Why Rosé Loves These Low-Key Sneakers
Where Rosé goes, Seoul follows. This past weekend, the solo artist and Blackpink member partnered with Puma to celebrate the latest version of the iconic H-Street sneaker ahead of its June release. To celebrate, the brand kicked things off with a pop-up experience. Fans gathered in crowds outside the venue Layer 41, craning their necks to catch a mere glimpse of the K-pop sensation. The fanfare didn't stop there—other all-star guests included Itsy's Yeji and Squid Game's Yuri Jo.
Inside, Rosé toured the immersive installations alongside press and select VIP guests, learning about the history of Puma's sneakers while decked out in her own neon green H-Street pair. 'I think of comfort the most when I head out,' the global ambassador tells ELLE. 'Being able to look cute and comfy all at the same time, whether at rehearsals or in the studio, [working with Puma] has been really rewarding.' For the singer, ease has always been key to her personal style as a performer. As she explains, 'At the very beginning, I didn't understand what made me feel comfortable and what didn't. Now just knowing that, and no matter what other people say, as long as I feel comfortable that's all that matters.'
When asked what drew the brand to Rosé and to Seoul, Gregor Abenstein, head of Puma Select, says, 'We very much look to Seoul when we want to see what's next. When we kicked off the Speedcat [sneaker], Seoul was also the first city where we saw the shoes on the feet of the right people. Our Korean team basically gave us the heads up that low profile might be coming back.'
Abenstein also explained that they wanted the immersive experience to feel authentic to the venue's neighborhood and the city's style. 'We relied heavily on our partners and the communities that they acquired to help lead us to the heart of the city. From the food that's been chosen, down to the DJs and the nail artists, it has been specifically curated to be part of our cultural community.'
As a result, the event tapped vendors including Cold Archive and Inside Tag to curate an installation of interactive art zones. Featuring everything from custom screen-printed T-shirts emblazoned with '___ Sucks' to alien-like nail art, each station complemented the display of archival Puma products. On the main floor, guests were able to walk through the history of the brand, tracing its very first pair of track spikes to the H-Street sneaker's inception in 2003.
The Puma H-Street sneakers, including the event's signature neon green colorway, as sported by Rosé, will be available for purchase in late June.
You Might Also Like
The 15 Best Organic And Clean Shampoos For Any And All Hair Types
100 Gifts That Are $50 Or Under (And Look Way More Expensive Than They Actually Are)
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Los Angeles Times
3 hours ago
- Los Angeles Times
MOCA gala honors Frank Gehry, others, raises $3.1 million: L.A. arts and culture this weekend
The Museum of Contemporary Art, Los Angeles threw a glitzy bash at the institution's Geffen Contemporary in Little Tokyo Saturday, raising $3.1 million and honoring architect Frank Gehry, artist Theaster Gates and philanthropist Wendy Schmidt. Speaker Emerita Nancy Pelosi — a surprise guest — showed up to pay tribute to Gehry, while Ava DuVernay celebrated Gates and Jane Fonda honored Schmidt. The special program honoring 'visionaries' who helped shaped the museum's trajectory is part of a new gala tradition called MOCA Legends, which will continue with new honorees next year. The night began with cocktails in the plaza and private access to the Olafur Eliasson exhibition, 'OPEN.' The Japanese American drumming group TAIKOPROJECT played while guests found their seats for dinner. MOCA director Johanna Burton welcomed attendees with a speech about the power of art and its ability to bring communities together. 'As we celebrate our annual gala, we are not just honoring individual achievements, but reaffirming our collective belief in the power of art to connect and challenge; uplift and endure,' Burton said, according to a news release about the event. After Pelosi's introduction of Gehry, which included mention of his 1983 renovation of the Geffen Contemporary, the 96-year-old legend noted how much the museum has meant to him over the years. 'Artists brought me into their club — it's where I wanted to be, and they opened my eyes to another world,' Gehry said. I'm arts and culture writer Jessica Gelt, and I'm here for all the celebrations of art and artists — the more the better. Here's your weekend rundown of arts news. Noah DavisA collection of more than 50 figurative paintings made by the late Los Angeles artist, who died at 32 in 2015, just as Davis' career was beginning to attract wide attention, arrives after stops in Potsdam, Germany, and London. Davis' paintings, often built around found photographs, regularly balance on a knife-edge between daily life and dream. The exhibition represents the first institutional survey of Davis' 31. UCLA Hammer Museum, 10899 Wilshire Blvd., Westwood. Seoul FestivalThe L.A. Phil turns to the South Korean capital this week for a follow-up to its revelatory Reykjavik and Mexico City festivals. Unsuk Chin, today's best-known Korean composer, is the curator. Despite a seeming wealth of renowned performers, Korea remains a musically mysterious land. The mostly youngish composers and performers in the first festival event, an exceptional concert of new music on Tuesday night, were all discoveries. The festival continues with weekend orchestra concerts featuring different mixes of four more new Korean scores commissioned by the L.A. Phil, Chin's 2014 Clarinet Concerto and a pair of Brahms concertos. A chamber music concert with works by Schumann and Brahms played by Korean musicians is the closing event Disney Concert Hall, 111 S. Grand Ave., downtown L.A. 