
Review: Joachim Trier's Most Emotionally Mature Film Yet
Review: Joachim Trier's Most Emotionally Mature Film Yet
'Sentimental Value' is directed by the acclaimed Norwegian filmmaker Joachim Trier. Trier is best known for introspective and emotionally resonant films like Oslo, August 31st and The Worst Person in the World. The latter earned two Academy Award nominations, including Best International Feature and Best Original Screenplay. With this latest feature, Trier seems to channel the emotional precision of Ingmar Bergman. This very well might be his most mature and accomplished film to date. 'Sentimental Value' screened in the main competition at the 78th Cannes Film Festival. By the time this review gets posted, the winners will have been announced. If it were up to me, this film would win the Palme d'Or.
There's a sense in this film that Trier has elevated his craft as a director. His work now reflects not only technical mastery but also a deeper philosophical engagement with his characters and their inner lives. Much like Bergman in films like Scenes from a Marriage, Trier employs a narrator who verbalises the inner states of his characters with startling clarity. Emotions aren't simply identified. They're evoked through vivid metaphors that draw us deeper into the character's interior world.
In the opening scene, the narrator recalls how, as a child, the protagonist was asked to choose an object and describe how it felt. She chose her house. She describes how the house hated being empty. How it went through long periods of silence. It hated that feeling. This silence, of course, was due to the absence of a family member. The way the narrator describes the house's emotional state mirrors the void left behind by a family that was on the verge of collapse. When its rooms weren't filled with footsteps or laughter, it felt empty, just like her. From that very first scene, you understand the emotional architecture of the entire family. The writing is devastating. It's a great example of how good narration with vivid descriptive imagery can be a vessel for emotional truth.
Co-written with his longtime collaborator Eskil Vogt, the film explores how past wounds shape the present. It's a deeply personal drama that reveals how the stories we tell can become a way of coping and understanding the pain we inherit. The story revolves around Nora Berg (Renate Reinsve), a stage actress grappling with the recent loss of her mother. Her estranged father, Gustav Berg played by Stellan Skarsgård in a powerhouse performance, resurfaces with an unexpected offer. He wants her to play the lead in his new comeback film. The project is clearly autobiographical. Nora refuses. She can't seem to forgive her father for his past mistakes.
When she turns him down, Gustav casts a rising Hollywood star, Rachel Kemp (Elle Fanning), in her place. In this role, Fanning displays an impressive range of emotions. Of course, it is not long before she realises that she's is portraying a version of Nora shaped by the director's own memories. What follows is a delicate meditation on the fragile ways art can both reopen wounds and begin to mend them. 'Sentimental Value' is a film about the redemptive power of storytelling. It explores how the act of making cinema can be a form of healing. How re-enacting the traumas of the past can offer a new way of seeing, of understanding, of letting go. In revisiting pain through performance, characters don't just relive their memories. They begin to reshape them. Trier suggests that we might not be able to escape our past. However, through the expression of art, we might just learn how to live with the pain.
'Sentimental Value' is filled with emotional honesty. It's a reminder of why we turn to cinema in the first place. It's to make sense of the world. Great films help us understand why we feel the way we do. They offer a kind of clarity that life often withholds. In doing so, films like this one help us come to terms with the people we love. Not as we wish they were, but as they truly are, flawed and deeply complex. 'Sentimental Value' will almost certainly find itself in the awards conversation by year's end. I loved everything about it.
