Sanam Teri Kasam' in UK cinemas again
As per reports by Zee News, in a groundbreaking move for Indian cinema, the 2016 romantic drama Sanam Teri Kasam has been re-released across numerous cinemas in the United Kingdom. Starring Mawra Hocane and Harshvardhan Rane, the film's re-release marks the first time an Indian film has achieved such a feat.
Directed by the duo Radhika Rao and Vinay Sapru, Sanam Teri Kasam initially premiered in 2016 but did not fare well at the box office, earning only INR80 million during its original run. However, the film has experienced a remarkable resurgence. Its re-release in India earlier this year defied expectations, with the film collecting over INR450 million, surpassing previous re-release records held by films like Tumbbad, which garnered INR320 million.
The film's success story has now extended to the UK, where theatres have reported packed screenings. Early figures suggest that Sanam Teri Kasam is performing exceptionally well, indicating a strong overseas market for the film.
Hocane, who made her Bollywood debut with this film, expressed her delight over its renewed success. For the star, the re-release came with her real-life wedding with actor Ameer Gilani. In an interview with Faridoon Shahryar earlier this year, she remarked, "To be honest, if the film has waited nine years to achieve these numbers, I think it's my husband bringing in the luck for sure."
The film's directors, Rao and Sapru, also shared their excitement about the re-release's success. They noted that the film's timeless love story and soulful music have contributed to its enduring appeal. The soundtrack, composed by Himesh Reshammiya, features tracks like Tera Chehra and Bewajah, which have once again climbed music charts and are trending across streaming platforms.
Fans have been vocal about their support for the re-release. Social media platforms are abuzz with discussions, reviews, and fan-made content celebrating the film's return to theatres. A video capturing audience members emotionally reacting to the film's title track during a post-credit scene in a theater in Uttar Pradesh recently went viral, highlighting the deep connection viewers have with the film.
Sanam Teri Kasam is a tragic love story that follows Saraswati (Hocane), a traditional librarian disowned by her family after a misunderstanding, and Inder (Rane), a brooding ex-convict who becomes her protector. As they navigate heartbreak, family conflicts, and personal sacrifices, their deepening bond transforms into an intense romance. The film gained popularity for its emotional depth, visually rich storytelling, and a hauntingly beautiful soundtrack that elevates its melancholic narrative.
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Express Tribune
a day ago
- Express Tribune
The fall of Bollywood's conscience
In the great theatre of the subcontinent, many roles are played. The diplomat with his pocket square, ever so cautious, so vary of his words; the journalist with his war drum baritone and breaking news ticker; the general adorned in ranks, with his maps, military insights and strategically placed metaphors. But perhaps the most watched performers, the ones that garner the most eyeballs, are the stars, the celebrities, the legends of celluloid — those silken, sculpted, social-media-verified wonders of Indian cinema, who, in times of tension, often hold more sway over the hearts of their fans than even actual heads of state. So, when the most recent diplomatic domino between Pakistan and India began to fall, sparked by a tragic incident in Kashmir and snowballing into a full-blown chest-thumping war mongering chaos, eyes obviously turned to the borders. For the latest updates and bulletins, eyes turned to the news. And for everything in between, they turned to mobile screens. While the news cycle monopolised missile updates and water cooler conversations stoked further trepidation, it was on social media, Facebook and Instagram pages, and Threads of the world that we witnessed, some with a shrug and others with resignation, a curtain fall. The fanfare of nationalist fervour is nothing new. We have seen it before — during surgical strikes, border standoffs, even high-stake cricket matches. But this time, it felt different. The air itself had a simmering quality to it. This time, it was the power corridors of Bollywood that stood in a staunch and ignoble salute. Fan favourite stars from the lauded Bollywood pantheon, like Akshay Kumar, whose recent filmography reads like a defence ministry-sponsored resume, wasted no time. His message was swift: unwavering support for the Indian response, patriotic hashtags, and a pixel-perfect picture of the tri-coloured flag. Quick on his heels was the ever-so-predictable Kangana Ranaut, Bollywood's resident Rottweiler of righteousness. Never known for subtlety, Ms Ranaut deemed it appropriate to post that Pakistan was a 'terrorist nation' and called for the 'cleansing' of traitors. 