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Every actor who's played Lex Luthor, ranked from worst to best, including Nicholas Hoult

Every actor who's played Lex Luthor, ranked from worst to best, including Nicholas Hoult

When you think of comic book villains, the Joker would likely come to mind first.
After a few tries, you'd no doubt get to Lex Luthor, the bald baddie obsessed with taking down Superman — and that would bug him to no end.
What makes Lex a compelling villain is that, despite having the most powerful hero of all time as a nemesis, he's actually a worthy opponent. His intellect, wealth, and enormous reserve of hatred for our favorite Kryptonian are more than enough to concern Superman time and time again.
In every version of on-screen Superman (or Supergirl), there has been a Lex, including in the latest film, "Superman," starring David Corenswet as Clark Kent and Nicholas Hoult as Lex Luthor.
We've gone through every major version of Lex — sorry, to the extensive list of animated DC TV movies, but we'd be here all day if we included them — and ranked them from worst to best.
Here's how Hoult stacks up to every Luthor before him.
13. Ike Barinholtz ('The Lego Movie 2: The Second Part,' 2019)
Due to the nature of his time on screen — essentially a cameo as a brainwashed version of Lex, who was friends with Superman and the rest of the Justice League — Barinholtz's version of the character is at the bottom of this ranking.
But we'd like to see Barinholtz take another crack at it. Please give us a sequel to "The Lego Batman Movie," Warner Bros.!
12. Lyle Talbot ('Atom Man vs. Superman,' 1950)
This is the first on-screen depiction of Superman's greatest foe, just 10 years after his comics debut — and before his background was revamped for the Silver Age of comics in 1960.
Therefore, Talbot's version of Lex is just too different from the character we've come to know and love (to hate) over the last 65 years.
This serial is fun, though, for any fan of Superman who wants to be a completionist.
11. Titus Welliver ('Titans,' 2022)
Welliver was in just one episode of "Titans" before the character was killed off, but he made an impression. However, his version of Lex can't be any higher because we barely saw it.
Welliver's performance, though, does have the inherent malice and manipulation skills needed to be a solid Lex. We just wish we'd seen more.
10. Jesse Eisenberg ('Batman v Superman: Dawn of Justice,' 'Justice League,' and 'Zack Snyder's Justice League,' 2016-2021)
Far and away, the most controversial portrayal of Lex is Eisenberg's version of him in the now-defunct DC Extended Universe.
The first issue? It takes him the entire movie to be bald. We just can't abide by that.
Secondly, Eisenberg's version of Lex is too motormouthed and manic to be intimidating. And his plan in "Batman v Superman" is too convoluted to be scary. Remember the jar of pee?
Eisenberg himself knows that he wasn't the most popular version of the character. "I was so poorly received," he told Dax Shepard on an episode of " Armchair Expert" in 2024. "I've never said this before and it's kind of embarrassing to admit, but I genuinely think it actually hurt my career in a real way."
9. Michael Cudlitz ('Superman & Lois,' 2023-2024)
Cudlitz popped up in the final two seasons of The CW show "Superman & Lois," which followed Supes and Lois on their journey as parents to twin teenagers.
His version of Lex is more of a brawler than some others and, weirdly, not that smart, which is a problem since his intellect is usually what makes him a formidable foe.
8. Jon Cryer ('Supergirl,' 2018-2021)
In a funny bit of meta-casting, Cryer was tapped to play this bald baddie 31 years after playing Lex's nephew Lenny in "Superman IV: The Quest for Peace."
However, Cryer (best known for his comedic roles in "Two and a Half Men" and "Pretty in Pink") just wasn't quite intimidating enough to be a plausible threat to Supergirl and the rest of the heroes from the Arrowverse.
7. Giancarlo Esposito/Lance Reddick/Wendell Pierce ('Harley Quinn' and 'Kite Man! Hell Yeah,' 2019-2025)
