From Grunge to Gourmet: Bush Frontman Gavin Rossdale Talks Hits, Food, and Fashion
Rossdale answers, 'the way that music is digested now. The turnover is more consistent…it's a really good opportunity to celebrate what you've done over thirty years and have a fresh start for the next year and build up the next greatest hits record.'
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This moment seems to have brought on a new perspective of fandom for Rossdale. He says, 'it's like, amazing because these shows, the room is just filled with people with nothing but memories and their entire life history is somehow reflected in these songs…it's quite magical. I wasn't prepared for that.' This experience has introduced him to fans from all generations—even meeting a 'cool' grandmother who came to one of their shows with her grandson.
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During the interview, Rossdale mentioned that while being on the road, he was also working on launching a clothing line and a TV show. Sea of Sound by Gavin Rossdale debuted at Paris Fashion Week in January 2024, and Dinner with Gavin Rossdale premieres on Flavour Network, Sunday, June 8th at 9 PM.
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Winnipeg Free Press
a day ago
- Winnipeg Free Press
Pulling back the curtain
Award-winning Brazilian novelist, journalist and short-story writer Eliana Alves Cruz published her first novel, Água de Barella, in 2015, followed by another two novels and a book of stories. She is widely recognized in Brazil, as she should be. Solitaria, the first of her books to be translated into English, is quickly bringing her the wider audience she so richly deserves — and exposing from the inside, and as if for the first time, the charged torsions of the distinctively Brazilian versions of class and caste, racism and race. Solitaria is unnervingly stark and simple in structure. It's narrated in three parts by three voices in sequences of no more than three pages each. Astra House photo Eliana Alves Cruz's first book to be translated into English exposes, from the inside, the charged torsions of the Brazilian versions of class and caste, racism and race. The first 15 episodes are in Mabel's voice. The little girl is Eunice's daughter; the pair are Black domestics in a rich white Brazilian couple's apartment in an unnamed big city in the south of Brazil. Eunice's voice narrates the second part of the novel; the third, from which the title derives, is narrated by the series of solitary 'little-rooms' inhabited by domestics — historically and today. Evoking solitary confinement, 'Solitária' signals the sites of isolation of Brazilians like Eunice and Mabel, servants confined to tiny compartments in the rear of opulent apartments. That Alves Cruz gives these 'little-rooms' their own narrative power and presence is resonant: in Brazil these spaces are mute witness to generations of suffering — like that of the woman imprisoned in another apartment since she was 10. The tensions in Mabel and Eunice's family speak to today's Brazil as to Brazilian history. The father, an expert and loving gardener, drinks too much and eventually is forced to abandon his family. Eunice's mother lives with her daughter and granddaughter in a little house in the far suburbs, from which they travel hours to the apartment where they work. The traditional caste of service people populate their layer of the apartment block: the building superintendent Jurandir and his two boys, Cacau and João Pedro, add another turn to the plot as Mabel becomes pregnant as a teenager with João Pedro's baby, while Mabel and Cacau eventually break free from their respective confinements through years of hard study and determination. Jurandir's sons represent two possible avenues of escape for Mabel — one, passionate anger and rebellion, the other determination and endurance. A further elaboration of plot develops through Ms. Lucia, the rich boss and Tiago, her lawyer husband, who struggle to conceive a child; their hyper-spoiled daughter Camila comes to play a vital part in the second of the novel's twinned tragedies involving children. (Readers will have to discover these transparent and telling developments for themselves.) Weekly A weekly look at what's happening in Winnipeg's arts and entertainment scene. Meanwhile Ms. Lucia plays her own duplicitous role in helping Mabel abort, later scornfully revealing her complicity to Eunice. That first cover-up anticipates the larger and ultimately unsuccessful attempt of the rich couple at concealment of their family's role in the novel's final tragedy. Solitaria There is an overarching message of hope in Solitaria: as is the case in contemporary Brazil, a series of exacting laws is enacted to legislate and improve the terrible working conditions, including salary, of domestics (even if under-the-table arrangements continue to undermine this new regime); and the machinations of Ms. Lucia and Tiago to conceal their daughter's complicity in the culminating tragedy are exposed, as is the pathetic condition of the imprisoned woman in another apartment. The translation of Solitaria by Benjamin Brooks is excellent for the most part, although it is unnecessarily marred by leaving some popular lyrics in Portuguese, to little positive effect. But that does not impede the forceful progress of the narration. Alves Cruz pulls no punches. No reader will be in any way confused by the novel's clear message, if fiction does indeed convey a 'message:' Solitaria announces on every page that the Brazil so long idealized, from the perennially false fables of racial harmony to the sultry languor of bossa nova lyrics, is a Brazil that never was. Alves Cruz's Brazil pulses with vital and dangerous but real hope. Writer and translator Neil Besner grew up in Rio de Janeiro and returns there frequently.
