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Jenna Ortega shares major update on Lady Gaga's 'Wednesday' appearance

Jenna Ortega shares major update on Lady Gaga's 'Wednesday' appearance

Khaleej Times2 days ago
Jenna Ortega's Wednesday Addams has officially returned, this time with darker plot twists at the Nevermore Academy.
Nearly three years after the first season came out, Netflix released Part 1 of 'Wednesday Season 2' on August 6, bringing back the chaotic characters and unsolved mysteries. While fans had been highly anticipating Wednesday's return to the academy after the summer break, the addition of pop sensation Lady Gaga only added to the buzz.
Netflix stated that the actor-singer will join the second season as Rosaline Rotwood - a "legendary Nevermore teacher who crosses paths with Wednesday"; however, Jenna Ortega has something else to say.
In a conversation with Entertainment Tonight, Ortega was asked about the singer's appearance as a teacher on the Netflix show. "She's not a teacher. That's your little clue. Whatever you've heard, it's wrong," Ortega playfully said.
The actress also opened up on her experience of working with Lady Gaga and said, "One of the kindest, most grounded people I've ever had the pleasure to work with, such a powerhouse."
Catherine Zeta-Jones, known for famously essaying the mother, Morticia Addams, was also present at the interview.
"She was an addition that was made in heaven. We'd say hell, which is a good thing. I actually feel that she is probably related somehow genetically to the Addams Family," the actress said about Gaga's casting.
Luis Guzman, who plays Wednesday's father, Gomez Addams, further joked, "As Gomez, Addams' lawyer, I'm preparing the papers to officially adopt her."
As the 'Die With A Smile' singer did not appear in the first half, it is likely that Gaga's character has been stored in for Part 2, which will premiere on September 3, 2025.
Part 1 of 'Wednesday Season 2', consisting of the first four episodes, is currently streaming on Netflix.
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The 12 scariest horror movies of the 2020s
The 12 scariest horror movies of the 2020s