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CairoScene
26-05-2025
- CairoScene
Review: Joachim Trier's Most Emotionally Mature Film Yet
Review: Joachim Trier's Most Emotionally Mature Film Yet 'Sentimental Value' is directed by the acclaimed Norwegian filmmaker Joachim Trier. Trier is best known for introspective and emotionally resonant films like Oslo, August 31st and The Worst Person in the World. The latter earned two Academy Award nominations, including Best International Feature and Best Original Screenplay. With this latest feature, Trier seems to channel the emotional precision of Ingmar Bergman. This very well might be his most mature and accomplished film to date. 'Sentimental Value' screened in the main competition at the 78th Cannes Film Festival. By the time this review gets posted, the winners will have been announced. If it were up to me, this film would win the Palme d'Or. There's a sense in this film that Trier has elevated his craft as a director. His work now reflects not only technical mastery but also a deeper philosophical engagement with his characters and their inner lives. Much like Bergman in films like Scenes from a Marriage, Trier employs a narrator who verbalises the inner states of his characters with startling clarity. Emotions aren't simply identified. They're evoked through vivid metaphors that draw us deeper into the character's interior world. In the opening scene, the narrator recalls how, as a child, the protagonist was asked to choose an object and describe how it felt. She chose her house. She describes how the house hated being empty. How it went through long periods of silence. It hated that feeling. This silence, of course, was due to the absence of a family member. The way the narrator describes the house's emotional state mirrors the void left behind by a family that was on the verge of collapse. When its rooms weren't filled with footsteps or laughter, it felt empty, just like her. From that very first scene, you understand the emotional architecture of the entire family. The writing is devastating. It's a great example of how good narration with vivid descriptive imagery can be a vessel for emotional truth. Co-written with his longtime collaborator Eskil Vogt, the film explores how past wounds shape the present. It's a deeply personal drama that reveals how the stories we tell can become a way of coping and understanding the pain we inherit. The story revolves around Nora Berg (Renate Reinsve), a stage actress grappling with the recent loss of her mother. Her estranged father, Gustav Berg played by Stellan Skarsgård in a powerhouse performance, resurfaces with an unexpected offer. He wants her to play the lead in his new comeback film. The project is clearly autobiographical. Nora refuses. She can't seem to forgive her father for his past mistakes. When she turns him down, Gustav casts a rising Hollywood star, Rachel Kemp (Elle Fanning), in her place. In this role, Fanning displays an impressive range of emotions. Of course, it is not long before she realises that she's is portraying a version of Nora shaped by the director's own memories. What follows is a delicate meditation on the fragile ways art can both reopen wounds and begin to mend them. 'Sentimental Value' is a film about the redemptive power of storytelling. It explores how the act of making cinema can be a form of healing. How re-enacting the traumas of the past can offer a new way of seeing, of understanding, of letting go. In revisiting pain through performance, characters don't just relive their memories. They begin to reshape them. Trier suggests that we might not be able to escape our past. However, through the expression of art, we might just learn how to live with the pain. 'Sentimental Value' is filled with emotional honesty. It's a reminder of why we turn to cinema in the first place. It's to make sense of the world. Great films help us understand why we feel the way we do. They offer a kind of clarity that life often withholds. In doing so, films like this one help us come to terms with the people we love. Not as we wish they were, but as they truly are, flawed and deeply complex. 'Sentimental Value' will almost certainly find itself in the awards conversation by year's end. I loved everything about it.


Al-Ahram Weekly
24-05-2025
- Al-Ahram Weekly
Cannes film festival winners - Screens - Arts & Culture