'Lear Redux'While Center Theatre Group reworks Shakepeare's 'Hamlet' at the Mark Taper Forum (see item below), across town, Odyssey Theatre renews its collaboration with theater artist John Farmanesh-Bocca for a madcap adaptation of the Bard's 'King Lear,' another entry in the director-playwright's Redux series. Veteran stage actor Jack Stehlin stars as the titular monarch in the production, which Stage Raw's Deborah Klugman described as 'wildly idiosyncratic.' In 2016, Times' contributor Philip Brandes made Farmanesh-Bocca's 'Tempest Redux' at the Odyssey (also starring Stehlin) a Critic's Choice, writing that the work 'boldly transposes Shakespeare's play to a darker, more unsettling key, but the inventive staging and solid command of source text make for a memorable re-imagining.'Wednesday-Sunday, through July 13. Odyssey Theatre, 2055 S. Sepulveda Blvd. When CNN broadcasts a live performance of 'Good Night, and Good Luck' from the Winter Garden in New York City on Saturday (4 p.m. PDT), it's apparently the first time a Broadway play will be shown live on television, and the timing could not be better. An adaptation of George Clooney and Grant Heslov's 2005 film, which chronicled CBS newsman Edward R. Murrow's heroic crusade against Sen. Joseph McCarthy's communist witch hunts, the broodingly elegant production, sharply directed by David Cromer and starring a quietly committed Clooney in the role of Murrow (played in the film by David Strathairn), was not only one of the most stirring offerings of the Broadway season but also one of the most necessary. As media companies face a campaign of intimidation from the Trump administration, the figure of Murrow, standing tall in the face of demagogic adversity, is the courageous example we need right now. I don't know how different the experience will be watching at home, but 'Good Night, and Good Luck' made me reflect on what theatergoing might have been like in ancient Greece. Athenian citizens would gather at an open-air theater as a democratic privilege and responsibility. Playwrights addressed the polis not by dramatizing current events but by recasting tales from the mythological and historic past to sharpen critical thinking on contemporary concerns. Clooney and Heslov aren't writing dramatic poetry. Their more straightforward approach is closer to documentary drama, but the effect is not so disparate. We are affirmed in the knowledge that we are the body politic. — Charles McNulty Director and playwright Robert O'Hara's world premiere adaptation of Shakespeare's 'Hamlet' opened Wednesday at the Mark Taper Forum starring Patrick Ball from 'The Pitt' and Gina Torres from 'Suits.' The Times sat down with the trio of creatives for an interview about how the show came together — as well as the many novel ways it diverges from the traditional script. O'Hara presents a modern-day vision that questions whether Hamlet is a tragic hero or a murderous psychopath. The mystery is solved 'CSI'-style and the tone is very L.A. noir. For his part, Ball can't believe any of this is really happening, having been a relative unknown before 'The Pitt' premiered in January. L.A. Opera announced Domingo Hindoyan as its new music director. Hindoyan — chief conductor of the Royal Liverpool Philharmonic — will replace outgoing music director James Conlon when he steps down at the end of the 2026 season. When Hindoyan, a native of Venezuela, made his L.A. Opera debut last November with 'Roméo et Juliette,' Times classical music critic Mark Swed speculated he might be in the running for the coveted position. Turns out he was right. Times contributor Nick Owchar talks with architectural historian Nathan Marsak about the Angel City Press reissue of photographer Arnold Hylen's book of mid-20th century photos, 'Los Angeles Before the Freeways: Images of an Era 1850-1950.' Marsak curated and expanded the new edition, which details a fascinating world of lost streets, civic buildings, shops and restaurants. Orange County Museum of Art executive director Heidi Zuckerman — who announced she will step down in December — has launched a new online platform called 'About Art.' It's home to her 'Why Art Matters' newsletter and 'About Art' podcast, as well as a number of lifestyle offerings including an entry on Zuckerman's love of matcha and how to prepare the perfect cup. In a news release about the venture, Zuckerman notes that her work has gathered a community of 