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Playtime Launches Canneseries Winner Rafael Cobos' Debut Feature, ‘Golpes' (EXCLUSIVE)

Playtime Launches Canneseries Winner Rafael Cobos' Debut Feature, ‘Golpes' (EXCLUSIVE)

Yahoo13-05-2025
Paris-based Playtime is launching worldwide sales on action thriller 'Golpes,' the directorial feature debut of Spanish screenwriter Rafael Cobos, whose first outing as a helmer, 'The Left-handed Son,' won best short form series at 2022's Canneseries.
'Golpes' stars four-time Goya winner Luis Tosar ('Cell 211').
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It's set in 1982, as Spain gallops towards a bright democratic future thanks to a Pact of Forgetting, decriminalizing human rights violations under Francisco Franco's dictatorship. 'Golpes' turns on Migueli (Jesus Carroza), a hardened ex-con who reunites his old crew for a series of bold heists — not for riches or revenge, but to reclaim the land where his father lies in an unmarked grave, soon to be erased by developers.
With his brother, Sabino (Tosar) — a police officer — closing in and each job spiraling further into violence, Migueli must gamble everything to preserve a piece of history before it's lost forevever.
Migueli is played by Jesús Carroza, a standout in the Cobos scripted 'Prison 77' and 'Survival' episode of series 'Apagón.' Cobos has said that 'Golpes' is 'a subtle fable that attempts to depict a country in the midst of transition – a contradictory, disorientated country unable to settle the score with its past. It's a thriller about blood ties and memory.'
'Playtime likes to have a diversified lineup and this new addition to our slate gives us the opportunity to bring to the market a high quality thriller. We know that buyers in Cannes are not only looking for festival films but also for highly marketable audience pleasers like 'Golpes,'' said Playtime co-CEO Nicolas Brigaud-Robert.
Vaca Films ('Cell 211') produces with Grupo Tranquilo and Playtime Production. A career-long co-scribe on the movies and series of Alberto Rodríguez, Cobos won Spanish Academy screenplay Goyas for 'Marshland' and 'Smoke & Mirrors.'
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Melody Shari Hosts Private Premiere Of ‘Childcare Cartel', Cast & Creator Celebrate Sizzling Series
Melody Shari Hosts Private Premiere Of ‘Childcare Cartel', Cast & Creator Celebrate Sizzling Series

Black America Web

time38 minutes ago

  • Black America Web

Melody Shari Hosts Private Premiere Of ‘Childcare Cartel', Cast & Creator Celebrate Sizzling Series

