Mom Wonders If It Would Be ‘Rude' to Ask Neighbor's Child to ‘Stop Bothering' Her and Her Kid
A Mumsnet user shared that she's fed up with her neighbor's child
She wondered if she should tell the child to leave her and her son alone because the disturbances are making them uncomfortable
'Now I don't mind a chat, but this child is constantly interrupting our conversations or play,' the mom explained
A mom is on the fence about telling a neighbor's child to stop climbing over her fence to incessantly interact with her and her son.
The woman described her dilemma on the community forum Mumsnet, explaining that the child is making her family 'very uncomfortable.'
'They are constantly listening out for the door to open or close and shout hello as soon as one of us comes out into the garden. Then they climb the fence to talk to us,' she wrote. 'Now I don't mind a chat, but this child is constantly interrupting our conversations or play — asking to come over to join us or asking where my child is and if he wants to play.'
'My son will often go inside because he gets no peace or let up from this child even when he says he does not want to play,' she noted.
Related: Resident Says Neighbor Karen's Yoga Classes Have Crept Onto His Lawn That She Calls 'Shared Nature': 'Am I Overreacting?'
Fed up with the unceasing disturbances, the woman wondered if she should tell the child to leave her and her son alone.
'The parents leave this child to their own devices a lot of the time, but even when they are in the garden they do not ask their child to get down and stop bothering us,' she added, before asking, 'What would you do in this situation? It's making us very uncomfortable, but we don't want to be rude.'
is now available in the Apple App Store! Download it now for the most binge-worthy celeb content, exclusive video clips, astrology updates and more!
Related: Woman Is 'Really Sad' After Neighbor's Child Picked Flowers from Her Front Yard: 'Every. Single. One. Has Been Taken'
In a Mumsnet poll under her post, 94 percent of voters as of May 5 picked 'You are NOT being unreasonable' as their voting option.
Many readers related to the mom's dilemma, with one person commenting, 'We have exactly the same situation. It's relentless. I say, 'Can you get down please, we're using our garden.' And he does. I don't care if I sound rude, they'll soon get the gist.'
Another commenter offered a more complicated solution.
'We had this. I used to tell the child we were having family time right now and my daughter would not be playing today,' the user wrote. 'I'd then ignore the child. If they tried to interact further I told them to go ask their parents to play with them if they were bored.'
'I eventually built a bigger fence was too big to look over,' the person said.
Read the original article on People
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Geek Vibes Nation
an hour ago
- Geek Vibes Nation
10 Most Difficult Arcade Games In History
If you think modern microtransactions are bad, try playing some classic arcade games sometime. Sure, the game might only cost a quarter or 50 cents, but that's just the starting price. Once you run out of lives, you'll have to refill the machine. In theory, you could complete an arcade game for just a quarter. In reality, it would take weeks or months of practice. It was not uncommon to spend £20, £50 or even more to see the ending of some old arcade games. And, of course, that was just for one playthrough. Yes, classic games were very different from what we have in the 21st century with its multitude of mods and options. But even considering that these games were designed to squeeze as much money out of you as possible, some of them. 10. Robotron: 2084 Smash TV is a notoriously tough game, and it becomes even more difficult when using two joysticks — a setup popularized by its spiritual predecessor Robotron: 2084, developed by the same Eugene Jarvis. From the moment you start, Robotron throws waves of enemies at you from all directions, filling the screen with chaos and projectiles. Combine that relentless action with 40-year-old visuals that can blur what's actually happening, and you've got a game that was punishing back then — and nearly impossible for modern players used to cleaner design. The controls are complex, and in many emulated versions or console ports, they become even trickier to handle. Still, for those who enjoy pure arcade challenges, it's a nostalgic masterpiece. And for gamers seeking instant thrills and fast-paced action, there are modern alternatives too — from twin-stick shooters to bonus-based online games like those found at Richard Casino app download, which deliver quick, rewarding gameplay in a very different (but equally addictive) form. 9. Defender Side-scrolling shooters have always been known for their high difficulty. This was true of the very first game in the genre, Defender. In theory, it should have been a simple mission. Shoot the alien invaders and save the astronauts. But the enemies attack quickly and become increasingly unpredictable. And the hyperspace function does not guarantee safety. It can move you to a more advantageous part of the screen or lead to instant death. But for the most part, Defender is at least honest. Your first few attempts will most likely result in a quick defeat, but practice can lead to pretty good results. And death is usually the result of your own stupid mistakes, not unfair AI—kind of like playing a kenku DnD, where creative limitations force you to think more carefully rather than rely on brute force. 