We're lumping the three vocal performances across the "Harley Quinn" and "Kite Man" universes together, since they're equally brilliant, but ultimately, Lex isn't a big enough character in the "Quinn"-verse to rate higher.
6. John Shea ('Lois & Clark: The New Adventures of Superman,' 1993-1997)
This version of Lex brought the idea of Clark/Superman and Lex as romantic rivals to our TV screens, as both were in love with Lois Lane (Teri Hatcher), a plot that was also used in "Smallville."
Shea was only a series regular for the first season of "Lois & Clark," so we didn't get to see much of the arc between Superman and Lex, but he was a suitably sinister Lex.
He was also quite believable as a snarky businessman, a key part of the character.
5. Kevin Spacey ('Superman Returns,' 2007)
Spacey's performance as Lex is another controversial one, as he was supposed to be a continuation of Gene Hackman's version of the character (more on that next), but the two weren't all that similar.
Spacey's version of Lex has more barely suppressed rage than Hackman's, and while he might be even hammier than his predecessor, we'd argue that he's almost as compelling.
Two scenes of Spacey's stand out to us. First, when Lex is demonstrating his evil plan to his team on the model town, and he slowly disappears into the darkness. It's genuinely eerie stuff.
Second is when he's captured Lois on his megayacht, and he's begging her to say that Superman will "never let you get away with this!" … only to scream "WRONG" in her face.
3. Gene Hackman ('Superman,' 'Superman II,' and 'Superman IV: The Quest for Peace,' 1978-1987)
Hackman, who played Lex across three movies, is still probably the best-known and beloved version of the character. He's a perfect foil to Christopher Reeve's Boy Scout-esque version of Superman — while Superman is selfless, Lex is only interested in the bottom line.
Our only knock is that Hackman's performance gets campier and more outsized as the movies go on, capped off by the abysmal "Quest for Peace."
But if we limit his performance to the first two films, Hackman belongs on the comic-movie-villain Mount Rushmore.
4. Nicholas Hoult ('Superman,' 2025)
Yes, he might be new, but Hoult's version of Lex is an all-time, No. 1 Hater of Superman, which is really what the character boils down to. He just hates Superman's guts and everything he stands for.
Hoult is also perfectly calibrated to director James Gunn's wild and wacky tone, so his over-the-top moments don't stand out. And, while a bit silly, he manages to be quite menacing throughout and unafraid to get his hands dirty to take down the Man of Steel.
There's a speech Lex makes in this movie that also explains why he hates Superman so much: He's jealous of him. That might be a simple idea, but it's not one we've seen depicted on screen many times.
2. Clancy Brown (The DC Animated Universe, 1996-2006)
One of two Lex Luthors who played their character for a decade, Brown's vocal performance as Lex is a standout in an animated universe that's filled with iconic performances (Kevin Conroy as Batman, Tim Daly as Superman, Mark Hamill as the Joker, Dana Delany as Lois — we could go on…).
Brown's version of the character is never anything less than cool. He's smart, he's rich, he's got an iconic lair surrounded by an aquarium of sharks, and we wouldn't want to cross him. What more could you ask for from Lex Luthor?
1. Michael Rosenbaum ('Smallville,' 2001-2011)
Are you surprised? Rosenbaum had seven seasons (plus a series finale cameo) to build his characterization of Lex. He starts the show as one of Clark's friends and ends it as his biggest enemy (and also the president of the United States, somehow).
We got to learn about Lex's tortured relationship with his father, his insecurities about his intellect, and his insatiable curiosity.
It's the most fully realized version of the character, and for that reason, Rosenbaum ranks No. 1.
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Warner Bros. to layoff 52 people in Motion Picture Group
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Warner Bros. to layoff 52 people in Motion Picture Group

