
There's An Obvious Reason Why ‘Fantastic Four: First Steps' Collapsed At The Box Office
Fantastic Four: First Steps seemed, at first, to be a rebound for Marvel. Positive reviews and audience reception fueled a strong opening weekend, though it fell short of DC's Superman, which released just two weeks earlier. The film's second weekend, however, was disastrous, plummeting 66% from $117.6 million to just $40 million, a significantly steeper decline than analysts predicted (55 to 60%).
When it comes to box office numbers and superhero movies, quite a few factors have to be taken into account. There are some things that are completely outside the control of movie studios.
The movie theater business was already on the decline prior to the COVID-19 pandemic thanks to the rise of streaming, but consumer behavior following the pandemic has only made matters worse. Fewer people are going to the movies now than during the MCU's heyday. Many movie studios began releasing films direct to streaming during the pandemic, and even though that's been reeled back significantly, the damage was done. A good chunk of the audience will simply wait until these movies come to Disney Plus or HBO Max.
Even still, the decline Fantastic Four saw week-over-week cannot be pinned entirely on consumer behavior. Superman opened with a $125 million weekend and only dropped 53% the following weekend. Both movies had strong reviews and word-of-mouth. Both had A- Cinemascores. Critics mostly praised them. So why would Fantastic Four's decline be so much steeper than Superman's?
The other theory posited by some online is that 'superhero fatigue' has set in, and moviegoers are simply getting tired of the genre. This certainly adds to the equation, but Superman has already crossed the $300 million domestic box office mark, topping Man Of Steel ($291 million) and The Justice League ($229 million) from DC, both films released during the height of the superhero craze.
The truth is, people are not burnt out on superhero movies. Quite the opposite. People are so hungry for good superhero movies that they're gushing about films that are okay at best. Superman was a hot mess of a movie, but fans and critics alike raved about it. And I'll admit, despite all its flaws, I think it was a more enjoyable movie than Fantastic Four. People raved about that one, too, but aside from the cool retrofuturistic aesthetic, it's mostly just incredibly dull with a lackluster ending. People are so desperate for good superhero movies, they've convinced themselves that these qualify.
But bad movies often do well at the box office (Aquaman $335 million domestically and over $1.1 billion globally) and good movies often do bad (Dungeons & Dragons: Honor Among Thieves $93.9 million domestically and $208.2 million globally) so even looking just at quality can't always explain a film's poor showing.
If we want to get down to the number one reason Fantastic Four: First Steps declined so much in its second weekend, acknowledging all these other factors, it's simple: It's a Fantastic Four movie. These characters are not particularly popular. No Fantastic Four movie prior to this has been very good. These are not Batman or Superman or Avengers level comic book characters. It's more damning, ultimately, that Captain America did so poorly. Captain America ought to be a major hit for Marvel at this point, but Brave New World was a confusing mess and very few people are particularly excited about Anthony Mackie's Sam Wilson taking on the role of Captain America, while Bucky (Sebastian Stan) – a more sensible choice given his old friendship with Steve Rogers – is tucked away in Thunderbolts.
The problem with superhero movies these days is that the people who make them are out of touch with the people who watch them. They have forgotten who the target audience is, and why moviegoers head to the movies in the first place. To his credit, James Gunn was right to go with a popular DC hero like Superman for his DCU reboot (and smart to choose mostly less-expensive stars to fill the roles, because budgets are absolutely out of control). He just happened to also write one of his worst scripts for the film.
Between lousy scripts (Fantastic Four's is terrible) and characters most moviegoers don't care about, superhero fatigue and sluggish box office numbers are less about people not wanting these types of movies and more about the quality of the movies we keep getting from both Marvel and DC. Give the people what they want. Find better writers. There's plenty of life left in the genre. The question is whether the people in charge have the creativity and wherewithal to bring audiences back.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
22 minutes ago
- Yahoo
Gina Carano and Disney settle lawsuit over Mandalorian firing
A Lucasfilm spokesperson said in a statement to Variety, "The Walt Disney Company and Lucasfilm are pleased to announce that we have reached an agreement with Gina Carano to resolve the issues in her pending lawsuit against the companies.' "Ms Carano was always well respected by her directors, co-stars, and staff, and she worked hard to perfect her craft while treating her colleagues with kindness and respect. With this lawsuit concluded, we look forward to identifying opportunities to work together with Ms. Carano in the near future."


