Bali locals want Molly Mae's sister banned from country after 'rude' comments
Disgruntled locals have urged Molly-Mae Hague's sister Zoe Rae to be blacklisted from Bali following her very public attack on the holiday hotspot. The Love Island star's older sibling revealed she packed up and left the paradise island after just 48 hours as it is 'nothing like influencers make out.'
The fitness influencer, 28, admitted she didn't think her planned 10-day holiday lived up to the social media hype and didn't hold back her true feelings. She had planned the lavish trip to Indonesia with her husband Danny to celebrate their first wedding anniversary.
However, within just hours of being there Zoe claimed it was completely different to what it seemed online. She decided to post a YouTube video where she laid into all the things wrong with Bali, and it attracted some strong opinions in return.
Zoe has now come under fire from some unimpressed locals, who mocked her for fleeing to "fake" Dubai instead. Indonesia is considered a developing country, where the average monthly wage is less than £140.
Bali is the most popular tourist destination as thousands of influencers have flocked to luxury hotels and upmarket activities in recent years. Zoe chose to stay in a stunning sea view room at the five-star Radisson Blu hotel, yet her strong opinions have left some calling for her to never be able to return.
Travel agent Yuli Budi Santoso told MailOnline: "I think in the future, they have to be blacklisted from entering Indonesia. They have already made Bali look bad.
"They were disrespectful for posting a vlog that portrays Bali negatively, even though they don't know where Bali really is, how Bali is, what Bali is like. I think we should all report the video and get her account suspended."
Meanwhile, I Made Somya Putra (CORR), a Balinese activist and lawyer, urged the couple to be blacklisted if they ever returned. "It's like tasting a scoop of water and thinking you can judge the whole ocean," he said.
"Of course, freedom of speech is important. However, what immigration should do is put them on a watch list. When they re-enter Bali or Indonesia immigration should question them deeply, asking the true purpose of their visit."
Speaking in her hotel room as part of her vlog, Zoe admitted: "Since landing in Bali, something for us wasn't quite right. We came here with high expectations because we had seen on social media that everyone was having such a lovely time.
"Gorgeous places to eat and lovely beaches, and lovely gyms and coffee shops. But if you took a picture of the coffee shop and zoomed out, you would see what the reality was."
She added: "I don't think the reality of Bali is shown much at all, and I do think it is down to a lot of influencers posting the more luxury side of things."
Zoe insisted: "I did a lot [of travelling through Asia] and spent time in these countries. But there is something very different about Bali. We got told Uluwatu where we are now is one of the best places to go, that's why we came here. So if this is one of the better places, I'm not sure where the other places are like."
Zoe ended by saying: "I think it is just personal preference, and our preference was that this isn't for us, and we are making the executive decision to go enjoy our anniversary somewhere we know that we love and can relax and can drink the water." The couple decided to head to Dubai for the rest of their anniversary trip instead.
