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MAFS UK groom bravely reveals he's an alcoholic in emotional post after TV split

MAFS UK groom bravely reveals he's an alcoholic in emotional post after TV split

The Sun4 days ago

MAFS UK groom Ross McCarthy has bravely revealed he's an alcoholic – opening up in a powerful Instagram post after splitting from his wife Sacha Jones.
Ross made history on the show as its first deaf groom, but he broke Sacha's heart after struggling with his anger issues.
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The reality TV star has since turned his life around – and found new love with a girlfriend Magda.
In a powerful message to fans, Ross revealed that he's 65 days sober and determined never to go back.
In an emotional post, he shared: 'For everyone who's been asking me about this book – what is it, and what's it done for me – well, here you go.
'I'm finally ready to share it with the world, because I'm more stable now, and my mindset is stronger than ever.
'So yeah… I'm an alcoholic.
'And I'm proud to say that out loud now, because back then, I couldn't.'
Ross credited a life-changing book and the unwavering support of his loved ones for helping him on his journey to sobriety.
'This book has changed my life in so many positive ways.
'I'm beyond thankful to my family and loved ones for putting it in front of me. I know I've been hard work at times, but you stuck by me – and now, I'm in a place where I wake up genuinely happy every single day.
'To be honest, I never read books before. I got the easy-to-read version because I wanted to really give it a go. I've never been great with big words, but this book blew me away.'
MAFS star reveals 15-year gambling addiction and admits he's been through a 'dark time'
Ross explained that he was finally ready to open up about his struggles because his mindset had changed.
'Today, I believe in God. I thank Him every day for where I am now. That's why, in a previous video, I said: You are not on your own. You're NOT on your own.
'I'm 65 days sober – and I've made a promise to myself: I'm never going back. I'm done for good.'
Ross's brave confession comes after his fiery split from Sacha on the show, where tensions flared after he was caught messaging another bride following explosive rows with Sacha.
It was claimed Ross had been secretly messaging fellow show star Erica Roberts.
But now, Ross has turned over a new leaf – and fans are rallying around his powerful message of hope.
Fans thanked him for his honest post, and one replied to his post: Congratulations Tough but worthwhile journey. I'm trudging that road too ODAAT"
Another said: "Love this so much! So brave of you to share. It will be a journey but one you will not regret. I'm 161 days xx"

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Swapped at birth: Why dad never looked like his parents
Swapped at birth: Why dad never looked like his parents

BBC News

time19 minutes ago

  • BBC News

Swapped at birth: Why dad never looked like his parents

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Mel Gibson, 69, chows down on pasta in Rome amid work on sequel to one of his iconic films
Mel Gibson, 69, chows down on pasta in Rome amid work on sequel to one of his iconic films

Daily Mail​

time35 minutes ago

  • Daily Mail​

Mel Gibson, 69, chows down on pasta in Rome amid work on sequel to one of his iconic films

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Dragonfly review – haunting, genre-defying drama of lonely city living
Dragonfly review – haunting, genre-defying drama of lonely city living

The Guardian

time3 hours ago

  • The Guardian

Dragonfly review – haunting, genre-defying drama of lonely city living

Twenty years ago, Paul Andrew Williams announced himself as a smart new British talent with his ferocious gangland picture London to Brighton, and his creativity has continued in film and TV ever since. His new film is a haunted, social-realist drama with elements of Mike Leigh but also moments of thriller and even horror. Williams isn't shy of stabbing us with an old-fashioned jump scare towards the end, which in fact challenges the audiences with its refusal of categorisation. There are two superb lead performances from Andrea Riseborough and Brenda Blethyn and an outstanding supporting turn from Jason Watkins. Dragonfly is about loneliness and alienation and about the eternal mystery of other people, the fear of intimacy and the unknowable existence of urban neighbours. Elsie, played by Blethyn, is an older woman who is quite capable of independent living in her bungalow, but a recent fall and an injured wrist has meant that her middle-aged son (Watkins), all too obviously to compensate for not visiting that often, has paid for daily visits from a private agency nurses. They are overworked and not doing an especially good job. Really, she doesn't need these nurses and by enduring them, Elsie is shouldering the burden of her son's guilt. Meanwhile nextdoor neighbour Colleen, played by Riseborough, is a continuingly strange presence. She is a melancholy, withdrawn figure, evidently on benefits and living with her huge American bull terrier, uncompromisingly named Sabre. Williams shows us that she is effectively living in a kind of platonic relationship, or mariage blanc, with this dog; the film periodically gives us startling shots of Sabre's colossal body in a kind of domestic nakedness sprawled on Colleen's bed. In a manner that may be insidious or predatory or just friendly and compassionate, Colleen befriends Elsie; the latter overcomes her initial nervousness of Sabre and she appreciates Colleen's forthright offer of help. Colleen goes down to the shops to get groceries for Elsie and after a few such trips they agree that what would be easiest would be if Colleen simply gets Elsie's debit card and Elsie gives her the pin number. Of course, the film allows us to suspect the worst and then suspect the worst of ourselves for suspecting it. Colleen seems to be unhappy and damaged but well-meaning, especially when she (for a laugh) buys them both a two-way radio so they can easily keep in contact – but then uses this radio to talk to Elsie late at night and semi-intentionally to allow bewildered Elsie to hear what's happening in Colleen's house. It is a riveting dual portrait of two gloomy people who really have, in a strange and dysfunctional way, found a new way of interacting and – importantly – this is a triangular relationship: Elsie, Colleen and the vast Sabre. But with a terrible inevitability, Elsie's uptight busybody son John (Watkins) arrives and there are awful consequences to a conversation he has with Colleen which Williams only shows us in long shot, withholding the truth about what he's saying. It's a stark, fierce, wonderfully acted film. Dragonfly screened at the Tribeca film festival.

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