
Kia Has Revealed Its Electric Camper to Rival VW's ID.Buzz
As the EV4 sedan and EV2 mini SUV round out Kia's electric offering, the brand confirms its PV5 Light Camper is inbound, and an even larger model is likely on the way. PHOTO-ILLUSTRATION: WIRED STAFF; GETTY IMAGES; KIA
Kia is coming after Volkswagen's foothold on the electric camper market with its new Light Camper, built on its just announced PV5 platform. Looking to rival the much-admired ID.Buzz, the Light Camper looks to be the production version of the WKNDR concept from November last year—and Kia's boss also confirmed a larger all-electric camper is being considered, too.
'Yes, we are interested in providing a camper van—not only the Light Camper based on PV5, but also one based on PV7, too,' said Kia's president Ho-Sung Song this week at the Korean company's brand-hosted annual EV reveal day in Tarragona, Spain.
Based on a new E-GMP.S platform, the mid-sized PV5 van will launch with Passenger and Cargo variations in Korea and Europe in the second half of this year at a starting price of around £29,000 ($37,000). Along with the Light Camper, other versions including a Chassis Cab, Crew Cab, Freezer Box, Drop Side and WAV (Wheelchair Accessible Vehicle) will follow. Available with either a 51.5 kWh or 71.2 kWh battery, the more powerful version should have a max range just shy of 250 miles (30 miles or so less than the Volkswagen ID.Buzz). Kia says a 10-80 percent charge will take just 30 minutes with the right charger.
At the reveal, Kia wanted to focus on the Cargo (with up to 5.1 m3 space in the back) and Passenger options, and was reluctant to talk about the coming campers, but an image of the red interior of the Light Camper was ever-so-briefly flashed up on a giant screen (see top image) during the presentation. What's more, a side exhibit at the event displayed a PV5 rear end with various camping paraphernalia including fold-out interior side tables ideal for laptops, places to hang med kits and stowage for camping gear.
Built in V2L, or vehicle-to-load, means that the camper—much like most Kia's now—will be able to power any household electric appliance, which is a boon out in the wilds. Inside at the front, a 12.9in infotainment screen in the front runs an Android Automotive OS, while the driver gets a 7in digital instrument cluster.
Based on the WKNDR concept, the Light Camper is intended as an 'escape pod for extended weekends in nature', and should feature a flexible modular interior that can be easily customized to maximize space or kit it out for various pursuits. Kia called its concept a 'Swiss Army Knife on wheels" which would also feature a mobile pantry for 'cooking afficionados that want to cook with a view'. So here's hoping a mobile kitchen to rival the likes of Rivian is on the cards.
We're also hoping Kia's idea of installing an onboard compressor to handle adjusting tire pressure when out on the trail, and inflating mattresses when setting up camp for the night makes the production Light Camper version, too.
The EV2, Kia's mini SUV aimed at the city market, is coming next year, and yes it will look as good as this. PHOTOGRAPH: KIA
Looking to fill out its EV range to include an mini urban SUV, Kia has today revealed the EV2. It's a concept, yes, but the auto company has already said that it's definitely coming in 2026 and—much like all its recent concepts—the exterior will remain largely unchanged. The minimalist interior? Nope. Yes the sliding seats are fancy, but Karim Habib, head of global design at Kia, confirmed to WIRED that it was unlikely the inside will look anything like the concept offering.
Before we get to that, the exterior looks like a surprisingly successful shrinking of the excellent EV9, and that's a good thing. Think of it as an SUVified Kia Soul, if you will, but with rear-hinged doors at the back which although striking, will not make it to the final production model. Destined for the European market early next year at around £25,000 (€30,000), this competes with the Renault 5, Hyundai Inster and Skoda Epiq.
Powertrain details could well be subject to change, but Kia has confirmed that this entry-level EV will boast a 55 kWh battery giving 270 miles of range as well as a new LFP iteration with around 185 miles. Vehicle-to-load bi-directional charging will also feature, so this means that along with the somewhat niche design theme inspiration of "picnics in the city", the EV2 could power a post-sandwich projector and sound system set-up.
