logo
Mike Myers Opens Up About His ‘SNL' Protest In Support Of Canada: 'Came From My Heart, And It Was Not About Me'

Mike Myers Opens Up About His ‘SNL' Protest In Support Of Canada: 'Came From My Heart, And It Was Not About Me'

Yahoo27-04-2025

Like his dual citizenship, Mike Myers is doubling down on his Saturday Night Live 'Canada is not for sale' protest.
In a new interview with the New York Times, the veteran comic and actor — who hails from Toronto, though largely resides in the U.S. — opened up about the reasoning for his political statement, saying it was a message of solidarity for folks back home.
More from Deadline
'SNL' Stars Say 50th Anniversary Was Like "Building Up To A Wedding" - Contenders TV: Documentary, Unscripted & Variety
World Leaders Gather For Pope Francis Funeral: Trump, Zelensky, Prince William Among Mourners (See Images)
'Real Time': Bill Maher Continues Denouncing Nazi Comparisons: "A Hard Word To Use With Nuance"
Myers, who first appeared on SNL to spoof Elon Musk at the beginning of March (since reprising the role twice), did not originally intend to make any sort of remark. However, 'I got angrier and angrier,' he recalled, throughout the night while thinking of Musk's quip that 'Canada is not a real county' and President Donald Trump's '51st state' rhetoric. Thus, during the sketch show's goodnights, Myers' slogan tee — unveiled after he unzipped his vest — was accompanied by the actor mouthing 'elbows up,' a reference to Canadian hockey icon Gordie Howe's slogan toward aggressive opponents on the ice.
'What happened came from my ankles and from my brain and from my heart, and it was not about me — it was about my country,' he told the Gray Lady. 'I wanted to send a message home to say that I'm with you, you know.'
The Austin Powers star added, 'What's happened has really hurt our feelings. We love America. We love you guys. We don't understand what this madness is.'
Since then, Myers appeared in a political spot opposite newly minted Canadian Prime Minister Mark Carney, in which the latter quizzes him on his national identity. At the conclusion of the one-minute advert, Myers is seen with a hockey jersey that reads 'Never 51.'
Speaking more broadly to his parody of Musk, the six-season SNL alum added that the tech CEO's involvement in democratic government 'goes against how I feel as a Canadian … [and] belief in good government.'
'Fascism doesn't like to be ridiculed; it likes to be feared,' he concluded. 'Satire is an important tool in the toolbox to say that this is not normal — that the cuts he's making are not normal.'
Best of Deadline
Everything We Know About The 'Hunger Games: Sunrise On The Reaping' Movie So Far
Everything We Know About Netflix's 'The Thursday Murder Club' So Far
TV Show Book Adaptations Arriving In 2025 So Far

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Judge dismisses Justin Baldoni's lawsuits against Blake Lively, Ryan Reynolds and New York Times
Judge dismisses Justin Baldoni's lawsuits against Blake Lively, Ryan Reynolds and New York Times

Yahoo

time18 minutes ago

  • Yahoo

Judge dismisses Justin Baldoni's lawsuits against Blake Lively, Ryan Reynolds and New York Times

