Playtime Launches Canneseries Winner Rafael Cobos' Debut Feature, ‘Golpes' (EXCLUSIVE)
'Golpes' stars four-time Goya winner Luis Tosar ('Cell 211').
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It's set in 1982, as Spain gallops towards a bright democratic future thanks to a Pact of Forgetting, decriminalizing human rights violations under Francisco Franco's dictatorship. 'Golpes' turns on Migueli (Jesus Carroza), a hardened ex-con who reunites his old crew for a series of bold heists — not for riches or revenge, but to reclaim the land where his father lies in an unmarked grave, soon to be erased by developers.
With his brother, Sabino (Tosar) — a police officer — closing in and each job spiraling further into violence, Migueli must gamble everything to preserve a piece of history before it's lost forevever.
Migueli is played by Jesús Carroza, a standout in the Cobos scripted 'Prison 77' and 'Survival' episode of series 'Apagón.' Cobos has said that 'Golpes' is 'a subtle fable that attempts to depict a country in the midst of transition – a contradictory, disorientated country unable to settle the score with its past. It's a thriller about blood ties and memory.'
'Playtime likes to have a diversified lineup and this new addition to our slate gives us the opportunity to bring to the market a high quality thriller. We know that buyers in Cannes are not only looking for festival films but also for highly marketable audience pleasers like 'Golpes,'' said Playtime co-CEO Nicolas Brigaud-Robert.
Vaca Films ('Cell 211') produces with Grupo Tranquilo and Playtime Production. A career-long co-scribe on the movies and series of Alberto Rodríguez, Cobos won Spanish Academy screenplay Goyas for 'Marshland' and 'Smoke & Mirrors.'
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Forbes
22 minutes ago
- Forbes
Beyoncé's Cowboy Carter Is Rewriting American Culture — And Boosting The Economy
PARIS, FRANCE - JUNE 24: Beyoncé Knowles / Beyonce wears a cowboy hat, a burgundy faux fur fluff ... More coat on one shoulder, a blue denim shirt, during the Louis Vuitton Menswear Spring/Summer 2026 show as part of Paris Fashion Week on June 24, 2025 in Paris, France. (Photo by) It was a humid night in Houston when Beyoncé Knowles-Carter moved financial markets—a role typically reserved for the Federal Reserve, the president, or Congress. In the 48 hours surrounding her Cowboy Carter Tour stop, the Bayou City raked in more than $50 million in local spending. Hotels and restaurants were booked to capacity. Surge pricing broke ride-share apps. And local boot stores had lines wrapped around the block. No bill was passed. No policy enacted. This boom came courtesy of a Black woman in a cowboy hat, singing and dancing on horseback. The Cowboy Carter Tour, spanning eight cities and 32 stadium shows, is now winding down in Las Vegas. But it has left more than just cowboy boots and hats behind. In every city it touched, the economic glow still lingers. In a time of seismic shifts in the marketplace and the political landscape, Knowles-Carter has become more than a cultural icon—she's an economic force. With Cowboy Carter, the Grammy-winning artist isn't just reclaiming country music's Black historic roots, she's staking a bold claim on American identity itself, all wrapped in the American flag. It's a masterclass in ownership, scarcity, and cultural disruption—with real implications for micro- and macro-economics nationwide. As cities see real economic impact from Beyoncé's presence, cultural economist Thomas Smith argues her tour is a lesson in modern market behavior, civic stimulus, and the future of 'event economics' in divided times. 'Beyonce coming to town gets everyone riled up, and for cities that means folks converge on areas around the stadium and spend bunches of money,' Smith said. 'This makes her concert more than just entertainment, she's an economic event.' LOS ANGELES, CALIFORNIA - FEBRUARY 02: Beyoncé accepts the Best Country Album award for "COWBOY ... More CARTER" onstage during the 67th Annual GRAMMY Awards at Arena on February 02, 2025 in Los Angeles, California. (Photo byfor The Recording Academy) While her work has drawn fierce criticism from the same forces intent on dragging America back to a time when artists were expected to sing, dance, and stay silent about politics, Knowles-Carter has transcended the noise. Thanks to a loyal fan base and her unapologetic embrace of every facet of her identity—mother, daughter, Black woman, global citizen, and soundtrack supplier for the resistance—she remains a cultural force. Knowles-Carter's voice became even more pronounced