The 78th Cannes film festival ended Saturday on the French Riviera with the award of its top prize, the Palme d'Or. Here is a list of the winners in the festival's main competition: - Palme d'Or: Jafar Panahi for "It Was Just an Accident" by (Iran) - Grand Prix: Joachim Trier for "Sentimental Value" (Norway) - Jury prize: Oliver Laxe for "Sirat" (Spain-France) and Mascha Schilinski for "Sound of Falling" (Germany) - Best director: Kleber Mendonca Filho for "The Secret Agent" (Brazil) - Best actress: Nadia Melliti for "The Little Sister" (France) - Best actor: Wagner Moura for "The Secret Agent" (Brazil) - Special prize: Bi Gan for "Resurrection" (China) - Best screenplay: Jean-Pierre and Luc Dardenne for "Young Mothers" (Belgium) - Camera d'Or for best first film: Hasan Hadi for "The President's Cake" (Iraq). Special mention for "My Father's Shadow" by Akinola Davies (Nigeria) - Best short film: Tawfeek Barhom for "I Am Glad You're Dead Now" by (Palestine-Greece-France) Follow us on: Facebook Instagram Whatsapp Short link:


See - Sada Elbalad
22-05-2025
- See - Sada Elbalad
"Sentimental Value" Earns Huge 15-Minute Cannes Ovation
Yara Sameh Joachim Trier and star Renate Reinsve's 'Sentimental Value,' smashed past this year's record for the longest standing ovation at Cannes on Wednesday evening, with the crowd applauding the 'Worst Person in the World' reunion for 15 minutes, clapping wildly past the late hour of 1 a.m. Elle Fanning, who plays a Hollywood starlet in the feature, went into tears and embraced Trier as the crowd whooped and hollered for her performance. Stellan Skarsgård could be seen blowing a kiss to the crowd. In Trier's speech after the huge round of applause, the Norwegian filmmaker choked up and shared he was 'very moved' and noted that many in the film had 'struggled for years' to make it. 'What's that Buñuel quote? 'I make films for my friends'? I feel you're all my friends tonight.' The 15-minute ovation for 'Sentimental Value' is the longest thus far of this year's Cannes, exceeding the 11.5 minutes of applause that French director Julia Ducournau's infection drama 'Alpha' earned earlier in the fest. The intense reception sparked instant speculation in the room that Trier's feature could emerge as the frontrunner to win the Palme d'Or. 'Sentimental Value' follows sisters Nora and Agnes as they 'reunite with their estranged father, the charismatic Gustav, a once-renowned director who offers stage actress Nora a role in what he hopes will be his comeback film,' the film's synopsis reads. 'When Nora turns it down, she soon discovers he has given her part to an eager young Hollywood star. Suddenly, the two sisters must navigate their complicated relationship with their father — and deal with an American star dropped right into the middle of their complex family dynamics.' Though 'Sentimental Value' is at its heart a family drama, Trier found several ways to poke fun at the film biz through its meta plot. At one point in the story, the film Skarsgard's character is making is acquired by Netflix and is made to do a junket interview with a journalist, who brings up a past box office flop from Fanning's character's career. 'Get out,' Skarsgard replies. Along with Reinsve, Trier and Skarsgård, the 'Sentimental Value' cast is rounded out by Cory Michael Smith and Inga Ibsdotter Lilleaas. Trier penned the script with his frequent collaborator Eskil Vogt. A frequent Cannes selection, Trier first came to the fest in 2011 with his second feature, 'Oslo, August 31st,' which premiered in the Un Certain Regard section. In 2015, he returned to compete for the Palme d'Or with 'Louder Than Bombs,' a grief drama starring Jesse Eisenberg and Isabelle Huppert. His next time in competition was with 'The Worst Person in the World,' starring Reinsve, which won her the festival's award for best actress and went on to receive Oscar nominations for best international feature and screenplay. read more New Tourism Route To Launch in Old Cairo Ahmed El Sakka-Led Play 'Sayidati Al Jamila' to Be Staged in KSA on Dec. 6 Mandy Moore Joins Season 2 of "Dr. Death" Anthology Series Don't Miss These Movies at 44th Cairo Int'l Film Festival Today Amr Diab to Headline KSA's MDLBEAST Soundstorm 2022 Festival Arts & Culture Mai Omar Stuns in Latest Instagram Photos Arts & Culture "The Flash" to End with Season 9 Arts & Culture Ministry of Culture Organizes four day Children's Film Festival Arts & Culture Canadian PM wishes Muslims Eid-al-Adha News Egypt confirms denial of airspace access to US B-52 bombers News Ayat Khaddoura's Final Video Captures Bombardment of Beit Lahia News Australia Fines Telegram $600,000 Over Terrorism, Child Abuse Content Arts & Culture Nicole Kidman and Keith Urban's $4.7M LA Home Burglarized Sports Former Al Zamalek Player Ibrahim Shika Passes away after Long Battle with Cancer Sports Neymar Announced for Brazil's Preliminary List for 2026 FIFA World Cup Qualifiers News Prime Minister Moustafa Madbouly Inaugurates Two Indian Companies Arts & Culture New Archaeological Discovery from 26th Dynasty Uncovered in Karnak Temple Business Fear & Greed Index Plummets to Lowest Level Ever Recorded amid Global Trade War Arts & Culture Zahi Hawass: Claims of Columns Beneath the Pyramid of Khafre Are Lies