'These [insert PC term for insects known for their signature infestations and filth] should be nuked' she said. And in doing so India will actually be doing the entire world a huge favour. Even the usually discreet monoliths — Hrithik Roshan, Ajay Devgan, and Shahid Kapoor chimed in with near-identical messages support for the armed forces, for the government, for decisive action. A methodical barrage of copy-paste nationalism. Who would have thought that the modern face of digital diplomacy could be achieved in 280 characters or less? Citizens of a proud nation simply supporting their sovereign nation? That wasn't jarring really. Why would anyone assume otherwise? Why wouldn't the slumbering nationalism be kindled by the horns of war? But what truly unsettled fans, particularly across this side of the border, was how quickly this nuance petered out. And in that silence, there seemed to be no room for peace, no space for reflection. The world's biggest democracy was suddenly rendered to be nothing more than an echo chamber. Perhaps the most painful silence was from those who once told stories that made these very borders blur. Alia Bhatt, beloved on both sides of the Wagah gate, posted a vaguely-worded graphic: 'Strength. Solidarity. Resilience.' It was the PR version of nodding solemnly and exiting stage left. And then there was the illustrious Karan Johar whose popularity spikes are the bread and butter of the expat South Asian demographic (in its gargantuan entirety) posted an Indian flag. No caption, no context. Just 'vibes'. A hard one to reconcile was the bard of Bollywood, Javed Akhtar, also known as the poet of peace and author of anthems. The same man whose verses once melted hostility into harmony, proclaimed 'I'd rather go to jahannum (hell) than go to Pakistan'. Not a great commendation for his own nation in which he currently was, observed one keen eyed netizen. For Pakistani fans, this was nothing short of watching your favourite uncle suddenly flip the dining table during Eid lunch. Praise be, all was not lost. Amidst this morbid uniformity, a few voices of dissent also joined in on the chorus; one such unexpectedly (but most welcomingly) from Sonakshi Sinha. While others laced up their patriotic boots, she dared to 'run amok' on Instagram. 'The Indian media has lost the plot. This isn't journalism, it's dangerous fiction.' No flags. No warmongering. Not a battle cry. Just a slice of honesty. A whisper in fact. Of course, Ms Sinha was swiftly trolled, memed, accused of being 'anti-national,' and told to go to Pakistan (a favourite insult, it seems, for anyone who suggested peace in that time). But she reminded us of something crucial: bravery isn't always about standing tall. Sometimes, it can just be about not sitting down when everyone else has. While India's celebrity class was actively engaged in staging their synchronised salute, the world also had the pleasure (read titillation) of tuning into a very different performance, one that took place on Piers Morgan Uncensored. There, sat across from each other, were Barkha Dutt and Hina Rabbani Khar. One Indian. One Pakistani. One a journalist. One a former foreign minister. Both articulate, accomplished women; razor-sharp, and blessedly allergic to nonsense. Khar, with her characteristic calm and poise, spoke of nuance, context, and the inherent dangers of nationalist hysteria. Barkha, no stranger to war reporting, put on a grand show, pushing back at every notch she possibly could. For a brief moment outside the 'theatricality', the screens became a classroom. One where nobody yelled 'Jai ABC' or 'Death to XYZ', and everyone simply listened. What a contrast to Instagram's red carpets of conformity it truly was. For Pakistanis, Indian cinema has been primarily for entertainment, but additionally, it has also been a companion. A cultural mirror that everyone in the south Asian region can glom onto seeking valid representation and actually 'be seen' by the rest of the world. Bollywood to Pakistanis has been a secret rebellion against political bitterness. From DDLJ and Devdas posters adorning every other inner-city salon in major urban locales to Arijit Singh, Shreya Ghoshal and Diljit Dosanjh being played at almost every wedding function and celebration, Bollywood has always held an intimate and fortified place in our hearts. It is reasonable then that this moment in history did not go over too well with the Pakistani audience. It felt much like, to perhaps the uninitiated, being ghosted by someone who you had once loved unconditionally. To see your once revered icons tweet in unison about severe military action against your homeland with such brazen callousness was unmistakably heartbreaking. Especially when you factor in how the majority of it all actually appeared performative — as opposed to genuine patriotism. And what of the audiences who always consumed Indian cinema with rose-tinted nostalgia? Many now found themselves confused, disappointed, and quietly (but profoundly) wounded. It wasn't just that stars didn't advocate for peace, it was that they didn't seem to care really. No acknowledgement of the mutual love they received across the border. No reminder that their music was the soundtrack of Pakistani childhoods, their dialogues recited in college hallways. Instead, silence. And silence, when given a platform, can be very, very loud. Why did this happen? Why didn't more stars speak out for peace? Well, it's not just about