The women of The Childcare Cartel docuseries rolled out the red carpet for an exclusive, adults-only networking and watch party, and BOSSIP was on the scene to see the sizzling series. Source: Freddy O / The luxe gathering took place at Atlanta's Modex Studio and was moderated by award-winning actress and entrepreneur, Melody Shari. Source: Freddy O / The event spotlighted the groundbreaking unscripted series that follows a tight-knit circle of female childcare bosses balancing business, life, and the weight of running empires where one misstep could change everything. Source: Freddy O / The atmosphere was electric and elegant as Childcare Cartel pulled back the velvet curtain for an exclusive, star-studded evening in Atlanta. Guests draped in pastel perfection gathered under lush florals, luxe drapery, and candlelit decor curated by The Bella Xperience, setting the scene for a night of networking, noshing, and next-level inspiration. Over 100 of Atlanta's finest, including moguls, media mavericks, and mogul moms, turned out to toast the upcoming docuseries. In attendance were cast members Sherri J. White, Janaya Burke, Keisha 'Starr' Archer, and Sydney Jordan, along with #RHOA creator Princess Banton-Lofters, restaurateur Ebony Austin, and media executive Chanel Nicole Scott. Source: Freddy O / The night also featured panel discussions packed with business gems guided by Melody Shari, delivering raw and rare insight into the realities of running a childcare empire. The grand finale was a private premiere of the game-changing reality series that follows bold businesswomen navigating babies, budgets, and big boss moves in pursuit of generational wealth. The Childcare Cartel isn't your typical feel-good family series. It's a bold, behind-the-scenes reality show created by Atlanta-based mogul mom Sherri J. White, spotlighting the high-stakes world of Black women running early childhood education empires. Source: Freddy O / The docuseries peels back the layers of licensing, lawsuits, burnout, betrayal, sisterhood—and the beauty and chaos in between. Think: less playgrounds, more power moves. The featured cast includes Martika Reddick, Janiya Burke, Keisha 'Starr' Archer, and Sydney Goggins, four childcare owners whose personal and professional journeys anchor the heart of the series. 'I had to close my center today,' said Sherri J. with a laugh to BOSSIP. 'I came here in my work clothes and got dressed at the venue. But I feel really, really good. People are excited—they're ready to network and get into what The Childcare Cartel is all about.' Here's what each of the featured women had to say about their journeys, and what they hope viewers take away. As the creator, executive producer, and owner of multiple centers, Sherri J. is the heartbeat of the show. She wants viewers to look beyond the surface of daycare. Source: Freddy O / 'I want people to understand that childcare is more,' she said. 'It's about the women behind it. You'll see each woman going through something different—some business, some tea—but mostly, it's a reminder that this is a space where you can be a woman first. Yes, we're providers, but we're individuals too.' Though some attendees hoped to network for jobs, Sherri J. made it clear—she's fully staffed. 'Honestly? My payroll has hit its max,' she joked. 'I need someone else to open a center so I can send some of my staff over there.' More on the flip! Sherri's daughter Janaya Burke is opening her first center in Hapeville, but she's already walking in her own lane. Source: Freddy O / 'When I hear 'childcare cartel,' I think of a group of ballsy, sassy, hardworking individuals that come together to make it bigger than ever,' she said. 'Don't procrastinate. That was my biggest downfall. Whether you're scared or not, just do it now.' Former nightlife dancer turned childcare mogul Keisha 'Starr' Archer owns STAR Kids Academy 1 and 2. Her transformation alone deserves a whole season. Source: Freddy O / 'When I hear Childcare Cartel, I think of community. A group of women who can get together and speak about the childcare industry—and our lives outside of it. Because we have lives too.' Starr says balancing it all takes a toll. 'It costs a lot. Trying to be the strong one in your family while running a business? It's not easy.' At 30 years old, Martika is already a veteran in the game, with seven years under her belt. Source: Freddy O / 'What makes me feel most powerful is the respect I get at my age. The impact I've had on the city of Atlanta has made a tremendous impact on my life—and the kids.' Sydney, who co-runs a center with her mother, shared a raw perspective on what makes this industry uniquely stressful. Source: Freddy O / 'What separates childcare from other industries is the liability alone. Doctors make mistakes—insurance pays it out. We make a mistake, we're going to jail. Our business gets shut down.' She admitted that at one point, she struggled to set limits. 'I didn't know how to delegate. I made myself available to my parents and staff 24 hours a day. Learning boundaries literally saved my life.' Hit the flip for more details on Childcare Cartel' s big night. The evening offered more than a sneak peek—it was an experience. Guests enjoyed curated music, casting calls, and an elevated spread of hors d'oeuvres and drinks by Chef Tanya Chavis, owner of Pretti Plates on Cascade. Source: Freddy O / The menu included BBQ meatballs, jerk chicken, rice and peas, plantains, seafood rice, mac and cheese, chicken sliders, vegan selections, and charcuterie. The drinks? Custom cocktails named after the show: The Cartel – Vodka, Triple Sec, Fresh Lemon Juice Child's Play – Reposado, Triple Sec, Lime Juice, Agave Syrup, Jalapeños Playground Punch (Mocktail) – Pineapple, cranberry, orange, lime, and soda Forme r Love & Marriage: Huntsville star Melody Shari showed support on the carpet amid her hosting duties. Source: Freddy O / 'I feel so powerful knowing that my beauty brand is empowering women,' she said. 'I was so excited when I learned about The Childcare Cartel—I'm just like wow, look at these amazing boss women who look like me owning their lane in the billion-dollar childcare industry!' Chanel Nicole Scott, CMO of In the Black Network, also pulled up. 'When I first heard the name, I was like oh wow—this will catch some eyeballs! I thought it was absolutely creative.' When asked what her superpower is with kids? 'I'm a kid myself! I don't have any children, so quite naturally—when you don't have, you love them more. And you get to send them home when you're done, ha!' Yanoviah Murphy, founder of The Care Crew Team nanny service, was also in the room. At just 17 years old, she attended to network, gaining a powerful takeaway. 'If you have a mission, it's important for you to just go for it,' she said. 'The ladies didn't let anything stop them, which inspired me.' Shannette Rivera, who flew in from Miami, owns Unique Kids Pre School and has been in the game for more than two decades. 'We don't have things like this where I'm from,' she said. 'So I had to come here to Atlanta—and I'm grateful to network today.' There's a new cartel on the block, but it's not moving bricks, it's moving babies, blueprints, and bold strategy. The Childcare Carte l is the docuseries we didn't know we needed, until it pulled up with high heels, clipboards, and center keys in hand. Source: Freddy O / At first glance, the show plays like a Real Housewives spin-off: there are luxe buildings, dramatic boardroom moments, and a cast of women with both grit and glam. But underneath the lashes and legacy talk is something deeper—something revolutionary. The show isn't just about business. It's about what happens when Black women decide they're no longer just caretakers—they're CEOs. The first season is fully filmed! While it's still in network negotiations, The Childcare Cartel is already doing what great shows do—sparking conversation, creating visibility, and rewriting narratives. 'This isn't just about watching children,' said Sherri J. 'It's about shaping generations—and showing the world what it really takes.' Ready to tune in? The post Melody Shari Hosts Private Premiere Of 'Childcare Cartel', Cast & Creator Celebrate Sizzling Series appeared first on Bossip. SEE ALSO Melody Shari Hosts Private Premiere Of 'Childcare Cartel', Cast & Creator Celebrate Sizzling Series was originally published on

