logo
Jisoo Returns as the Face of Tommy Hilfiger and Models Tailored Prep Classics in Spring Campaign

Jisoo Returns as the Face of Tommy Hilfiger and Models Tailored Prep Classics in Spring Campaign

Yahoo07-03-2025

Jisoo, the South Korean singer and actor, will once again be the face of Tommy Hilfiger, featured in the company's spring campaign.
The 30-year-old returns for the third Hilfiger campaign having joined the Tommy family as brand ambassador for fall 2024 and headlining Lunar New York the same year.
More from WWD
Jisoo Puts Sultry Spin on Minimalism in Strapless Dress for Louvre Grand Fashion Dinner
Jisoo Zips Into Corset Top at Dior's Fall 2025 Fashion Show in Paris
Sofia Richie Grainge and Tommy Hilfiger Codesign Sofia for Tommy Capsule Collection
Jisoo started out with K-pop group Blackpink before forging a solo career as a singer and actor. She attended Hilfiger's spring 2025 show last September during New York Fashion Week on the decommissioned Staten Island Ferry, and has a role in the 2025 K-Drama 'Newtopia.'
For the campaign, Jisoo is dressed in softly tailored prep classics.
'My style is always evolving, and working with Tommy Hilfiger has been a defining part of that journey,' Jisoo said. 'This collection blends American heritage with refined simplicity, and makes me comfortable, empowered and completely myself. I love how each piece fits into my everyday life, allowing me to express who I am in any moment. It's been a joy to bring that spirit to the campaign.'
Tommy Hilfiger added, 'I have always been inspired by the women redefining culture, and Jisoo is the perfect embodiment of this movement. She is a modern entertainment icon who radiates confidence, positivity and effortless charisma. Jisoo brings fresh, global perspective to our Americana style, making her the ultimate Tommy woman for today.'
In the ads, she wears pieces from both the spring 2025 collection and Sofia for Tommy, a co-created capsule with Sofia Richie Grainge. She models looks that reflect Hilfiger's love for the nautical lifestyle seen through Breton stripes across a classic Henley top and flared miniskirt, and gold buttons on a cropped navy blazer.
The spring collection is available on tommy.com, in Tommy Hilfiger stores worldwide and through select wholesale partners throughout the season.
The ads will run across digital, social and retail channels.
Best of WWD
John Travolta's Daughter Ella Bleu Travolta's Style Through the Years: From Lagerfeld Model to Red Carpet Fixture, Photos
Every Celebrity Skims Campaign: Kim Kardashian, Sabrina Carpenter, Charli XCX and More [PHOTOS]
Scarlett Johansson and Colin Jost's Red Carpet Couple Style Through the Years: Photos

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

‘Walking Alongside' American Designer Claire McCardell in New Book
‘Walking Alongside' American Designer Claire McCardell in New Book

