Coronation Street viewers demand action after ITV 'turns soap into rival show'
ITV's Coronation Street has been subject to a crimewave in recent months, with police knocking on almost every resident's door, much to the chagrin of some viewers.
2025 has seen Shona Platt's kidnapping, David Platt's decent into crime, and Cassie Plummer's arrest no less, and with this level of criminal activity, it won't be long until the cobbles' local MP has to call a police state.
This has led some fans to compare it to another ITV drama, one that was axed in 2010 despite its devoted following and cultural staying power—The Bill.
Read more: Oscars 2025 faces backlash after cruel 'snub' which left viewers with 'broken heart'
Taking to Reddit, one user compared the two shows, calling into question ITV's desire to have a "long-running police drama" despite The Bill's absent from weekly television.
They explained: "It's ironic that over 10 years ago, ITV cancelled The Bill, their long-running police drama that was airing every week, and now they have basically turned Coronation Street into The Bill. If they wanted a long-running Police drama, why dont they just bring The Bill back instead of turning Corrie into something it isn't?"
Another user replied: "Exactly what I thought. Should be renamed Crimenation Street, there's a new crime every week. Only reason putting so much crime is for Lisa & Kit characters, absolutely ridiculous. Eventually the police station will be removed, but question is when?"
"Either it's deliberate sabotage or they're that clueless," a third commented, adding: "What upsets me the most about it is Coronation Street was a great show in its own right. Why squander that to imitate very poorly The Bill, Casualty, Hollyoaks, EastEnders, etc?"
It appears that fans are not the only ones wanted a return of the police soap, as according to The Sun, The Bill is making a return.
The outlet claimed that it would be back with three original cast members, actors Graham Cole, Trudie Goodwin and Mark Wingett, playing PC Tony Stamp, DC Jim Carver and Sgt June Ackland, who were are in talks to return for comeback.
It alsocreported that the show would be called Sun Hill, after the police station in the original series.
However, this was reported in 2022, and since then there have been no updates about the supposed The Bill return.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
an hour ago
- Yahoo
Hollywood enters AI scraping wars with new lawsuit from Disney and NBCUniversal
Disney (DIS) and NBCUniversal sued an artificial intelligence developer for allegedly infringing on their protected works, the first Hollywood corporate titans to join a mushrooming legal war pitting copyright holders against AI upstarts training their models with data scraped from the internet. In a lawsuit filed on Wednesday in a Los Angeles Federal District Court, Disney and NBCUniversal said that AI image-creating platform Midjourney pirated images without authorization. Midjourney obtained copies of Disney's Star Wars, Minions, and other characters through unauthorized libraries containing works from two Hollywood studios, according to the complaint. Its software allows people to create images from the companies' popular fictional characters, the suit said. The companies included AI-generated images of characters ranging from Darth Vader and Buzz Lightyear to the Minions and Spider-Man. 'Piracy is piracy, and whether an infringing image or video is made with AI or another technology does not make it any less infringing,' Disney said in its complaint. Midjourney did not immediately respond to a request for comment. The company is defending itself in another federal case in California brought by artists who allege Midjourney illegally trained its AI image generation models on their copyrighted works. The latest confrontation expands the number of high-profile cases from copyright holders seeking to guard their works from the reach of technology firms. A question at the heart of all these lawsuits: Can artificial intelligence companies use copyrighted material to train generative AI models without asking the owner of that data for permission? Another such clash came earlier this week when social media site Reddit (RDDT) sued AI startup Anthropic ( a company backed by tech giants Amazon (AMZN) and Google (GOOG, GOOGL) that created the AI language model Claude. Reddit is claiming in the new lawsuit that Anthropic intentionally scraped Reddit users' personal data without their consent and then put their data to work training Claude. Reddit said in its complaint that Anthropic "bills itself as the white knight of the AI industry" and argues that "it is anything but." Anthropic said last year that it had blocked its bots from Reddit's website, according to the complaint. But Reddit said Anthropic 'continued to hit Reddit's servers over one hundred thousand times.' An Anthropic spokesperson said, "We disagree with Reddit's claims and will defend ourselves vigorously." Anthropic is also defending itself against a separate suit from music publishers, including Universal Music Group (0VD.F), ABKCO, and Concord, alleging that Anthropic infringed on copyrights for Beyoncé, the Rolling Stones, and other artists as it trained Claude on lyrics to more than 500 songs. Courts haven't settled on a definitive answer to the question of whether artificial intelligence companies can use copyrighted material to train generative AI models without permission. However, last February, the US District Court for Delaware handed copyright holder Thomson Reuters a win in a case that could impact