logo
Trouble in paradise for Scotland's Home of the Year

Trouble in paradise for Scotland's Home of the Year

***
SCOTLAND'S Home of the Year has a deserved reputation as a no-snark zone. So when a whiff of trouble enters paradise, as it did this week, it stands out like a broken window in a Bearsden cul-de-sac.
The first contender for the Highlands and Islands top spot was Tiny Skye Cabin, a small but perfectly formed structure down a dirt path.
Trouble arrived in the shape of judge Danny, wearing his usual Crocs, and fellow marker Anna, sporting blinding white trainers and not nearly enough layers for the weather. Total city mice on a country tour.
'It looks like it's made of tin,' said Danny of the cabin. 'Bet that makes a racket when it's raining.'
The interior was a study in minimalism. On the floor was a brown, indeterminate animal skin. It could have come from a sheep or a small bear. At least it cosied the place up a little, unlike the 'sofa', which was a wooden bench. 'This is SO comfortable,' said Danny in what must surely be the first sarky remark in the show's history.
Read more
Overall the vibe was not cutting it with the judges. Don't get me wrong. They praised aspects here and there, and judge Banjo caused giggles in the wet room when he 'accidentally' turned the shower on. But there was no getting away from it. The homeowners had committed the ultimate SHOTY crime of offences against soft furnishings - mainly by not having them.
'I feel like we're in Marie Kondo's house,' said Banjo, referencing the Netflix organising queen. 'She says throw it out if it doesn't spark joy. These guys have thrown a lot of stuff out.'
An Cala Cottage on Skye was much more the judges' cuppas. The traditional bungalow, home to Caroline, Lee, and their collie Nuala, had been transformed using colour, charity shop finds and a custom-made bookcase.
Caroline, Lee, and their collie Nuala (Image: free IWC Media) 'It's simple and unapologetic, and maybe a bit scruffy. I quite like it,' said Danny.
'Sounds like me,' said Banjo, who later pronounced a bedroom 'hurkle-durkle'. The old Scots term was lost on Anna.
'Staying in bed all day,' explained Banjo. 'You've got to hurkle-durkle more.'
That would have left little time for the final house, La Hacienda, a converted farm steading in Kiltarlity near Inverness. This was a serious renovation that had taken seven years to complete.
La Hacienda was also home to what Anna called 'quite the craziest breakfast bar I have ever seen'. How to describe this hunk of stone piercing through a blonde wood top?
'It is unusual to have such a sculptural piece right in the middle of what should be your most functional space,' said Danny, no doubt imagining what it would be like to crack a non-Croc clad big toe against it first thing in the morning.
An Cala took first place. It was a cosy spot, but the score was the same as last week's modernist masterpiece in Central and Tayside. Do the two really compare? That's a battle for the final. Next week: the South.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Ingenious: the Globe's Romeo & Juliet reviewed
Ingenious: the Globe's Romeo & Juliet reviewed