Kia's EV4 boasts a a super-low drag coefficient, which helps it get a possible max range of 390 miles. PHOTOGRAPH: KIA
After so many tease images it was almost no reveal at all, Kia has also taken the covers off its final production version of the EV4 sedan, which also comes in a hatchback version, too. It has 58.3 kWh and 81.4 kWh long-range battery options and a super-low drag coefficient of 0.23 Cd, helped by full underbody covers for better aerodynamics. This means a claimed WLTP maximum of 390 miles on the long-range model and 267 miles on the standard. For the hatchback this drops down to 367 and 255 miles respectively. Performance? The 150 kW motor will apparently be good for 0-62 mph in 7.4 seconds in this EV costing £30,500 (€37,000).
The EV4's charging will be 10-80 percent in as little as 31 minutes if you find the right charger, and inside you get a typically attractive Kia interior that's been set up to at least attempt to alleviate some boredom while topping up mid-trip. Rest Mode will set the front-row relaxation seats back, as well as activate a "mood lamp to create a comforting atmosphere". The 12.3-inch, 5.3-inch and 12.3-inch screens that make up the EV4's 30-inch wide-screen display are brought to bear with in "Vehicle Smart TV", where YouTube, Netflix, Disney+, games and karaoke are on tap—plus there's support for 21:9 aspect ratio and a "Theatre Mode" which brings in interior mood lighting and the eight-speaker sound system into play. Trunk space is 490 liters (435 for the hatch), but the opening to get in there is surprisingly tight.
Safety kit highway driving assist and forward collision avoidance, and there's also an assistance system called the 'Driver Package F+', which uses camera and radar to warn of hazards ahead. And mercifully a steering wheel button allows you to mute the speed-warning beeps and bongs with one touch.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Motor 1
3 hours ago
- Motor 1
The Kia Tasman Pickup Might Spawn a Toyota 4Runner SUV Rival
Kia introduced the Tasman, its first truck, last October for markets like Asia and Australia. However, the company might already have bigger plans to expand the model's appeal. In an interview with CarSales , Kia Australia's Chief Ride and Handling Engineer, Graeme Gambold, said that an SUV based on the Tasman pickup could be just three years away. Dean Norbiato, the automaker's regional general manager of marketing, added that if the Tasman was a success, it could "open many doors." Photo by: Kia However, details remain scarce about such a long-rumored model. The Tasman is a body-on-frame truck , which Kia claims can ford water up to 31.5 inches deep, and it is available with a locking differential for added off-road ruggedness. The Tasman is designed to compete with other mid-size trucks, such as the Ford Ranger and Toyota Hilux. An SUV version would give Kia an interesting Toyota 4Runner rival. Rugged SUVs remain popular, especially in places that demand robust vehicles. Using the truck's rugged platform for an SUV is a smart opportunity that could broaden the brand's appeal to potentially new customers. Photo by: Toyota Despite America's love of trucks and SUVs, Kia confirmed in April that it has no plans to bring the Tasman to the US . That likely kills any chance of the United States ever getting the SUV variant if the automaker decides to make one. It's a truck that Kia designed for emerging markets, Korea, and Australia. However, Kia does plan to launch a different truck in the United States, but it'll be all-electric and ride on a new platform. We don't know when it'll arrive, but Kia believes it'll be able to sell 90,000 of them once production gets rolling, which could be as soon as next year. Here's More Kia News: Some Kia EV9 Trims Are Way Cheaper for 2026 2026 Kia Carnival Is Still the Cheapest Minivan on Sale Get the best news, reviews, columns, and more delivered straight to your inbox, daily. back Sign up For more information, read our Privacy Policy and Terms of Use . Source: Share this Story Facebook X LinkedIn Flipboard Reddit WhatsApp E-Mail Got a tip for us? Email: tips@ Join the conversation ( )

Miami Herald
7 hours ago
- Miami Herald
Kia EV5 GT Spotted Testing In Korea
If Hyundai has its N performance vehicle family, Kia answers with its GT badge, especially on its burgeoning line of electric vehicles. The Korean marque already offers the EV6 GT and EV9 GT, both topping their respective ranges with outstanding performance. Even the US-bound Kia EV3 is rumored to receive a high-performance GT version. We also know that the EV5, which sits right below the EV6, is getting the GT treatment. While its design may have been leaked in China last year, a prototype has already been spotted on the road, thanks to Shorts Car on Instagram, signaling an imminent official debut. Even through the camo, there are clues. The EV5 GT prototype wears a set of sporty alloy wheels that bear a strong resemblance to those on the EV6 GT. Yellow brake calipers peek through the spokes, hinting at upgraded stopping power, while a wider stance and lower ride height suggest revised suspension tuning and stickier rubber underneath. In typical GT fashion, the visual changes are purposeful, not just cosmetic. Stylistically, the EV5 GT will borrow heavily from Kia's latest EV design playbook. Think EV6 and EV9, but with added aggression unique to the GT family. Unlike the EV6, the EV5 GT will have a boxy body, closely resembling the EV9. Unlike China's EV5, the GT model is based on the global version, which means revisions aimed at broader markets. Chief among them is a redesigned center console, replacing the less conventional jump seat setup with a more premium, practical armrest. Official details of what's under the EV5 GT's skin are still scarce, but the EV6 GT should set a benchmark at 576 hp and a 0-62 mph time of 3.5 seconds. It's unclear if the EV5 GT will have the same output, but a dual-motor, all-wheel-drive setup is almost certain at this point. Inside reports point to using an 82 kWh nickel-cobalt-manganese battery, with a projected range between 373 and 435 miles. The Kia EV5 GT will be produced in China and Korea, so it's unlikely to reach the U.S. market, at least for now. If the automaker introduces it stateside, local production is expected in hopes of curbing the current tariffs imposed on imported vehicles and parts. Copyright 2025 The Arena Group, Inc. All Rights Reserved.

