
Why Cannes banning nudity from the red carpet is hilariously hypocritical
Like the gun-toting 'Les Miserables' students storming the barricade, Cannes has taken a stand — against, of all things, obscenity.
C'est rich!
The hon! hon! hon! film festival on France's Cote d'Azur put in place a restrictive — well, as far as Bianca Censori is concerned — new rule Monday at the start of their movie marathon.
Advertisement
5 Bella Hadid has often worn revealing outfits at the Cannes Film Festival.
Mondadori Portfolio via Getty Images
'For decency reasons, nudity is prohibited on the red carpet, as well as in any other area of the festival,' le statement declared.
Liberté, egalité, no nudité!
Advertisement
At pretty much any nearby beach, however, the waist-up dress code remains au naturale.
No doubt about it, smutty step-and-repeats are a growing concern at glitzy soirees around the world. The Post's photo editors spend so many hours pixelating famous women's exposed areas, there's barely time for lunch.
At the Grammys, Kanye West's girlfriend Censori wore, I dunno, a body-sized nylon sock before being escorted out. Bella Hadid has controversially donned sheer dresses at Cannes before. So has Kendall Jenner.
I know — such shocking behavior from these classy, classy names.
Advertisement
5 Kendall Jenner might struggle with the new nudity rules on the red carpet.
KCS Presse / MEGA
A week ago, Halle Berry left little to the imagination at the Met Gala.
On the opposite end of the spectrum, Cannes has also canned 'voluminous' outfits with long trains and other excesses — a k a the fun ones. The huge dresses, not European sluggishness, hold up other entrants.
Amusingly, that's Berry's problem in France: Her frock has too much fabric. She's gone from sheer to shears.
Advertisement
5 Halle Berry wore revealing sheer at the Met Gala this year.
Getty Images
Bravely, I am pro-clothes-in-public. But the hand-wringing from the Pierres and Claudettes is hilarious.
For one, this isn't Kalamazoo — it's France, the country of Manet, Matisse and Courbet.
And, specific to Cannes, after these newly layered-up monks and nuns somberly march into the Grand Théâtre Lumière, bared flesh is all over the screen.
The French Riviera transforms into Times Square circa 1972.
No less than 17 films in the fest's 78 year history have featured graphic, un-simulated sex scenes. Some call it art, some call it porn. You say potato, I say pomme de terre.
5 Cannes have premiered films like 'Love,' which featured un-simulated hardcore sex.
Courtesy Everett Collection
One, director Gaspar Noe's 'Love' in 2015, featured beaucoup hardcore hanky panky. A carnal MadLibs, the movie had threesomes, orgies, beds, bathrooms, basements and dingy hallways in ample combinations. Plus, like 'Avatar: The Way of Water,' 'Love' was shot in 3-D.
Advertisement
You can only imagine.
Vincent Gallo's 2003 flick 'Brown Bunny,' in which the writer/actor/director was actually pleasured by star Chloe Sevigny, was called the worst Cannes movie ever by Roger Ebert.
5 In Vincent Gallo's 'Brown Bunny,' the director had steamy relations with star Chloe Sevigny.
Lest we forget, last year's Palme d'Or winner 'Anora' begins with a series of topless lap dances.
Advertisement
And my word count isn't long enough — nor my stomach strong enough — to take you through the raunchy resume of Lars von Trier.
All this to say, the festival is rather in-Cannes-sistent.
I'm in the market for some mischief. Maybe some rebellious attendees will give us a French revolution, arrive in the buff and get carted away.
Advertisement
Did you know Cannes also requires 'elegant' footwear? They've kicked filmmakers off the carpet for simply wearing moccasins. They'd 'Mon Dieu!' my Sundance sweatpants. If a starlet were forcibly removed for immodesty, that would make a killer story.
It would be even better than last year's festival's unfortunate headline grabbers: 'Megalopolis' and 'Horizon: An American Saga.'
Talk about obscene. Sacré bleu!
