Fleetwood Mac Charts A Brand New Album — But Fans Will Know The Music Well
Fleetwood Mac's box set 1975–1987 debuts on the Official Albums Sales chart, earning the legendary ... More band another big win. NEW YORK, NY - JANUARY 26: (L-R) Honorees Stevie Nicks, John McVie, Christine McVie, Lindsey Buckingham and Mick Fleetwood of Fleetwood Mac seen onstage during MusiCares Person of the Year honoring Fleetwood Mac at Radio City Music Hall on January 26, 2018 in New York City. (Photo by)
Fleetwood Mac hasn't released any brand new music in years, but the group has doled out plenty of special projects. The group's catalog remains massively popular, and from time to time, the act earns a new win on the charts with various drops, from re-releases to deluxe editions, and even live recordings. In the United Kingdom, Fleetwood Mac returns to a tally the rockers know well with a newly-issued collection — and even decades after some of these albums first arrived, fans are still eager to get their hands on the music.
The band's latest collection, 1975-1987, is a box set of some of its most successful albums. The effort opens this week at No. 87 on the Official Albums Sales chart in the U.K., which ranks the bestselling titles of the week across all formats and genres. It's a quiet – but still meaningful – debut for the group.
With 1975-1987, Fleetwood Mac claims its twenty-second title to appear on the Official Albums Sales chart, and this new entry follows two others that also made an impact not long ago. In 2024 alone, the band added a pair of new wins to its chart history in the U.K., as Best of 1969-1974 and Mirage Tour '82 opened on that tally just months ago. Those two releases peaked at Nos. 57 and 24, respectively, on the sales list.
The 1975-1987 box set is a sleek, straightforward reissue of five already-iconic albums Fleetwood Mac released during those years, packaged together into a collectible must-have. The project, distributed by Rhino Records, dropped on March 28 and comes in a six-LP set pressed on crystal-clear vinyl. For fans who prefer CDs, the same music is available as a five-disc offering.
Inside, listeners will find Fleetwood Mac (also known as The White Album by fans), Rumours, Tusk, Mirage, and Tango in the Night. Every one of these titles was a major success upon release, and they've been reissued several times over the years. Now, they're together in one grouping.
1975-1987 isn't the only Fleetwood Mac release that appears on the charts in the U.K. this week, but it is the only one that shows up on just one ranking. A total of four albums by the band are currently performing well enough to find space on at least one list.
50 Years – Don't Stop and Greatest Hits are both present on two separate charts, with the latter returning to both tallies simultaneously. Meanwhile, Rumours remains the band's top-performing title. That set appears on five different charts in the U.K. this frame, and it manages to place inside the top 40 on all but one of them.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Buzz Feed
8 hours ago
- Buzz Feed
Walton Goggins And Aimee Lou Wood Break Silence On Feud Rumours
Walton Goggins and Aimee Lou Wood have given a joint interview in which they addressed the media scrutiny they've been under in the last few months. The pair were co-stars in the most recent season of The White Lotus, but found themselves at the centre of speculation when it was spotted that they were no longer following one another on Instagram just before the finale aired. In fact, it even appeared that Walton had gone as far as blocking Aimee on the platform, although both parties had still been speaking favourably about one another at the time, most notably in separate social media posts, which were soundtracked by the Fleetwood Mac anthem Silver Springs. Walton then failed to join most of the cast at a viewing party for the White Lotus finale, in which both he and Aimee played pivotal roles. During a new interview with Variety, Walton put his absence down to his busy schedule as he had been filming the new season of Fallout. However, he told Aimee as part of their joint interview: 'I wish I would have been able to watch this with you. It was so cathartic and so painful, and I regret that. I really do.' Walton later added: 'There is no feud. I adore, I love this woman madly, and she is so important to me. '[She] is Goldie Hawn. [She] is Meg Ryan. She can do anything, and she will. You watch what the next 20 years of her experience will be.' 'We care about each other very deeply,' he added. The Emmy nominee also said that he'd chosen not to dispel the feud reports during a now-infamous interview with The Times because he didn't want to 'speak for both of us' when Aimee wasn't present. Similarly, she chose to remain schtum on the 'feud' reports until now because she felt anything she said would be misconstrued, instead opting to 'sit back and watch these people making something out of absolutely nothing'. HBO As for his unfollowing Aimee on Instagram, Walton put this down to wanting to put some distance between himself and The White Lotus once the show was over. 'I knew what we had gone through, and I knew how close that we had gotten, and I needed to begin to process saying goodbye to Rick and Chelsea,' he said, apparently beginning to tear up. 'And I knew that that was going to take a while for me, so I let her know, this is what I've gotta do. And she was extremely supportive about that.' It's noted in Variety 's piece that Walton had more of a personal connection to Thailand than most of the rest of the cast, as he went travelling near where The White Lotus was filmed years earlier after his first wife died by suicide. Branding the media furore 'ridiculous', he concluded: 'I'm emotional because we haven't been in the same city to ever talk about this. So for me, this is just so wonderful.' Variety noted that the interview took place on the first weekend of May, shortly before both actors walked the red carpet separately at this year's Met Gala. Since then, Walton's wife Nadia Conners has also spoken out about rumours of an affair between her husband and his White Lotus co-star, which she took in good humour.