what data training models can legally collect. The court granted Thomson Reuters' request for summary judgment, saying that its competitor, Ross, infringed on its copyrights by using lawsuit summaries to train its AI model. The court rejected Ross's argument that it could use the summaries under the concept of fair use, which allows copyrights to be used for news reporting, teaching, research, criticism, and commentary. One big name featuring prominently in some of these clashes is OpenAI ( the creator of chatbot ChatGPT that is run by Sam Altman and backed by Microsoft (MSFT). Comedian Sarah Silverman has accused the companies in a lawsuit of copying material from her book and 7 million pirated works in order to train its AI systems. Parenting website Mumsnet has also accused OpenAI of scraping its six-billion-word database without consent. But perhaps the most prominent case targeting OpenAI is from the New York Times (NYT), which in 2023 filed a lawsuit accusing OpenAI and Microsoft of illegally using millions of the news outlet's published stories to train OpenAI's language models. The newspaper has said that ChatGPT at times generates query answers that closely mirror its original publications. Last week, OpenAI called the lawsuit "baseless" and appealed a judge's recent order in that case requiring the AI developer to preserve 'output data' generated by ChatGPT. OpenAI and Microsoft are using a defense similar to those raised in other AI training copyright disputes: that the Times' publicly available content falls under the fair use doctrine and, therefore, can be used to train its models. Getty Images is trying to chip away at that same argument in lawsuits in the US and United Kingdom filed in 2023 against AI image generation startup Stability. The UK case went to trial on Monday. Stability argues that fair use (or "fair dealing" as it's known in the UK) justified training its technology, Stable Diffusion, on copyrighted Getty material. That same defense has hallmarks of justification that Google has been asserting for the past two decades to fight lawsuits claiming it violated copyright laws when pulling information into results for users' search queries. In 2005, the Authors Guild sued Google over millions of books that the tech giant scanned and made available in 'snippets' to online searchers. Google didn't pay for the copyrighted information but did provide word-for-word pieces of the copyrighted works in search results. The US Court of Appeals for the Second Circuit reasoned in a decision that Google's scanning project tested the limits of fair use but was 'transformative' and therefore protected under fair use law. In 2016, Getty Images sued Google over similar claims, alleging that Google violated its copyrights and antitrust law by displaying Getty's high-resolution images in Google search results. Error while retrieving data Sign in to access your portfolio Error while retrieving data Error while retrieving data Error while retrieving data Error while retrieving data
Yahoo
an hour ago
- Yahoo
Hollywood enters AI scraping wars with new lawsuit from Disney and NBCUniversal
Disney (DIS) and NBCUniversal sued an artificial intelligence developer for allegedly infringing on their protected works, the first Hollywood corporate titans to join a mushrooming legal war pitting copyright holders against AI upstarts training their models with data scraped from the internet. In a lawsuit filed on Wednesday in a Los Angeles Federal District Court, Disney and NBCUniversal said that AI image-creating platform Midjourney pirated images without authorization. Midjourney obtained copies of Disney's Star Wars, Minions, and other characters through unauthorized libraries containing works from two Hollywood studios, according to the complaint. Its software allows people to create images from the companies' popular fictional characters, the suit said. The companies included AI-generated images of characters ranging from Darth Vader and Buzz Lightyear to the Minions and Spider-Man. 'Piracy is piracy, and whether an infringing image or video is made with AI or another technology does not make it any less infringing,' Disney said in its complaint. Midjourney did not immediately respond to a request for comment. The company is defending itself in another federal case in California brought by artists who allege Midjourney illegally trained its AI image generation models on their copyrighted works. The latest confrontation expands the number of high-profile cases from copyright holders seeking to guard their works from the reach of technology firms. A question at the heart of all these lawsuits: Can artificial intelligence companies use copyrighted material to train generative AI models without asking the owner of that data for permission? Another such clash came earlier this week when social media site Reddit (RDDT) sued AI startup Anthropic ( a company backed by tech giants Amazon (AMZN) and Google (GOOG, GOOGL) that created the AI language model Claude. Reddit is claiming in the new lawsuit that Anthropic intentionally scraped Reddit users' personal data without their consent and then put their data to work training Claude. Reddit said in its complaint that Anthropic "bills itself as the white knight of the AI industry" and argues that "it is anything but." Anthropic said last year that it had blocked its bots from Reddit's website, according to the complaint. But Reddit said Anthropic 'continued to hit Reddit's servers over one hundred thousand times.' An Anthropic spokesperson said, "We disagree with Reddit's claims and will defend