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
an hour ago
- Yahoo
‘The Phoenician Scheme' Lands Top Limited Opening Of 2025
Wes Anderson's is now the top-grossing limited opening of the year with an estimated $570,000 this weekend at just six locations in New York and Los Angeles for a per-theater average of $95K. The Focus Features' film expands to 1,500 screens next weekend. The film unseats A24's Friendship, which kicked the indie box into high gear a few weeks ago with a great $445K limited opening and $75K per-theater opening for Andrew DeYoung's feature debut starring comedian Tim Robinson and Paul Rudd. More from Deadline 'The Phoenician Scheme' Review: Benicio Del Toro Hilariously Dominates Wes Anderson's Latest All-Star Wes Anderson Movie – Cannes Film Festival 'The Phoenician Scheme' Cannes Red Carpet Photos: Wes Anderson, Mia Threapleton, Benicio del Toro, Bill Murray, Michael Cera, & More Wes Anderson's 'The Phoenician Scheme' Tees Up Strong Indie Weekend With Angelika Film Center Takeover - Specialty Preview The Phoenician Scheme, written by Anderson and Roman Coppola, stars Benicio del Toro as a family patriarch and business titan beset by rivals and assassins, and Mia Threapleton as his daughter, a nun, whom he wants to inherit it all. Michael Cera, Tom Hanks, Bryan Cranston, Riz Ahmed, Mathieu Amalric, Jeffrey Wright, Scarlett Johansson, Richard Ayoade, Rupert Friend, Hope Davis, and Benedict Cumberbatch also star in the pic, which is coming off its world premiere at the Cannes Film Festival earlier this month. The Phoenician Scheme is the third major collaboration of Focus, Anderson and Indian Paintbrush, who also partnered on Anderson's most recent feature Asteroid City (2023) as well Moonrise Kingdom (2012). It was produced by Anderson for his American Empirical Pictures banner alongside longtime collaborators Steven Rales of Indian Paintbrush, Jeremy Dawson and John Peet. The movie was filmed in Germany in association with Studio Babelsberg. Asteroid City's PTA of $132K was the biggest in years, and The Grand Budapest Hotel in 2014 a record-setter at $200K. The latter ended up scoring nine Oscar nominations including Best Picture and winning four. Focus took over the Angelika Film Center in New York this weekend with Phoenician Scheme on all six screens, a jazz band and movie-themed merchandise and activations in the lobby and concessions – reflected in higher ticket prices — $30 for standard and $60 for premium. NYC's Alamo Brooklyn and AMC Lincoln Square and AMC's The Grove, Century City and Burbank in Los Angeles are other opening theaters. Other new openings: IFC Films debuted UK period thiller to $130K at 412 theaters, and Music Box Fims opened Jonathan Millet's feature debut from Cannes 2024 with French-Tunisian star Adam Bessa at four locations to $5,600. Holdover: Sony Pictures Classics clocked $561K on 526 screens in week 2 (up from 61 last week) for a cume of $977.500. Event cinema had a terrific weekend with the final Met: transmission of the 2024–2025 season, Rossini's Il Barbiere di Siviglia, grossing $906K at about 800 cinemas in North America. Fathom distributes in most markets. Trafalgar had a doubleheader, with Saturday's live worldwide broadcast of j-hope tour — the BTS solo star's concert from Osaka — grossing $789K at 631 screens in North America. The UK-based distributor's collaboration with Hasbro was also out with globally including 428 venues in North America that grossed $420K for Friday and Saturday. MORE Best of Deadline Sean 'Diddy' Combs Sex-Trafficking Trial Updates: Cassie Ventura's Testimony, $10M Hotel Settlement, Drugs, Violence, & The Feds 'Poker Face' Season 2 Guest Stars: From Katie Holmes To Simon Hellberg 2025-26 Awards Season Calendar: Dates For Tonys, Emmys, Oscars & More


New York Post
an hour ago
- New York Post
‘Squid Game' star admits he's ‘very nervous' for fan reaction to final season
The games are coming to an end. 'Squid Game' star Lee Jung-jae teased the third and final season of the show at Netflix's Tudum event in California on Saturday. 'We are going to be releasing quite soon, I am very nervous,' Lee, 52, told The Hollywood Reporter via a translator. 8 Park Hae-soo, Lee Jung-jae and Jung Ho-yeon in 'Squid Game.' AP 'I know that a lot of you out there are curious about what's going to happen in season three, but all of us are more curious about how much you're going to enjoy it,' the actor continued. 'So I can't wait, I'm very nervous.' Lee Byung-hun, who plays game leader Front Man, told THR at Tudum that he's similarly anxiously awaiting the fan response to Season 3. 8 Lee Jung-jae attends Netflix Tudum 2025 on May 31. Xavier Collin/Image Press Agency / 8 Lee Jung-jae and Lee Byung-hun speak onstage at Netflix Tudum 2025. Getty Images for Netflix 'I'm happy with how it ended but I know that the fans out there, they each have what they want to see happen, so I really am curious about how they're going to respond to it,' he said. 'And I'm very nervous to find out.' The final season of Netflix's Korean smash hit series premieres June 27. 'Squid Game' Season 2, which saw Lee's Seong Gi-hun reenter the brutal series of games that he won, came out in December and became Nielsen's most-watched series of the 2024-25 season. 8 Lee Jung-jae in 'Squid Game' Season 3. Noh Ju-han / Netflix 8 Lee Jung-jae attends Netflix's FYSEE Squid Game Season 2 ATAS Official at The Egyptian Theatre Hollywood on May 30, 2025. Getty Images for Netflix But the sophomore edition of the series was bashed online by fans and got mostly negative reviews from critics. The Guardian gave the season a tepid review, writing, 'It struggles to find its purpose … What a shame it takes so long to get there.' The Telegraph compared the second season to 'a difficult second album from an overnight pop star.' 8 Lee Jung-jae as Seong Gi-hun in 'Squid Game' Season 2. No Ju-han/Netflix 'Squid Game' premiered in 2021 and became the most-watched show in Netflix history, with over 2 billion hours viewed. For his performance in Season 1, Lee won the Primetime Emmy Award for Outstanding Lead Actor in a Drama Series in 2022. Creator Hwang Dong-hyuk recently told Entertainment Weekly that Season 3 will be more brutal. 8 Lee Jung-jae in 'Squid Game' Season 2. No Ju-han/Netflix 'In the case of season 3, I wanted to introduce games that could really show the lowest bottom of human beings, because the series itself is reaching its climax,' said Hwang, 54. 'I wanted very intense games to bring out the bottom parts of human nature.' 8 Oh Yeong-soo, Lee Jung-jae and Park Hae-soo in 'Squid Game' Season 1. AP Hwang also confirmed that 'season 3 is indeed a finale' that delivers an important message. 'I wanted to focus on how [people] have to preserve their humanity amidst this intense competition in this capitalistic era,' he explained. 'I wanted to focus on how we can preserve our sense of humanity and how we should remain humans even amidst this intense competition. I try to pose that as a final question.' 'Squid Game' Season 3 premieres June 27 on Netflix.