Spectator

time3 hours ago

  • Spectator

Ingenious: the Globe's Romeo & Juliet reviewed

Cul-de-Sac feels like an ersatz sitcom of a kind that's increasingly common on the fringe. Audiences are eager to see an unpretentious domestic comedy set in a kitchen or a sitting-room where the characters gossip, argue, fall in love, break up and so on. TV broadcasters can't produce this sort of vernacular entertainment and they treat audiences as atomised members of racial ghettos or social tribes. And they assume that every viewer is an irascible brat who can't bear to hear uncensored language without having a tantrum. The result is that TV comedy often feels like appeasement rather than entertainment. Theatre producers are keen to fill the gap, and the latest effort by writer-director David Shopland declares its ambitions in its title. Cul-de-Sac is set on a housing estate where Frank and Ruth are busy destroying their marriage. Ruth lounges on the sofa all day drinking sherry and mourning the loss of her career as a therapist. Frank is a depressed salaryman who rants and raves obsessively about a mysterious Mercedes parked by his kerb. The couple make friends with a timid bisexual neighbour, Simon, whose wife has just run off with his brother. More characters arrive. Marie is a beautiful, nerdy evangelical who recruits worshippers for her husband's church by knocking on strangers' doors. Her latest disciple, Hamza, is a Kurdish businessman who owns the Mercedes that blocks Frank's drive. Thus the messy social circle is complete. The characters are quirky, likeable and easy to relate to. And the show is full of awkward comic moments and latent sexual conflict. The best character, Simon, is perhaps too obviously based on Alan Bennett. He has a squashed blond hairdo and geeky black-rimmed glasses, and he speaks in a lugubrious, wheedling Yorkshire accent. The show is good fun for 90 minutes but after the interval, disaster strikes. The script morphs into an anguished memory play and the characters become self-pitying bores. They take it in turns to describe the most grisly moment of their lives. Ruth explains the crisis that terminated her therapy career. Marie reveals the difficult truth about her missionary work. The men recount tales of loss and bereavement caused by lethal explosions and murderous terrorist attacks. These distressing back-stories have no shape or dramatic direction and the show becomes an interminable group-therapy session. At the climax, a suitcase is opened to reveal a blood-stained item of clothing, and the script delivers 'messages' about the virtues of tolerance. We're warned not to indulge in xenophobia or to lay blame on a particular faith for the crimes of a few extremists. In other words, it feels like a TV show. Perhaps Netflix will pick it up. At the Globe, Sean Holmes offers an ingenious new take on Romeo and Juliet. His inspiration? Set the show in the Wild West. It makes sense, just about, to plonk the story into a frontier town where two murderous families are locked in a deadly feud. The Victorian age was a time of stylish and dignified fashions so the show looks terrific. The women swish around in sumptuous full-length gowns while the men sport frockcoats, hip-hugging trousers and chic leather boots. The cowboy hats are a bit of a problem. Thesps hate wearing headgear that conceals their faces, and in this production the actors wear their hats shoved well back on their heads so that their handsome mugs can be seen at all times. Perhaps the hats could be ditched altogether. This feels like a TV show. Perhaps Netflix will pick it up Most of the cast are pretty good, some are exceptional. Michael Elcock's Mercutio is a mischievous, charming street hustler who turns the tricky Queen Mab monologue into a tour de force by pretending that it's the most hilarious joke he's ever heard. (On the page, the speech reads like a bad dream about a spider improvised by a stoned poet.) Elcock's playful, fleet-footed Mercutio makes Romeo seem like an angry dullard by comparison, but that's always a risk with this play. At least Rawaed Asde (Romeo) has the dreamy good looks of a movie star. His Juliet (Lola Shalam) plays the part as a cheery Essex blonde with a heart of steel. When her father threatens to force her out of the house, he looks more scared than she does. Jamie Rose-Monk's Nurse is too young to perform the role as a venerable lady's maid and she plays it like Juliet's best mate from school. Dharmesh Patel works wonders with the small role of Peter by adding balletic little hand gestures and other physical absurdities. None of his play-acting is in the script but it comes across beautifully in the festive, carefree atmosphere of the Globe. This is an object lesson in how to reconceptualise Shakespeare. The idea of the Wild West is lightly handled and it offers witty suggestions rather than imposing ugly restrictions.

Scots Language Awards officially launched for 2025
Scots Language Awards officially launched for 2025

