Materialists: When And Where To Watch Dakota Johnson-Starrer In India
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In the romance drama, Dakota Johnson plays a matchmaker who starts dating a wealthy client, Harry, but finds herself drawn to her imperfect ex John.
The Materialists, written and directed by Celine Song of Past Lives fame, has hit the cinemas following much anticipation. Starring Pedro Pascal, Dakota Johnson and Chris Evans, the film is a love triangle set in New York City. In the romance drama, Johnson plays a matchmaker who starts dating a wealthy client, Harry, but finds herself drawn to her imperfect ex John (Evans). Wondering when and where to watch the film?
According to Cosmopolitan, as of now, the movie is only in theatres in the US.
While Materialists opened in theatres across the United States on Friday, June 13, the international audience will be able to watch the love story in theatres on August 16 for its global theatrical rollout.
Later, the film is expected to stream on Max under the 'Pay-1" window agreement between A24 and Warner Bros Discovery. Under the deal, the films by the production house become available on streaming platforms after their theatrical and digital home releases.
'It could be two or three months before the film is available to stream or rent anywhere," Cosmopolitan reported.
It added, 'All of A24's movies stream on Max, per an exclusive deal they have with the company. So if you want to watch it as part of a subscription you already have, that would be the place to do it."
For those who do not have a subscription to Max, the film will be available to rent or buy on platforms like Amazon, Apple and YouTube.
For instance, the recent A24 release, Babygirl premiered on Max nearly four months after its cinema debut. Given the timeline, Materialists could likely arrive on Max around October 2025.
Materialists boast a stellar supporting cast of Marin Ireland, Louisa Jacobson, Zoe Winters, Sawyer Spielberg and Dasha Nekrasova, each adding depth to the film's narrative.
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In a wonderful scene, Lucy admires Harry's effortlessness with which he calls for the check, and takes care of it in one swift movement. As much as the idealism of the 20s stresses on love, the older we get, the more we all get consumed by the material pleasures of life. Probably not wanting to think twice about taking a trip abroad, being able to eat at fancy places in town without sweating about the check, or living in an apartment in a posh locality. According to Song, romance has always been a barter. Someone exchanges their looks and/or temperament for wealth. Lucy sees the society as a marketplace, and everyone's value can be ascertained in the way they look, how much money they earn, how young or old they are. She's honest about her own assessment too, realising what she brings to the table isn't very much. So, after indulging Harry's singular attention for a few dates, she tries to dissuade him from seeing her, telling him he could do much better. Someone younger, with more money, and with a higher profile in society. As someone in her mid-30s, Lucy's conflict between choosing a suitable-in-all-manners scion of a business family and an endlessly-striving artist, puppy dog of a lover, feels like a real doozy. As cold-hearted as matchmaking has probably made her, Lucy realises that material comforts might count for little if the relationship itself feels sparse and impersonal. On the other hand, there might be challenges while living with fewer means, but the few joys and the love will be authentic. A still from the film 'Materialists'. Johnson is very good at playing both the pragmatic go-getter, and the vulnerable Lucy, who shatters after a workplace emergency. Evans plays it straight, but his sincerity is instantly believable. A sequence in his cramped, filthy apartment, which he shares with two other men, has an authenticity, almost like they were anecdotes borrowed from Evans' own life as an upcoming actor. 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