Yahoo

timean hour ago

  • Yahoo

‘Walking Alongside' American Designer Claire McCardell in New Book

'Good fashion earns its right to be remembered.' Those words weren't just spoken by Claire McCardell, but she lived up to them too. Elizabeth Evitts Dickinson's new book, 'Claire McCardell: The Designer Who Set Women Free,' spells that out again and again. Progressive as a working woman, McCardell helped to pioneer American fashion, after studying at Parsons and living in Paris for a stretch. Her specialty was practical, stylish, affordable clothes that women could move through their days. McCardell's breakthrough look in 1938 was the Monastic dress, which flattered a range of body types. More from WWD Louis Vuitton Names Jeremy Allen White as Brand Ambassador Kering Eyewear Acquires Italian Manufacturer Lenti LVMH and Google Executives Talk Agentic AI, Cybersecurity and Navigating Volatility Ballet flats, separates, the shirtwaist dress, spaghetti straps on evening gowns, strapless swimsuits and athletic-friendly designs were among her creations. She also made leotards popular. As McCardell told Betty Friedan in her magazine writing days, 'You have to design for the lives American women lead today.' While many associate sportswear with the second generations designers like Calvin Klein, Halston and Donna Karan, the author noted how McCardell forged the path. Although her label was not carried forward after her death in 1958 at the age of 52, Dickinson said the lack of the magnitude of her influence was more due to 'the societal clapback about women being at the forefront of the industry. We've forgotten a lot of those women's names unfairly,' she said. Dickinson said, 'She never wanted to be out of the trenches. She enjoyed the work. Even when she was famous enough, well-off enough and partner in her firm, it was suggested that she take a step back, [but] that never appealed to her. She really was an inventor and an artist.' As much about McCardell's life as it is about her career, the Simon & Schuster biography will be released June 17. Dickinson will speak Thursday at a ticketed event at the New York Historical, which will be followed by a book launch at the Maryland Center for History and Culture on June 17 and an appearance at the Frenchtown Bookshop in Frenchtown, N.J., on June 24. Reading McCardell's writing, transcribing McCardell's archival letters and 'triangulating' them to cultural events and geographic locations enabled Dickinson to hear her voice and visualize her life at that time. Esoteric as that might sound, the author manages to relay McCardell's upbringing, career, marriage and pursuits with historical footnotes and entertaining asides. 'I wanted it to feel like you were walking alongside McCardell and not like you were spending time with a biographer telling you about her.' Pragmatism was paramount to all that she did. Dickinson said, 'She always had the lived experience of the woman in mind so that everything she was designing had a reason. She really wanted to be remembered for making clothes that changed people's lives and helped women to be more autonomous, ambitious, comfortable and confident.' Those reasons were aplenty such as creating a detachable hood to replace the hassle of traveling on an airplane with a hat, designing pockets to stash fidgety hands when speaking to her boss and generously cut dresses to allow subway riders to grab a straphanger without tearing her clothes. 'She was always thinking about the reality of living and moving through the world as a woman,' Dickinson said. While working at what is now known as the Maryland Center for History and Culture in the late 1990s, the author's first encounter with the designer was through an exhibition. Fresh out of college with no idea of who McCardell was or that she was one of the reasons behind much of what hangs in our closets, Dickinson said, 'I knew very little about the sportswear movement, and the women like Claire, who in the 1920s and '30s, were really building American fashion. I remember standing there in a really unfortunate suit that I'd been talked into buying by a salesperson. We've all been there. It doesn't fit. It's not comfortable. The color is trendy, but it's not good on you. And it didn't have pockets,' she recalled. 'I remember thinking, 'How did we go backward?'' Moreover, Dickinson questioned how the industry appears to have slid back again with men being installed as the creative directors of luxury houses — including Dior, Chanel and Gucci. But back to McCardell. What hooked the author was how McCardell's show made her question what women are expected to wear, why that is the case and who is dictating those mandates. 'Whose gaze are we prioritizing? Claire always prioritized the female gaze, the wearer,' Dickinson said. The fact that women were 'pretty much required' to wear wool swim stockings on public beaches in the 1920s to avoid the seeming indecency of bare legs, was news to the author. McCardell's daringness, as a teenager, to take her swim stockings off to take a plunge endeared her to the author. 'I loved that she was trying to push back on things that she thought were unreasonable,' Dickinson said. Another revelation in her research was just how difficult it was for a young single woman to maneuver her way around New York City without a male escort. 'I was fascinated to learn how art clubs and other places [like the Fashion Group International] emerged to support women like Claire and how Claire, in turn, tried to help other women throughout her career to find their footing in the city and in the industry,' she said. Readers will learn how the designer was at the nexus of a constellation of a lot of extraordinary women and entrepreneurs [like Elizabeth Hawes, Eleanor Lambert and Bonnie Cashin]. 'This really is the story of a group of women working together to build an industry,' Dickinson said. 'She was often years ahead of her time. She invented separates in 1934 and she kept at it, so that by the 1940s she got them out there. As one person I interviewed said, 'She is one of the most under appreciated, but important designers of the 20th century.' McCardell also approached her collection tactically. So much so that she once deconstructed a Vionnet dress that she bought at a Paris sample sale in the 1920s to get a better understanding of how it was made. That was all the more telling, given that American design students at that time were learning more about how to draw clothes than how they worked, Dickinson said. McCardell's personal archives include reams of letters from not just fans, the famous and customers. Amongst them was a lengthy handwritten one in which the writer said a McCardell suit failed her during an Italian vacation that she had saved up to go on for years. Dickinson said, 'I think she saved it to remind herself, who she worked for. She surely went back to [review] the design, to the manufacturer and to the fabric to figure out how to fix it.' When World War II called for rationing, McCardell made the most of every scrap of fabric for her designs, and used innovative aspects like mattress ticking and parachute materials that were left over from the military, Dickinson noted. At the request of Harper's Bazaar's editors Diana Vreeland and Carmel Snow, she created a design for American women whose lives had been upended with some pitching in with the war effort while also running their households. The 'Popover' dress in durable cotton that McCardell came up with had an oven mitt attached at the waist. More than 50,000 units of the New York made frock were sold in 1942. The designer was also a witness to history, having been one of the last designers to leave Paris before it fell to German troops. She also connected with leaders in the arts like Ernest Hemingway, and the actress Joan Crawford, who 'begged' the designer in letters to make clothes for her. And the artist Georgia O'Keefe wore her clothes. At heart, McCardell was an artist and an inventor, according to the author. To that end, the designer once said, 'I've always designed things I needed myself. It just turns out that other people need them too.' Best of WWD The Story Behind Jackie Kennedy's Cartier Watch: A Royal Gift With 'Traces and Clues of Her Life' Revealed Model and Hip Hop Fashion Pioneer Kimora Lee Simmons' Runway Career Through the Years [PHOTOS] Salma Hayek's Fashion Evolution Through the Years: A Red Carpet Journey [PHOTOS]