A New York judge has tossed out Justin Baldoni's $400-million US defamation lawsuit against Blake Lively, her husband Ryan Reynolds and their publicist, while also dismissing a $250-million US defamation suit against the New York Times for reporting on Lively's claims of sexual harassment during the filming of the 2024 movie It Ends With Us. Judge Lewis J. Liman granted the motions to dismiss the suits from Baldoni and his production company Wayfarer Studios on Monday, saying Lively was not liable for sexual misconduct claims against the 41-year-old because they were made in a civil rights complaint and are legally protected. In his written opinion, Liman noted Baldoni and Wayfarer had not alleged Lively was liable for any other claims than the ones made in her civil suit. In her own lawsuit, Lively, 37, has accused Baldoni of harassment, alleging that he and Wayfarer conducted a co-ordinated smear campaign to attack her reputation for coming forward about her treatment on the set. Baldoni, too, has accused the actor of trying to destroy his reputation. Liman wrote that Reynolds, publicist Leslie Sloan and the New York Times also did not make statements beyond what Lively had alleged about Baldoni. "The Wayfarer parties have alleged that Reynolds and Sloane made additional statements accusing Baldoni of sexual misconduct, and that the Times made additional statements accusing the Wayfarer parties of engaging in a smear campaign. But the Wayfarer parties have not alleged that Reynolds, Sloane or the Times would have seriously doubted these statements were true based on the information available to them, as is required for them to be liable for defamation under applicable law," the opinion reads. Liman is allowing Baldoni to amend some of his claims and refile by June 23. WATCH | Blake Lively accuses It Ends With Us director, co-star of trying to 'destroy' her reputation: Lively's legal team celebrated Monday's decision. "Today's opinion is a total victory and a complete vindication for Blake Lively, along with those that Justin Baldoni and the Wayfarer parties dragged into their retaliatory lawsuit, including Ryan Reynolds, Leslie Sloane and The New York Times," Lively's lawyers said in a statement published by Variety. "As we have said from Day 1, this $400-million lawsuit was a sham, and the court saw right through it. We look forward to the next round, which is seeking attorneys' fees, treble damages and punitive damages against Baldoni, [Steve] Sarowitz, [Melissa] Nathan, and the other Wayfarer parties who perpetrated this abusive litigation." Baldoni's suit, filed in December, sought at least $400 million in damages that include lost future income. Lively filed her own federal lawsuit against Baldoni and several others tied to It Ends With Us, alleging harassment and a co-ordinated campaign to attack her reputation for coming forward about her treatment on the set of the romantic drama. That suit was filed in New York just hours after Baldoni and many of the other defendants in Lively's suit sued The New York Times for libel for its story on her allegations, saying the newspaper and the star were the ones conducting a co-ordinated smear campaign. WATCH | Duelling lawsuits from It Ends With Us stars Blake Lively, Justin Baldoni:

Ampere Analysis Breaks Down The Threat U.S. Tariffs Would Pose To European Film & TV
Ampere Analysis Breaks Down The Threat U.S. Tariffs Would Pose To European Film & TV

Yahoo

time21 minutes ago

  • Yahoo

Ampere Analysis Breaks Down The Threat U.S. Tariffs Would Pose To European Film & TV

Speaking at NEM in Croatia, Ampere Analysis Co-Founder Guy Bisson ran the rule over the so-called plan to save Hollywood from Jon Voight and associates, and assessed the potential impact on the European film and TV biz. 'A 120% tariff on incentives to cancel out global schemes is patently ridiculous and obviously very damaging, potentially, to the European industry,' he said. 'Tax treaties, local tax treaties in the U.S., and incentive schemes, just like we use in Europe, clearly, are the way to go if you want to re-enliven your industries.' More from Deadline Donald Trump's Tariffs Deemed Unlawful & Blocked By Trade Court; White House Appeals Instantly Life After Peak TV: "It's A New World Order... There's A Rethink Required" - Berlin Streamer Content Spend To Top Commercial Broadcasters For First Time In 2025 - Report A draft of Voight's Make Hollywood Great Again plan, obtained by Deadline, included a mixture of production incentives and a 120% tariff on the value of a foreign incentive received. After he presented the plan to Donald Trump, the President public proposed a 100% tariff on all U.S. film imports, including productions that shoot in other countries. The NEM confab and sales market is held annually in Dubrovnik. The latest edition kicked off, Monday, with Bisson's session, which was entitled: 'Content Trends in the Era of Trump: Protectionism, Production and International Markets'. The Ampere executive set the scene by showing how the European content business has benefitted from the U.S. studios widening their production bases and streamers setting up shop in several parts of the continent, resulting in orders for thousands of hours of first-run programming. He also said international markets are key to those same U.S. giants monetizing their series and movies with, for example, 54% of the total box office for U.S. films coming from international markets, according to Ampere. Getting into the weeds on the suggested measures, he said a 120% tariff on any incentive received overseas is 'one of the most concerning aspects of the proposal, effectively closing the door on U.S. producers making use of any overseas incentive.' He went on to break down what might happen if the proposed measure were introduced with a slide that pinpointed the UK and Spain as the two biggest potential losers in Europe, given the volumes of U.S. production in both countries. 'Obviously the big European markets – the UK, France, Italy, Spain, Germany – are on that list, but so is Poland, for example, and Turkey, and the Scandinavian markets. They have been the [among] biggest beneficiaries of that 'runaway' production.' Speaking about the notion of tax treaties with certain countries for films substantially produced in U.S., Bisson said the idea is interesting: 'While you still have to make a majority, or spend a majority of the budget, in the U.S., you can effectively stack or double dip incentive schemes through those treaties.' He also said any re-introduction of rules that prohibit networks (and now, SVODs) fully owning shows 'would remove one of the things that's annoyed producers so much, which is streamers taking all rights in perpetuity.' Trump has said that he would meet with industry officials, and the White House said no final decisions have been made regarding the plan. Voight, Sylvester Stallone and a group that included studios and unions later wrote a letter to Trump emphasizing the need for production incentives While punchy, the NEM presentation was, thusly, analyzing what are currently theoretical scenarios. Bisson said that the best hope for the European biz is that theory never becomes practice. 'None of this is actually happening or being put in place yet, it's just a suggestion,' he said. 'Who can predict what Trump will do next. You may have heard the nickname that Trump has been given: TACO; Trump, Always Chickens Out on tariffs. That's what we can hope will happen again when it comes to our industry and the suggested protectionism being placed on film and TV.' Ted Johnson contributed to this report. Best of Deadline 2025 TV Series Renewals: Photo Gallery Tony Awards: Every Best Musical Winner Since 1949 Tony Awards: Every Best Play Winner Since 1947