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
North Wales Chronicle
an hour ago
- North Wales Chronicle
YouTube now the second most-watched media service in the UK
Overall, people spent an average of four hours and 30 minutes a day watching TV and video content at home in 2024, with broadcast TV still making up 56% of in-home viewing, the regulator said. However, YouTube is 'leading the charge' in the streaming takeover of TV sets, with the service now the first place younger viewers go as soon as they switch on. At home, people spent 39 minutes a day on YouTube in 2024, with 16 minutes of this on the household's TV set. Younger adults aged 16 to 34 are driving the trend, watching 18 minutes of YouTube a day on TV, while one in five children aged four to 15 (20%) head straight to the app as soon as they turn the set on. Even those aged over 55 have almost doubled the time they spend watching YouTube on their TVs compared with the previous year – up from six minutes a day in January 2023 to 11 minutes in December. YouTube's soaring popularity comes as the platform's content has evolved, with half of its top-trending videos now more closely resembling traditional TV, including long-form interviews and game shows, Ofcom said. On average, people spent 4% less time watching broadcast TV on TV sets than in 2023, with their average viewing dropping to two hours and 24 minutes a day, according to the report. Just as in 2023, a decline was seen across all age groups except adults aged 75 and over. Ed Leighton, Ofcom's interim group director for strategy and research, said: 'Scheduled TV is increasingly alien to younger viewers, with YouTube the first port of call for many when they pick up the TV remote. 'But we're also seeing signs that older adults are turning to the platform as part of their daily media diet too. 'Public service broadcasters are recognising this shift – moving to meet audiences in the online spaces where they increasingly spend their time. But we need to see even more ambition in this respect to ensure that public service media that audiences value survives long into the future.' Gavin & Stacey, Wallace & Gromit: Vengeance Most Fowl and Mr Bates vs The Post Office were the most-watched TV programmes and films of 2024. Gavin & Stacey: The Finale was the most-watched programme of the year, averaging 18.6 million viewers across BBC One and BBC iPlayer on TV sets.
The Review Geek
an hour ago
- The Review Geek
WWE: Unreal Review – A heavily-skewed, controlled look at WWE 'under the hood'
Season 1 Episode Guide New Era Push Worth the Wait Heel Turn Wrestlemania WWE: Unreal is one of those docu-series that could have been great had it been produced by an outside entity away from WWE. The ideas here are certainly interesting, with the promise of pulling the curtain back and showing the inner-workings of pro-wrestling like never before. Unfortunately, what we get is an overly produced, glossy and sanitized look at the business, like peeking through a keyhole rather than flinging the doors open and giving an all-access look at the business. After watching all five episodes, it's hard not to feel like this is one long, extended work rather than an authentic slice of life on the wrestling road. In fact, I'd argue that WWE Tough Enough or even Dark Side of the Ring do a far better job of looking at the business than anything in this Netflix series. That's before even mentioning the elephant in the room that's never mentioned in the docu-series outside of a few scripted reactions from fans online – YouTube. YouTube have a ton of podcasts and interesting wrestling channels that properly pull the curtain back and dive into the business. While yes, it's less glossy and produced (partly thanks to strict copyright over there), it's also way more authentic. Whether it be former superstar Maven chirping up with weekly videos, accompanied by his (now infamous) 'Hey guys, Maven here!' intro, or Kurt Angle doing extended segments on Joe Rogan, there's some fascinating content that really helps to explore . That's before mentioning play-by-play commentaries from old superstars, like The Undertaker and Mick Foley reacting to their Hell in a Cell match back in 1998. The point I'm trying to make then is that Unreal is a bit of an enigma because it doesn't seem to have a clear, intended audience. It feels like it's trying to grab the casual fans and rewrite its own narrative to hook you in, akin to the later seasons of Drive to Survive. Unfortunately, it doesn't have the chops to pull it off in quite the same way, as casual fans who don't want the magic spoiled may steer clear of this on principle. Conversely, die-hard fans that already follow the inner-workings of the business or hang around message boards discussing backstage shenanigans each week won't get much from this either, seeing the gloss from a mile off. And of course those not really into wrestling won't find much here to change their mind. To be fair, learning about key parts of the business, including storylines that never make the final cut, how the 'gorilla position' works, and all the bumps and bruises along the way does make for a pretty interesting watch. In essence, WWE: Unreal plays out as a Road to