Timbaland Announces Work With AI Artist, Sparking Criticism
Timbaland Announces Work With AI Artist, Sparking Criticism

Black America Web

time2 hours ago

  • Black America Web

Timbaland Announces Work With AI Artist, Sparking Criticism

Source: Prince Williams / Getty Veteran producer and artist Timbaland is now working with artificial intelligence, announcing that he'll also be working with a new AI artist as part of a venture with an AI company. But the news has caused some backlash. Timbaland has launched Stage Zero, an AI-focused entertainment company, which he claims has signed the first-ever AI artist named TaTa. 'I'm not just producing tracks anymore. I'm producing systems, stories, and stars from scratch,' Timbaland said in an interview with Billboard. '[TaTa] is not an avatar. She is not a character. TaTa is a living, learning, autonomous music artist built with AI. TaTa is the start of something bigger. She's the first artist of a new generation. A-Pop is the next cultural evolution, and TaTa is its first icon.' He and Stage Zero released an image of 'TaTa,' depicted as a young, pink-haired woman. The venture is what the artist hopes will be a new genre of music called 'A-pop,' reflecting his work with Suno, a company that has reportedly used millions of copyrighted songs to train its AI engine. In an interview with Rolling Stone , he's reportedly created 50,000 songs from working with Suno, saying: 'The technology of today is perfect for what this is. What used to take me three months only takes me two days. In the beginning, it was like a toy. It was like going to a toy store. You gotta go through gluttony, because you can't believe that it's here.' The Grammy-winning producer's stance has earned him some backlash from fans and others in the music industry, notably from producer Young Guru who blasted him on his Instagram page. 'I'm going to say it again,' Young Guru wrote. 'I swear I love you bro but this ain't it. Do you not realize what is going on in the world. Your voice is powerful and way too important to do anything like this. I have students who worship you. They are going to say 'if Tim can do it, then it is ok for me to do it.' These are the times, right here, that history is defined .. Human expression can never be reduced to this!!! This is way bigger than music!!! I say this all in love.' SEE ALSO Timbaland Announces Work With AI Artist, Sparking Criticism was originally published on Black America Web Featured Video CLOSE

‘Thank you for dying': ‘Squid Game' creator, cast share deeper meanings of hit Netflix series, reveal on-set flower ceremonies for ‘killed' actors
‘Thank you for dying': ‘Squid Game' creator, cast share deeper meanings of hit Netflix series, reveal on-set flower ceremonies for ‘killed' actors

Yahoo

time3 hours ago

  • Yahoo

‘Thank you for dying': ‘Squid Game' creator, cast share deeper meanings of hit Netflix series, reveal on-set flower ceremonies for ‘killed' actors

