
2024's Best Horror Game ‘Still Wakes The Deep' Gets Scarier DLC
Just when you thought you were out of the water, The Chinese Room pulls you back in. Out of nowhere, the indie developer has announced and will soon release Still Wakes the Deep's DLC expansion, Siren's Rest.
Still Wakes the Deep has been revived in a way that only makes the whole experience more claustrophobic and horrific, playing on its mantra of finding every single possible way to sink itself under your skin — this time, you get to relive the hellscape of the Beira D oil platform underwater.
Set in 1986, 10 years after the events of Still Wakes the Deep, Siren's Rest places you in the role of sole explorer Mhairi as she hops into a diving bell in the middle of the North Sea to explore the remains of the ill-fated drilling rig. Armed with only a camera, cutting torch, and crowbar, she surveys the wreckage both underwater and in the few remaining air pockets, hoping to learn what happened to the crew — but naturally, not everything is as dead as presumed.
Still Wakes the Deep, one of the top-three best indie games of 2024, was the deserved winner of three BAFTA Games Awards (second only to Astro Bot with five), thanks in part to its cast — two of its awards were for the ceremony's only both performer awards, namely lead role (Alec Newman as Cameron 'Caz' McCleary) and supporting role (Karen Dunbar as Finlay). As I said in my original review, it's a masterpiece of game acting, and to keep that spirit alive, this DLC sequel has enlisted top-tier talent to play on its biggest strength.
FEATURED | Frase ByForbes™
Unscramble The Anagram To Reveal The Phrase
Pinpoint By Linkedin
Guess The Category
Queens By Linkedin
Crown Each Region
Crossclimb By Linkedin
Unlock A Trivia Ladder
Siren's Rest, written by Sagar Beroshi of Helldivers 2 fame, introduces Lois Chimimba (Atomfall, Shetland, Doctor Who) as Mhairi, alongside Lorn Macdonald (Bridgerton, The Lazarus Project) and veteran voice artist David Menkin (Final Fantasy XVI, Valorant), once again overseen by SWTD's lead voice director Kate Saxon.
This one's had a bad time of it. For its little faults, 'Still Wakes the Deep' was probably the best ... More horror game of last year. If you've still not played it, you're missing out on a unique experience that finds multiple ways to freak you out, especially as you're an everyman character with no weaponry. Still, you might need subtitles if you're an American (or even southern British TBH; I was luckily born and raised not far from the Scottish border). It plays to better side of The Chinese Room's unpredictable back catalog ('Dear Esther'? Amazing! 'Little Orpheous'? Nah.) I've never felt more unsafe in a believable and carefully curated environment. Take a punt on it - in "How Long To Beat" terms, think of it as 'Avengers: Infinity War' and 'Endgame' put together, but it's all set on an oil rig in the 1970s and you gradually watch your fellow crew members turn into the worst monsters possible.
The trailer and screenshots of Siren's Rest point to plenty of 'if you know, you know' moments — undoubtedly encouraging a fresh playthrough for existing fans of Still Wakes the Deep like me — but it also unlocks yet another reason for SWTD virgins to punish themselves with mid-70s, Scottish-themed sadness, despair, and body horror.
I've always been a poltroon when it comes to horror games, but I managed to complete this one with only light degrees of discomfort, and I've recommended it to everyone I know; I've even bought it as a birthday present for three people. It's not exactly the most positive experience to reward becoming another year older, but whatever.
Siren's Rest lands on June 18 for Xbox Series X/S, PS5, and PC via Steam and Epic Games Store. It takes about 1.5 to two hours to complete, and it costs $12.99 — well worth the money, if past experiences are to be believed.
