
Ex-EastEnders hunk spotted snogging nepo-baby actress Emilia Jones at Sabrina Carpenter's Hyde Park gig
The star, 34, who played Peter Beale in the BBC soap, snogged Emilia — the 23-year-old daughter of singer Aled Jones — while surrounded by thousands of revellers in London's Hyde Park on Sunday.
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An insider said: 'Ben couldn't keep his hands off her and was trying to kiss her at almost any opportunity.
"She didn't seem to object and was all smiles.'
Ben played Peter from 2013, but left two years later.
He starred in 2016's X-Men: Apocalypse and was Queen drummer Roger Taylor 2018's Bohemian Rhapsody.
Emilia stared in 2021 film Coda, playing the child of deaf parents.
Ben dated House of the Dragon actresses Olivia Cooke in 2020 followed by fellow EastEnder Jessica Plummer in 2021.
Emilia has previously been spotted kissing Irish Eurovision star in 2023.
She is about to star in the film Tony with movie hunk Leo Woodhall.
Born in 1991, Ben was born in Bournemouth, Dorset, and grew up in Sherborne.
The actor has made appearances in Call The Midwife as a reporter and also appeared in one episode of Drunk History as King Arthur.
Aled Jones' daughter Emilia stars in Apple TV's CODA about a girl living with deaf parents
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There's no getting around it: Dreaming of Dead People is an extremely strange book. Born in 1941, Rosalind Belben was first published in the 1970s; this, her fourth novel, first came out in 1979. Her eighth and most recent, Our Horses in Egypt, won the James Tait Black award in 2007. Dreaming of Dead People might best be described as an early example of autofiction: its narrator, Lavinia, is the same age as Belben was at the time of writing, and she recalls a similar childhood in Dorset, including a father who was a Royal Navy commander and who was killed when she was three. Belben has described the book as 'a study of the human figure', and given its parallels with her own life story and its raw and deeply personal style any reader could be forgiven for assuming that the figure is her own. 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Torcello and Venice itself are made strange by the things she notices, and by her attitude to them, both at the time and in recollection: a pregnant dog, a miserable rat, a canal's water, 'dull of eye'. 'In that sour and barren place, a spinster, who did not wish for the dry, un-rustling grass. I weep with mortification. Yet I was extremely happy.' Belben's angular syntax, frequent ellipses and unusual punctuation force the reader to slow down, think, and pay attention. It becomes clear that Lavinia is full of regrets. Having nursed her mother through a long final illness, she has not had sex for 10 years and wonders if others now see her as 'not among the fuckers of this world'. She had assumed she would marry and have children, but nobody ever proposed; in today's world, of course, she would not consider herself 'a shrivelled person … an old maid' at 36, but things were different in the 1970s, something which makes her lack of shame all the more remarkable: 'I have woken sopping and swollen, with a devil to suppress between my legs.' If this novel is as confessional as it seems, it is truly fearless: death, ageing, anorgasmia, loneliness, despair and madness are all here, jostling for attention, just as they do for many of us, for all we may seek to tune them out. Meanwhile, Lavinia learns to masturbate with an electric toothbrush. The Robin Hood section is a change of gear so abrupt it risks whiplash. 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Dreaming of Dead People by Rosalind Belben is published by And Other Stories, (£14.99). To support the Guardian, order your copy at Delivery charges may apply.