8. Zaxxon As we've seen, when games start experimenting with new ideas, they tend to become much more difficult than the games that inspired them. Zaxxon is actually one of the first games with an isometric perspective. This gave it a truly unique look that helped it stand out in crowded arcades (and which is still relevant today), but it also meant that players now had to keep track of their height and position to avoid certain obstacles. Add to that the fact that your ship is constantly moving forward at a speed that is impossible for you to comprehend (and that you can run out of fuel), and it's easy to see why so many playthroughs quickly end in disaster. Nevertheless, it's still a very fun and unusual game. 7. Storm Storm remains one of the most unique games ever offered by arcade machines. At a time when most developers were trying to replicate the success of Pac-Man or Space Invaders, its joystick controller and vector graphics (an early attempt at first-person gameplay) stood out as something completely new for the era. 'Storm' is more like a psychedelic experience than a traditional arcade game. The unique gameplay is one source of difficulty, but there is also a lot of content here, and it's easy to get lost if you try to complete all 99 levels (and even more). Of course, you can choose which level to start with, but that won't help much if you don't have the skills to take on the game's ruthless enemies. 6. Ultimate Mortal Kombat 3 Fighting games have always been known for their short story modes. If you're good at them, you can get through most of them in 10-15 minutes. Therefore, early arcade fighting games had a solution that ensured most players would continue playing: absolutely brutal, blatantly unfair difficulty. Playing Ultimate Mortal Kombat 3 is like playing a slot machine. You only win when the AI randomly decides it's time for you to win. To be honest, you'll probably defeat the first couple of opponents without much trouble, but around the third match, the computer will turn into Agent Smith from The Matrix and resist everything you throw at it as soon as you make a move. It's silly and manipulative. Fortunately, such tricks are much less common now that fighting games have left arcades. 5. Missile Command Missile Command remains one of the most intense games despite its apparent simplicity. You control three anti-missile batteries. But the incoming missiles are unstoppable, and your ammunition is limited. Of course, you can stop some of these missiles, but not all of them. You will never be able to stop them all. A devastating defeat is inevitable. The only question is how soon it will come. A handful of experienced players have completed all 256 levels of Missile Command; it takes hours (a lifetime in arcade game terms). Most players don't even come close. After all, the goal of Missile Command is not to win, but to resist the inevitable for as long as possible. 4. Stargate Stargate is a sequel to Defender, also known as Defender II in some versions, so that should give you some idea of the difficulty level. While the basic gameplay remains the same, everything now happens even faster, and new enemies have more chaotic attack patterns and even homing attacks. But what really makes Stargate such a challenging game is that no matter how much time you spend learning the game, pattern recognition will only help you so much. This is one of those games that tries its hardest to push your hand-eye coordination to the limit. If you lack skills in this area, you will always struggle to get a high score. 3. Ghosts 'n Goblins What list of difficult games would be complete without Ghosts 'n Goblins? The NES port may be more well-known these days, but the franchise actually began with arcade machines. The original arcade game is just as incredibly difficult as its console version. In fact, it may even be more difficult, as there were no cheats for this version of the game back in the day. You were either good enough to beat the game or you died. A lot. And you just kept paying to keep playing. Although this game is more 'fair' than other arcade games, it is still designed to make you spend as much money as possible. Two hits kill you. Enemies appear randomly from all sides. Projectiles can fill the entire screen, and you have to perform many difficult jumps. And you have to go through all of this twice to see the real ending of the game. Good luck. 2. Gravitar The lead developers of Gravitar have publicly admitted that they cannot complete even the most difficult levels and certainly did not expect players to be able to do so. That alone should tell you almost everything you need to know about the incredibly high level of difficulty. Everything in this game is designed to test your patience. First, there's the engine controls. Yes, Asteroids was a pioneer in this area, and many gamers were familiar with this type of control when Gravitar came out, but it's still considered very sensitive. Then you have to consider how important gravity is to the gameplay. Wherever you go, it always pulls you somewhere, so you have to take that into account. But then Gravitar starts to mock you by adding reverse gravity and, eventually, invisible landscapes. In the end, you will experience the joys of reverse gravity in invisible landscapes. If it had a controller that could be thrown across the room, most players would have done so by that point. 1. Sinister 'Beware, I am alive.' These iconic words from Sinister have meant almost instant death for countless gamers over the years. In terms of gameplay, Sinister is actually one of the most innovative games of its time, although these innovations are what make it so challenging. You find yourself in an open space arena and must start collecting 'Sinibombs' by shooting at planetoid-like objects. This is the only weapon that can defeat Sinister when he awakens. Oh, and if you don't destroy it quickly enough, its minions will be able to regenerate. Although Sinister isn't actually on the playing field at the start of each level, it quickly assembles itself. When he's ready, he charges at you with the fury of an enraged grizzly bear. One hit and your ship is destroyed. Basically, everything works against you from the start to keep your score low and you keep putting quarters into the game. Rarely does a game last more than a few minutes.