Meanwhile, if Still Wakes the Deep isn't your cup of tea, 2024's fellow, fear-filled classic Crow Country was a close second for the genre, and it's a near-perfect tribute to fifth-gen survival horror. It's also a lot less likely to force you to powerwash your trousers and/or seat of choice after playing.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
10 hours ago
- Yahoo
Jennifer Aniston reveals she and Gwyneth Paltrow discuss Brad Pitt
Friends star Jennifer Aniston has said she and fellow actress Gwyneth Paltrow still discuss their mutual ex Brad Pitt, giving a rare glimpse into the Hollywood stars' relationships. Paltrow and Pitt were engaged for a few months during 1996 and 1997, and he was then married to Aniston from 2000 to 2005. She was asked by Vanity Fair if she and her close friend Paltrow ever discuss their ex, and responded: "Oh, of course. How can we not? We're girls." However, their actual conversations were left to the reader's imagination, with the interviewer saying the pair "trade wellness intel more than gossip". Both women are known for being health-conscious, and Aniston added: "We're always swapping advice - 'What are you doing for this?' 'What are you doing for that?' 'Do you have a new doctor for that?'" However, Aniston did refer to her hugely publicised split from Pitt 20 years ago as "such a vulnerable time", adding: "Ironically, I went to her [Paltrow] and Brad's engagement party." The actresses met when Paltrow and David Schwimmer, Aniston's Friends co-star, were filming 1996 film The Pallbearer. 'We'd already been mourning Matthew Perry' Aniston also touched on the 2023 death of Friends star Matthew Perry, whose addiction problems have been well-documented. A post-mortem examination found a high concentration of ketamine in his blood, and determined that "acute effects" of the drug had killed him. "We did everything we could when we could," she said, referencing the Friends stars' efforts to help him with his addictions. "But it almost felt like we'd been mourning Matthew for a long time because his battle with that disease was a really hard one for him to fight. "As hard as it was for all of us and for the fans, there's a part of me that thinks this is better. "I'm glad he's out of that pain." Aniston and Perry played two of the six young friends living in New York City in the globally popular series, which ran from 1994 until 2004. The Emmy and Bafta-winning show had a sustained resurgence in popularity after it debuted on Netflix in 2015. Michelle Obama friendship Aniston is most famous for playing Rachel Green in the show, but has also appeared in romantic comedy films with co-stars including Adam Sandler, Vince Vaughn and Owen Wilson. She also stars in US TV series The Morning Show with Reese Witherspoon, about a network news morning programme. During the Vanity Fair interview, she also touched on being the subject of tabloid rumours, such as one linking her romantically to President Barack Obama, which she scotched last year on the Jimmy Kimmel show. She said she knows Michelle Obama better than the former president, adding: "I was lucky enough to have dinner with Michelle a month ago," but said the rumour "wasn't even brought up" during their time together. "I don't think anyone really pays attention to reports like that if you're the subject of them," she added. BBC News used AI to help write the summary at the top of this article. It was edited by BBC journalists. Find out more. Aniston opens up about attempts to have children
Yahoo
13 hours ago
- Yahoo
Greenpeace stages Anish Kapoor art protest on UK gas platform
Greenpeace activists have unfurled a massive anti-fossil fuel canvas by renowned sculptor Anish Kapoor on a North Sea platform in a rare protest on an active offshore gas rig, the group said Thursday. Seven Greenpeace climbers scaled Shell's Skiff gas platform, 45 nautical miles off the Norfolk coast in eastern England, and attached the 12-metre (40 feet) by eight-metre (26 feet) work, entitled "BUTCHERED". They then pumped 1,000 litres of a "blood-red" mixture, composed of seawater, beetroot powder, and non-toxic dye, onto the canvas. British-Indian artist Kapoor said the work reflected the "butchery" that oil companies are "inflicting on our planet." BUTCHERED is a "visual scream that gives voice to the calamitous cost of the climate crisis, often on the most marginalised communities across the globe," he added. A Shell UK spokesperson said the protest was "extremely dangerous, involved illegally trespassing, and put their own and others' lives at risk." The stunt came as much of southern Europe suffered a relenless heatwave with the tinderbox conditions helping the spread of many deadly wildfires. The extreme heat, which scientists say human-driven climate change is intensifying, has fuelled blazes and strained firefighters from Greece to Portugal. Parts of the UK also experienced the fourth heatwave of the summer season, with several regions in England facing drought conditions. Philip Evans, senior campaigner at Greenpeace UK, said the artwork was a "visual gut-punch that makes visible the suffering and damage caused by the oil and gas industry right at the place where the harm begins." Shell and Greenpeace last December settled a lawsuit brought by the British energy giant after environmental protesters boarded a ship carrying an oil and gas platform near the Canary Islands for several days. In that agreement, Greenpeace also agreed that demonstrators would not go within 500 metres of three Shell North Sea sites for five years, and a fourth site for a decade. jwp/aks/tw