Yahoo
a day ago
- Yahoo
Fleetwood Mac tribute band to play at third Concert on the Common
GREENVILLE, N.C. (WNCT) — The third concert in the Concert on the Common series is set for Thursday, June 5, 2025. This concert will feature Landslide, A Tribute to Fleetwood Mac. Head down to the Greenville Town Common for some food trucks, beer and wine starting at 5:30p.m. and music starting at 6p.m. Food Truck Lineup: Anita's Authentic Mexican Street Food LLC. Buddy's Girl LLC. Jessi's Cones & Shakes LLC. Kona Ice of Greenville, N.C. Travelin' Tom's Coffee of Greenville, N.C. The Rock Food Truck. Williams Catering & Grill, LLC. The Concert on the Common Concert Series is a collaborative effort with Inner Banks Media, The City of Greenville, and The Junior League of Greenville. Don't miss out on the next two shows happening on June 26 and July 10. Second Concert on the Commons series set for Thursday night | WNCT Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
Yahoo
2 days ago
- Yahoo
13 Behaviors Of 80s Parents That Really Embarrassed Their Kids
The 80s were a wild time—big hair, loud prints, and parents who seemed to have no idea how much they were crushing their kids' social lives. While we thought we were just trying to survive middle school, they were out there living their best lives—often at our expense. Looking back, their antics are equal parts hilarious and mortifying. Here are 13 cringey behaviors 80s parents were so good at, the ones that made their kids want to disappear into the nearest Trapper Keeper. And if you're a kid of the 80s, you know these cuts deep. You'd pick up the phone—tethered to the wall, of course—and hear your mom mid-conversation, telling Aunt Linda all about your latest crush, your grades, and that weird rash you had last week. There was no such thing as a private life when your mom had a captive audience and a corded phone. The worst part? You could hear everyone listening on the party line. It was like they had no concept of boundaries. And you'd have to face your friends at school the next day like you weren't the main character in her soap opera. As noted by Verywell Mind, parental oversharing has long been a source of embarrassment for kids, especially before the digital age. There you were, trying to blend into the beige carpet during math class, when bam—your mom shows up at the door with your lunch, or worse, to 'check in' on you. No pass, no call ahead, just bold 80s energy, striding in like she owned the place. You wanted to melt into the floor as your classmates stared. That mix of helicopter parenting and total lack of self-awareness was peak 80s. And you never knew when the next ambush was coming. As noted by Indiana State University, parental involvement in school settings has evolved dramatically since the 80s, with boundaries now much more respected. Think matching Christmas sweaters… at the mall… in July. Or forcing you to stand in front of a theme park sign while your dad adjusted the disposable camera for five agonizing minutes. Every time you protested, they'd say, 'You'll thank me later!' Spoiler: You didn't. And those photos? They haunt you to this day. Your dad's love for Steely Dan or your mom's obsession with Fleetwood Mac wasn't a vibe—it was a lifestyle. The stereo system was their personal concert venue, and they had no shame about cranking it up, even when your friends were over. You'd sit there, mortified, as your house vibrated to 'Reelin' In The Years.' Trying to talk over the music was a losing game. And asking them to turn it down? Forget it—they were 'educating' you. Rolling Stone even notes that 80s music culture was all about big sound and bigger personalities—no wonder they turned it up to 11. You'd casually mention you were going to Emily's house, and before you knew it, your mom was on the phone, asking Emily's mom about their political views, their snacks, and whether they 'kept a clean house.' It was like a full background check before you were allowed to leave the driveway. And no, you couldn't stop her. The embarrassment wasn't just the call—it was facing Emily afterward. You felt like you needed a witness protection program. They dressed you like you were prepping for a blizzard in July: turtlenecks, windbreakers, and clunky shoes that screamed 'responsible parenting' but tanked your social life. Fashion was not a priority—survival was. And your pleas for a pair of acid-wash jeans fell on deaf ears. You learned to dread school picture day because it was just another chance for them to ruin your chances at looking remotely cool. And to this day, you can still feel the scratch of those synthetic fabrics. As highlighted by Vogue, 80s kids' fashion was often dictated by practicality and parental preferences, not style. 'Oh, come give Uncle Bob a hug!'—even though you'd never seen Uncle Bob in your life and he smelled like cigars and mothballs. Personal space? Not a thing. You were expected to be a tiny social ambassador, no matter how awkward or uncomfortable it felt. That forced affection left you cringing in the corner, counting the minutes until you could escape. And it planted seeds of people-pleasing you're still untangling. At a party, at the grocery store, even at your teacher conference—they'd gleefully recount the time you peed your pants in kindergarten or the phase when you wouldn't stop licking your elbow. They acted like your life was a sitcom for public consumption. And you couldn't do a thing about it. You'd sit there, cheeks burning, as they laughed louder with each retelling. Privacy was not a right—it was a joke. You'd sit in the kitchen chair, a towel around your neck, and they'd just go for it—with no mirror, no warning, and definitely no styling skills. The bowl cut? The mullet? The uneven bangs that haunted your school yearbook? Those weren't choices—they were happenings. And you learned that the phrase 'Just a trim' was a trap. 'Oh, she'd love to sing the solo at the school assembly!' or 'He's great at math—he can tutor the neighbor's kid!' You'd find out you were volunteered for something when it was too late to back out. And you'd stand there, frozen, wondering how you got roped into this. It wasn't about your skills—it was about them wanting to show off their parenting. And you felt like a pawn in their performance. Your dad needed to grab the newspaper? Boom—door open. Your mom had a question about dinner? Yep, there she was, mid-shampoo. Privacy in 80s households was a luxury you didn't know you were missing. And the worst part? They acted like you were the problem for caring. Skin your knee? It was an emergency room visit. Cough in class? They were calling the doctor. The 80s parent response to minor injuries was either full-blown panic or dismissive toughness—but when they did freak out, they made it everyone's business. You'd be mortified as they grilled the school nurse, the coach, even the janitor. And you learned that being hurt also meant being humiliated. Feeling sad, anxious, or overwhelmed? Their response was a shrug and a 'You'll be fine—life's tough.' There was no emotional space for your feelings—only a rough, bootstrapped version of resilience. You learned to shove your emotions down, smile through it, and not make a big deal. But that silent suffering? It lingers.