The National

time3 hours ago

  • The National

Scots Language Awards officially launched for 2025

The Scots Language Awards — organised by Hands Up For Trad, a group that promotes traditional Scottish music in the mainstream media — was launched for 2025 on Thursday and will take place in Cumnock Town Hall, Ayrshire, again on 13 September. The annual ceremony aims to recognise figures and organisations that encourage use of the Scots language in wider society, and categories will include business, literature, community work and more. READ MORE: Home and half an island owned by famous Scottish shark hunter up for sale Simon Thoumire, Scots Language Award organiser and Hands Up For Trad creative director, said: "The Scots leid is gaun fae strength tae strength, and we're thrilled tae see the Scots Language Awards return tae Ayrshire, hame tae sic a rich cultural heritage. 'This event isn't jist a celebration o the wunnerfu talents in Scots music, literature, an community endeavors, but a recognition o the leid's vital role in oor Scottish identity. 'We can't wait tae bring the Scots language community thegither again, and wi' new initiatives lik the Scots Hoose school sessions, we're ensuring the next generation can share in the pride an passion for oor mither tongue. It's set tae be a nicht tae remember, an we cannae wait!' The launch coincides with 'Gies a Scots Poem Day' 2025, an initiative created by the Scottish Poetry Library, which aims to promote Scots language poetry in all of its forms, including Doric, Shetlandic and Dundonian. READ MORE: Deacon Blue issue update as bandmate 'seriously ill' in hospital East Ayrshire Provost, Claire Leitch, said: 'I'm awfa chuffed that the Scots Language Award will return tae East Ayrshire this year. I'm looking forward to gaun along, celebrating the talented performers and aw the folk fae across Scotland who are dedicated who are encouraging us to use oor 'mither tongue'! It's gonnae be another stoater o a nicht! 'For me, there's nuhun more important than staying true to who we aw ur, and encouraging oor communities and weans to use and celebrate the Scots language. 'Definitely get yersel a ticket quick. As Jack fae Still Game says - "He who hingeth aboot getteth heehaw!' Hands Up For Trad are also partnering with learning resource Scots Hoose to deliver Scots language lessons in schools across the country. A range of musicians and poets will perform at the ceremony this year, including Edinburgh Scots singer Amy Leach and local Burns purveyor Wullie Dick. Scots Language Awards nominations will be open from July 28 until August 10, with voting for shortlisted nominees taking place from August 25 until September 7. Further information regarding ticketing will be available on the event's website soon.

Scots Language Awards to return for 2025 with school lessons to start
Scots Language Awards to return for 2025 with school lessons to start

The Herald Scotland

time3 hours ago

  • The Herald Scotland

Scots Language Awards to return for 2025 with school lessons to start

The annual celebration is for all involved in the promotion of Scots, one of the country's designated indigenous languages. Award organisers Hands Up For Trad will work alongside Scots Hoose to deliver Scots language sessions to schools across the country. Scots speakers across Scotland are being asked to share their favourite Scots poems for the Gies a Scots Poem initiative, which is now in its third year. Poems representing the breadth of Scots spoken across the country, such as Doric Shetlandic and Dundonian are included. This will be the seventh edition of the Scots Language Awards with categories spanning business, literature, work in the community and more, and it will be hosted by Taylor Dyson and Scots creative Lynne Campbell. Scots music and poetry will be performed by the likes of Ellie Beaton, Amy Leach, Catriona Hawksworth and local Burns purveyor Wullie Dick. Scots Leid Award organiser an Hands Up For Trad Creative Director, Simon Thoumire haed thae wirds: "The Scots leid is gaun fae strength tae strength, and we're thrilled tae see the Scots Language Awards return tae Ayrshire, hame tae sic a rich cultural heritage. 'This event isn't jist a celebration o the wunnerfu talents in Scots music, literature, an community endeavors, but a recognition o the leid's vital role in oor Scottish identity. We can't wait tae bring the Scots language community thegither again, and wi' new initiatives lik the Scots Hoose school sessions, we're ensuring the next generation can share in the pride an passion for oor mither tongue. It's set tae be a nicht tae remember, an we cannae wait!' Read More East Ayrshire Provost Claire Leitch said: 'I'm awfa chuffed that the Scots Language Award will return tae East Ayrshire this year. I'm looking forward to gaun along, celebrating the talented performers and aw the folk fae across Scotland who are dedicated who are encouraging us to use oor 'mither tongue'! It's gonnae be another stoater o a nicht! 'For me, there's nuhun more important than staying true to who we aw ur, and encouraging oor communities and weans to use and celebrate the Scots language. 'Definitely get yersel a ticket quick. As Jack fae Still Game says - "He who hingeth aboot getteth heehaw! 'As this announcement is launching on 'Gies a Scots Poem Day' - I'd like tae share part o a poem by Robert Burns that offers hope and change for unity across the world - "For a' that, an' a' that, It's comin yet for a' that, That Man to Man the warld o'er, Shall brithers be for a' that." To me, means doesn't matter who ye ur, yer worth isn't defined by wealth, status or oacht other than just being a decent human being. 'Hope tae see you all on the night!'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store