Two beloved TV channels are closing down on Sky in just DAYS amid fresh schedule shake-up
It comes after a slew of channels were axed in April
CHANGE OVER Two beloved TV channels are closing down on Sky in just DAYS amid fresh schedule shake-up
SKY customers are days away from the permanent closure of two beloved TV channels.
It's part of a massive TV guide shake-up that was rolled out throughout April.
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Two beloved channels will go off air permanently on July 1
India Today, available on Satellite channel 523 will end its broadcast permanently on July 1.
And Music India, which customers can access on channel 711, will also cease operations on the same day.
The former - a popular news channel - launched in May 2023 and coincided with the general election in India.
India Today's sister channel, Aaj Tak, will continue to be available on Sky, channel 710.
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BOLD PREDICTION
It comes after one TV expert said it is "unlikely" Sky will ever release a new satellite product.
Paolo Pescatore, an expert for PP Foresight, told The Sun it is "highly unlikely" Sky will ever release a new satellite box "given the investment and timescales with the TV switch off that's around the corner".
Last year, Sky signed a contract extension with satellite operator SES that takes the service up to 2029.
"Ultimately Sky would prefer to migrate all users onto its IP based products which in turn will lead to the end of Sky Q," Paolo said.
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"It is reliable, robust and serves customers needs.
"They do not want to buy another telly with Sky inside for now."
Beloved high street chain with 24 Irish locations confirms Dublin city centre store closing down in 10 days in huge blow
SKY CHANNEL SWAPS IN APRIL SO FAR
Here's the full list of Sky channel swaps in April so far...
Tuesday, April 1
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U&W HD ROI closes on satellite only - the SD remains at 132
U&W HD closes on satellite only - the SD remains at 132
U&Yesterday HD closes on satellite only - the SD remains at 155 - 161 in ROI
- in ROI U&Alibi HD moves from 130 to 120 on Glass and Stream only in England, NI and Wales. They remain unchanged in Scotland and ROI
to on Glass and Stream only in England, NI and Wales. They remain unchanged in Scotland and ROI U&Gold HD moves from 131 to 121 on Glass and Stream only in England, NI and Wales. They remain unchanged in Scotland and ROI
to on Glass and Stream only in England, NI and Wales. They remain unchanged in Scotland and ROI U&Dave HD moves from 132 to 130 on Glass and Stream only in England, NI and Wales. They remain unchanged in Scotland and ROI
to on Glass and Stream only in England, NI and Wales. They remain unchanged in Scotland and ROI U&W HD moves from 133 to 131 on Glass and Stream only in England, NI and Wales. They remain unchanged in Scotland and ROI
to on Glass and Stream only in England, NI and Wales. They remain unchanged in Scotland and ROI U&Drama moves from 134 to 132 on Glass and Stream only in England, NI and Wales. They remain unchanged in Scotland and ROI
to on Glass and Stream only in England, NI and Wales. They remain unchanged in Scotland and ROI U&Yesterday HD moves from 161 to 133 on Glass and Stream only in England, NI and Wales. They remain unchanged in Scotland and ROI
to on Glass and Stream only in England, NI and Wales. They remain unchanged in Scotland and ROI U&Eden moves from 162 to 134 on Glass and Stream only in England, NI and Wales. They remain unchanged in Scotland and ROI
to on Glass and Stream only in England, NI and Wales. They remain unchanged in Scotland and ROI GINX TV HD moves from 419 to 417 on Glass/Stream only in the UK
to on Glass/Stream only in the UK MUTV HD moves from 420 to 418 on Glass/Stream only in the UK
to on Glass/Stream only in the UK LFCTV HD moves from 421 to 419 on Glass/Stream only in the UK
to on Glass/Stream only in the UK Premier Sports 1 HD moves from 419 to 417 on Glass/Stream only in ROI
to on Glass/Stream only in ROI Premier Sports 2 HD moves from 420 to 418 on Glass/Stream only in ROI
to on Glass/Stream only in ROI GINX TV HD moves from 421 to 419 on Glass/Stream only in ROI
to on Glass/Stream only in ROI MUTV HD moves from 422 to 420 on Glass/Stream only in ROI
to on Glass/Stream only in ROI LFCTV HD moves from 423 to 421 on Glass/Stream only in ROI
Wednesday, April 2
TV Warehouse moves from 676 to 673 on satellite only
to on satellite only Cruise1st.tv moves from 681 to 675 on satellite only
to on satellite only Sky History 2 HD closes on satellite - the SD moves to 163 in the UK and 168 in ROI and NI - HD channel remains on Glass/Stream
Thursday, April 3
Sky Gangsters (Satellite 309 - Glass/Stream 309) changes name to renames to Sky Thriller HD (reverting from a temporary change)
