logo
Lokesh Kanagaraj Reveals Why Rajinikanth Shouldn't Do Vikram

Lokesh Kanagaraj Reveals Why Rajinikanth Shouldn't Do Vikram

News1824-07-2025
Lokesh Kanagraj said that Coolie is part of his cinematic universe and shared insights on whether Kamal Haasan could have taken on this role.
Coolie, starring the iconic Rajinikanth, is among the most eagerly awaited big-budget releases of Indian cinema. Directed by Lokesh Kanagaraj, this film marks one of his boldest and most ambitious projects yet. In a recent interview, the filmmaker addressed whether Coolie is part of his cinematic universe and shared insights on whether Kamal Haasan could have taken on this role.
Clarifying the status of his upcoming film Coolie, Lokesh Kanagaraj recently spoke with Baradwaj Rangan, putting to rest speculation about its connection to the Lokesh Cinematic Universe (LCU). In a clear and concise statement, the director reportedly said, 'This is another standalone film which has nothing to do with my universe." This confirms that, unlike Kamal Haasan's Vikram, Coolie will be a self-contained story with no ties to Lokesh's larger cinematic universe.
Did He Want to Cast Kamal Haasan?
In a candid conversation, Lokesh Kanagaraj revealed that Kamal Haasan was never in the picture for his film Coolie. However, the director confessed that if it meant bringing together Rajinikanth and Kamal Haasan for a project, he'd be willing to go the extra mile. Nevertheless, Lokesh emphasised that Coolie is tailor-made for Rajinikanth's unique style, and similarly, Vikram is perfectly suited for Kamal Haasan's persona.
In his opinion, swapping the two actors would not have worked, as each film's essence is deeply tied to its star's presence. He said, 'What's clear to me is why Rajni sir shouldn't do Vikram and Kamal sir shouldn't do Coolie. Because it was written for both of them. It wasn't like they were the only ones who didn't want anyone else doing anything apart from these two. So that wouldn't be fair."
In a previous conversation with The Hollywood Reporter, Lokesh Kanagaraj shared a fascinating anecdote about Rajinikanth's enthusiasm for Coolie. The director recounted, 'I didn't expect him to say yes. I narrated only the first half and paused at the interval block to ask if he'd be interested. He immediately said yes. I hadn't even written the second half yet. When I returned a couple of months later with the complete script, he loved it."
First Published:
Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Smriti Irani Confirms She's TV's Highest-Paid Actor: ‘I Beat The Boys And The Girls'
Smriti Irani Confirms She's TV's Highest-Paid Actor: ‘I Beat The Boys And The Girls'

News18

time37 minutes ago

  • News18

Smriti Irani Confirms She's TV's Highest-Paid Actor: ‘I Beat The Boys And The Girls'

Last Updated: Reports suggest Smriti Irani is charging Rs 14 lakh per episode, making her the highest-paid actor on Indian TV, surpassing contemporaries like Rupali Ganguly and Hina Khan. Smriti Irani's return to television with Kyunki Saas Bhi Kabhi Bahu Thi 2 has been making waves, not only for nostalgia's sake but also for her record-breaking pay-check. Reports suggest she is charging Rs 14 lakh per episode, making her the highest-paid actor on Indian television, surpassing contemporaries like Anupamaa's Rupali Ganguly (approx Rs 3 lakh per episode) and Hina Khan (up to Rs 2 lakh). In an exclusive conversation with CNN-News18, Irani confirmed the news without hesitation. When asked about her journey from a struggling actress who landed the role of Tulsi in 2000 to becoming television's top earner, she smiled and said, 'Yes, I see the glee on your face." She elaborated on why such remuneration is justified for professionals who consistently deliver. 'You also set that benchmark as a professional to say that if you deliver on history on numbers and revenue, why not? Because not everybody who's watching us knows we get to negotiate our contracts as employees. I'm a part of a union, so the first thing I do is actually have my union number registered. We all are part of a larger organisation and flow of work. For one person to stand up and say listen, not only pay parity, I beat the boys and the girls and how much I make that is a lot of hard work," she said. For Irani, the role of a lead actor goes beyond individual success. 'The idea is, are you truly the star or do you have the professional capacity to make stars around you? I think that I have actually, mercifully, had the capacity of making stars out of others who are with me. If there is a Tulsi, then Amar Upadhyay quintessentially creates his own market. So do you become that pivot, that sounding board, that other actors then can enhance their economic value? That I have managed to do through the project, so my co-stars today can say, 'Oh, we are a part of that.'" She emphasised that such influence comes with responsibility. 'There is a presumption that you have to be damn good at your job if you are a part of that show. And obviously, that means there's a lot of economic benefit they get." When asked if younger actors view her more as a seasoned performer or as a politician, Irani said, 'What is extremely satisfying for me is the fact that many of them discuss politics, they want to know how Parliament works. Amar (Upadhyay) is the one that has spoken about it, I spoke about it." First Published:

Beyond the joke: how the growth in India's comedy industry pays the bill for its crew
Beyond the joke: how the growth in India's comedy industry pays the bill for its crew

Mint

time43 minutes ago

  • Mint

Beyond the joke: how the growth in India's comedy industry pays the bill for its crew

The Indian comedy industry has grown tenfold since 2018, with top comedians earning up to ₹25 crore annually from ticket sales, corporate gigs, and brand endorsements. This growth has created more jobs for editors, producers, managers, scriptwriters, and cameramen, all now earning competitive pay instead of working on barter. Comedy show producers now make between ₹50 lakh and ₹3 crore a year, and managers—who typically take 10% of a comedian's earnings—see their incomes rise as the comic's popularity does. Young professionals are increasingly attracted to these behind-the-scenes roles. Take Sohail Abbas, a 21-year-old cinematographer, who has filmed shows for major comics like Ravi Gupta, Harsh Gujaral, and Anubhav Singh Bassi. 'When it all started, the revenue opportunities in this space were minimal, but after the live comedy industry blew up post covid, the earnings for cinematographers, photographers, and creative visionaries like me have grown at least five times," he said. He highlighted how YouTube and Instagram boost comedians' visibility. As per Saksham Mishra, a talent manager at production and talent management agency Oriole Entertainment, 30-40% of comedians' income comes from social media content. Photographers and videographers help comics produce polished content, attracting wider audiences and brand deals. Editor Harshal Sharma, 24, shifted from the wedding video industry to comedy editing in August 2024. "Comedy, when performed on stage, is very different and raw from how it appears on YouTube videos. That is because the shows can go up to 2-2.5 hours, but the edited version that is uploaded on YouTube ranges between 20 and 40 minutes." An editor needs to present the funniest moments of the show in a seamless way to attract more audience to the comic's live shows, Sharma said. He edits 5-6 videos a month, making ₹50,000-70,000—triple his earlier income. Industry growth In 2018, an IIM Ahmedabad report valued Indian stand-up at ₹30 crore with 25% annual growth. Between 2016 and 2018, the scene was chaotic, with talent managers working on barters. Expansion into Tier 2 and 3 cities changed that. 'Regional content and the reach of mobile internet have fuelled expansion into Tier 2 and 3 cities, making comedy accessible and aspirational well beyond the metros," said Oriole's Saksham Mishra. Artists now perform in regional languages like Punjabi, Gujarati, Haryanvi, and Kannada, apart from English and Hindi, and regional crew members benefit from more jobs. Digital platforms and youth preferences have fuelled growth. 'Platforms like YouTube and Instagram, along with OTT services, have let comics like Zakir Khan, Anubhav Singh Bassi, Harsh Gujral, and Ravi Gupta build massive fanbases directly," Mishra explained. Many first became popular online before selling out theatres. The demand for escapism is rising exponentially, fuelling the growth of the entertainment industry overall, said Asish Pherwani, partner at consulting firm Ernst and Young, who tracks the media and entertainment sector. "Almost 80% of a viewer's screen time is spent on entertainment content, and comedy is one genre that is doing extremely well within that category. Due to this high demand for comedic content, this industry is attracting a lot of young talent in different roles. Despite facing hiccups, I believe this industry will continue to grow and provide more employment as its demand is on the rise," he said. Also read | Influencers' quiet quitting—when the likes don't pay for the rentStatistically, the broader media and entertainment sector in India was valued at ₹2.5 trillion ($29.4 billion) in 2024 and is projected to reach ₹2.7 trillion in 2025 and ₹3.1 trillion by 2027. "Within that, digital media has surged to become the largest segment, contributing 32% of total revenues in 2024. The events and experiential segment, which includes live comedy, grew 15% in 2024 and crossed the ₹100 billion mark for the first time," said Preranaa Khatri, chief business officer at talent management agency Only Much Louder (OML). More specific to comedy, data suggests a 29% jump in industry revenue in 2021, and India's stand-up and sketch content has seen explosive growth on streaming platforms and YouTube, with many comedians reaching hundreds of millions of views and subscribers. "The combination of script deals, individual global tours, and digital-first launches has helped convert niche creators from Tier 2 and Tier 3 cities into mainstream earners," Khatri noted. She added that this growth is marked not just by the number of comedians, but also by the scale of investment pouring into the genre, and the sector is expected to rival the US and UK markets in the next few years. "With the media and entertainment industry expected to grow at nearly 10% annually, reaching $73.6 billion by 2027, the comedy sector is poised to benefit massively from this growth," Khatri said. Also read | Internships to jobs: IIMs see surge in offers as startups, NGOs step up Young audiences have driven up demand for live shows. 'Average ticket prices have leapt from ₹300 pre-2018 to ₹3,000 or more now, and the top comics regularly command crowds of 10,000 or more at major shows. Income for leading acts has grown as much as 50 times, with the best now earning ₹10-25 crore annually, mostly from ticketed shows, and about 20-30% from corporate gigs and brand work," said Mishra. Revenue now mainly comes from live shows, with additional earnings from social media and brand partnerships. Support professionals also now earn ₹1-3 crore annually, working with top comedians. According to Mishra, jobs behind the scenes have increased 10-20 times, especially for people in their 20s and 30s. More venues Many comedians perform at open mics, which are mostly free for audiences, to test the waters before ticketed shows. Ujjwal Kala, cofounder of Hideout Comedy Club in Delhi, recalled that around 2020, there were only one or two dedicated venues for open mics in Delhi that charged comics around ₹300 per act of roughly five minutes. Comedians also requested café owners to host shows on barter deals. Kala added, 'Today, there are about 15 dedicated comedy rooms in Delhi NCR, with three to four shows daily. These venues are expanding to Mumbai, Bengaluru, and Tier 2 and 3 cities." Emerging comics pay ₹100-300 to perform at open mics, and venues offer recording services for a fee. 'The most premium venues charge established comedians up to ₹12,000," he said. Also read | Why influencer management firms are looking within to enhance brand performance Despite the growth, the industry faces challenges. 'Censorship, backlash over controversial material, show cancellations, and unpredictable venue rules are real risks," Oriole's Mishra noted. 'Top comics enjoy unprecedented success, but newcomers face low pay, heavy competition, and a widening gap between stars and struggling comics." Additional hurdles include high costs, licensing issues, and regulatory uncertainty.