Travis Scott Reaches A New Career Peak
Travis Scott Reaches A New Career Peak

Forbes

time2 hours ago

  • Forbes

Travis Scott Reaches A New Career Peak

Travis Scott reaches a career high point on Billboard's Top Streaming Albums chart, where Jackboys ... More 2, his new set with Jackboys, opens at No. 4. PARIS, FRANCE - SEPTEMBER 27: (EDITORIAL USE ONLY - For Non-Editorial use please seek approval from Fashion House) Travis Scott walks the runway during the Vetements Paris Womenswear Spring-Summer 2025 show as part of Paris Fashion Week on September 27, 2024 in Paris, France. (Photo by) Travis Scott's new album, Jackboys 2 — which is credited to both Scott as a solo musician and his group Jackboys, which features several other rappers — debuts across in lofty positions on a number of Billboard charts this week. The full-length arrived with little warning during an exciting tracking period, as Scott and company competed against Swag, Justin Bieber's highly-anticipated new album, which also dropped with minimal notice. Jackboys 2 wins most races, and even on the rankings where it doesn't launch at No. 1, the set still manages to bring both the band and Scott to career highs. Travis Scott and Jackboys Hit a New High Jackboys 2 opens at No. 4 on the Top Streaming Albums chart, Billboard's ranking of the most successful collections on platforms like Apple Music, Amazon Music, Spotify, and others. That position is the lowest starting point for Jackboys 2 on any tally in America, and yet it's a special placement for both credited stars. No. 4 now stands as the highest that either Scott or Jackboys have reached on the Top Streaming Albums tally. Scott earns his third career placement and second top 10 with the collaborative project, which beats the No. 9 peak Utopia managed in March of last year. He also sent Days Before Rodeo to No. 11 for a single frame in early September 2020. For Jackboys, this project marks a debut appearance on the Top Streaming Albums list. Justin Bieber's Swag Wins One The Top Streaming Albums chart is one of just two Billboard lists where Bieber reigns. Swag opens in first place, earning Bieber his first champion, while it also conquers the Top R&B Albums tally. In most instances — such as on the Top Album Sales ranking and the Billboard 200 — Jackboys 2 comes out on top. The Biggest Album in America This Week Jackboys 2 is easily the biggest album in America this week, as it shifted 232,000 equivalent units between pure purchases and streaming activity. Of that sum, 160,000 are sales, according to Luminate, with much of the rest coming from tens of millions of plays on streaming platforms. The set manages to conquer the Billboard 200, Top Album Sales, Top R&B/Hip-Hop Albums, and Top Rap Albums charts upon its debut thanks to one of the most impressive openings of 2025.