Yahoo
15 hours ago
- Yahoo
Greenpeace activists target North Sea gas platform with art protest
Greenpeace activists have installed a major new work by renowned artist Anish Kapoor onto a Shell platform in the North Sea in a protest over climate change. Climbers scaled the platform to hang the artwork on the offshore gas site, which lies 45 nautical mils off the coast. Kapoor's work, titled 'Butchered' was conceived for this protest, and Greenpace said had bee unveiled 'at the same moment as devastating heatwaves, wildfires and floods fuelled by the fossil fuel industry have hit communities in the UK and around the world.' After securing a giant 12m x 8m canvas to one side of the structure, the activists hoisted a high-pressure hose to a height of 16 metres above the sea. They then pumped 1,000 litres of blood-red liquid that gushed into the fabric, creating a vast crimson stain. The blood-like solution, designed specifically for this artwork, is a mix of seawater, beetroot powder and non-toxic, food-based pond dye. Greenpeace climbers install the artwork (Image: Andrew McConnell) The artwork is 'a stark visualisation of the wound inflicted on both humanity and the Earth by the fossil fuel industry, evocative of our collective grief and pain at what has been lost, but also a cry for reparation,' Greenpeace said. It comes as the fourth heatwave of the summer has triggered health alerts in parts of the UK, while a worsening drought has hit farmers' crops and record-breaking wildfires have burnt an area twice the size of Glasgow. Extreme heat is also breaking temperature records across Europe and fuelling massive wildfires in Spain, where thousands of people have been evacuated. Earlier this month, deadly flash floods hit communities in China to northern India. Anish Kapoor said: 'The carbon dioxide released by burning fossil fuels is invisible, but we are witnessing the devastation that its extraction wreaks on our world. 'What still remains largely hidden is the responsibility oil giants like Shell bear for causing this destruction and profiting from worldwide suffering. 'I wanted to make something visual, physical, visceral to reflect the butchery they are inflicting on our planet: a visual scream that gives voice to the calamitous cost of the climate crisis, often on the most marginalised communities across the globe.' He added: 'Butchered is an action that happens at the place where this violation starts – a gas platform in the middle of the sea.[ The artwork] attempts to bring home the horror, giving voice to the moral and physical destruction caused by ruthless profiteers. 'My work is also a tribute to the heroic work done in opposition to this destruction, and to the tireless activists who choose to disrupt, disagree and disobey.' Anish Kapoor (Image: © Kristian Buus / Greenpeace) Greenpeace claimed Shell made £54 billion in profits in the two years after the invasion of Ukraine, but it paid just £1.2 billion in taxes in the UK over the same period - about 2% of its global earnings. The carbon pollution unleashed by Shell over three decades is estimated to have already caused at least $1.42 trillion worth of climate damage around the world, the activists group said. READ MORE: Forth Road Bridge shut by protestors with police on scene What happened on President Trump's previous Scotland visits? Unions and climate groups call for emergency funds for North Sea workers Greenpeace also said that 'despite clear warnings from scientists and energy experts', the oil giant is still planning a major expansion of its operations, with 700 new oil and gas projects in the pipeline. Philip Evans, Senior Campaigner at Greenpeace UK, said: 'Extreme weather is hitting close to home, but the extraction of fossil fuels driving the climate crisis is often out of sight. 'This artwork is a visual gut-punch that makes visible the suffering and damage caused by the oil and gas industry right at the place where the harm begins. 'While the fossil fuel sector makes billions from climate destruction, ordinary people are left to pick up the rising costs of flood damage, droughts and wildfires. Governments need to start holding oil giants like Shell to account and make them pay for the enormous damage they are causing.' The canvas after it was completed (Image: Andrew McConnell) A Shell UK spokesperson said: 'Safety at sea is our priority. Greenpeace entered a restricted safety zone around the platform without permission, which is established under UK law to protect people and prevent collisions. 'Their actions were extremely dangerous, involved illegally trespassing and put their own and others' lives at risk. 'We respect the right of individuals and organisations to protest, but it must be done safely and lawfully.'