changes name to renames to Sky Thriller HD (reverting from a temporary change) Sky Books To Screen (Satellite 302 - Glass/Stream 302) renames to Sky Adventure/ SkyAdventureHD (temporary change)
Friday, April 4
Sky Family (Satellite 306/850 - Glass/Stream 306) renames to SkyHarryPotter / HarryPotterHD (Temp)
renames to SkyHarryPotter / HarryPotterHD (Temp) Sky Hits (Satellite 303 - Glass/Stream 303) changes name to The Hobbit HD (Temporary change)
Monday, April 7
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Sky The Hobbit (Satellite 303 - Sky Glass/Stream 303) changes name to Sky Hits / Sky Hits HD (reverting from temporary change)
Thursday, April 10
Sky History+1 (Satellite 223 (224 Scotland)) closes permanently
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Leader Live
an hour ago
- Leader Live
Kate Nash says she would love to collaborate with Kneecap
It came after police said on Saturday that they are assessing videos of comments made by the Belfast rap trio, as well as punk duo Bob Vylan, during their performances at the Glastonbury Festival. The group are known for their provocative lyrics and merchandise, as well as their championing of the Irish language and support for Palestine. 'I love Kneecap. I'd love to collaborate. I love collaboration, actually,' Nash told the PA news agency. 'I really, really think collaboration is such an amazing and important part of being an artist, because you just learn every time you collaborate with someone different. 'So I just did a duet with Sprints, because they covered Foundations, and that was really fun.' Nash, 37, added: 'Kneecap would be amazing to collaborate with. My mum's from Dublin and I think that the way they use their political platform is really important.' She continued: 'I don't think English people really understand their (Ireland's) history at all, they just don't know it. 'So I think there's an opportunity to educate people about England and Ireland's history, and sort of being half-English, half-Irish myself I have quite a good understanding of that, but I didn't learn it at school. 'There's so many amazing musicians to collaborate with. I love Amyl And The Sniffers.' Before their performance on the West Holts Stage, several politicians called for Kneecap to be removed from the line-up and Prime Minister Sir Keir Starmer said their performance would not be 'appropriate'. During their set, member Naoise O Caireallain said: 'The Prime Minister of your country, not mine, said he didn't want us to play, so f*** Keir Starmer.' In reference to his bandmate's upcoming court date the rapper, who performs under the name Moglai Bap, said they would 'start a riot outside the courts', before clarifying: 'No riots, just love and support, and support for Palestine.' Bobby Vylan, of rap duo Bob Vylan, had earlier led crowds in chants of 'Free, free Palestine' and 'Death, death to the IDF (Israel Defence Forces)'. According to reports, Bobby Vylan is called Pascal Robinson-Foster, 34, from Ipswich. Robinson-Foster is listed on Companies House as being the director of Ghost Theatre Records, which is operated by Bob Vylan. Sir Keir said the latter chant was 'appalling hate speech' and urged the BBC to explain how the scenes were broadcast. Speaking on the politics of Glastonbury, Nash said: 'What's the history of Glastonbury? It's about anti-corporation, Greenpeace. 'It is ultimately a political festival, and people come here to find togetherness, community, a sense of hope and to watch people play amazing shows, and to have their lives changed, to be inspired. 'I think that we're seeing a lot of really scary things in the world right now, and people want to feel like they can see what they feel on stage being voiced, and I think that politicians need to get a grip.' Asked about artists who say they do not want to be political, she said: 'Certain people, you can't escape the politics of existing in the world. 'If you are a woman and you're like, 'I'm not political', I'm like, 'You are, you are. Everything about your life is political, whether you want it to be or not'. 'I think if you're a very privileged, white, rich man, sure you don't want to be political, or you don't have to be. 'But also, do you even have to comment that you don't want to be? I'm not really sure it helps. 'I think just don't be, then, in a way, if you just want to be a pop band, just be a pop band. 'That's not how I was raised. So it's really difficult for me to understand somebody saying, 'I don't want to be political'.' It came after The 1975 frontman Matty Healy said the band did not want their legacy to be 'one of politics' during their Friday night headline slot. 'I think we don't need more politics, we need more love and friendship,' he said. Nash headlined Glastonbury's Left Field stage on Saturday evening and performed a secret set on the BBC Introducing stage on Sunday. She has released several studio albums and is known for songs including Mouthwash and Foundations, the latter of which peaked at number two in the UK singles chart.
