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WNBA star Cameron Brink makes surprising injury revelation during 'Celebrity Wheel of Fortune' appearance

WNBA star Cameron Brink makes surprising injury revelation during 'Celebrity Wheel of Fortune' appearance

Fox News2 days ago

Cameron Brink suffered a devastating injury during her rookie WNBA season. The 21-year-old recently made an appearance on "Celebrity Wheel of Fortune" where she showed off her natural on-camera skills.
At one point during her time on the long-running game show, Brink revealed a detail about her injury.
"We've done a lot of these celebrity shows, but we've never started off with an injury report," host Pat Sajak said.
"I was at Mohegan Sun in Connecticut… a casino, very lucky," Brink replied. "I tore my ACL, tore my meniscus as well. But, it's all surgically repaired now."
Brink then offered some insight into her recovery timetable.
"So, I'm good now, it's going to take a couple of months to be back."
"We always have to give credit to the women before us (because) they've been building up this league for 25 years now. It's crazy to think about. I think due in part to social media and just a really great rookie class, we've gained a lot of fans."
The Los Angeles Sparks used the second overall selection in the 2024 WNBA Draft on Brink. Sajak also asked her to recall the moment she was drafted.
"Yep. Second. Who knows how? Oh my gosh," Brink quipped.
Brink appeared in 15 games last season. She averaged 7.5 points and 5.3 rebounds per game.
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Timing of California's $750 Million Film Tax Credit Plan in Doubt as State Budget Cuts Weigh Down Process
Timing of California's $750 Million Film Tax Credit Plan in Doubt as State Budget Cuts Weigh Down Process

Yahoo

timean hour ago

  • Yahoo

Timing of California's $750 Million Film Tax Credit Plan in Doubt as State Budget Cuts Weigh Down Process

As a pair of bills to expand California's film tax credit passed their first floor votes in Sacramento this week, confidence is high that the much-touted $750 million benefit will soon be on the way for productions that will keep jobs for entertainment workers in Hollywood. But there isn't a clear answer on what 'soon' means, as the co-authors of the California Film & TV Jobs Act are racing to get their bill past the remaining legislative hurdles and get funding approved. The budget process has been thrown into uncertainty by factors ranging from the Trump Administration's tariffs to Los Angeles wildfire recovery efforts that have left lawmakers unclear on whether the full amount — about double the current tax credit — will be funded. State Assembly members Isaac Bryan and Rick Chavez Zbur, two co-authors of the Jobs Act, told TheWrap on Wednesday they are very confident that the bills that would expand the types of productions eligible for tax incentives and offer a 35% tax rate to Los Angeles-based productions will pass, along with the proposed increase of the program's cap from $330 million to $750 million. 'Our colleagues know we can't let this industry slip,' Bryan said, adding: '$750 million, while it's a lot of money and a desperately needed amount of money to keep the jobs that this industry is producing, is a small fraction of our overall budget.' Language that called for that cap increase was removed from the two Jobs Act bills during budget committee hearings prior to their nearly unanimous floor vote passage this week. But the lawmakers said the language was ultimately unnecessary as the cap increase is still included in Gov. Gavin Newsom's revised budget proposal released last month. Despite Bryan's remark, the local industry has already slipped significantly. Only about 20 percent of US movie and TV production is now made in California, a steep slide over the past 20 years, according to industry studies. FilmLA, which tracks production in Los Angeles, has said that 2024 was the worst year on record for local filming, with the first quarter of 2025 declining another 22% year over year. The state's film commission says that between 2020 and 2024 California lost an estimated $1.6 billion in production spending due to limited tax credit funding. But despite the urgency, apparently nothing in government is easy. Newsom first threw his support behind the cap increase in October and has repeatedly expressed his support for it, including after President Trump knocked Hollywood for a loop last month floating the possibility of levying tariffs against productions shot outside of the U.S. The question is when exactly that money earmarked for the tax incentive program will get final approval in Sacramento and give the California Film Commission the green light to begin the process of implementing the new program. That timetable is unclear because the tax credit legislation, while widely supported, is one of dozens of budget items that Sacramento has to get through, some of which are still the topic of protracted debate. California is in a race against time as other states and overseas locations update their own programs to stay ahead in a global competition for production money. Last week, Louisiana's legislature, months after lowering the cap of its program to $125 million, passed a bill that raised the base tax rate for productions that shoot there to 25%, with an additional 15% credit available towards labor costs if Louisiana residents are hired. Last month, New York raised its program cap to $800 million amidst increased competition for local productions from New Jersey. 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The Seattle Storm are showing us how flimsy culture can be
The Seattle Storm are showing us how flimsy culture can be

USA Today

timean hour ago

  • USA Today

The Seattle Storm are showing us how flimsy culture can be

The Seattle Storm are showing us how flimsy culture can be Culture is a simple yet powerful word. We use it to describe so much about ourselves, the things we do, the places we go and the people we interact with. There's a sense of pride that comes with it. You're proud of the place you come from and the things that molded you — both good and bad. There's also a sense of ownership attached. You feel protective of it. Nobody can come for your culture, lest they want to face the ire of you and the countless others who are represented by it. Yes, indeed, culture is powerful. But it's also flimsy. Something so strong and so deep can also easily be wiped away by time. Unfortunately for the Seattle Storm, that's where this team that was once the crème de la crème of the WNBA finds itself. For as long as I can remember, the Storm have been one of the best organizations in the WNBA. The team has made the playoffs in 19 of its 26 seasons. It only took Seattle four years to win its first championship in 2004. We're only four years removed from the Dan Hughes era, when Seattle won two more championships with a core led by Breanna Stewart and Jewell Loyd. It's hard to establish winning cultures in sports — especially in the WNBA, where the league has traditionally lacked for resources. But it's always felt to me like the Seattle Storm have been a cut above the rest of the league. But after two back-to-back complaints filed against the team by players within the last seven months, it certainly doesn't feel that way anymore. THE EYE OF THE STORM: The complaints against the Seattle Storm, explained The WNBA is reportedly reviewing a complaint alleging that a confrontation occurred following the Storm's loss to the Aces, during which an assistant coach allegedly cursed at a player. Now, that sounds generally benign. Coaches surely curse at players at the time. 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