Wrestlemania puff piece. It's a docu-series designed to promote the new talent coming through the ranks, get casuals up to scratch with the latest storylines and big superstars (despite basically being 4 months out of date at the time of release) and reveal a few carefully skewed and controlled narrative titbits from a thin slice of the company's history. The five episodes each focus on two or three wrestlers before we then follow their journey through the PPVs, culminating in an hour-long finale that's basically a 'best of' for Wrestlemania's two-day showdown. Along the way we see Rhea Ripley's journey to the main event, CM Punk's desire to headline Wrestlemania, along with John Cena's retirement tour too, wanting to go out with a bang. One of the more interesting segments comes in episode 4 as a tight-knit group discuss a crazy Heel turn (good guy turning to a bad guy) for John Cena. Seeing all the machinations around this, including 'What If' scenarios playing out makes for a really fascinating watch. Likewise, a few golden moments of backstage authenticity, like when Kevin Owens asks Cody Rhodes if he's okay after a brutal ladder match, or Charlotte Flair reflecting on how daunting living up to the Flair name is, help give the docu-series some character. Unfortunately, these moments are few and far between as the show doesn't do enough to distinguish what's kayfabe (staying in character) and what's genuine – and I don't mean that in a good way. While some superstars come across as authentic on camera – like Rhea Ripley or John Cena – others make it difficult to know whether they're putting on an act or not. Bianca Belair mentions at one point, proudly, that the whip sound she makes with her hair is completely authentic with no sound effects necessary. While there are visible scars to prove her point, just to play devil's advocate here, is the ring not mounted with microphones under the ring to amplify the sound? Likewise, CM Punk mentions early on about Seth Rollins being super cocky and arrogant, although this is also his character on-screen so is he just playing himself? We never know because WWE also has a habit of only seeing one side of every rivalry and confrontation. How does Liv Morgan feel about ending her feud with Rhea Ripley? Despite winning a match (spoilers, by the way) Iyo Sky is never interviewed and only briefly showcased here. Moments like this are a great reminder that this is very much a heavily-skewed, controlled narrative rather than an eye-opening expose into the wrestling business from all angles. While some may enjoy what's here, it's hard to know exactly what WWE intended with releasing Unreal. It's certainly not a bad documentary, but it's not a particularly good one either. If you want some good wrestling exposes, do yourself a favour and load up YouTube instead. You'll get much better bang for your buck over there.
South Wales Guardian
2 hours ago
- South Wales Guardian
YouTube now the second most-watched media service in the UK
Overall, people spent an average of four hours and 30 minutes a day watching TV and video content at home in 2024, with broadcast TV still making up 56% of in-home viewing, the regulator said. However, YouTube is 'leading the charge' in the streaming takeover of TV sets, with the service now the first place younger viewers go as soon as they switch on. At home, people spent 39 minutes a day on YouTube in 2024, with 16 minutes of this on the household's TV set. Younger adults aged 16 to 34 are driving the trend, watching 18 minutes of YouTube a day on TV, while one in five children aged four to 15 (20%) head straight to the app as soon as they turn the set on. Even those aged over 55 have almost doubled the time they spend watching YouTube on their TVs compared with the previous year – up from six minutes a day in January 2023 to 11 minutes in December. YouTube's soaring popularity comes as the platform's content has evolved, with half of its top-trending videos now more closely resembling traditional TV, including long-form interviews and game shows, Ofcom said. On average, people spent 4% less time watching broadcast TV on TV sets than in 2023, with their average viewing dropping to two hours and 24 minutes a day, according to the report. Just as in 2023, a decline was seen across all age groups except adults aged 75 and over. Ed Leighton, Ofcom's interim group director for strategy and research, said: 'Scheduled TV is increasingly alien to younger viewers, with YouTube the first port of call for many when they pick up the TV remote. 'But we're also seeing signs that older adults are turning to the platform as part of their daily media diet too. 'Public service broadcasters are recognising this shift – moving to meet audiences in the online spaces where they increasingly spend their time. But we need to see even more ambition in this respect to ensure that public service media that audiences value survives long into the future.' Gavin & Stacey, Wallace & Gromit: Vengeance Most Fowl and Mr Bates vs The Post Office were the most-watched TV programmes and films of 2024. Gavin & Stacey: The Finale was the most-watched programme of the year, averaging 18.6 million viewers across BBC One and BBC iPlayer on TV sets.