Global News
2 days ago
- Global News
Southern Alberta Art Gallery celebrates summer ahead of 50th year
Starting this weekend, the Southern Alberta Art Gallery (SAAG) is launching its summer exhibitions. Two artists will control the show floors, with Leila Sujir displaying her Forest Documents, while Namaakii Bear Hat presents Something Given. 'These exhibitions have some similarities, especially in their approach to nature and our reciprocity to nature and how materials are extracted and how we learn and pass knowledge to each other,' said Adam Whitford, curator of SAAG. Forest Documents is a two-video display with several written works about deforestation on tables nearby. The two video screens run the same content, but one is 2D, while the other is 3D. 'We're providing these documents and various books in the reading room for people to browse, to open at random and see where that takes them,' said Sujir. Story continues below advertisement Jorge Zavagno is the technical director of Forest Documents and he says he hopes people will learn something while enjoying the art. 'People can come in and they can both be amazed by the images, the 3D, the beautiful old growth, but also learn a bit about what's happening.' Get daily National news Get the day's top news, political, economic, and current affairs headlines, delivered to your inbox once a day. Sign up for daily National newsletter Sign Up By providing your email address, you have read and agree to Global News' Terms and Conditions and Privacy Policy As for Bear Hat's Something Given, she hopes people will learn to simple share and enjoy the moment. 'I want people to feel like they can also share with me their experiences,' she said. She says her work was made in, and by, southern Alberta. 'I made (the sculptures) from the clay from the Old Man River and the plinths were also from around here, from southern Alberta. They're cottonwood.' After the summer exhibit, SAAG is turning its attention to its 50-year anniversary in 2026. The gallery is pairing new and veteran artists to produce four separate exhibits over the year. 'These artist pairings are working together in a mentorship model to produce a new exhibition,' said Whitford. One of the up-and-coming artists is Jaeden Blewett, a university student currently based in Vancouver. 'It's always wonderful already having something lined up right after I graduate. I'll graduate in the spring of 2026, then have this exhibition in the fall,' said Blewett. Story continues below advertisement She says SAAG has a tremendous reputation and she believes this will be a big first step in her career, especially considering she gets to work with a veteran artist. 'I think it's a great stepping stone for the next thing to come. It's always hard to find exhibitions that really align with what I'm interested in, so it's always exciting to have something on the calendar.' Blewett describes her work as focuses on textile and site-specific art installations to give onlookers a very real understanding. 'My work investigates the hidden labours of women, often using industrial materials and weaving to challenge representational failures and disrupt embedded hierarchies.' Whitford says he's very excited to see what Blewett brings to his gallery next year. 'I think her weaving and textiles are really exciting. Seeing them brought into an installation, especially working with Germaine Koh, they're both currently based in Vancouver, so it's a really good chance for them to work together. Germaine also brings a history of practice with textiles, so I think they're going to work really well together,' said Whitford. Blewett says she hopes to be an exhibiting artist and become a professor someday. 'I really have a lot of admiration for universities and how they can help inform and shape people. I'm really excited to hopefully pursue that as well.' Story continues below advertisement The SAAG summer exhibition begins Aug. 9, while the 50-year anniversary launches in 2026.
Montreal Gazette
2 days ago
- Montreal Gazette
Quebec singer Luck Mervil found guilty of sexual assault
Montreal Crime Quebec singer Luck Mervil was found guilty of sexual assault on Thursday. The events date back to a night 25 years ago, when Mervil is said to have drugged and raped a 19-year-old woman after a show in Rimouski. The hearing took place in February. The judge stated on Thursday that he did not believe Mervil's claims that it was a case of mistaken identity and that the victim had him confused with other Black celebrities. The judge also commented on the vague nature of Mervil's testimony, which he said lacked credibility. A sentencing date has not yet been set. Mervil said he plans to appeal the verdict. During the trial, the victim described meeting the singer at a bar in Rimouski on the night of June 23-24, 2000. The woman recounted putting her beer down on the bar and going to dance. Feeling nauseous, she went to the bathroom, where she said Mervil appeared next to her. She said she woke up in a hotel room with Mervil on top of her. Mervil is known for his performance in the hit musical Notre-Dame de Paris; he played the character Clopin in the original French and English casts. He received a six-month sentence in 2018 after pleading guilty to sexually exploiting a 17-year-old girl.