40,000 art enthusiasts. The summer Hollywood Bowl season is upon us, and with it comes the complimentary Market Tasting Series with wine picks by chef Caroline Styne. The fun begins with the Roots Picnic this Sunday in the Plaza Marketplace near the box office. Tastings start an hour before doors open, and you can meet with vintners and reps from Habit Wines, Skurnik Wines, Grapevine Wine Company, Kermit Lynch Wine Merchant, Elevage Wines and more. The final tasting will take place before the John Legend concert on Sunday, Sept. 28. Speaking of wine, Barnsdall Art Park Foundation is back — beginning tonight at 5:30 p.m. — with its 16th annual Barnsdall Fridays wine tasting fundraiser (the first two Fridays are already sold out). Proceeds from the events, scheduled to run through Sept. 26, support cultural programming at the park. The popular summer series comes as proposed city budget cuts imperil the park's finances. Guests are invited to relax on Olive Hill, as well as the west lawn of Frank Lloyd Wright's Hollyhock House — the only existing UNESCO World Heritage site in the city of Los Angeles. Wines come courtesy of Silverlake Wine, and there are always a variety of local food trucks onsite, as well as a DJ. While there, visitors can check out exhibitions and artist-led presentations at the Los Angeles Municipal Art Gallery and Barnsdall Junior Arts Center Gallery. — Jessica Gelt I'm happy to report that I've been to 14 of the 17 eateries on The Times Food section's list of L.A.'s oldest restaurants. Some, like Musso & Frank Grill, I've ambled into many times (that martini!), and others, like Mijares Mexican Restaurant, I've stumbled upon while walking around town. I'll spend this weekend visiting the remaining three.
Forbes
5 hours ago
- Forbes
Taylor Swift Helped The Hottest Rapper In The World Hit No. 1 For The First Time A Decade Ago
A decade ago, Taylor Swift was one of the biggest pop stars on the planet. It seems that not much has changed in 10 years, as the singer-songwriter continues to dominate the global music industry, albeit in slightly different ways. In the spring of 2014, Swift was heavily promoting her album 1989, her first pure pop project. The title had already produced a number of smashes, and Swift was not slowing down. On the chart dated June 6, 2015, 'Bad Blood' rocketed from No. 53 to No. 1 on the Hot 100. As it did, Swift added to her growing collection of champions, while the artist featured on the tune earned his first. When 'Bad Blood' bolted to the summit on the Hot 100, Kendrick Lamar collected his first champion on the list of the most-consumed songs in the nation. Prior to that point, he had proved himself to be not just a superstar, but one of the most interesting musicians in hip-hop. He'd earned critical acclaim and commercial success, but he had yet to top the Hot 100. Much of Lamar's output by that point had been his own, as he was not yet a big enough draw for well-known acts outside of the rap vertical to recruit. Swift jumped on his growing popularity and talent, and his verse on 'Bad Blood' lent the track some credibility. The collaboration turned the pop tune into a hip-hop/pop hybrid, making it more palatable for a larger audience. Lamar's presence certainly helped Swift send 'Bad Blood' to No. 1 on the Hot 100. It's not clear if the tune would have ruled the ranking had it remained a solo affair, but the combination was smart for both acts. Before 'Bad Blood,' Swift had topped the Hot 100 three times. She earned her first No. 1 in 2012 with 'We Are Never Ever Getting Back Together' from her album Red. 1989 produced a trio of winners ahead of 'Bad Blood,' with 'Shake It Off' and 'Blank Space' both reaching the top position in 2014. Once 'Bad Blood' took over the charts in America and became the biggest song, both artists won. Swift showed just how huge 1989 was with a third No. 1, and it wouldn't even be the last big hit from the project. Lamar demonstrated that, in addition to being a beloved and respected rapper, he had what it takes to produce pop hits as well — or at least be involved in them. He also showed that his star power had reached a point where even the biggest names in the industry came to him for a verse, which is a highly desired position for any hip-hop artist. 'Bad Blood' went on to score a pair of Grammy nominations. While Swift and Lamar lost Best Pop Duo/Group Performance to 'Uptown Funk' by Mark Ronson and Bruno Mars, the track claimed Best Music Video. Lamar even beat himself that year, as his own 'Alright' was nominated at the same time in that vertical. In the decade since 'Bad Blood' took over the Hot 100, both artists have added to their list of Hot 100 rulers. Swift has more than doubled her total accumulation of winners on the chart, adding eight more champions to her total following 'Bad Blood.' Lamar has collected five additional leaders, including three in 2024 alone. If 'Bad Blood' did not exist, both Swift and Lamar would still be superstars. They would both continue to rack up hits and win Grammys, but the tune is still important to both of them, and it ranks among their most successful on the Hot 100, even a decade on.