The National

time16 hours ago

  • The National

The 12 scariest horror movies of the 2020s

Want to see the future of film? Look to the horror genre. While some corners of Hollywood feel stuck in the past, with the same old directors making the same sorts of movies year after year, scary movies are experiencing a genuinely thrilling moment. Young filmmakers worldwide are turning in bold and inventive work, and even with small budgets and little marketing, audiences are turning out in droves. And with Halloween just more than two months away and many of us searching for a good scare towards the end of summer, here are 12 of the best and most frightening films that have come out this decade, from underrated chillers to terrifying blockbuster hits. Weapons (2025) One night in a small town, at 2.17am, 17 children run away from their homes and are never seen again. Weapons, the second film from Cregger, is the story of what happens next – blending elements of Stephen King's It, Hirokazu Kore-eda's Monster and Kiyoshi Kurosawa's Cure. Operating in a mystery-box format as we jump between character perspectives to figure out what really happened, Weapons executes its scares first through our fear of the unknown, punctuated with the unnerving creepiness with the security footage of the children running from their home. It then pays off that unease with shocking, violent moments when the danger gets closer, and the answers begin to unfold. The film is a big box office hit so far – and while Jordan Peele may not have fired his team after they lost the bidding war, its success virtually guarantees that the story will become myth. While it may not be wholly original, what makes this different from its influences, of course, is Cregger's sense of humour, and while it may be a funnier film than Barbarian, it may not be a scarier one. Oddity (2024) It's not just that Oddity is scary – it's how many different ways that the film finds to terrify you that's most impressive. The tension begins with a knock at the door. A young woman awaiting her husband's return is greeted by a strange man who has come to warn her that she is not alone. He's a patient of her husband's, he says, and while he may have been stalking her, he now only has her safety in mind. Is there danger lurking behind her? Or is the man the danger? You don't immediately find out. The film cuts forward in time months after the woman's death, introducing you to her sister who runs a shop that sells supernatural oddities, herself determined to figure out what happened. It's a ghost story, a murder mystery and a monster movie all in one, with the duelling tones leaving you unsure where it may go next from beginning to end. Longlegs (2024) Early on, Longlegs feels like it will coast along as a riff on Silence of the Lambs. In it, a young detective pursues a serial killer in a case that slowly starts consuming her life. But while it starts more eerie than scary, Nicolas Cage's unforgettable turn as the titular killer brings the film to another level, delivering goosebumps in the truckload, and adding an unexpected supernatural element as well. The film's outsized success has cemented Osgood Perkins, son of the late Psycho star Anthony Perkins, as one of the genre's new pillars, and his next film The Monkey is already one of next year's most anticipated. Barbarian (2022) Horror comedies have been around since the early days of film, but in almost every case, the moment humour is introduced, the horror dissipates entirely. Barbarian, the directorial debut of former sketch comedian Zach Cregger, somehow manages both. It begins with two strangers forced to share an Airbnb, and just when their night couldn't get any worse, the film cuts to actor Justin Long singing like a fool, and a new thread begins. Fiendishly clever in twists and turns through both plot and tone, this is a singular film that lingers long after it ends. Host (2020) When global lockdowns began during the pandemic in 2020, people worldwide pledged that they would use that time to create their masterpiece. Director Rob Savage may have been the first person to achieve that goal. Host, his screenlife film documenting a video call among friends who decide to hold a virtual ceremony to contact the dead, is simple in concept, but terrifyingly effective in execution. A product of its time, sure, but one that is worth revisiting even as lockdown memories begin to fade. Anything for Jackson (2020) Of all of the films on this list, Anything for Jackson is the one that has flown most deeply under the radar, moving straight to the boutique horror streaming service Shudder after a small festival tour. But if you give it a shot, you'll most likely be hooked from the opening scene. In it, a seemingly normal elderly couple are mourning the loss of their grandson. But while they may be easygoing in their demeanour, they secretly worship darker forces, determined to find a vessel that could bring their beloved progeny back from the dead. And while it could easily have veered into familiar and gory territory, the film has a restrained take that allows an unsettling feeling to take hold instead. Nope (2022) Nope, Jordan Peele's third film, is perhaps both his best and most perplexing. It's about many things: aliens, paranoia, grief, poverty, all wrapped in the general anxiety in modern-day America. But most importantly, this is about the human obsession with spectacle and the subsequent exploitation of it for monetary gain. It's even a commentary on the history of cinema, and how everything can be sacrificed for the sake of that one perfect shot. What makes Nope scary, apart from the obvious alien presence that literally looms large over the characters, is the fact that many of us are not much different. We as humans are drawn to darkness, no matter how gruesome. And facing that is a deeply unsettling truth. Talk to Me (2022) Sometimes you never know where the best horror talent will get their start. In 2022, a giggling pair of YouTuber twin brothers from Australia named Danny and Michael Philippou somehow gave the world one of the scariest films in recent memory. Following a group of young people who contact the dead by holding hands with a mysterious porcelain statue, it quickly becomes a moving exploration of grief. And while it often relies on jump scares, it uses them well, and the truly scary moments are psychological rather than simple shocks. Bring Her Back (2025) The second film by the Philippou brothers is far better than the first. And while Bring Her Back is a deceptively kinder-hearted film than its predecessor Talk to Me – offering us characters who feel fresh, real and impossible not to root for – it's all the more terrifying for it, as our emotional investment makes every brutal twist and turn even harder to bear. The film follows two siblings who are forced to enter foster care after the death of their father – and find themselves in the home of a woman who is thrilled at how much the younger sister resembles her own dead daughter. Not for the squeamish, this two-hour film will make you more anxious than any other film on this list, without ever feeling cheap or exploitative. It's a masterwork. Late Night with the Devil (2023) Starring David Dastmalchian, Late Night with the Devil shows the downfall of a late-night talk show host whose ratings drop so he must resort to cheap tactics such as a Halloween episode in which he hosts a cast of guests that attempt to communicate with the dead. The whole film is presented like a lost episode, in which we see both the show and the behind-the-scenes happenings, with every passing segment building up to an incredible crescendo. The scariest thing about the film is how it lulls you into the sense that you're watching a real true crime documentary, hoping you would forget that it's a horror film at all. If it works on you, then you're in for a thrill ride that will get under your skin. The Empty Man (2020) Directed by David Prior, a regular collaborator of filmmaker David Fincher, The Empty Man is unlike any other horror movie in recent years. It dances between genres and explores familiar themes – spooky cults, disappearances, murder and supernatural beings – but it does it all with a singular vibe that hooks it all together. Something feels off from the start, and that unease doesn't dissipate until the twist ending. Speak No Evil (2022) The 2024 remake of Speak No Evil starring James McAvoy received rave reviews upon release, but it doesn't hold a candle to the Danish original from 2022. Some films are scary because of a lurking unknown force of evil like a ghost or monster, others are scary because of the prospect of being the victim of a serial killer. Speak No Evil 's horror is found in social awkwardness. In it, a meek and polite family become prisoners of an abrasive and straight-talking couple. And it happens not by force or persuasion, but just merely to avoid an uncomfortable confrontation. Even if you've seen the new version, give this one a shot. It may start the same, but the last 20 minutes, completely changed in the remake, will leave you cowering behind the sofa. A version of this story was first published in October 2024