Times
4 hours ago
- Times
Henry Pollock's tackling needs work but this artist with attitude is the real deal
A croissant, a cup of tea and a cold, clear-headed analysis of the game the day before. Please let there be some resemblance to the match you watched live on Saturday and to your column in The Sunday Times. In the main my prayers are answered . . . in the main. This Sunday morning I hazarded to mention Henry Pollock to the sports desk before setting off for the office. The columns offered included a tactical feature on a dog-legged Lions defence, one on restarts (Alex Lowe is handling that particular fiasco) and . . . 'OK, I'll go through Pollock's performance, start to finish'. Online, in print, it's impossible to escape his name. The British & Irish Lions are the stuff of myth, legends who are determined to remain relevant in an age where professionalism — theoretically — should have killed them off. In reality, they are a brand, a marketing monster. They sell satellite packages for Sky and, yes, they sell newspapers. The hottest commodity finds its way into the headlines and, right now, Pollock is scorching. The first two Sunday papers in front of me to catch a stray croissant flake were proclaiming him to be a potential Test starter, the star act in the Australian tour opener against Western Force. It doesn't matter whether he is good or bad, everyone — certainly in English rugby circles — is talking about him. The old-timers can't stand his showboating, the new age of fan is in thrall. Like Bob Dylan (not Vylan) sang 60 years ago, 'Everybody's shouting, which side are you on?' Desolation Row, if you are wondering. In terms of Pollock's readiness for Test rugby, my review over a croissant would be revealing. When you know how the play ends it is easier to focus on the actors and their performance. And then there's the rewind button, too. The numbers tumble into the Barnes notebook. Tackles, carries, offloads and so on. There are plenty of rugby sites online to confirm the statistics, the bald facts. For example, Josh van der Flier was the top tackler with 21 to his name. Pollock wasn't far behind on 17. God knows, these sorts of statistics are quoted without a second, let alone a first, look. The Northampton Saints back-row forward ticked the tackle box but attackers were half-tackled and able to carry beyond the gainline. They were hung on to, they were grabbed by one leg, hopping their Western Australian way on to the front foot. In stark contrast, Van der Flier, the Ireland open-side flanker, was much more definitive. So too Joe McCarthy. In the main, when they made tackles, the opposition's attack came to a juddering halt. In the Test arena there's a world of difference between crossing the gainline in the tackle and being knocked backwards. Pollock was unconvincing in the tackle. That could cost him a stunning starting berth. On the carry he was again incredible. The marketing man's dream, the Lions brand brought to life as he produced a pair of Pollock specials to set up Tomos Williams for a try in the first half and McCarthy in the second. How many viewings online of Pollock the try-creating marauder? He went viral; he's showbusiness. But he does the hard yards, too. Garry Ringrose's second-half try was a thing of beauty, as Finn Russell and friends manipulated the blind side. Lots of replaying well-timed and overhead inside passes but, for once, Pollock's role is ignored. In the immediate lead-up to the sweet passing, he is hit hard by a defender. There is a momentary pause. If the ball-carrier goes backwards, only one metre, the defence takes the initiative. If the carrier breaks the gainline by the same distance, the phase ball is fast and the attackers have the front foot. These odd metres win and lose you Test matches. Pollock didn't — and rarely does — reverse as a carrier. It's one of those microscopic elements of his game that gives way to the Fancy Dan open-field action. When he is anonymous in an area of strength, the detractors love to magnify his youthful flaws — or 'flaws', as far as some are concerned. He has a habit of strutting his stuff when he or a team-mate scores. It winds up the opposition, which is no bad thing. In Perth he was at the heart of a small rumpus as Elliot Daly dived in for the third Lions try. But the croissant watch completely vindicates Pollock. In the build-up to the brilliant Russell quick tap, Pollock is cleverly/cynically tripped from behind by Force's Tom Robertson. If that isn't irritating enough, as the back-row forward sprints into a position from where Russell could pop him a scoring pass, Hamish Stewart, the Force centre, subtly shoves him in front of Russell. Beyond the ball, on the floor, unable to score. Tripped and pushed, why wouldn't he jump to his feet and give the nearest opponent a piece of his mind and the merest of gesticulations? Nick Champion de Crespigny, the home side's flanker, then reacted to Pollock's legitimate reaction. The speed with which McCarthy sprinted to the mêlée in defence of his team-mate most definitely suggested the players have a soft spot for 'the kid'. If the spat was erroneously perceived as proof of immaturity, so too the yellow card brandished his way at the end of the first half. I'll confess, in The Sunday Times, I took the detractors' position. Warned by the referee, Ben O'Keeffe, he was the man who went offside 23 minutes later. 'No clear release,' O'Keeffe shouted. But his was an individual yellow card for a collective warning. Being 20 is a boon for Pollock. There is nothing he feels he cannot do. He may never be this liberated again. His freedom is a bonus but, in the gnarled world of the breakdown, it takes weary back-row warriors to convince the referee they would never go off their feet, come in at the side or — as on Saturday — offer no clear release. It takes a lifetime to become Richie McCaw. TV commentators like to talk of flankers 'painting pictures'. Andy Farrell has to be sure that the picture Pollock ends up painting won't be similar to those of his namesake, Jackson. But Jackson Pollock, for all the seeming randomness of the finished work, was an artist in command of his craft. Trusting to facts alone, Pollock is an unlikelier contender for the Test series. The worries about his dominance in the tackle may mean his role is that of impact replacement. But make no mistake, this is an artist with attitude. Pollocks to the branding and the marketing, he is the real deal.