Forbes
25 minutes ago
- Forbes
The Role Of A Lifetime – Carrie St. Louis On Playing Dolly Parton In New Musical
When Dolly Parton announced plans to tell her life story in a Broadway musical – one of the first questions that came to mind was, 'Who would play Dolly?' Dolly and director Bart Scherer launched a global search to find not one, but three people who would play the music legend at different points of her life. It was an extensive process, but the roles were filled and now, after months of production, script revisions, and rehearsals, it's opening night for Dolly: A True Original Musical. Carrie St. Louis portrays Dolly during the singer/songwriter's early years in Nashville. St. Louis is a seasoned actress who grew up in California, then headed to New York where she made her Broadway debut just three months out of college. The auditioning process for the Dolly role was a lengthy one with St. Louis attending back and forth from New York to Nashville to attend different workshops as the script and story evolved. She also worked round the clock studying Dolly's voice. She was elated when she got word she had the part. 'It's just such a dream and something I almost couldn't imagine for myself,' she says. 'My mom keeps saying, 'Can you believe Dolly Parton picked you to play her?' The show heads to Broadway next year, but Dolly wanted it to debut in Nashville first. It's a way to give back to the city that's given her so much. The musical runs now through the end of August at the Fisher Center For Performing Arts at Belmont University. Actress Quinn Titcomb plays the young Dolly growing up in the Smoky Mountain community of Locust Ridge, St. Louis picks up the story when the singer leaves East Tennessee and heads to Nashville to pursue her music dream, and Katie Rose Clarke portrays Dolly after the singer leaves Nashville and heads to Hollywood. While the world knows much of Dolly's rags-to-riches story, the musical delves into parts of Dolly's life she's kept private until now. Dolly co-wrote the musical with Martha Schlatter, handpicked the stories she shares, and is doing the music, so it's truly intimate look at her life. 'She's showing a side of her life we really haven't seen,' says St. Louis. 'There's a lot about her and Carl Dean, her husband who passed away earlier this year. It was a very private relationship which is part of what makes it so beautiful. You get to see them meet and watch things progress. You learn about her relationship with her best friend, Judy Ogle. And you learn a lot about Porter Wagoner and her early start in country music. A lot of people know Dolly for 'Jolene' and '9 to 5,' but she had a whole life before that.' One of the greatest challenges to playing Dolly in a musical involves singing her iconic songs. St. Louis has a wide and varied music background. 'I majored in opera in college,' she explains. 'Then just out of college I auditioned for Rock of Ages. I figured there was no way it was going to happen, but I ended up getting Sherrie, the lead role, and making my debut on Broadway. I did Wicked which is very classical music theater, then Kinky Boots which is 90s, Cyndi Lauper pop. And the last show I did was Titanique which was Celine Dion's music.' Still, Dolly Parton is a category all her own. 'It's a lot of pressure to sing someone's songs in front of them every day,' St. Louis admits. 'But Dolly has been so supportive and very, very kind to me. And any advice she's given me has been along the lines of trusting my instincts and trusting what feels right to me. Dolly's so selfless in that way and has been like, if it feels right for you, that's what I want, as opposed to that's not exactly how I did it.' The goal is not to do a Dolly impersonation, but sort of tap into Dolly's essence. St. Louis says she got great advice from a vocal coach who pointed out one of the things that has always made Dolly's music unique. "He said, just remember Dolly sings to serve other people. It's not ego, it's not about her, she's telling stories for us. And as long as you just tell the story and serve the music, you can't go wrong.' In the musical, St. Louis sings Dolly's signature 'Coat of Many Colors.' St. Louis says before she sang it for Dolly the first time, Dolly sang it for her. 'I came in and Dolly was sitting at the piano and the director said we're going to have Dolly sing the song, then you sing it right after her. This way you can get a feel for her phrasing. So, Dolly started singing and I completely forgot I was supposed to pay attention to phrasing. I just had this moment of - she's singing 'Coat of Many Colors' to me! It was so beautiful, her voice is amazing, and I just started sobbing.' When it was St. Louis' turn to sing, she broke into the song, then looked up to see Dolly now had tears in her eyes. The two hugged in one of the many special moments St. Louis has experienced while working on the show. She says Dolly is everything you think she is, and so much more. 'She is there every day and she's very hands on. She's even better than we think she is. She makes a point of speaking to everyone in the room and always makes you feel seen and heard.' St. Louis pauses, then with a smile adds, 'And she's head-to-toe glam with six-inch heels. She's very unapologetically Dolly Parton!' For Dolly, who has famously made so many of her own dreams come true, the musical is just the latest. She wanted to tell her story in a way that would allow her honor and thank those who've supported through the years. 