ourselves vigorously." Anthropic is also defending itself against a separate suit from music publishers, including Universal Music Group (0VD.F), ABKCO, and Concord, alleging that Anthropic infringed on copyrights for Beyoncé, the Rolling Stones, and other artists as it trained Claude on lyrics to more than 500 songs. Courts haven't settled on a definitive answer to the question of whether artificial intelligence companies can use copyrighted material to train generative AI models without permission. However, last February, the US District Court for Delaware handed copyright holder Thomson Reuters a win in a case that could impact what data training models can legally collect. The court granted Thomson Reuters' request for summary judgment, saying that its competitor, Ross, infringed on its copyrights by using lawsuit summaries to train its AI model. The court rejected Ross's argument that it could use the summaries under the concept of fair use, which allows copyrights to be used for news reporting, teaching, research, criticism, and commentary. One big name featuring prominently in some of these clashes is OpenAI ( the creator of chatbot ChatGPT that is run by Sam Altman and backed by Microsoft (MSFT). Comedian Sarah Silverman has accused the companies in a lawsuit of copying material from her book and 7 million pirated works in order to train its AI systems. Parenting website Mumsnet has also accused OpenAI of scraping its six-billion-word database without consent. But perhaps the most prominent case targeting OpenAI is from the New York Times (NYT), which in 2023 filed a lawsuit accusing OpenAI and Microsoft of illegally using millions of the news outlet's published stories to train OpenAI's language models. The newspaper has said that ChatGPT at times generates query answers that closely mirror its original publications. Last week, OpenAI called the lawsuit "baseless" and appealed a judge's recent order in that case requiring the AI developer to preserve 'output data' generated by ChatGPT. OpenAI and Microsoft are using a defense similar to those raised in other AI training copyright disputes: that the Times' publicly available content falls under the fair use doctrine and, therefore, can be used to train its models. Getty Images is trying to chip away at that same argument in lawsuits in the US and United Kingdom filed in 2023 against AI image generation startup Stability. The UK case went to trial on Monday. Stability argues that fair use (or "fair dealing" as it's known in the UK) justified training its technology, Stable Diffusion, on copyrighted Getty material. That same defense has hallmarks of justification that Google has been asserting for the past two decades to fight lawsuits claiming it violated copyright laws when pulling information into results for users' search queries. In 2005, the Authors Guild sued Google over millions of books that the tech giant scanned and made available in 'snippets' to online searchers. Google didn't pay for the copyrighted information but did provide word-for-word pieces of the copyrighted works in search results. The US Court of Appeals for the Second Circuit reasoned in a decision that Google's scanning project tested the limits of fair use but was 'transformative' and therefore protected under fair use law. In 2016, Getty Images sued Google over similar claims, alleging that Google violated its copyrights and antitrust law by displaying Getty's high-resolution images in Google search results. Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data
Yahoo
3 hours ago
- Yahoo
Patricia Arquette on If Cobel Did a Better Job Than Mr. Milchick, and Why Mrs. Selvig Is So Bad at Recycling
Patricia Arquette is really, really into the world of Severance. What she's really, really not into is discussing fan theories. Not because she doesn't care, rather because she cares too much to risk spoiling anything. In another world, Arquette might be racking up karma way down your Reddit rabbit hole. But in this world, Lumon (and Apple TV+) is listening. More from The Hollywood Reporter 'The Studio' Guest Star Martin Scorsese Thought a Scene Was "Wrong" But Didn't Want to Be a "Backseat Director," Says Creator 'Echo Valley' Review: Julianne Moore and Sydney Sweeney Star in Apple TV+'s Satisfyingly Tense Domestic Thriller Ted Sarandos' 'Studio' Appearance Is a Wink - And a Flex Here's the thing though: with all due respect to other terrific (and eligible) dramas like The White Lotus and The Diplomat, Severance deserves all of the Emmys. But first, it needs the votes. Part of that process includes putting talent front-and-center in the press. Fear not, fellow Outties, we've got you. Was season one or more of a challenge for you as an actor? I don't even know how to really parcel out the first season from the reality of the world of the first season. We were shooting during COVID. I got contact-traced, I don't know, six or seven times or something. So I ended up— I kept getting put alone in a room for like 10 days at a time, and I started to kind of lose my cool. We didn't have [vaccines] yet. We were all wearing those plastic masks. Nobody could see you smile. It was a very dystopian experience on the set. Should viewers be rooting for Cobel at this point? Do you want fans of the show to like her? I don't really care if they like you or not like you. I mean, people go through life making 'the bad guy,' making 'the good guy,' and then the bad guy's the good guy and the good guy's the bad guy. She just has to have her perspective on why she's doing what she's doing. We go through life looking at people in