Los Angeles Times
8 hours ago
- Los Angeles Times
Getty grant helps L.A. Conservancy map Altadena heritage: L.A. arts and culture this week
The Getty announced a $420,000 grant to the L.A. Conservancy for a cultural asset mapping project that will help track, chronicle and maintain Altadena's cultural, historic and architectural heritage in the wake of January's devastating Eaton fire. Community participation will be crucial to the effort as the conservancy works to document buildings and sites, as well as more ephemeral heritage such as local traditions, oral histories and cultural practices. There is also interest in cataloging longtime businesses that contributed to the social fabric of Altadena's various neighborhoods. The results of this work will be used in collaboration with the L.A. County Department of Regional Planning to ensure that policy discussions and decisions take Altadena heritage into account when it comes to building back what was lost. Rebuilding efforts in Altadena — an unincorporated section of Los Angeles County — have been complicated by the lack of concrete cultural mapping, including sites of historic interest. By contrast, Pacific Palisades, another area that was brutalized by fire, had already established an official record of its cultural heritage via SurveyLA, a historic resources survey conducted by the city. 'Tackling this incomplete record of Altadena's cultural resources, both built and intangible, is critical for the community as it contemplates rebuilding,' Joan Weinstein, director of the Getty Foundation, said in a news release. 'L.A. Conservancy is an excellent partner to lead an alliance of community-based organizations and preservation professionals who are working to ensure that Altadena's vibrant cultural history is not lost in redevelopment efforts.' L.A. Conservancy has a special interest in historic preservation and the grant will allow for a complete inventory of Altadena's heritage sites — to be made available in an online map. Related to this effort is the news that Artists at Work, which provides artists with employment, benefits and a steady salary for 18 month terms, has released its list of 2025-26 participants. Four Los Angeles artists are among them, including Altadena resident Alma Cielo, who is set to collaborate with L.A. Conservancy during her term. Cielo, a ceramicist, lost her home in the Eaton fire and plans to focus on post-fire recovery. I'm arts and culture writer Jessica Gelt marveling at the resilience of Altadena residents in the face of their losses, and firmly invested in supporting them as they rebuild. Here's this week's arts and culture news. Artemisia's Strong Women: Rescuing a MasterpieceFive years ago, a massive explosion ripped through the port of Beirut, killing more than 200 people and injuring thousands more. The aftermath of the tragedy revealed a previously unknown painting by the great 17th century Italian artist Artemisia Gentileschi amid the rubble. 'Hercules and Omphale,' an oil-on-canvas work that manifests Gentileschi's penchant for classical subjects, was severely damaged and sent to the J. Paul Getty Museum in Los Angeles for restoration. That painstaking conservation process is now at the center of an installation featuring four other paintings by the artist, who has become a modern feminist icon. In 2022, when the Getty acquired another painting, 'Lucretia,' that is part of the new exhibition, Times art critic Christopher Knight wrote of Gentileschi, 'Happily, in the last two decades, the study of her paintings has been widening in productive and exciting ways, giving us a fuller understanding of her challenging involvement with social, political, literary and intellectual currents of her day. There's a long way to go, and more discoveries are inevitable.'Through Oct. 1. J. Paul Getty Museum, 1200 Getty Center Drive, L.A. Mumford & SonsIt's hard to believe that it's been nearly 17 years since Mumford & Sons made their local debut at the Hotel Cafe. Since then, the British folk-rock band — Marcus Mumford, Ted Dwane and Ben Lovett — have toured the world several times over, crafted hit songs such as 'Little Lion Man,' 'The Cave' and 'I Will Wait,' and won a best album Grammy for 2012's 'Babel.' This week, the group is back in L.A. (minus longtime member Winston Marshall, who left in 2021 