with the 2016 release of Lemonade, her sixth studio album, which featured the single 'Formation.' She shook the culture and electrified her fanbase during the Super Bowl 50 halftime show, where she appeared in a Black Panther–inspired bodysuit with a golden 'X' emblazoned across the top. Her dancers wore Black berets—a symbol of global Black resistance, from the Panthers in the U.S. to Caribbean revolutionaries like Che Guevara and Fidel Castro. Lemonade landed at a moment of national reckoning—after the murder of Trayvon Martin, amid the rise of #MeToo, and during a surge of high-profile police killings of unarmed Black men. That album became a cultural inflection point, giving voice to demands for both social and political change. It also marked a strategic shift: Beyoncé released the visual album exclusively on Tidal, the streaming platform owned by her husband, Jay-Z. Football: Super Bowl 50: Celebrity singer Beyonce performing during halftime show of Denver Broncos ... More vs Carolina Panthers game at Levi's Stadium. Santa Clara, CA 2/7/2016 CREDIT: Robert Beck (Photo by Robert Beck /Sports Illustrated via Getty Images) (Set Number: SI-123 TK1 ) The album was released with no press, no leaks, and flawless execution, a bold pivot that cemented Knowles-Carter not just as a performer, but as a CEO and cultural entrepreneur. It marked a strategic shift from traditional promotion to surprise drops, using scarcity and precision to meet and shape market demand. More than a response to a cultural moment, Lemonade embodied Knowles-Carter's 'joy-as-resistance' ethos, offering a vibrant counter to a nation that had just elected Donald Trump as its 45th president. While Trump sold grievance and nostalgia for a mythologized 1950s, Knowles-Carter offered a future-facing vision. Still capitalist, yes, but one rooted in diversity, pride, and cultural ownership. Her music, visuals, and merchandise became part of a larger narrative: that joy, style, and identity are not just aesthetic choices, but political acts. Singing about generational wealth, freedom from historical bondage, and the alchemy of turning lemons into lemonade, Knowles-Carter claimed her space as an artist unafraid to challenge, evolve, and expand her audience's worldview. Back on the Cowboy Carter Tour, while promoting music from her second studio album since Lemonade, Knowles-Carter's role in the so-called 'quiet resistance' has been anything but quiet. Leaning into her southern roots and the crucial role of Black Southerners in shaping American culture, the album serves as a reclamation of global Blackness as foundational to country music. According to Francesca T. Royster, author of Black Country Music: Listening For Revolutions, country music originates from a creole musical tradition deeply rooted in African-American styles. 'The banjo, often associated in pop culture as an instrument for white people who live in rural areas, was an African instrument brought here by enslaved people,' Royster says in her book. In 2022, while speaking with Leo Weekly, Royster delved deeply into the history and politics of country music. 'This genre was founded on a kind of logic of segregation,' Royster told Leo Weekly. 'In the 1920s when the genre was kind of invented more or less by talent scouts and record label labels, they were distinguishing hillbilly music as kind of a white music that was meant for white audiences, and 'race' music, you know, blues, rhythm and blues, and jazz for Black audiences.' Reimagining rural America and redefining 'Americanism' beyond the white-centered lens it's so often framed in, the Cowboy Carter tour and album offer audiences a striking new association with the American flag—one draped across the body of a Black woman. The Cowboy Carter Tour's DC stop happened over 4th of July weekend in Landover, MD. While the album isn't explicitly partisan, its iconography subtly reshapes national identity. It points to an America—and a broader Western Hemisphere—built on the backs of Black labor, inspired by Black innovation, and powered by Black ingenuity. When Beyoncé rolled into Houston's NRG Stadium on June 28 and 29, her hometown got more than it bargained and budgeted for. According to Axios, hotels near the stadium hit 79 percent occupancy -- a sharp increase from 61 percent the prior year, OpenTable reported a 43 percent increase in Houston-area reservations over that three-day period compared to the same stretch last year. Beyoncé's economic impact extended well beyond Texas. During her stop in the nation's capital over Fourth of July weekend, restaurants surrounding Northwest Stadium (formerly Fedex Field) in Landover, Maryland saw nightly profit spikes of $15,000 to $20,000. All gains that Tom Smith described as beneficial for local economics. 