for 10 Grammy Awards and secured her first in 2019 for best rap album for Invasion Of Privacy.
The album included hit songs Bodak Yellow and I Like It featuring Bad Bunny and J Balvin and reached number five in the UK album chart.
The rapper has continued to be a prominent name in the industry by releasing hit collaborations, including joining Maroon 5 for 2018's Girls Like You and Megan Thee Stallion for 2020's WAP, which reached number one in the UK singles chart.
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She also featured in a few songs with the rap group Migos, which her former partner Offset is part of.
The pair share three children together, Kulture and Wave, as well as Blossom, who was born in September.
The rapper has filed for divorce from Offset and is seeking primary custody of their children, according to the Associated Press, citing court records.

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I've had the real Mamma Mia romance & am madly in love with a Greek waiter – now we're living together
I've had the real Mamma Mia romance & am madly in love with a Greek waiter – now we're living together

The Sun

time2 hours ago

  • The Sun

I've had the real Mamma Mia romance & am madly in love with a Greek waiter – now we're living together

A SINGLETON'S family holiday became a 'Mamma Mia story' when she hooked up with the Greek waiter who poured shots in her mouth - moving there two months later. Beth Winstone jetted off to Zakynthos, Greece, with her mum and grandma in August 2023 and visited the restaurant her family had gone to every year. 12 12 12 12 The 23-year-old admits she was not looking to find love after coming out of a 'bad' relationship just months earlier but met Gabriel Alia while he worked as a waiter at his uncle's restaurant. Beth said Gabriel, 25, took her out for a drink on the third night of her holiday, and she fell in love instantly, meeting with him every day for the remainder of the trip. But when Beth returned to the UK, she said she got a flight back to Greece only two weeks later to see Gabriel as she didn't want to be apart. The Greek waiter 'asked Beth to be his girlfriend', and the two have been inseparable since, with Beth claiming she has found true love and that Greek men are 'different' to British men. The content creator said Gabriel bought her drinks and danced with her, helping her to 'get out of her shell' after her breakup. Beth, from Birmingham, West Midlands, said: "In August 2023 my grandad died and my gran had already booked to go to Zante and I booked at the last minute, a month before we were meant to go. "We went back to [a] restaurant [that the family liked to visit] and that's when we met. I was previously in a relationship, it ended and it mentally destroyed me, it was really bad. "I had absolutely no expectations in my head, I didn't want to speak to anyone ever again and then that happened. "When we were in the restaurant, I was just sat there oblivious because I wasn't looking for anything. He kept trying to speak to me and asked if I ever smiled because apparently I had a moody face. "It just went from there, he took me out on the third night of the holiday for a drink. After that, we'd see each other every day of the holiday, in the night after he finished work. "When I got back home, two weeks later I flew back out on my own for five days, because he was still working. "I came home and two days later at 2am in the morning I bought tickets for a flight from Manchester to Zante at 6am. I surprised him, he didn't know I was going. "The first time I went back after two weeks he asked me to be his girlfriend, but I was still a bit unsure because of the long distance. But I said yes, obviously. "It's the way he was with me, he'd made me laugh and stuff and take me out, not what most men do nowadays, he wanted to get to know me and meet my family and stuff, they loved him. It was meant to be. "Greek men are different from English men, let me tell you that. I definitely had a Mamma Mia story, that's what all my friends said. "The relationship is getting better and better, we haven't been apart a day since we met. He is the love of my life." 12 12 12 12 In the hit Mamma Mia film, starring Meryl Streep and Amanda Seyfried, strong-willed Donna Sheridan (played by Streep) goes on holiday to Greece and has a summer of romances - resulting in the birth of daughter Sophie (played by Seyfried). After going back and forth between Zakynthos and Birmingham, the couple now live together in the UK with Gabriel working for Beth's dad at his scaffolding business Beth said: "I went back to Greece in October with my mum and nan, I quit my job as a waitress and then moved there for a whole week. "Once summer season finished in Greece he flew back to England with me to meet my dad. 12 12 "We moved back to Greece in November, we got a house in Zante, and then after Christmas we decided to move back to the UK because it was really hard for me to find a job there in the winter. "We tried both and we decided we like it here more. "I moved over there just after two months of meeting him but I knew it was something, and it was. "I absolutely didn't expect to be with a Greek man at all, I was just going on holiday with my mum and gran and my cousin, it all just happened so fast." Beth explains she had been visiting Zante with family since 2012 and had met Gabriel before when she was younger, but had not recognised him. Beth posted her and Gabriel's story on social media, in a video that has gathered more than 500,000 views. One commenter said: "Greek men are built different, you'll be together forever." Another said: "Marry him & move back to Greece." A third said: "I witnessed a true love story." What is Mamma Mia about? MAMMA Mia! is a musical romantic comedy film released in 2008, directed by Phyllida Lloyd and based on the hit 1999 stage musical of the same name. The story is set on a beautiful, fictional Greek island, though it was filmed on location in Skopelos, Greece. The film features the iconic music of ABBA, with songs written by Benny Andersson and Björn Ulvaeus, who were also involved in the film's production. The film stars Meryl Streep as Donna Sheridan, a spirited single mother, and Amanda Seyfried as her daughter Sophie, who secretly invites three of Donna's former lovers—played by Pierce Brosnan, Colin Firth, and Stellan Skarsgård—to her wedding, hoping to discover which one is her real father.

