Primavera 2025 review: eclipsed the hype in a blaze of glitter
The Cambridge-born hyperpop princess controlled the stage with military precision, diving into high-BPM hits like 365, Club Classics, and Von Dutch, stalking the risers like a hyperpop dominatrix. Troye, all grin and sweat and slippery synths, was her perfect foil making out with one of his dancers mid-song, slurring 'I'm drunk as shit right now,' and offering the audience just enough camp to temper Charli's industrial edge. Together, they brought down the house with their collab Talk Talk, before Charli surprised Troye with a Sweat-themed birthday cake. And in one of the most talked-about moments of the festival, the crowd got an early Chappell Roan teaser, as the camera panned to her in the crowd performing the now-iconic TikTok dance to Apple.
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New Statesman
37 minutes ago
- New Statesman
Addison Rae and the art of AgitPop
Photo byfor Coachella 'TikTok made Addison Rae famous,' went a New York Times headline last week, 'Pop made her cool' it concluded. This is perfectly standard coverage for Rae, who was once a TikTok dancer, and has made a sudden U-turn into avant-garde art pop. But the music, while very good, is far from the full story; her coolness comes from a mass of deliberately-curated cultural associations. Almost all of them can be traced back to one specific, storied publication. And the publication itself is in on the scheme. Wherever she goes you can generally find someone from Interview magazine, the New York culture bible founded by Andy Warhol and revived after a brief financial collapse in 2018. Rae's first Interview appearance was in 2021, but since the beginning of her leftfield rebrand last summer the magazine's staff have made a distinct imprint on her public image. Mel Ottenberg, Interview's editor-in-chief, has interviewed her twice for his own magazine, styled her for an Interview shoot, styled her for a Rolling Stone profile, interviewed with her for Vogue, and creative-directed two of her music videos (Diet Pepsi; Aquamarine). Dara Allen, Interview's current fashion director, has styled four of her music videos, as well as multiple red carpet and stage appearances. Richard Kern, who shot the notorious Ssense fashion campaign in which Rae holds a cigarette between her toes(!), surfaces regularly as an interviewer and photographer. The styling assistants on Interview's masthead have followed Rae to almost all her music video shoots; her hair and makeup teams also work frequently on the magazine. She's contributed playlists and runway commentary; at the end of last year she was profiled 'crashing the Interview staff holiday party.' Rae is not the only singer to get a stamp of approval from Interview. But this is different. Addison Rae's new public persona is supposed to be that of a starlet propped up by a Warholian cabal. Everything about her debut album points towards this bit of reimagined history. The 1970s-tinged Fame is a Gun video seems to draw from Warhol's heyday of Studio 54 and the Factory, complete with nightclub mezzanine, Debbie Harry cosplay, and lurid gold costumes; a real crystal ball briefly conjures up the mythos of Interview. In Aquamarine, we get another hit of bizarro New York by way of the cult ritual from Kubrick's Eyes Wide Shut. The parts of Rae's visual work that seem new to onlookers are actually very old; they're part of the continuous and distinctly gay cultural canon preserved, for the most part, by Interview. Softcore filmmaker Russ Meyer was both an early influence on John Waters and a major visual reference for the Diet Pepsi video; the video for High Fashion, which cuts between ruby slippers and piles of cocaine, is a Hollywood Babylon-style nod to Judy Garland's dark side. Almost every critic so far has pointed to Madonna, whose various sonic and visual phases are referenced constantly on the album. The singer was a personal friend of Warhol and has been part of the Interview universe since the early 80s. She used the same tactics as Rae to engineer her alternative crossover: much of her cultural power originally came from relentless visual injections of arthouse cinema, Old Hollywood and the last days of disco. It worked for her in the days of monoculture, when there was only one MTV and a comparatively limited number of press outlets. It is set to work even more effectively for the TikTok age Rae once stood for; her sort of viral fame was easy to engineer from a bedroom, but it carried no longevity or cultural legitimacy. Cavorting with a megalithic institution like Interview might be the solution. Almost every other pop star has taken from the past, but the references on Rae's debut album are special; they distinguish her by linking to a coherent historical inheritance, the way Chinese dynasties jostled for heavenly approval by modelling themselves after each other. Everyone wins. The Interview editorial team get to bid for legitimacy as a Hollywood-style star machine; and like Madonna, Addison Rae gets to write herself into history. Subscribe to The New Statesman today from only £8.99 per month Subscribe [See more: Lorde's Brat moment] Related
Daily Mail
6 hours ago
- Daily Mail
Awkward four-word detail on cafe receipt raises eyebrows: 'I am guilty of this'
A couple were left highly amused after noticing a very bizarre detail on their receipt after ordering drinks at a cafe. The pair were drinking a latte and cappuccino at Willo Café in Kew, east Melbourne, when they were handed a receipt. A very amusing four-word description of the couple had been left at the top by the waiter. 'Those weird people outside,' it read. The couple shared a video of the receipt to TikTok along with the caption: 'Cafe description a bit different today.' Social media users immediately saw the humour in it and shared their own experiences. 'I once wore a black jacket and a black dress at a restaurant and when I was paying the bill said "Batwoman",' one wrote. 'Once my barista pre-emptively said "your receipt says clown on it but it's only because your t-shirt has a clown on it and we can quickly identify you",' another said. 'Mine once had written on it "special needs" when I asked for a dairy-free alternative,' a third person wrote. Some claimed to be baristas who had deliberately left their own tongue-in-cheek notes on receipts. 'If a lady was ever rude or condescending to me I would always put "older lady" and the colour of their shirt,' one said. 'Sorry but I am guilty of this,' another said. 'I keep forgetting table numbers so I need a way to describe the customers. "Bald dude", "beard dude", "person with the coloured top", "person with the kid".' 'Honestly I always say if customers could see the notes we use to describe them we'd be out of a job,' a third chimed in. A Willo Cafe manager clarified to Daily Mail Australia the pair were well known to staff. 'There's a few couples that we have a bit of fun with and do descriptions of and we've become friends with them,' they said. They said the pair had previously been described on their receipt as the 'gorgeous couple outside' and that staff were coming up with more creative and funny alternatives.
Scottish Sun
7 hours ago
- Scottish Sun
World's sexiest volleyball star Kayla Simmons goes topless on beach as fans say ‘never been jealous of ocean until now'
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