'You gotta have the boots, you gotta have the shirt, you gotta have the hat,' said Smith, an economist at Emory University. 'You gotta have all the things. It's not even worth—it's not even worth going if you don't have all the things making the concert an economic driver for local business in the region.' Beyond uplifting local business, Smith, a bass guitar player himself, also emphasized the broader importance of the tour economy as a catalyst for the industries that power live entertainment. That includes stagecrafters, electrical engineers, lighting designers, dancers, musicians, publicists, costume designers, and the full teams that support them. 'A lot of those jobs were decimated during the COVID-19 pandemic, when no one was going on tour,' Smith said. 'And now, these big, mammoth tours, these big stadium tours are spending millions of dollars every night on the people that make sure that the sound and the lights and the ancillary element are working.' SYDNEY COLEMAN (L) and JESSICA HANNAH (R) traveled from Houston, TX. Fans of Beyonce queue to enter ... More SoFi Stadium in Los Angeles on April 28, 2025 to watch her first concert of her newTour named "Cowboy Carter." (Photo by Bexx Francois/For The Washington Post via Getty Images) Cowboy Carter is Beyoncé's second U.S. tour since the pandemic. And while it's most definitely different in tone, the financial punch for America's big cities remains the same. It couldn't come at a more convenient time, either, as cities across the country are seeing a decrease in crime and are searching for new sources of revenue amid a cavalcade of budget cuts from Washington, D.C. As Beyoncé's golden horse, floating horseshoe, and many of her now-iconic Cowboy Carter costumes make their way to the storage units, it's likely her economic impact — not just her spectacle — that cities and states will remember. Beyoncé's name was never on the ballot. She never passed a bill or rage-tweeted on X. And yet, her version of disruption has managed to move both culture and the economy. In her song 'American Requiem,' Knowles-Carter asks listeners to confront the complex and often painful history of race and culture in America. It's a counter narrative to today's political moment, one that treats historical truth as a liability. Through it all, Beyoncé may be proving something radically different: that reckoning with the past isn't just necessary, it might also be profitable.
Black America Web
an hour ago
- Black America Web
Melody Shari Hosts Private Premiere Of ‘Childcare Cartel', Cast & Creator Celebrate Sizzling Series
The women of The Childcare Cartel docuseries rolled out the red carpet for an exclusive, adults-only networking and watch party, and BOSSIP was on the scene to see the sizzling series. Source: Freddy O / The luxe gathering took place at Atlanta's Modex Studio and was moderated by award-winning actress and entrepreneur, Melody Shari. Source: Freddy O / The event spotlighted the groundbreaking unscripted series that follows a tight-knit circle of female childcare bosses balancing business, life, and the weight of running empires where one misstep could change everything. Source: Freddy O / The atmosphere was electric and elegant as Childcare Cartel pulled back the velvet curtain for an exclusive, star-studded evening in Atlanta. Guests draped in pastel perfection gathered under lush florals, luxe drapery, and candlelit decor curated by The Bella Xperience, setting the scene for a night of networking, noshing, and next-level inspiration. Over 100 of Atlanta's finest, including moguls, media mavericks, and mogul moms, turned out to toast the upcoming docuseries. In attendance were cast members Sherri J. White, Janaya Burke, Keisha 'Starr' Archer, and Sydney Jordan, along with #RHOA creator Princess Banton-Lofters, restaurateur Ebony Austin, and media executive Chanel Nicole Scott. Source: Freddy O / The night also featured panel discussions packed with business gems guided by Melody Shari, delivering raw and rare insight into the realities of running a childcare empire. The grand finale was a private premiere of the game-changing reality series that follows bold businesswomen navigating babies, budgets, and big boss moves in pursuit of generational wealth. The Childcare Cartel isn't your typical feel-good family series. It's a bold, behind-the-scenes reality show created by Atlanta-based mogul mom Sherri J. White, spotlighting the high-stakes world of Black women running early childhood education empires. Source: Freddy O / The docuseries peels back the layers of licensing, lawsuits, burnout, betrayal, sisterhood—and the beauty and chaos in between. Think: less playgrounds, more power moves. The featured cast includes Martika Reddick, Janiya Burke, Keisha 'Starr' Archer, and Sydney Goggins, four childcare owners whose personal and professional journeys anchor the heart of the series. 