It's a good time to be alive for Squid Game creator Hwang Dong-hyuk and stars Lee Jung-jae, Lee Byung-hun, Park Sung-hoon, Kang Ae-shim, and Choi Seung-hyun (aka T.O.P.) — even if not all of their characters are still alive at the end of the smash Netflix hit's second season (R.I.P., Thanos). Beyond the modest feats of becoming a worldwide phenomenon and Netflix's most-watched series ever, the South Korean import about a secret, deadly competition that lures 456 desperate people to risk their lives to entertain the uber-wealthy has also become a major awards threat. More from GoldDerby 'It's church with butt-f-king jokes': Kevin Smith looks back as 'Dogma' turns 25 Mariah Carey and Jamie Foxx steal the spotlight at 2025 BET Awards: Watch highlights and see the full winners list Billy Bob Thornton on 'Landman's' overnight 'international hit' status and how he's 'afraid' to read reviews Following its premiere in September 2021, Season 1 nabbed 14 Primetime Emmy nominations (including Best Drama Series), with Lee Jung-jae winning Best Actor, Drama and Hwang winning Best Director. Squid Game also made SAG Awards history, becoming the first non-English nominated for Best Ensemble, Drama. Season 2 bowed to much fanfare in December, and, based on the latest Gold Derby odds, could very well be in the Emmys mix once again this year, just as the show's hotly anticipated third and final season debuts on June 27. In exclusive interviews with Gold Derby (through a translator; watch above), director Hwang and cast spilled secrets from behind the scenes of Netflix's global sensation. Netflix Hwang: As you know, I didn't have plans for a second season when I was working on the first season. But because of the huge success, and also because of so much love and support from the fans of the first season, it almost felt like destiny because there were so many people who wanted to know more about what happened to Gi-hun after he turns away from the flight. They wanted to know more about that story. So I accepted my fate. And when we first set out, I began writing Seasons 2 and 3 as a single season. But along the writing process, I got the feeling that this was going to become a longer story than I had originally thought of. So what I had expected to be about eight episodes worth of a story, I knew that it was going to stretch into something more than 12 episodes, which is why we decided that it needs to be two seasons. And going into it before I began writing, I did have some concerns about it, especially because I was quite tight on time. However, as I started to write it, I got really motivated, to the point where I was able to finish the first draft for all 13 episodes within six months, which actually surprised myself as well. Netflix Lee Jung-jae (Seong Gi-hun/Player 456): So we actually had a screening event yesterday night. It was Season 2, Episode 6. And then we had a panel talk on stage. And they told me that I have so many memes because of Squid Game. … I was very, very thankful for that, and I was really happy because I got to thank them in person for creating all those memes about me. And that means that the fans really enjoy the show in so many different ways, and it's their way of interpreting how they saw the show. It's almost like a spin-off of their own creation. … Sometimes when I see all these memes, it's like they're rooting for me to do more. Lee Byung-hun (The Frontman/Hwang In-ho, Oh Young-il/Player 001): So in Season 1 I was behind my mask, I only had like a brief cameo appearance. But in Season 2 I got to take off my mask and join the game as another person. So I loved playing different personas in Season 2, including Frontman; Young-il, the fabricated player that I created for myself; and In-ho, [my] true self before joining the Squid Game. … It was very challenging but very exciting for me as an actor to take on. It was very fun. Netflix Park Sung-hoon (Cho Hyun-ju/Player 120): Hyun-ju being a transgender is just one of her many, many traits. She's selfless. She's compassionate. She has very soft charisma. She's brave. She has leadership. I think she's just a very amazing person. And as a cisgender person playing a transgender character, I did have my concerns about the community not wanting that. But director Hwang cast me because it was very hard to find a transgender actor in Korea. Netflix But I saw the global reaction [that] if the transgender character is this cool, then [they] were down with that, and welcoming that. So I'm very grateful that people are feeling that way. And while we are working [against] all the prejudice, I do know that there are prejudices and biases that still exist in the world. And as [attitudes] changed [toward her] over the course of Season 2, I hope viewers would feel the same way about it, and I would love to contribute to that. Kang Ae-shim (Jang Geum-ja/Player 149): So I am a big fan of Yang Dong-geun, the actor who plays my character's son, Yong-sik. He used to be a child actor, and then he became a musician. He's a great actor. I think he's truly an artist. If you listen to his songs, you'll know right away that he is a genius artist. And I saw him in a TV show called Do As You Please, and I instantly became a big fan of him. And when I heard that I'm going to be performing together with him as mother and son, I thought that everything I hoped for is now there. I do not need to hope for anything else. Netflix And I remember the first table read that we had together, and we just hit it off instantly. And I remember he was doing a little peekaboo, when he was coming in saying hi to me, and it was adorable. I didn't even need to prepare for my chemistry with him because it was just instantly there. And we enjoy fermented fish together … we both love it. So we would go to great restaurants to eat the fermented skate. So we have a bond in real life, too. Park Sung-hoon: When when the camera was not rolling, they would hold hands and cuddle together. Choi Seung-hyun, aka T.O.P. (Choi Su-bong/'Thanos'/Player 230): I actually do have a lot of fans in their pre-teens or teens [from my music career]. But now they know me more for being Thanos, not being part of the group BigBang. And I asked them once, and