Kristin Scott Thomas on the pain behind "My Mother's Wedding"
Kristin Scott Thomas on the pain behind "My Mother's Wedding"

CBS News

time3 hours ago

  • CBS News

Kristin Scott Thomas on the pain behind "My Mother's Wedding"

She may be Dame Kristin Scott Thomas, but you're just as likely to find her living in Paris as you might in London. "My blood is English, but my culture is French," she said. There is a duality about her. She can be as heartwarming in English ("Darkest Hour") as she can be heartwrenching in French ("I've Loved You So Long"). Many of her foreign films have been showcased at the Cine Lumiere, a French art house in London. "A little slice of Paris," she said. It's convenient, now that she's back in London, playing the deputy director of MI5 in the Apple TV+ series "Slow Horses." A chilly, stiff upper-lip has often been a calling card for Thomas – too stiff, she admits, early on: "I think it was Sydney Pollock – or it might have been Robert Redford, take your pick," she laughed. "One of them said to me, 'You know, you have to be generous. Forget what you're trying to defend. Forget trying to hide. Be more generous.' And I'm not sure I really understood what he meant by that. He just planted a seed, and then I was able to kind of unzip a bit more." And she about to unzip even more, creatively digging into something intensely personal in her past. She said, "When I was five, my father was killed, and my mother remarried. And tragically, he was killed five years later. And I know that a lot of the time when I was a younger woman, I had this feeling of something missing, this piece of my puzzle missing having grown up with only one parent." Both had been pilots in the Royal Navy's Fleet Air Arm; both were lost in remarkably similar training accidents; and both left a hole that had her climbing out into her imagination. When she was a little girl she wrote and illustrated stories: "A mommy and a daddy and two children, just doing ordinary things, like going away on holiday and things like that" – a family experience she never knew. The memories of her dad were incomplete, fuzzy, like sketches she played out in her head. But those images became the seeds for what grew into a screenplay, and then came to life as the first movie she's ever directed: "My Mother's Wedding." It garnered an all-star cast: Scarlett Johansson, Sienna Miller and Emily Beecham play Thomas' daughters who are each struggling in different ways with the loss of a father or stepfather, just as their mother prepares to marry again. To watch a trailer for "My Mother's Wedding" click on the video player below: Thomas has already done movie weddings, of course, as in "Four Weddings and a Funeral." Early on, she had a sarcastic confidence about her. She didn't have the most lines in that 1994 film, but in brevity she was brilliant: That demeanor might have been a surprise to those who knew her when she was bouncing around Royal Naval bases, a bit of a wallflower as a child, even into adulthood. "I was excruciatingly shy," she said. "I don't know when it changed, to be honest." She's hardly shy anymore, if her character in "Fleabag" is any indication. Perhaps it's fitting she was discovered by another admittedly shy success story, Prince. You'd think that would make her a pretty cool mom (she has three children with her first husband), but it turns out … not so much. "I hadn't watched it with them, but as I was leaving my teenage children alone one evening, and they were having pizza and a friend 'round, I said, 'Watch "Under the Cherry Moon," it's on the telly! Come on, it'll be fun!' And when I got back, they weren't actually very polite about it." She has more than made up for it, later starring opposite Robert Redford ("The Horse Whisperer"), Harrison Ford ("Random Hearts"), and Tom Cruise ("Mission: Impossible"). "I'm so proud to be in 'Mission: Impossible,' I cannot even get over it!" she said. "I'm in this thing, which is this enormous monster, and you know, these kids, they have no idea about 'Gosford Park.' They have no idea about 'Four Weddings,' but they've all seen 'Mission: Impossible'! And they have no idea I speak French or do all these other kind of slightly murkier films in France, you know?" And then, of course, there was "The English Patient," which earned her an Academy Award nomination for best actress. "It's quite moving actually, when you see yourself at sort of 30 acting your socks off," she said. Another place she acted her socks off is at the Royal Court Theatre, where she won an Olivier Award for her performance in "The Seagull," a role she later took to Broadway. "New York audiences, when they are enjoying themselves, I mean it's electric – you can really, really feel it," she said. And London audiences? "We are much more kind of passive, perhaps. Reserved. Of course we are!" she laughed. But even while talking at the Royal Court, she found herself thinking about her film. As intimate as the stage may be, for her, "My Mother's Wedding" is more so. "I love working on stage, as you can probably tell. I really, really love it. But the joy and satisfaction and exhaustion that comes from filmmaking when you are being a director, that is not far off. Pretty good. It's just extraordinary." At 65, and now a grandmother, she's working as hard as ever, not taking a lot of time to smell the roses per se, but she'll surely stop for someone who has a kind word or two: "A lady came up to me the other day and said, 'I know you hate this, but I just wanted to say...' and I said, 'I don't hate this at all! Keep it coming!'" WEB EXCLUSIVE: Extended interview - Kristin Scott Thomas: For more info: Story produced by Sari Aviv. Editor: Steven Tyler.

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