'I had to close my center today,' said Sherri J. with a laugh to BOSSIP. 'I came here in my work clothes and got dressed at the venue. But I feel really, really good. People are excited—they're ready to network and get into what The Childcare Cartel is all about.' Here's what each of the featured women had to say about their journeys, and what they hope viewers take away. As the creator, executive producer, and owner of multiple centers, Sherri J. is the heartbeat of the show. She wants viewers to look beyond the surface of daycare. Source: Freddy O / 'I want people to understand that childcare is more,' she said. 'It's about the women behind it. You'll see each woman going through something different—some business, some tea—but mostly, it's a reminder that this is a space where you can be a woman first. Yes, we're providers, but we're individuals too.' Though some attendees hoped to network for jobs, Sherri J. made it clear—she's fully staffed. 'Honestly? My payroll has hit its max,' she joked. 'I need someone else to open a center so I can send some of my staff over there.' More on the flip! Sherri's daughter Janaya Burke is opening her first center in Hapeville, but she's already walking in her own lane. Source: Freddy O / 'When I hear 'childcare cartel,' I think of a group of ballsy, sassy, hardworking individuals that come together to make it bigger than ever,' she said. 'Don't procrastinate. That was my biggest downfall. Whether you're scared or not, just do it now.' Former nightlife dancer turned childcare mogul Keisha 'Starr' Archer owns STAR Kids Academy 1 and 2. Her transformation alone deserves a whole season. Source: Freddy O / 'When I hear Childcare Cartel, I think of community. A group of women who can get together and speak about the childcare industry—and our lives outside of it. Because we have lives too.' Starr says balancing it all takes a toll. 'It costs a lot. Trying to be the strong one in your family while running a business? It's not easy.' At 30 years old, Martika is already a veteran in the game, with seven years under her belt. Source: Freddy O / 'What makes me feel most powerful is the respect I get at my age. The impact I've had on the city of Atlanta has made a tremendous impact on my life—and the kids.' Sydney, who co-runs a center with her mother, shared a raw perspective on what makes this industry uniquely stressful. Source: Freddy O / 'What separates childcare from other industries is the liability alone. Doctors make mistakes—insurance pays it out. We make a mistake, we're going to jail. Our business gets shut down.' She admitted that at one point, she struggled to set limits. 'I didn't know how to delegate. I made myself available to my parents and staff 24 hours a day. Learning boundaries literally saved my life.' Hit the flip for more details on Childcare Cartel' s big night. The evening offered more than a sneak peek—it was an experience. Guests enjoyed curated music, casting calls, and an elevated spread of hors d'oeuvres and drinks by Chef Tanya Chavis, owner of Pretti Plates on Cascade. Source: Freddy O / The menu included BBQ meatballs, jerk chicken, rice and peas, plantains, seafood rice, mac and cheese, chicken sliders, vegan selections, and charcuterie. The drinks? Custom cocktails named after the show: The Cartel – Vodka, Triple Sec, Fresh Lemon Juice Child's Play – Reposado, Triple Sec, Lime Juice, Agave Syrup, Jalapeños Playground Punch (Mocktail) – Pineapple, cranberry, orange, lime, and soda Forme r Love & Marriage: Huntsville star Melody Shari showed support on the carpet amid her hosting duties. Source: Freddy O / 'I feel so powerful knowing that my beauty brand is empowering women,' she said. 'I was so excited when I learned about The Childcare Cartel—I'm just like wow, look at these amazing boss women who look like me owning their lane in the billion-dollar childcare industry!' Chanel Nicole Scott, CMO of In the Black Network, also pulled up. 'When I first heard the name, I was like oh wow—this will catch some eyeballs! I thought it was absolutely creative.' When asked what her superpower is with kids? 