The Original by Nell Stevens review
The Original by Nell Stevens review

The Guardian

time5 hours ago

  • The Guardian

The Original by Nell Stevens review

We become ourselves by copying others, whether dutifully or audaciously, in acts of homage or appropriation. What is education if not a prolonged process of copying, and isn't the same true, Nell Stevens asks in her latest novel, of falling in love? Suddenly besotted with another young woman, her protagonist Grace begins to wear her scarf at the side of the neck as her lover does, and to feel 'clearer and more deliberate and more like myself' as she does so. 'When we fall in love with a person, we fall in love with the copy of them, inexpertly done, that we carry around with us whenever they aren't there.' At its heart The Original has two strands of copying: both are preoccupations of the late-Victorian era the book is set in. There are the pictures made by Grace when she's brought, penniless, to her uncle's house aged 10 after her parents are sent to lunatic asylums (though her uncle and aunt may well be more dangerously mad than her loving parents). She copies her cousin Charles's paintings so well that he declares her a magician – or possibly a machine – and then she makes her way to secret independence by creating clever forgeries and then successful copies of famous works of art, from Van Eyck's Arnolfini Portrait to Velázquez's Rokeby Venus. And there is cousin Charles himself, who is lost at sea only to return 13 years later, possibly as a brilliant fake, his jaw a little too heavy but his voice and manner so perfectly attuned to the original that his mother welcomes him delightedly back into the household. All this is playing out in a book that is at once a fake – a copy of the Victorian sensation novel – and distinctly idiosyncratic, the original the title proclaims. Stevens is one of a generation of writers finding new ways to queer the Victorians, who were themselves already pretty queer by the late 1890s, when Grace begins to have sex with women. Stevens has written one memoir about not writing a novel and another about not writing a PhD thesis that were both rooted in fiction of the Victorian era; plus a novel, Briefly, a Delicious Life, about a ghost who falls in love with George Sand when she's in Mallorca with Chopin. Despite its fantastical elements, Briefly is a sleek, conceptual 21st-century novel; loosely plotted, it takes its bearings from the unfolding of Sand's own life. The moments of drama are made up of pianos arriving or failing to arrive, and doctors misdiagnosing patients. Stevens's new novel is quite different in its flamboyantly Victorian plot. There are acts of murder and theft and betrayal and a narrator who never quite knows if she's on the verge of total ruin or immense wealth and success. It's a risk, plotting luridly like this. One danger is that her talents will count for less than they did in Briefly, if the plot is so wilfully contrived. And her talents do lie in the realm of realism. Stevens is so casually magisterial at the hardest aspects of historical novel writing. These are bodies moving utterly convincingly through a world of solid objects: wet clothes prickling on skin; the thick, rotten smell of the Thames settling in the back of the throat; the shock of a lover's cold fingers. But, of course, all fiction is contrived, and indeed Stevens is so preoccupied by how jarring this can be that she's already written a book about failing to make things up. Now, having put realism aside, she's able to explore what the contrivance of art can tell us about the contrivance of life – the authenticity that may be found through faking. Grace finds herself, happily, shaking off the Victorian era and emerging into the 20th century. Soon, Duchamp will scramble all ideas of originality in art by exhibiting ordinary objects as masterpieces, and Auden will praise man as 'the only creature ever made who fakes', urging poets to write lavishly and make 'a rare old proper hullabaloo' in their verses. Throughout, the more Victorian-plotted chapters are interspersed with aphoristic lists of statements about copying, where some combination of Stevens and Grace declares that 'the value of the copy is in the copyist's powers of empathy' and that in preserving, recycling and disseminating, the copyist engages in 'an act of tremendous generosity'. Generosity and love are what have been lacking in the house where Grace and Charles grew up; they find them through copying, accepting fakery as part of homage. The kind of porousness required by love may require us to bleed into each other in ways that make any notion of originality questionable. In book after book, Stevens is showing herself to be that rare thing: a writer who we can think alongside, even while she's making things up. All the confection here in the end helps us to appreciate the steely and witty mind that seems, four books in, to have learned to delight in that hullabaloo of fakery. Lara Feigel is the author of Look! We Have Come Through! Living With DH Lawrence. Sign up to Inside Saturday The only way to get a look behind the scenes of the Saturday magazine. Sign up to get the inside story from our top writers as well as all the must-read articles and columns, delivered to your inbox every weekend. after newsletter promotion The Original by Nell Stevens is published by Scribner (£16.99). To support the Guardian, order your copy at Delivery charges may apply.

Taylor Swift and Travis Kelce make red carpet debut
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Taylor Swift and Travis Kelce make red carpet debut

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