courage. It is also about contracts. Since 2014, Indian cinema has become increasingly aligned with the political establishment du jour. Films like The Kashmir Files are tax-exempt. Directors with the 'right' politics get easier approvals, cheaper insurance, state PR. Meanwhile, those with inconvenient opinions get labelled 'urban naxals' or 'tukde tukde gang.' Ask Deepika Padukone, who showed up at a student protest in 2020. She said nothing, just stood there. But that silence cost her millions in brand deals and led to calls for a boycott of her film. The writing on the wall was quite clear: dare to speak against the tide, and you shall be made to disappear. Even the once mighty and untouchable Khans, Shah Rukh, Salman, Aamir, have faced the wrath of their fanatical home-grown audience, and have been left with no choice but to play it safe and stay 'mum'. Not long ago, SRK's son was jailed under suspicious circumstances with King Khan jolting from lawyers' chambers to police stations as an inconsequential and lowly civilian. Aamir was attacked for his wife's comments on rising intolerance and his movie 'Laal Singh Chadda' was massacred in the box office for his alleged (and somewhat imagined) anti-state rhetoric. Even Salman who has always kept his alliances clear has become a prisoner of the gallows, living in anguish under the ever-looming threat of the Bishnoi gang. We know, we understand and feel empathy for these stars. But not all was lost. Anurag Kashyap, never one to bow, tweeted cryptically about how 'conformity is not the same as unity.' Another personality, often chastised for her exceptionally 'woke' stances, Swara Bhasker shared an article on the need for empathy, adding: 'Peace isn't weakness. Hate isn't strength.' These voices were barely audible, drowned out by hashtags and hyperbole. But they mattered. Because resistance doesn't always come with fireworks. Sometimes, it just comes with a spine. This could have been a moment. A cinematic plot twist. Imagine if Shah Rukh had posted a throwback clip from Main Hoon Na. Or if Madhuri had tweeted 'Peace is patriotic.' If Priety Zinta had only quoted a line from her famous Veer Zaara song 'Aisa Des Hai Mera'. If Ranveer Singh had just... danced it out? But no. All we got brand-safe statements, media-managed mentions, and a whole lot of silence. What a story it could have been. What a script we missed. There was a time when Indian films imagined a better world. When screenwriters flirted with forbidden love across borders, when a song could soften suspicion, and when a poem could become protest. Today, those scripts are shelved, their authors quiet, their protagonists, for all intents and purposes, neutered by eagle-eyed publicists and spectres of political correctness. So here we are, popcorn in one hand, a tear stained handkerchief in the other, looking at the silver screen, waiting for someone, anyone, in this great theatre of the subcontinent, to play the role of the artist again. To remind us that before they were influencers, stars were simply storytellers. That their job was not just to reflect power, but to sometimes question it. And perhaps one day, they will. When it's safer. When the script changes. When bravery is back in vogue. Until then, we are left with silence. Polished. PR-approved. Politically correct. But silence nonetheless. Shahzad Abdullah is a PR and communications strategist, cultural curator and director of communications at Media Matters All facts are information are the sole responsibility of the
Express Tribune
4 days ago
- Express Tribune
Voices from the Roof of the World
An internationally acclaimed documentary series titled Voices from the Roof of the World, which highlights the human side of the climate crisis and presents it as a source of catastrophic suffering, is being brought to television screens. The production has been sponsored by the Aga Khan University, Aga Khan Agency for Habitat, Aga Khan Foundation, and the University of Central Asia and will be telecast by the Express Media Group. The documentary has been honoured with many international awards, including at the International Nature and Environmental Protection Film Festival held in Hungary, in 2023. The project seeks to highlight the human side of the climate-crisis, presenting it as a source of catastrophic suffering instead of what it has long been misunderstood and presented as an "issue" to be addressed down the road. This series breaks with the conventional depiction of climate change by focusing on its day-to-day reality for ordinary people. The roof for much of the Indian subcontinent and Central Asia are the mountain ranges of the Himalayas and the Hindu Kush. The central message of the documentary series states that roofs provide people with shelter and protect them from harm, adding that in the comfort of their homes they shelter individuals from the wrath of nature — rainfall, extreme heat and extreme cold. It further notes that roofs rely on pillars of support to hold them up, and if the burden on them increases beyond capacity and the pillars are damaged and weakened, the same roof would collapse and kill people. It's a production by an Emmy award winning producer Andrew Tkach.