South Wales Guardian
5 hours ago
- South Wales Guardian
Kate Nash says she would love to collaborate with Kneecap
It came after police said on Saturday that they are assessing videos of comments made by the Belfast rap trio, as well as punk duo Bob Vylan, during their performances at the Glastonbury Festival. The group are known for their provocative lyrics and merchandise, as well as their championing of the Irish language and support for Palestine. 'I love Kneecap. I'd love to collaborate. I love collaboration, actually,' Nash told the PA news agency. 'I really, really think collaboration is such an amazing and important part of being an artist, because you just learn every time you collaborate with someone different. 'So I just did a duet with Sprints, because they covered Foundations, and that was really fun.' Nash, 37, added: 'Kneecap would be amazing to collaborate with. My mum's from Dublin and I think that the way they use their political platform is really important.' She continued: 'I don't think English people really understand their (Ireland's) history at all, they just don't know it. 'So I think there's an opportunity to educate people about England and Ireland's history, and sort of being half-English, half-Irish myself I have quite a good understanding of that, but I didn't learn it at school. 'There's so many amazing musicians to collaborate with. I love Amyl And The Sniffers.' Before their performance on the West Holts Stage, several politicians called for Kneecap to be removed from the line-up and Prime Minister Sir Keir Starmer said their performance would not be 'appropriate'. During their set, member Naoise O Caireallain said: 'The Prime Minister of your country, not mine, said he didn't want us to play, so f*** Keir Starmer.' In reference to his bandmate's upcoming court date the rapper, who performs under the name Moglai Bap, said they would 'start a riot outside the courts', before clarifying: 'No riots, just love and support, and support for Palestine.' Bobby Vylan, of rap duo Bob Vylan, had earlier led crowds in chants of 'Free, free Palestine' and 'Death, death to the IDF (Israel Defence Forces)'. According to reports, Bobby Vylan is called Pascal Robinson-Foster, 34, from Ipswich. Robinson-Foster is listed on Companies House as being the director of Ghost Theatre Records, which is operated by Bob Vylan. Sir Keir said the latter chant was 'appalling hate speech' and urged the BBC to explain how the scenes were broadcast. Speaking on the politics of Glastonbury, Nash said: 'What's the history of Glastonbury? It's about anti-corporation, Greenpeace. 'It is ultimately a political festival, and people come here to find togetherness, community, a sense of hope and to watch people play amazing shows, and to have their lives changed, to be inspired. 'I think that we're seeing a lot of really scary things in the world right now, and people want to feel like they can see what they feel on stage being voiced, and I think that politicians need to get a grip.' Asked about artists who say they do not want to be political, she said: 'Certain people, you can't escape the politics of existing in the world. 'If you are a woman and you're like, 'I'm not political', I'm like, 'You are, you are. Everything about your life is political, whether you want it to be or not'. 'I think if you're a very privileged, white, rich man, sure you don't want to be political, or you don't have to be. 'But also, do you even have to comment that you don't want to be? I'm not really sure it helps. 'I think just don't be, then, in a way, if you just want to be a pop band, just be a pop band. 'That's not how I was raised. So it's really difficult for me to understand somebody saying, 'I don't want to be political'.' It came after The 1975 frontman Matty Healy said the band did not want their legacy to be 'one of politics' during their Friday night headline slot. 'I think we don't need more politics, we need more love and friendship,' he said. Nash headlined Glastonbury's Left Field stage on Saturday evening and performed a secret set on the BBC Introducing stage on Sunday. She has released several studio albums and is known for songs including Mouthwash and Foundations, the latter of which peaked at number two in the UK singles chart.