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‘Fantastic Four' Won Grownups But Lost Kids And Families To ‘Superman'
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‘Fantastic Four' Won Grownups But Lost Kids And Families To ‘Superman'

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McDonalds won the burger wars because they have Happy Meals, costumes, and playgrounds. They won the kids first, because they knew the kids would make sure (including with tantrums if necessary) that if the family went out to eat, they went to McDonalds. The result speaks for itself, with McDonalds behind only Starbucks for market share when it comes to eateries. Win the kids' bellies, and their parents will follow. Because even weak burgers and fries with cold sodas still tastes good to kids, so add in 'free' toys and cookies in a cartoon box, and how can anyone else compete? All you need to do then is have some burgers for their parents, too. Again, quality matters less to a captive audience, right? And it gets easier to make that choice every time, especially if they've even got breakfast for you on the way to school or work, too. 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We're talking about the top of the box office charts of course, and the race for blockbuster results, so there will still be plenty of lower-tier movies and series produced. But I think the days of superhero cinema dominating the top-10 and having reserved seats in the top-5 are over, except for those occasions when the right template is applied (made for kids, also has something for adults) with a popular enough character/star that great audience grades and equally positive critical reviews generate massive turnout and repeat business from families, in turn spurring big turnout among teenagers and childless adults. Fantastic Four, Superman, And Superheroes' Future Aside from Avengers or other event-status team-ups like Deadpool & Wolverine, I doubt superhero movies will even return to semi-regularly hitting $1 billion or just a stone's throw away. Instead, animated films and live-action remakes/adaptations of beloved animated movies/series/games will probably dominate box office charts now, while superhero cinema only cracks the top-10 with a couple of the best offerings from DC and Marvel, respectively, and most entries that seem to lean toward adult audiences still have heavy appeal to kids as well as the teenage audience. The direct appeal toward the child audiences with clear indicators for parents to attend as well. If it's too kid-focused and overtly lacks any potential adult appeal, there's risk only one parent or a babysitter takes only a few of the kids, instead of both parents and all children in the household – family audiences rule and the kids are in charge, basically. Marvel always had a balance between being kid-friendly superhero fare and appealing to the grownups with smart, witty storytelling and well-defined characters in exciting stories with cool visual effects. Eye candy that isn't so unhealthy after all. But over time, as often happens, the films 'grew up' more with the audience and sometimes felt like they were far more adult-skewing and counted on the kids to keep up because it's still their favorite superheroes. I love most all of those films, but I realize the more they favor adult themed and adult-focused approaches, the less they can count on their reputation as family-friendly and assumptions of 'something for everybody.' It may seem like a mild shift in perception and intent, but it's not, and even when audiences can't put their finger on it or articulate it precisely, they can sense the changes and shifts. They can tell when a story is talking mostly to them, mostly to their kids, or is treating them all like one big family. Each has advantages, and the better the quality of the storytelling and the offerings for kids and adults alike, the better the odds of success. But blockbuster success is going to require the latter two from now on, even if and when exceptions inevitably arise to prove the rule. This isn't 'superhero fatigue," it's simply that unless the superhero movies keep up with the demands of audiences and their families, the genre will have to settle for the lower-end of the top-10 at the box office, and make adjustments to budgets and expectations. Which was always bound to be true, and the post-Avengers: Endgame slump was mostly due to the simple fact it's impossible to maintain that level of anticipation and perpetual self-one-upsmanship the MCU achieved for a brief time. The decline isn't failure, and they'll still be popular and can achieve blockbuster outcomes in the second tier pretty consistently. It will merely be the top tier that I expect will prove elusive from now on. Fantastic Four will probably underperform significantly, like the previous two MCU releases, and Superman will probably wind up at the higher end of the $600 million range. Both are wonderful films with different approaches, and my comparison to McDonalds is about the conceptual appeal to kids and counting on them to bring the parents along, not to suggest films that are currently winning the box office race are cheap or otherwise 'fast food' per se. Yet despite Fantastic Four and Superman, I fear that 'fast food' is too often precisely how studios perceive and approach kids' entertainment, and that they will revert to the worst instincts of profit-driven commodification more and more. So aside from loopholes like Avatar and Deadpool & Wolverine, parents will have a hard time driving the family car anywhere but to the latest Happy Meal Movies.