Express Tribune
4 days ago
- Express Tribune
Internet reacts as Bilawal calls Modi ‘Temu version' of Netanyahu
Pakistan People's Party Chairman Bilawal Bhutto Zardari called Indian Prime Minister the 'Temu version' of his Israeli counterpart Benjamin Netanyahu, and the internet is flooded with memes, praising Bilawal's wit and his ability to represent Pakistan at the biggest of forums. Speaking at a press conference at the United Nations Headquarters in New York on Tuesday, Bilawal said, 'Mr Modi is sort of the Temu version of Netanyahu, so it's a poor copy, and we call the Indian government to not be inspired by the worst example possible.' During a press conference at the United Nations headquarters on June 3, Pakistan Peoples Party (PPP) Chairman Bilawal Bhutto Zardari criticised Indian Prime Minister Narendra Modi, calling him a "Temu version of Netanyahu" and a "poor copy" of the Israeli leader. The remark was… — The Express Tribune (@etribune) June 4, 2025 The comment — combining political criticism with a reference to the low-cost Chinese online retailer Temu — quickly went viral on social media platforms, particularly on X, where users flooded timelines with memes and commentary. An absolutely appropriate description of Moodi and the delusional Indians. There is no limit to their Bollywood delusional psychosis. Absolute cheap stuff. — Sarmad Masud (@SarmadDr) June 4, 2025 Many social media users in Pakistan hailed Bilawal's remarks as sharp and effective, viewing them as a reflection of his ability to represent Pakistan at high-level international forums. Another user called the comparison 'an appropriate description' of Modi and his supporters, accusing them of 'Bollywood-style delusional thinking.' Bro went from butcher of Gujrat to temu version of netanyahu🤣🤣🤣😭😭😭 Bro drops bangers only on modi — Abdullah Usmani (@Abdulla81278368) June 4, 2025 One user posted, 'Bro went from 'butcher of Gujarat' to Temu version of Netanyahu… Bro drops bangers only on Modi,' referencing Bilawal's previous UN address in which he criticised Modi and called him the PM of Rashtriya Swayamsevak Sangh (RSS). 'Osama Bin Laden is dead but the butcher of Gujrat lives and he's the Prime Minister of India' — Bilawal Bhutto WHAT A LINE, WHAT A LEGEND. — miral (@kooslluver) May 11, 2025 Another user exhoed the same, wrote, 'Bilawal Bhutto roasted PM Narendra Modi at the world stage — first 'butcher of Gujarat', now a 'cheap copy of Netanyahu'.' Bilawal Bhutto roasted pm narendar modi at world stage two time first butcher of Gujrat now cheap copy of netanyahu, temu version 😂😂 — Taimoor Baig (@TaimurPharm) June 4, 2025 Reactions also included pointed political commentary as a user posted, 'Seeing Indian Hindu Nazi extremists online support war, genocide, and occupation is disturbing. Backing violence and oppression isn't patriotism — it's complicity.' Bilawal should always represent pakistan on foreign forums. He is a well-spoken man. The only thing i like about ppp. — Seemab Idrees (@seemab_idrees) June 4, 2025 Several users also took the opportunity to praise Bilawal's public speaking and diplomatic skills. 'Bilawal should always represent Pakistan on foreign forums. He is a well-spoken man — the only thing I like about PPP,' said one user. WOWW temu poor copy well said Excellent evaluation — WitchDoctor Roots (@WitchDocto12587) June 4, 2025 Another user referred to him as 'the son of a brave woman,' alluding to his late mother and former Prime Minister Benazir Bhutto. Seeing Indian hindus nazi extreemists online support war, genocide, and occupation is disturbing. Backing violence and oppression isn't patriotism—it's complicity. Humanity must come before hate. Justice before nationalism. Always. — Aijaz Narejo (@AyjazNarej49243) June 4, 2025 The viral moment also spurred jokes aimed at Temu itself. One user commented, 'Temu is going to shut down all its business after being compared with Modi and Netanyahu,' while another quipped, 'Meanwhile, Temu: crying in the corner.' Is this the way to address the PM? and they expect us for dialogue — Srinivas (@sreenislg) June 4, 2025 A few, however, also criticised the comparison. An Indian user, Srinivasan, remarked, 'Is this the way to address the PM? And they expect us to come for dialogue.' While the remarks stirred humour and debate online, they also highlighted the continuing tensions in regional rhetoric between Pakistan and India, as well as the role social media plays in amplifying diplomatic discourse.
