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5G-Connected Tires Being Used to Facilitate Road Repairs

5G-Connected Tires Being Used to Facilitate Road Repairs

Newsweek15-07-2025
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources.
Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content.
Drivers know about potholes, frost heaves and pavement erosion long before the government organization in charge of the roads does. In Italy, that timing is becoming more equal.
The Apulia (Puglia) Regional Government launched a pilot project with Pirelli to test the company's Cyber Tyre functionality, mapping the area's road network and increasing safety. The project aims to create a "state of health" for the region's roads.
Pirelli's Cyber Tyre gathers data via an embedded sensor and then transmits it to the car's electronic control unit using 5G technology. The data is then transferred to onboard devices, like an infotainment screen.
Three Pirelli tire lines feature the Cyber technology: Pirelli P Zero (PZ4), P Zero Corsa and P Zero Winter. Cyber-enabled tires are distinguished by a "C" on the sidewall.
Work in progress in the highway the text reads 'Reduce speed because there are Men at Work' in Italian.
Work in progress in the highway the text reads 'Reduce speed because there are Men at Work' in Italian.
iStockphoto/Getty
The data the tires transmit will be paired with data collected by Univrses technology via cameras on the test vehicle. It is the first project in the world that is capable of unifying the two types of data.
"The Apulia Region is proud of this forward-looking agreement, as we always are when it comes to ensuring the safety of citizens. Technology can save lives. In this case, it will be useful as a thermometer of the state of health of our roads," President of the Apulia Region, Michele Emiliano, told Newsweek.
"When you systematize factors such as innovation, intelligent and long-term planning, the exchange of best practices with a historic Italian and world tyre company, the result is an historic agreement, which does not entail any charges for the Region and I am sure will bring significant results," he continued.
The cars for the project have been supplied by Ayvens, a rental company that offers long-term rental services and fleet management. They are on the Apulian roads collecting data today.
"For Pirelli's digital development, Apulia is becoming an important center of excellence, fully integrated with our other research hubs around the world. At the heart of this innovation and the related activities lies the Cyber Tyre technology: this hardware and software system not only enables a connection between the road surface and the vehicle's control systems, but also allows for precise analysis of road infrastructure conditions, contributing to increased road safety," Marco Tronchetti Provera, executive vice chairman of Pirelli, told Newsweek.
The project is preparing Pirelli for the connected technology that will rule the day in tomorrow's smart cities. "In the future, Pirelli Cyber Tyre will also be able to provide essential information in anticipation of the advent of smart cities, communicating with the surrounding environment and other vehicles through 5G connectivity," the executive said.
Highway with the signs of the locations of Southern Italy Naples Salerno Reggio Calabria Pescara and Bari with several cars running.
Highway with the signs of the locations of Southern Italy Naples Salerno Reggio Calabria Pescara and Bari with several cars running.
iStockphoto/Getty
Pirelli has long-standing business interests in the Apulia Region. Part of its research and development team works out of Bari in the Digital Solutions Center, a software factory focused entirely on digital innovation.
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The company offers collections through its retail galleries, sourcebooks and online at and FORWARD-LOOKING STATEMENTS This release contains forward-looking statements within the meaning of the federal securities laws, including statements regarding the following: RH Montreal being an immersive retail experience that seamlessly integrates RH's luxury home furnishing collections with rare art, antiques and artifacts from across the globe; the Rooftop Restaurant & Park offering a thoughtfully curated menu of enduring classics featuring the freshest ingredients, simply and elegantly prepared; the RH Interior Design Atelier offering clients an unprecedented level of professional design services; and any statements or assumptions underlying any of the foregoing, and similar statements. You can identify forward-looking statements by the fact that they do not relate strictly to historical or current facts. 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When Prada sent several pairs of brown sandals with distinctive toe rings and intricate stitching down its menswear runway in Milan last month, observers were quick to point out their resemblance to a centuries-old piece of Indian heritage. The storied Italian fashion house may have presented the shoes as a new luxury creation, but many in India simply saw a pair of Kolhapuri chappals — traditional hand-crafted sandals with roots stretching back to the 12th or 13th century. Prada's initial failure to acknowledge the inspiration behind the shoes, which had earlier been described by the brand simply as 'leather flat sandals,' according to the Guardian, sparked fierce and ongoing debate over cultural appropriation. Critics accused the label of erasing the legacy of Indian artisans, with voices across social media calling out what they saw as blatant design theft. 