Forbes
7 hours ago
- Forbes
These Korean Whiskeys Are Giving Japan And Scotland A Run For Their Money
A line of tasting glasses filled with different types of Whiskies for tasting, with the focus on the ... More second glass, the rest is out of focus For years, whisky in Korea was something you poured at a karaoke bar to impress your boss—or drank with imported Scotch while making awkward small talk at a business dinner. But in the past few years, the country's relationship with whiskey has shifted from boardroom obligation to genuine obsession. Today, a new generation of distillers is shaping Korea's whisky future with locally distilled, aged, and blended spirits that stand proudly on their own. It's not just imitation Scotch anymore—these bottles are uniquely Korean, expressive, and in many cases, surprisingly delicious. Here's what you need to know about Korean whisky's roots, and a few bottles you should seek out if you want to drink like you're ahead of the trend. Glass of whiskey with ice cubes on the old barrel. With copy space on wooden background Whisky in Korea has long been synonymous with imports—mostly Scotch and, more recently, Japanese whisky. Local conglomerates like HiteJinro and Doosan dabbled in bottling blends under license, but true domestic whisky? Not so much. That started to change in the 2010s. Changes to Korea's liquor laws made small-scale distilling more feasible, and a few adventurous makers—some with Scotch whisky pedigrees—began laying down barrels. Thus the country's decision to go with that whisky spelling rather than whiskey. Now, Korea is starting to produce some genuinely interesting whiskeys of its own. They may not have decades in the barrel (yet), but they do have something Scotch never will: a Korean passport and a local perspective. Ki One 'Tiger Edition' Namyangju, Gyeonggi Province Three Societies is where Korean whisky officially found its cool older cousin who studied abroad and came back with stories. Founded by Korean-American entrepreneur Bryan Do and helmed by Scottish master distiller Andrew Shand (formerly of The Macallan), this is the country's first true single malt distillery. The Ki One Tiger Edition—their first release—was bottled at a cask-strength 56.2% ABV and made from 100% Korean barley. It's got warm notes of roasted chestnut, apricot jam, grain biscuits, and a whisper of citrus peel, with a surprisingly structured finish for something so young. Think of it as Korea's whisky debutante ball—and yes, she wore tiger stripes. The Signature Busan Golden Blue is kind of like Korea's Crown Royal: loved, ubiquitous, and smoother than you'd expect. It's technically a blend and clocks in at a modest 36.5% ABV, which means it's legally whiskey in Korea, but it might raise eyebrows elsewhere. That said, this is a bottle built for session sipping. The Signature offers flavors of light honey, grain toast, and a faint floral tea finish, and it goes down easier than a Zoom call with the camera off. It's especially popular with Korean drinkers who are just starting to explore whisky, or anyone who wants to feel fancy without working too hard for it. Photography of a glass whisky with ice. North Gyeongsang Province Named after Korea's mythical white tiger and Mount Paektu (the spiritual 'roof' of the Korean peninsula), this new distillery is aiming for myth-making right out of the gate. And surprisingly? They might just pull it off. The Paektu Malt offers delicate notes of Asian pear, almond, oak spice, and jujube, wrapped in a silky texture that suggests careful blending and a lot of taste-testing (for science, of course). With more regional cask experiments on the way, White Tiger could be the one to watch if you like your whisky with a backstory and a bite. Korean whiskey is still in its early chapters—but it's already telling some compelling stories. While many of these bottles are hard to find outside Korea (for now), that's part of the fun. Next time you're browsing the spirits aisle or stocking your global whiskey shelf, leave a little room for Seoul. You'll be glad you did.