'I'm a kid myself! I don't have any children, so quite naturally—when you don't have, you love them more. And you get to send them home when you're done, ha!' Yanoviah Murphy, founder of The Care Crew Team nanny service, was also in the room. At just 17 years old, she attended to network, gaining a powerful takeaway. 'If you have a mission, it's important for you to just go for it,' she said. 'The ladies didn't let anything stop them, which inspired me.' Shannette Rivera, who flew in from Miami, owns Unique Kids Pre School and has been in the game for more than two decades. 'We don't have things like this where I'm from,' she said. 'So I had to come here to Atlanta—and I'm grateful to network today.' There's a new cartel on the block, but it's not moving bricks, it's moving babies, blueprints, and bold strategy. The Childcare Carte l is the docuseries we didn't know we needed, until it pulled up with high heels, clipboards, and center keys in hand. Source: Freddy O / At first glance, the show plays like a Real Housewives spin-off: there are luxe buildings, dramatic boardroom moments, and a cast of women with both grit and glam. But underneath the lashes and legacy talk is something deeper—something revolutionary. The show isn't just about business. It's about what happens when Black women decide they're no longer just caretakers—they're CEOs. The first season is fully filmed! While it's still in network negotiations, The Childcare Cartel is already doing what great shows do—sparking conversation, creating visibility, and rewriting narratives. 'This isn't just about watching children,' said Sherri J. 'It's about shaping generations—and showing the world what it really takes.' Ready to tune in? The post Melody Shari Hosts Private Premiere Of 'Childcare Cartel', Cast & Creator Celebrate Sizzling Series appeared first on Bossip. SEE ALSO Melody Shari Hosts Private Premiere Of 'Childcare Cartel', Cast & Creator Celebrate Sizzling Series was originally published on
Forbes
3 hours ago
- Forbes
Travis Scott Reaches A New Career Peak
Travis Scott reaches a career high point on Billboard's Top Streaming Albums chart, where Jackboys ... More 2, his new set with Jackboys, opens at No. 4. PARIS, FRANCE - SEPTEMBER 27: (EDITORIAL USE ONLY - For Non-Editorial use please seek approval from Fashion House) Travis Scott walks the runway during the Vetements Paris Womenswear Spring-Summer 2025 show as part of Paris Fashion Week on September 27, 2024 in Paris, France. (Photo by) Travis Scott's new album, Jackboys 2 — which is credited to both Scott as a solo musician and his group Jackboys, which features several other rappers — debuts across in lofty positions on a number of Billboard charts this week. The full-length arrived with little warning during an exciting tracking period, as Scott and company competed against Swag, Justin Bieber's highly-anticipated new album, which also dropped with minimal notice. Jackboys 2 wins most races, and even on the rankings where it doesn't launch at No. 1, the set still manages to bring both the band and Scott to career highs. Travis Scott and Jackboys Hit a New High Jackboys 2 opens at No. 4 on the Top Streaming Albums chart, Billboard's ranking of the most successful collections on platforms like Apple Music, Amazon Music, Spotify, and others. That position is the lowest starting point for Jackboys 2 on any tally in America, and yet it's a special placement for both credited stars. No. 4 now stands as the highest that either Scott or Jackboys have reached on the Top Streaming Albums tally. Scott earns his third career placement and second top 10 with the collaborative project, which beats the No. 9 peak Utopia managed in March of last year. He also sent Days Before Rodeo to No. 11 for a single frame in early September 2020. For Jackboys, this project marks a debut appearance on the Top Streaming Albums list. Justin Bieber's Swag Wins One The Top Streaming Albums chart is one of just two Billboard lists where Bieber reigns. Swag opens in first place, earning Bieber his first champion, while it also conquers the Top R&B Albums tally. In most instances — such as on the Top Album Sales ranking and the Billboard 200 — Jackboys 2 comes out on top. The Biggest Album in America This Week Jackboys 2 is easily the biggest album in America this week, as it shifted 232,000 equivalent units between pure purchases and streaming activity. Of that sum, 160,000 are sales, according to Luminate, with much of the rest coming from tens of millions of plays on streaming platforms. The set manages to conquer the Billboard 200, Top Album Sales, Top R&B/Hip-Hop Albums, and Top Rap Albums charts upon its debut thanks to one of the most impressive openings of 2025.