following controversial social media posts) and playing the Hollywood Bowl in support of their latest album, 'RUSHMERE.' The English indie rock duo Good Neighbours — Oli Fox and Scott Verrill — will open the show.7:30 p.m. Thursdays. Hollywood Bowl, 2301 N. Highland Ave., Hollywood. The 2025 Tony Awards honored Broadway's best and brightest last night at Radio City Music Hall in New York City. The surprise hit 'Maybe Happy Ending' won best musical and led all productions with six wins, while the musical 'Buena Vista Social Club,' inspired by the legendary Cuban ensemble, earned four. Earlier in the week, Times theater critic Charles McNulty made a prescient arument for why Branden Jacobs-Jenkins' 'Purpose' deserved to win the Tony for best play over Cole Escola's, 'Oh, Mary!' The campy melodrama had a wave of giddy popularity at its back, but 'Purpose' is the more complex piece of writing and could more readily benefit from the prestige of a Tony win when it comes to rallying support for future productions, wrote McNulty. 'There was a time not so long ago when the future of the Broadway play was in serious doubt. The threat hasn't gone away, and Tony voters shouldn't pass up an opportunity to honor true playwriting excellence.' Escola did not go home empty-handed, however, winning the Tony for best lead actor in a play and drawing what may have been the largest applause of the night. The business outlook is not good for the Kennedy Center in the wake of President Trump's takeover. The Washington Post recently reported that subscriptions were down by about $1.6 million, or 36%, from the previous year — with the hardest hit coming in theater subscriptions, which are down 82%. 'At this time in last year's subscription campaign, the center had generated $1,226,344 in revenue from selling 1,771 subscriptions. This year it has sold 371 subscriptions, totaling $224,059, a difference of more than $1 million,' the Post reported. The numbers were leaked to the paper by former Kennedy Center employees and confirmed by a current staff member, who asked to remain anonymous out of fear of retribution. Journalist Stephanie Elizondo Griest has a new book coming out this month through Beacon Press titled 'Art Above Everything,' which chronicles the lives — and countless sacrifices — made by more than 100 female artists around the world in service of their vocations. At the core of Griest's explorations in Rwanda, Romania, Qatar, Iceland, Mexico, New Zealand, Cuba and the U.S., is the question: What is the pursuit of art worth? 'L.A. Opera unveiled a violent, politically disquieting production in which a tortured jester faces mob rule,' Times classical music critic Mark Swed writes in his review of the company's season closer, Verdi's 'Rigoletto.' L.A. Opera has tackled the show before, usually to lackluster effect, Swed notes. This show, however, is different. Thanks to outgoing music director James Conlon's deft approach to Verdi, this production — featuring a truly terrifying clown suit — sizzles with visceral energy. 'After 32 years of failed attempts, L.A. Opera has finally moved the 'Rigoletto' needle in the right direction,' Swed says. Once you've read Times music critic Mikael Wood's recent interview with Cynthia Erivo about her new album 'I Will Forgive You' and what she's doing during her break from 'Wicked,' be sure to check out the talented multiplatform artist's lengthy June 2 profile in Billboard. Erivo discusses the world's reaction to her being queer. For the most part, she says, she didn't experience much difficulty in the wake of her decision to come out. But there was a major exception, she told Billboard: a massive conservative backlash earlier this year after the Hollywood Bowl announced that Erivo would play Jesus in its summer production of the Andrew Lloyd Webber musical 'Jesus Christ Superstar.' 'You can't please everyone. It is legitimately a three-day performance at the Hollywood Bowl where I get to sing my face off. So hopefully they will come and realize, 'Oh, it's a musical, the gayest place on Earth,' ' Erivo says in the article. — Jessica Gelt There are 600 L.A. landmarks on the National Register of Historic Places, and lifelong Angeleno Etan Rosenbloom is determined to visit them all. Thankfully, for us, Rosenbloom has highlighted his picks for the top 10 in a handy map.