the certain way that we frame them, and then they say or do something, and we reframe them. And so I think that we're going to do the same thing with Cobel. Cobel is at a very weird precipice right now where it's like it really could go either way. She could go to supporting Mark and all those guys, sticking one to Lumon, or she could consolidate her power at Lumon, get more respect there and be in a more powerful position, like she had been at one point in time. Did Mrs. Selvig legitimately care for Mark Scout? Yeah. I mean, I approached Mrs. Selvig in many ways. Yes, I think both sides of her care about Mark and are interested in what he's doing, both personally but also academically. What she was surprised by with Mrs. Selvig was— she got to put down the laws of Lumon. So it's like, 'Oh, we're kind of chummy. Is this what it's like to be not indoctrinated into this? Is this how people make friends? We're real friends and we're going somewhere together and it's not to a Kier Remembrance Day.' So, yeah, I think there's a part of her that's really fascinated and comes alive, but it's awkward and uncomfortable because it doesn't really know what it's doing. It's also that weird mixture of stalker and friend…there's a weird energy to that. Why is she so bad at recycling? We definitely talked about making her fumbling, bumbling. To insinuate yourself into someone's life, the biggest manipulators act like the most innocent victims. The most dangerous manipulators act like they're just this sweet, innocent, couldn't-hurt-a-fly person. That really can be very scary. She's got some element of that, like, I have to disarm him by being the fumbling, bumbling aunt from next door. And, 'Oh, I need your help' and 'I'm an older woman than you' and 'Oh, you don't have to worry about me.' So there is a damsel in distress device. Did Cobel do a better job than Milchick? Oh yes, come on now! What kind of question is that? Yeah, I mean, I think that like such a horrible betrayal to her. Because she felt like he was under her tutelage. And even though she was a tough and mean kind of boss, sometimes she was doing it for his own good. And she was also weird in this way, of like, almost like a drill sergeant. They're supposed to be kind of mean. It's a little bit part of the protocol within Lumon — of the old school, especially that she came up in — there's a certain way of treating people you're training. But she's pretty sad that Milchick stabbed her in the back. That he usurped her. Why is the MDR team allowed to roam the halls of Lumon so freely? I've had that conversation also, a concern in a weird way, where the viewer would be like, 'Wait a minute, wouldn't [Cobel] have seen this? They're doing that — can't Cobel see that?' There's something about— I don't know, I don't want to give away things. What they do, informs. Also, here's the thing. I don't think Lumon was so aware of what Cobel was doing and experimenting with. They have a very fine, limited view of what they thought was going on in this experiment, which is not the same idea of the experiment as to what Cobel is doing. How did you come up with Cobel's unique affectation? I was like, watching Maude and all these weird shows. It was sort of a little bit of a tip of the hat to Bea Arthur. And this idea of, like, this world where upper management sounded a certain way. That power sounded a certain way. And maybe how that wouldn't quite be right — it wouldn't sound exactly authentic if it came from a poor kid who was looking up at this rich family, imagining what they sounded like, imagining what they talked like, imagining what this thing was. So, yeah, it's not completely authentic. But she also grew up in this school in a weird way, like with nuns, or with, you know, being indoctrinated by these kind of people who were zealots. So they sounded the most like this. This is her child interpretation of that. You're really into this world huh? I am really into it. But I have to say, Cobel is— she has a whole things going on on her own. She is not somebody who feels comfortable telling people, letting people in, or any of that. And yet she also has incredible hubris and is driven and convinced that she's right. So it's like, in a weird way, it's very lonely, because she's got her whole own agenda, and she doesn't share it with anybody. This might be a stupid question, but did you write any of Cobel's notebook? I love this question, actually. Oh, thank you. It's part of what I love so much about being in the movie business and all the different departments. Our prop department is off-the-hook insane accomplished. Cat (PMG Property Master Catherine Miller) is amazing. So, no. They actually hire people to write stuff. Like, 'I need 10 pages written about blah, blah, blah.' I've seen it throughout my career on different sets. On some, they're actually sticking with the agenda of what the scene is about. And some they're just writing shit so you're rifling through and they're like, 'It's 4 a.m. I'm so sick of this job. How many more pages left do I have to write?' They're pretty hilarious. But this— anything on [Severance] is really drilled-down right. You actually could focus on each page. You could print a book out of it. What they're coming up with and writing is really good. This interview has been lightly edited and condensed for clarity. Best of The Hollywood Reporter 'The Studio': 30 Famous Faces Who Play (a Version of) Themselves in the Hollywood-Based Series 22 of the Most Shocking Character Deaths in Television History A 'Star Wars' Timeline: All the Movies and TV Shows in the Franchise