The AI-Altered ‘Wizard Of Oz' Controversy, Explained
The AI-Altered ‘Wizard Of Oz' Controversy, Explained

Forbes

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The AI-Altered ‘Wizard Of Oz' Controversy, Explained

Actors Bert Lahr (1895-1967), Jack Haley (1897-1979), Ray Bolger (1904-1987), Judy Garland (1922-1969) and Margaret Hamilton (1902-1985) in costume during a scene from the film 'The Wizard of Oz', 1939. (Photo by Silver) Getty Images An AI-altered version of The Wizard of Oz created for the Las Vegas Sphere has ignited backlash online, with film fans describing the changes as 'vandalism.' As generative AI slowly creeps its way into the film industry, one tendril at a time, the alteration of an iconic film struck many commentators as incredibly invasive. In April, Warner Bros. announced that an altered version of The Wizard of Oz (1939) would play inside the Las Vegas Sphere, with the help of Google's engineers—alterations to the film are estimated to have cost $80 million dollars. The Las Vegas Sphere is something of an absurd object, even for Vegas, a gargantuan metal dome wrapped in LED screens. Surreal images of the Sphere regularly go viral on social media (the Sphere's transformation into a giant emoji is particularly popular). The interior of the Sphere offers an unusually immersive experience for viewers, featuring a curved 160,000-square-foot screen, towering over a 17,600-seat theater. Usually, the Sphere is limited to showing films shot specifically for its giant screen, but in order to bring The Wizard of Oz to the Sphere, AI was used to expand and alter the original film. Google's engineers worked on expanding the aspect ratio, smoothing out the film grain and even adding new background details. Rather than multiplying the existing pixels on screen, Google's generative AI tools created new pixels to increase the definition and scale of the film. While the AI-altered version of the film exists only to be screened in the Las Vegas Sphere, the sight of the artificially expanded land of Oz made commentators uneasy. AI-Altered 'The Wizard Of Oz' Sparks Backlash Shots from the AI-enhanced Wizard of Oz were shared on social media, and baffled many film fans, as intentionally blurry backgrounds had been sharpened, and an AI-generated doppelganger of Uncle Henry had been generated to fill empty space beyond the frame. On X, one commentator offered sarcastic praise, writing: 'I think this is a wonderful idea. Like everyone, I'd been wondering my entire life what Uncle Henry was doing over by the window while Aunt Em argued with Miss Gulch, and finally we know. He was standing there.' Film critics didn't hold back, with many expressing deep disappointment that the original, carefully considered shots of The Wizard of Oz had been altered. While most of the altered shots have the shimmery, glossy sheen of generative AI, the biggest casualty might be the film's glorious hand-painted backdrops, which add to the otherworldly atmosphere of The Wizard of Oz . The Sphere's AI-expansion has changed these backdrops into sprawling, photo-realistic landscapes, making the magical Land of Oz look like just another place—Dorothy might as well have stayed in Kansas. The controversy parallels a widely mocked trend that briefly arose during the early days of generative AI, in which iconic works of art were 'improved' or enlarged using the technology. This led to strange sights, like the AI-generated expansion of the Mona Lisa, creating a bizarre alien landscape. While the Sphere's version of The Wizard of Oz is far from the first time that a classic film has been tinkered with, the fact that AI was used to not only alter existing shots, but generate new imagery beyond the frame, sparked serious concerns. The word "vandalism" appears in many of the critical comments— The Wizard of Oz is viewed as one of cinema's most sacred objects, and film fans do not like to see it being tampered with. Another classic film, Jurassic Park , contains a quote which has proved prescient in the age of generative AI: "Your scientists were so preoccupied with whether or not they could, they didn't stop to think if they should." MORE FROM FORBES Forbes How 'Wicked' Connects To 'The Wizard Of Oz' By Dani Di Placido Forbes Cynthia Erivo's 'Wicked' Poster Controversy, Explained By Dani Di Placido Forbes 'Wicked'—Ariana Grande And Cynthia Erivo's 'Holding Space' Meme, Explained By Dani Di Placido Forbes Fortnite's AI-Generated Darth Vader Controversy, Explained By Dani Di Placido

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