Judge dismisses Justin Baldoni's $400 million defamation lawsuit against Blake Lively and Ryan Reynolds
Judge dismisses Justin Baldoni's $400 million defamation lawsuit against Blake Lively and Ryan Reynolds

Yahoo

time21 minutes ago

  • Yahoo

Judge dismisses Justin Baldoni's $400 million defamation lawsuit against Blake Lively and Ryan Reynolds

A judge on Monday dismissed Justin Baldoni's $400 million defamation lawsuit against Hollywood power couple Blake Lively and Ryan Reynolds, a major development in the ongoing civil litigation between former co-stars Lively and Baldoni. In January, Baldoni sued Lively and her husband Ryan Reynolds, alleging that the Hollywood couple sought to 'destroy' him and his career, after hijacking his film, 'It Ends With Us.' Baldoni's complaint escalated the ongoing legal battle stemming from the film that Baldoni directed and co-starred in with Lively. In a statement, Lively's lawyers Esra Hudson and Mike Gottlieb called the ruling 'a total victory and a complete vindication.' 'As we have said from day one, this '$400 million' lawsuit was a sham, and the Court saw right through it,' the statement added. Motions to dismiss Baldoni's claims by Lively, Reynolds and their publicist, Leslie Sloane, were all granted. The judge also granted a motion to dismiss by the New York Times. Baldoni had sued the publication for $250 million for libel, claiming that the newspaper published an article 'rife with inaccuracies, misrepresentations, and omissions' that relied on Lively's 'self-serving narrative.' The judge ruled that Baldoni can file an amended complaint on the allegations of tortious interference with contract, relating to Reynolds and Lively, and breach of implied covenant, relating to Lively, by June 23, if they choose to do so. CNN has reached out to representatives for Baldoni and the New York Times for comment. The ongoing saga between Lively and Baldoni erupted in December 2024, when Lively first filed a civil rights complaint, claiming that she was sexually harassed by Baldoni during production of the film and then was retaliated against for speaking up about her alleged mistreatment. Baldoni immediately denied Lively's claims. Lively eventually escalated her civil rights complaint, officially filing a lawsuit against Baldoni. She alleged that after being sexually harassed with inappropriate comments and behavior on set, Baldoni's team then orchestrated a smear campaign against her to ruin her reputation in the public sphere. Lively's complaint contained hundreds of text messages between Baldoni and his crisis PR team, including one text that read they could 'bury' her. Since, the legal teams for both stars have been in a bitter and public back-and-forth that at one point saw superstar Taylor Swift subpoenaed in the case. Baldoni's lawyers eventually withdrew the subpoena. Baldoni's team at one point launched a public website containing documents pertaining to the litigation and a 'timeline of relevant events.' This story is developing and will be updated.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store