Mrunal Thakur Follows Dhanush's Sisters On Instagram Amid Dating Rumours
Mrunal Thakur Follows Dhanush's Sisters On Instagram Amid Dating Rumours

NDTV

time3 hours ago

  • NDTV

Mrunal Thakur Follows Dhanush's Sisters On Instagram Amid Dating Rumours

Days after her video with Dhanush from the special screening of her film Son of Sardaar 2 in Mumbai went viral, reports of Mrunal Thakur following the National Award-winning actor's sisters on Instagram have emerged. And, at least one part of the speculation is true. There is proof that Mrunal Thakur is actually following Dhanush's sisters Dr Karthika Kartik and Vimala Geetha on the social media app. Here are the screenshots How It All Started A video of Dhanush and Mrunal's warm interaction at the Son of Sardaar 2 event in Mumbai went viral on X. In the clip, Dhanush and Mrunal Thakur are seen having a brief chat. Mrunal also leans closer to Dhanush to whisper something to him. Dhanush and Mrunal Thakur are dating? — Aryan (@Pokeamole_) August 3, 2025 Social media miners then also discovered that Dhanush attended Mrunal Thakur's birthday party on August 1. Last month, Mrunal Thakur attended a party hosted by writer-producer Kanika Dhillon for Dhanush's upcoming film Tere Ishk Mein. What Mrunal Thakur Said About " Nazar" In Relationships In a recent interview, Mrunal Thakur revealed that " nazar" exists, especially when it comes to romantic relationships. "There are a lot of things I still need to do with my career, a lot of boxes I haven't checked. But I will talk about those things once I do them, because I don't want to jinx it by talking about them. I believe the whole nazar thing, bahut nazar lagti hai (evil eye jinxes things)" she added. Hush-Hush Love, According To A Source According to a News18 report, Mrunal Thakur's increasing footprint in South cinema played a role in bringing her and Dhanush closer. "Yes, it's true that they are dating. But it's too new and they've no plans of making their relationship official before the public or the media. At the same time, they're unfazed about going out and about and being spotted. Friends are truly rooting for them as they're quite similar and compatible when it comes to their values, choices and thoughts," the insider added. In A Nutshell Mrunal Thakur has further fuelled dating rumours with Dhanush after it was discovered that she is following the actor's sisters on Instagram. As of yet, neither Dhanush nor Mrunal Thakur has confirmed or denied their relationship status. Dhanush was previously married to Rajinikanth's daughter Aishwaryaa. After 18 years of togetherness and two children, they decided to part ways in 2022.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store