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Some of these brands are 'adapting beautifully,' Gupta said, but the 'real disconnect happens when brands view India as a commercial opportunity rather than a cultural dialogue,' he added. 'The Indian buyer wants to feel seen. It's no longer enough to just open a flagship in Mumbai, you need to speak the emotional and visual language of the market.' Indian inspiration is as essential to Western fashion as pajamas and Madras plaid. But accusations of cultural appropriation have intensified in recent years due to the growth of internet access in the country, the rise of social media platforms and a surging sense of cultural pride. 'A lot of Indian people, including designers and artisans, are aware of their rights,' said Toolika Gupta (no relation), director at the Indian Institute of Crafts and Design (IICD) in Jaipur, in an email, adding: 'They want acknowledgement of their legacy.' In 2019, fashion house Gucci sparked controversy with its 'Indy Full Turban,' sold for $790 on Nordstrom's website. The blue headpiece closely resembled the traditional Sikh turban, prompting backlash from Sikh communities in India and elsewhere. It was eventually removed from the website, with Nordstrom quickly apologizing amid the backlash. Just this year, the clothing company Reformation was criticized for selling a blouse, skirt and scarf that reminded many South Asians of the lehenga, an Indian garment consisting of a long skirt, top and a dupatta (scarf), a staple of Indian fashion for centuries and typically draped across a woman's chest. Some took issue with Reformation's lack of acknowledgement for the garment. One TikTok user joked: 'My girl is about to go strut the streets of India… Give credit where credit is due, this is literally a lehenga with a dupatta.' She also noted that the pastel-colored blouse, skirt and scarf were strikingly similar to lehengas worn by Bollywood celebrities in the early 2000s. In a statement to The Washington Post, Reformation said the design in question was inspired by a 1990s-era John Galliano gown and scarf set owned by the model Devon Lee Carlson, with whom it collaborated on the collection. just my thoughts on these pieces from the ref x devon collab #greenscreen #reformation #browngirl #browngirltiktok #lehenga #dupatta #devonlee #fashion #springfashion #indianoutfits #southasian #southasianfashion #jhumkas #ibizaoutfits #scarves H&M, meanwhile, recently came under fire for a sleeveless sheer 'long camisole' top and trouser set that many social media users likened to the salwar kameez, a traditional Indian tunic and pant. In a statement to CNN, H&M said the design took 'inspiration from current fashion trends like dresses layered over pants and the popularity of sheer pieces, as well as various plays on transparency and movement.' It's not just labels that have sparked controversy. Frustration spilled onto TikTok last year after the fashion rental company Bipty posted a now-deleted video featuring White women wearing sheer shawls draped across their chests, describing the look as 'very European effortlessly chic.' South Asian users on the platform immediately noted the similarities between the shawl and a dupatta. Many posted their own videos draping dupattas and mockingly dubbing them 'Scandinavian scarves,' using humor and irony to highlight the apparent erasure and misrepresentation of Indian heritage. Bipty did not respond to CNN's request for comment. 'With Instagram receipts and Gen Z rage, the tolerance for bad takes is zero,' the anonymous commentator behind the popular Instagram account Diet Sabya wrote in an email to CNN. (Diet Sabya, which draws inspiration from the established social account Diet Prada, often highlights fashion industry missteps, including cultural appropriation.) 'What once went unnoticed or unchallenged is now getting called out in real-time,' the email added. 'Someone in Delhi has the same access to discourse as someone in London. So, when a show uses a sacred motif incorrectly, the backlash is fast, loud and fully deserved.' High fashion's relationship with Indian artisans stretches back to at least the 17th century, when Europe's royal tailors sought out textiles like cotton and silk from the subcontinent. Over centuries, this cross-continental exchange has transformed Indian motifs from prized curiosities into ubiquitous elements of Western style. According to IICD's Gupta, textiles such as chintz and paisley are deeply rooted in India's rich artistic traditions and have long inspired global fashion, though their origins are now frequently overlooked. But India is not just a source of inspiration for luxury fashion — it's also an integral part of its supply chains. Today, a significant segment of the industry's manufacturing is outsourced to ateliers, embroiderers and textile producers in India. Yet, despite Indian artisans' foundational role, their creations are often shipped to Europe for final assembly and can thus be labeled as being 'made' in Europe. This kind of erasure, according to Imran Amed, founder, CEO and editor-in-chief of the industry publication The Business of Fashion, has 'reduced India to a manufacturing hub while Europe gets the cultural and economic credit.' 