San Francisco Chronicle
2 hours ago
- San Francisco Chronicle
Can a rock star also be humble? Bono's ‘Stories of Surrender' will surprise you
Reading Bono's 2022 memoir ' Surrender: 40 Songs, One Story,' you might be struck by an intriguing juxtaposition: For a rock star often accused of harboring a messiah complex, this guy also, somehow, seems admirably humble. That same spirit guides the new performance documentary 'Bono: Stories of Surrender,' adapted from the U2 leader's one-man stage show inspired by that book. Given stark cinematic life by director Andrew Dominik, the film — which streams on Apple TV+ starting Friday, May 30, after premiering at the Cannes Film Festival earlier in the month — features paradoxes worthy of its subject. It is both stripped-down and grandiose, over-the-top and understated. 'Stories of Surrender' was shot before an adoring live audience at the Beacon Theatre in New York and enhanced with filmic touches provided in post-production. While it sometimes struggles with the transition from stage to screen, it ultimately succeeds due to its star's unassuming charisma and effortless storytelling. 'It is preposterous to think others might be as interested in your own story as you are,' the Irish rock star, born Paul David Hewson, tells his audience from the stage. But we know that he knows his story is worth hearing, and it's clear that he relishes the opportunity. That story is about a rebellious Dublin teen who at 14, his mother, Iris, dies from an aneurysm, and his already-reticent father (or 'the da,' as Bono consistently calls him) grows even more distant. Under the sway of punk acts like the Ramones, dreaming of forming his own band, young Paul rounds up some friends — Adam Clayton, Larry Mullen Jr. and the Edge — and, through force of will and talent, make the climb from sparsely populated pub gigs to sold-out stadiums. At only 86 minutes, 'Stories of Surrender' makes no pretense of telling the full Bono story. But it picks its spots with artful precision and with keen cinematic instincts. Dominik (2007's ' The Assassination of Jesse James by the Coward Robert Ford ' and 2022's ' Blonde ') and cinematographer Erik Messerschmidt use black-and-white imagery shot with chiaroscuro lighting to set an intimate but poetic tone. At times we see multiple Bonos talking to each other. The occasional blast of pyrotechnics tends to be muted. The music itself is presented with a minimalist touch. Music supervisor Jacknife Lee, working with cellist Kate Ellis and harpist Gemma Doherty, provide the backbone, with the occasional prerecorded blast of a familiar anthem. The songs provide autobiographical background and heft, as when Bono recalls the sense of purpose and thrill that came with belting out 'Pride (In the Name of Love)' at the 1985 Live Aid benefit concert — then notes ruefully that the $250 million that concert raised for Ethiopia was a mere drop in the bucket of the country's desperate need. Wearing a suit jacket, pinstriped vest and beads, Bono uses empty chairs and spotlights to recreate key moments of his tale. Three simple kitchen chairs placed in a row represent Clayton, Mullen and the Edge as the aspiring rock stars who try to piece together what would become the early hit 'I Will Follow.' More poignantly, Bono sits in a plush lounge chair as he imagines the pub conversations he used to have with his father, who would begin every conversation with the same question: 'Anything strange or startling?' One day, well into U2's run of stardom, the son decides to turn the question on the father, only to receive the devastating news that the old man has cancer. 'Stories of Surrender' is a disarming portrait of a self-aware megastar with an authentically personal demeanor, the kind of guy you might want to join for one of those pub conversations. If you do think Bono has a god complex, he comes across here as someone eager to sit down, laugh about it and perhaps tip a couple of pints.