'It's about all of the people in her life who have built her up and helped her through her incredible journey,' St. Louis says. "She just released a song called 'If You Hadn't Been There' after her husband passed. And it's a good way of saying what the show's about. There's a famous quote that says it's not about the destination, it's about the journey. But then someone expanded upon that to say, no, it's actually about the company you keep. It's about the people who go with you along the way.' Even though St. Louis still can't quite believe she has a starring role in Dolly's musical, she says she's always leaned into 'faith over fear' in pursuing her own dream of becoming an actress. In an industry so full of rejection, she constantly reminds herself if something's meant to happen, you need to trust it won't pass you by. She has an interesting story along those lines about her initial trip to Nashville for the auditioning process. In fact, it was the first time she would sing for Dolly, and she was extremely nervous. As soon as she boarded the plane, she looked down and saw something shiny on the floor. 'At my feet there was a little broken necklace, and I picked it up and it was a diamond 'D.' D as in Dolly. 'I feel bad for whoever lost it, but I felt like it was meant for me! So, I grabbed it and put it on a bracelet I already had. I didn't want to lose it.' She would later tell Dolly about finding the necklace. 'When I told her, she looked down at the 'D,' then right at me and said, 'That's a Godwink. It's a wink from God letting you know you're in the right place.' It's become a good luck charm St. Louis will hold close as the show opens tonight, and throughout the remainder of the Nashville run, as she and the rest of the cast and crew bring Dolly's incredible story to life. For tickets to see Dolly: A True Original Musical visit:


Forbes
25 minutes ago
- Forbes
Armani Beauty's New Cheek Tint And Skin Tent Reflect The Brand's Belief 'That Makeup Shouldn't Be Intimidating'
One of the hottest products of the summer? Blush—and Armani Beauty has joined the conversation with its new Luminous Silk Cheek Tint Shine, a companion piece to the brand's Skin Tint. The liquid blush comes in four shades: Sunlit Sienna (described by the company as a 'burnished pink'); Starlit Peach; Cosmic Pink (a 'cool-toned' pink); and Magnetic Mauve (a 'deep purple pink'). The brand described the product in a release as being formulated to create 'a pearlescent finish that appears to move with light, enhancing the skin's luminosity,' made with technology that allows 'the formula to seamlessly blend into the skin without looking patchy.' I had the opportunity to chat about both the Cheek Tint and the Skin Tint with a person who has possibly the best job title ever—Samuel Rivera, Armani Beauty's National Face Designer. I'm especially intrigued by the company's skincare meets makeup approach, an ever-growing trend in beauty; he tells me that 'We designed our products to enhance the skin and keep it hydrated and healthy. We believe that the skin is a precious canvas that deserves the best quality and innovation.' Whereas the blush has four shades, the Skin Tint has 20. The Skin Tint was inspired by organza, 'a delicate and sheer fabric known for its lightweight structure and subtle sheen,' Rivera tells me, and its ingredients—think niacinamide, vitamin C and hyaluronic acid—'will give the skin the most beautiful and glowy finish,' Rivera adds. 'I am in love with this new product,' he says. Armani Beauty's ability to fuse skincare and makeup 'really sets us apart from other brands in the industry,' Rivera says. 'We put together skincare ingredients that are key and beneficial to the skin, combined with our exclusive pearls that allowed us to develop a product for all skin types and a wide variety of tonalities.' Pearls, you say? Perhaps like you, I'm especially intrigued by the fact that the product is made with pearls, which Rivera explains to me diffuse light reflection and add luminosity to the skin, creating 'a beautiful glow,' as he puts it. The skincare-makeup hybrid model—as seen in the Skin Tint—continues to grow in popularity, where the combination of the two 'essentially fuse two products in one,' according to Vogue. 'Ultimately, skincare is meant to provide a positive, measurable change in your skin over time—so a skincare-makeup hybrid should do both of those simultaneously.' Brands like Westman Atelier, Kosas, Rhode, Glow Recipe and Danessa Myricks Beauty have also jumped on the trend along with Armani Beauty. 'Today's beauty consumers are incredibly intentional—they're looking for formulas that enhance their natural features while actively improving their skin,' Cocokind founder Priscilla Tsai told Who What Wear. 'The days of choosing between a beautiful finish and real skincare benefits are over—people want both. That's why hybrid formulas are thriving.' When it comes to application, the Armani Beauty Skin Tint is lightweight, so it's 'easy to play with,' Rivera tells me. He recommends applying the product with your fingers—one to two pumps of Skin Tint starting from the center of the face outward. To build coverage, he says to apply in even layers with a flat foundation brush in the areas that you want more complete coverage. After applying the Skin Tint all over your face with your fingers, he suggests applying the Cheek Tint 'on the apple of the cheeks for a pop of color and dewiness.' (It can be applied with a brush or with fingertips, he says.) Rivera also uses the Cheek Tint 'on the lips,' he tells me, putting 'a lip gloss on top.' These two products 'are the perfect combination to create an easy, quick and glowy makeup look,' Rivera says. 'We believe that makeup shouldn't be intimidating—makeup should be easy to apply with just a few steps,' he tells me. The Cheek Tint is currently available at and the Skin Tint is also available on Sephora and Armani Beauty's websites, and will be available at all retailers on August 18—in just 10 days' time.