Dia Mirza pays heartfelt tribute to her mother while receiving award
Dia Mirza pays heartfelt tribute to her mother while receiving award

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time21 hours ago

  • Gulf Today

Dia Mirza pays heartfelt tribute to her mother while receiving award

Actress Dia Mirza shared an emotional tribute to her mother, reflecting on how she became her first source of strength and inspiration. In a powerful message on Instagram, the 'Sanju' actress celebrated the essence of Shakti — the divine feminine energy and credited her mother for instilling in her the values of compassion, resilience, and grace. She posted a couple of her photos from a recent award and captioned it, 'Last night, as I stood on that stage, I thought of my mother @deepamirza. She was my first understanding of Shakti — not just as strength, but as compassion, resilience, grace, and the quiet courage to rise again and again. Shakti is the divine feminine energy that sustains, protects, and transforms. It lives in every woman who dares to dream, who nurtures life, who stands her ground, and who walks forward even when the path is uncertain.' Dia added, 'To be honoured with the Shakti Award 2025 by the wonderful @shashitharoor, in a room full of women I love and admire - Shabana Azmi ji, Ekta Kapoor, Neha Dhupia, Surveen Chawla, Poornima Devi Burman and so many more - was a reminder of how powerful we are when we stand together. This award is not just mine. It belongs to every woman who lives her truth, who lifts another up, and who carries within her the boundless force of Shakti. Gratitude. Love. And renewed hope.' On the work front, the 'Rehnaa Hai Terre Dil Mein' actress was recently seen in the film 'Nadaaniyan,' directed by Shauna Gautam. The film featured a fresh cast, including Saif Ali Khan's son Ibrahim Ali Khan and Khushi Kapoor, alongside seasoned actors Mahima Chaudhry, Suniel Shetty, and Jugal Hansraj. In the movie, Dia played the role of Nandini, the mother of Ibrahim's character, Arjun. 'Nadaaniyan,' directed by Shauna Gautam and produced by Karan Johar, Apoorva Mehta and Somen Mishra under Dharmatic Entertainment, was released on 7 March 2025 on Netflix. Meanwhile, Dia has recently expressed gratitude for her debut film 'Rehnaa Hai Terre Dil Mein', which was released in 2001, for shaping her life's journey. Dia took to Instagram, where she shared a selfie dressed in a white kurta. The doe-eyed actress appears beguiling in the picture as she smiles for the camera lens. For the background score, Dia, who essayed the role of Reena in the cult classic, used the rain theme, which introduced her in the Gautham Vasudev Menon film. 'This tune has in so many ways defined the song of my adult life... I was 19 when I danced in the rain with children... the first visual that introduced me as an actor to the audience. With a film title that defines the very essence of the hope one carries into this journey called — LIFE,' she wrote as the caption. Dia then thanked everyone for the love she has received for the film. 'Rehna Hain Terre Dil Mein — Then, Now and Always... So so grateful for your acceptance, your generosity and love,' she added. Indo-Asian News Service

Netflix MENA releases Jordanian film ‘Inshallah a Boy'
Netflix MENA releases Jordanian film ‘Inshallah a Boy'

Broadcast Pro

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  • Broadcast Pro

Netflix MENA releases Jordanian film ‘Inshallah a Boy'

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