Condé Nast Traveler
an hour ago
- Condé Nast Traveler
The Best Vegetarian Restaurants in London
Forget under-seasoned zucchini flowers and sad hunks of tofu—the best vegetarian restaurants in London are dining destinations that rival the fanciest, meat-heavy establishments. Whether it's multi-course Indian feasts in Chelsea that cater to vegetarians and vegans alongside carnivores or a Hammersmith favorite that has fed the suburb's foodies hearty seasonal fare since the 1980s, there's something for every palate in the capital. These are the best addresses for committed vegetarians in London right now, from purely plant-based spots to glitzy dining rooms where vegetables are never second-rate citizens in the kitchen. A version of this article originally appeared in Condé Nast Traveller UK. Oliveira Kitchen Oliveira Kitchen Oliveira Kitchen Best for: an imaginative, creative tasting menu Brazilian chef E Amélio de Oliveira first opened the creative vegetarian restaurant Oliveira Kitchen on a quiet, unassuming street in East Sheen. After receiving glowing reviews from regulars and growing a following, the restaurant naturally outgrew its space and has since relocated to a larger venue on the busier streets of Shoreditch. Chefs prepare plates in the circular kitchen, which takes center stage on the ground-floor modern dining room; a space downstairs holds plenty more customers and is often packed on Friday and Saturday evenings. The à la carte menu sits alongside a tasting menu and, seasonally, a truffle menu, each utilizing exotic flavors for an around-the-world dining experience. Labneh, Orange Salsa, Togarashi and candied orange at Bubala Bubala Bubala Best for: cutting-edge veg
Vogue
2 hours ago
- Vogue
Central Saint Martins B.A. Fall 2025 Ready-to-Wear Collection
Anyone with a passing interest in fashion knows that Central Saint Martins is the conduit through which generations of talent from around the world have passed on their way to becoming some of the most influential designers in the world. In particular, the head-spinning list of alumni from the M.A. course is a who's who of era-defining stars; but just as remarkable about this London institution are the hundreds of graduates each year from across every fashion-related pathway who go on to work behind the scenes in the industry, whether as senior talent in the ateliers of major Paris fashion houses, or across the numerous other, less-remarked-upon facets that make up the industry, from media to event production. And many of those up-and-comers come from the B.A. course, which is better known as a forum where young designers are yet to worry about the pressures of commercial constraints, and can instead let their freak flags fly. The latest showcase of that spirit, held in the cavernous central hall of the former granary building in King's Cross that is now the university's hub, didn't disappoint on the wackiness front: Andy Pomarico's eye-popping carnival floats festooned with flotsam and jetsam found on dumpster dives, with a witchy model in green body paint swinging through a doorway in the center, certainly saw to that; as did Linus Stueben's Y2K-on-acid extravaganza that featured fabric patches resembling toilet rolls stuck to the heels of furry boots, track pants that were pulled down to the calves and then stitched to stay there, and a model walking a robot dog on a leash—complete with a kitschy pink collar, naturally. (A special mention, too, for Matthew David Andrews's kaleidoscopic, wind-blown ladies caught in inclement weather, whose hats turned out to be hiding mini water sprinklers; what could have felt gimmicky ended up having an eerily post-apocalyptic air.) Yet many of the most interesting collections threaded the needle between high visual impact and more subtle messaging. Just take Timisola Shasanya's fascinating eye for proportion, warping scale and shape—shirts piled up around the neck like a kind of shrug, or a top that was artfully draped to rise up behind the model on a six-foot long rod like a kind of ship's sail—to create pieces that spoke to a childhood spent between Lagos and London, as well as to wider conversations around migration, all achieved in supremely elegant style. Or the refined playfulness of Marie Schulze's grown-up outerwear crafted from wide strips of raw silk, streams of fabric bursting from handbags or through the toes of shoes to the sound of a manic orchestral soundtrack.