'In India, where craft is livelihood for millions, this distinction matters even more. It's not just about symbolism — it's about economic justice and dignity,' he said via email. The backlash Prada faced 'wasn't just about a sandal,' Amed added. 'It was a broader reaction to a long history of erasure and under-acknowledgment.' Homegrown designers are helping to change things. Indian fashion is having a striking impact on red carpets worldwide — and not only on the backs of Bollywood stars. Western celebrities are increasingly embracing Indian designers, too. Cardi B wore a custom-made, electric blue, hooded sculptural gown by Gaurav Gupta to the 2023 Grammys, while Zendaya walked the carpet in a shimmering, hand-embroidered blue sari gown by Rahul Mishra at a high-profile event in Mumbai months earlier. Kim Kardashian, meanwhile, has worn designs by the likes of Manish Malhotra and Sabyasachi Mukherjee, who last year became the first Indian fashion designer to attend the exclusive Met Gala in New York. 'It's a powerful shift, almost like we're reclaiming our own narrative,' Gaurav Gupta told CNN. 'Designers from India are now presenting on the global stage not as 'ethnic' alternatives, but as innovators with our own language, our own shapes, our own ideologies. We're not adapting to fit in anymore; we're expressing to stand out.' For many Indians, the Kolhapuri chappals that Prada said it was 'inspired' by represent the ingenuity and artistry of Kolhapur, a historic city nestled in the country's western Maharashtra state. Typically crafted from locally sourced buffalo hide and tanned using traditional vegetable dyes, the sandals could effectively withstand the relentless heat and rugged terrain of the Deccan Plateau. The distinctive toe loop, which is attached to the T-strap, helped keep them close to the wearers' feet. Cutting across generational and social divides, the Kolhapuri chappal embodies both the enduring spirit of rural India and a bridge to contemporary fashion. The shoe is protected by a coveted 'geographical indication' tag — like the one ensuring Champagne is only produced in France's Champagne region — that, in theory, safeguards this symbol of Indian heritage from copycats. 'It's something truly Indian,' said Shubhika Sharma, the prominent Indian fashion designer and founder of the label Papa Don't Preach, in a video interview. Prada's initial failure to acknowledge the Indian artisans behind the design amounted to a 'missed opportunity for Indian craftsmanship,' Sharma added. About 10,000 artisan families in Kolhapur are engaged in the chappal trade, according to local media reports, though many of them struggle in poor conditions and earn low wages. In India, Kolhapuri chappals can retail for as little as $5 or as much as $100, depending on the quality of leather and level of craftsmanship. While Prada's sandals had not hit the market at the time of last month's controversy, the luxury fashion house's shoes typically retail at prices ranging from $700 to well over $2,000. For Sharma, 'everything just boils down to respect,' she said. 'Was due respect given to the creator, to the person who originated it, to the culture that originated it?' Some Western labels have proven better at engaging with Indian audiences than others. In 2023, Dior made headlines by hosting a landmark runway show at Mumbai's historic Gateway of India, unveiling a Pre-Fall collection that celebrated the subcontinent's artistry. The collection featured Banarasi brocade, mirror work, tie-dye detailing, Nehru collars and kurta tailoring — motifs deeply rooted in Indian tradition and craftsmanship. Many of the embroideries and textiles on the runway were made by the Mumbai atelier Chanakya International, which was credited for its role. The show was widely hailed as a respectful homage, with Vogue India's fashion director Anaita Shroff Adajania describing it as 'a thank you to India.' Amed, from The Business of Fashion, meanwhile, called the collaboration between Chanakya International and Maria Grazia Chiuri, then Dior's creative director, as 'thoughtful… not performative,' adding: 'Chiuri hasn't just sourced embroidery from India; she's spotlighted the artisans, acknowledged the lineage of the craft, and in doing so, helped shift perceptions of where luxury value is created.' Similarly, last month, Nike launched its first collaboration with an Indian fashion label, the Delhi-based brand NorBlack NorWhite, unveiling a vibrant range of sportswear inspired by ancient tie-dye techniques. The move was broadly celebrated by social media users in India, a country in which Nike has long struggled to make commercial inroads. For Diet Sabya's founder, however, much more must be done to ensure genuine recognition for Indian talent and traditions. 'When India is being eyed as the next big luxury market, you can't keep treating it like an exotic pitstop,' they said. 'While a few brands are finally acknowledging us as the global textile powerhouse we are — it's still crumbs. Visibility is a start. But equity is the end goal.'

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