one of the fans told me that they love Thanos because he's so optimistic. And while he is a villain, he's not like a very villainous villain, but I think he's more of a loser guy. He's got a few screws loose, and he's a little bit clumsy. I think that's what makes him a little bit adorable to people. Netflix Kang Ae-shim: He's also sort of naïve and innocent. Park Sung-hoon: Although he's very naughty, he could come off as a little bit naïve, too. Lee Jung-jae: For Season 1 it was really about the competitive world that we live in. For Season 2, it's more about the democratic voting system. Does it really work? Because are taking sides, grouping together, clashing against one another. So there's that added layer of political message to it. And then Season 3 will come to you with another message. And I think these social and political messages were resonant not just in Korea only, but through the entire global community. It's things that we have to deal with, with all our might together. … And I loved how there's that virtual cycle of us bringing questions to the table, and people would think about it, they would talk about it after watching Squid Game, and then those conversations will circle back to us, the creators and cast, and we can add that to our next season. Lee Byung-hun: People use different languages, they have different cultures, but I think we feel the same way about people taking sides. Director Hwang said there's a voting system that's supposed to be free and democratic, but does majority always make sense? Is it always right? So these are the topics that we talk about and I think are issues that are very metaphorically and allegorically dealt with in the show. … But I think the one message that we really wanted to get across, the one that I really resonated with, is losing benevolence. Are we staying very humane in this world? And how much hope do we have left in humanity? Are we veering toward making a better place? These were the questions I really resonated with. Netflix Hwang: I didn't go into it wanting to have messages, whether political or social, at the forefront. First of all, I wanted to create a show that was entertaining to watch, that people could enjoy. And I did have these certain thoughts where after you enjoy watching the show, I wanted the show to give audiences some food for thought, maybe some conversation starters after watching it together with people that are close to you. Maybe you could talk about some of the themes that are explored in the show. I thought that that would be a nice bonus. Park Sung-hoon: So in Korea, just generally there's a tradition when someone wraps production, we would give them a bouquet of flowers and also give a big round of applause to them. But it was ironic for Squid Game because if you're leaving the set, that means you're dead. So it was kind of ironic to give them a bouquet of flowers and clap for them, but we did that anyways. T.O.P.: And what's funnier is that the one who's got the biggest smile bringing the bouquet of flowers is director Hwang. He's so happy to kill off people. He says, 'Thank you for dying. There are less days to go in the production.' So he's very happy to see all these people die. And I think that's really funny. He told me that he was most happy to see less bunk beds in the dormitory because when we take one away, that means one more person died. Netflix Hwang: Sadly, we couldn't do it for all 456 players. Because, as you know, there are some days where just too many people are killed off. But at least for the characters that fans all know and remember, on their last day, because we shot in chronological order, for the most part, that would be their death day. So, as a sign of goodbye, saying that you did a great job and we're sad to see you go, we would clap and then present them with flowers. But I have to say, it was quite an odd day because for me as a director, I'm always happy to see a character be killed off because it makes my work on set so much easier. But then, they're very sad that it's all done. So it was a mixture of many different emotions. Lee Byung-hun: So for me I think it's going to become more clear as time passes, but after releasing Season 2, I could really feel the love and support of the fans. So many people called me up and congratulated me. I could see memes going viral on the internet. So I really felt this show is transcending cultures and languages and boundaries. … Before, in my career, I've had some opportunities to participate in Hollywood movies [the G.I. Joe movies, Terminator: Genisys], but this one is even hotter from the reaction of fans compared to those movies. So I'm just very proud that a Korean show created by Korean staff members and Korean cast would do so well globally. And I think it's going to open up even more opportunities for me going forward, so I'm hoping for that. Lee Jung-jae: So I've been doing Korean projects mostly and I'd be meeting Korean fans, or mostly Asian fans. But this show truly traveled globally. So I get to talk to people all across the globe about the show, which I really enjoy. It's a tremendous joy for me to be able to communicate with different people about the show because I feel like fans of different places, different countries have different perspectives. ... So I truly feel like the earth is becoming one hyperconnected world. ... So I'm just really happy that we are communicating very globally about this show, and this experience is going to help me whenever I'm doing other projects. Hwang: It's going to be a mixture of everything you can imagine. It's going to be more brutal, more violent. It's going to be darker, and even funnier. … If I have to pick one season out of all three [as] my favorite, the best season is going to be Season 3. Best of GoldDerby Dan Fogelman and team on the making of 'Paradise': 'It only works if you have talented people who you trust' Brandon Scott Jones on CBS' 'Ghosts': 'I enjoy playing characters that are desperate' 'She's got tunnel vision': Wendi McLendon-Covey reveals what she loves most about her character Joyce on 'St. Denis Medical' Click here to read the full article.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store