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Sarawak's sovereign wealth fund gains approval for global investments

Sarawak's sovereign wealth fund gains approval for global investments

The Sun28-05-2025

KUCHING: The Sarawak Sovereign Wealth Future Fund, which officially commenced last year, has secured approval from relevant authorities to proceed with global investments.
Sarawak Premier Tan Sri Abang Johari Tun Openg said this marks a crucial step in portfolio diversification, opening the door to international opportunities that will help maximise long-term returns for Sarawak and her people.
'At the same time, the process of selecting External Fund Managers is moving forward steadily. The first group focusing on fixed income investments is now in the final stage of appointment, with more asset classes to be managed in the coming phases.
'Our focus remains on capital preservation while laying the groundwork for sustainable, long-term growth, ensuring the fund becomes a lasting resource for future generations of Sarawakians,' he said during the winding-up session on behalf of his ministries at the State Legislative Assembly sitting here today.
The Sarawak Legislative Assembly, on Nov 22, 2022, unanimously passed a Sovereign Wealth Future Fund Board Bill with the state government making an initial allocation of RM8 billion.
According to the bill, the fund would be managed professionally and transparently by a board of guardians, comprising experts and professionals in the field of finance and investment.
Meanwhile, Abang Johari said that the state government has set an ambitious goal for the Sarawak Civil Service to make all 1,106 government services fully accessible online by 2030.
He said digital transformation will lead to greater efficiency and higher productivity for service delivery.
'As we work towards becoming a high-income and developed region, digitalisation helps us deliver services quicker, cut bureaucratic red tape, make data-driven decisions and ease business activities,' he said.
Abang Johari said that as of 2024, the Sarawak Civil Service has successfully digitalised 55 per cent of government services.

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Edric is also a renowned fashion designer with a long list of highly-acclaimed fashion shows held all over the world—from Kuala Lumpur to India, Italy, Korea, Japan, Kazakhstan, Indonesia, the Philippines, Australia, Thailand, England, France and USA. He has also curated, exhibited, organised and lectured throughout the world on subjects that the Unesco has deemed him to be an 'expert and specialist' in—from woven textiles to natural dyes, from eco-tourism resorts to ethnic handicrafts. Edric has also authored and published four books: 'Sarawak Style' with photography by Luca Invernizzi (re-titled 'Living in Sarawak' for the USA edition) in 1996, with two reprints; 'Woven Dreams' – Ikat Textiles of Sarawak (2000); 'Pua – Iban Weavings of Sarawak' (1986); and 'Malay Houses of Kuching, Sarawak' (1983). Besides these, he has contributed features and articles of arts, culture and architecture to other publications, specifically 'Encyclopaedia Malaysia', 'Encyclopaedia on Dress and Costume' (UK), and 'The Guide to Sarawak' (2012). Photo shows the cover of Edric's book, 'Sarawak Style', published in 1996. Among his other passions and pet projects have been the conservation of historical buildings and a number of significant cultural projects for government agencies. These had numbered 10, and included the following: Conversion of the 1929 'Sarawak Steamship Godown' into Sarawak Tourism Board (STB) Information Centre; Conversion of Madrasah Melayu (1930), to Sarawak Islamic Museum in 1992; Conversion of the 1880 Fort Sylvia in Kapit into the Tun Jugah Museum in 1997; Conversion of the St James Church, Quop (oldest in Sarawak, built in 1863); Conversion of the Lord Bishop's House, Kuching, built in 1839; Consultant to the Sarawak Cultural Village at Damai in Santubong (since 1986); The Textile Museum, converted from the 'Pavilion' (1907); Consultant – Heritage Park, Putrajaya (2003); Consultant – 'Nilam Puri, A Malay Cultural Experience', Kuala Lumpur (2004), and; Research on natural dyes for batik and crafts – Ministry of Science, Technology and Innovation, Malaysia. Photo shows the tall house, designed by Edric for the Sarawak Cultural Village, his 'pet project' since 1986. — Photo courtesy of STB Although he has been actively involved in all these projects and they have formed the major part of his life since 1983, Edric has also devoted most of his personal time and endeavours pursuing a highly spiritual goal as well. Born into a very staunch and highly respected Buddhist family, his forefathers had been the custodians of many Chinese temples in Kuching for four generations. In the early 1980s, Edric's elder sister Edrea became a 'born again' Christian, followed by his parents, Ong Kee Bian and wife Tan Lee Kheng. Edric himself converted to Anglican in the mid-1980s and by 1996, he was elected the inaugural president of the Anglican Diocesan Youth Council in the Diocese of Sarawak and Brunei, a position that he held till 2001. He continued to be fully involved in the youths, then the provincial synods and today, is still an active lay reader at St Faith's Church where he delivers regular sermons. His faith has taken him to places like Ba Kelalan, Buduk Aru and other remote reaches to preach the gospel of Christ. In recognition of his many achievements and works in both Sarawak as well as on the national and international fronts, Edric has been honoured by the following awards: Pegawai Bintang Sarawak (Officer of the Star of Sarawak); Australia Culture Award; Medal of Honour, World Craft Council 2024; Aid to Artisans Advocate Award 2006; Seal of Excellence for Craft Products (Unesco) 2001-2024; Japanese G-Mark for Good Design Award in Lifestyle/Home Accessories; London Fashion Week Award – 2022, 2023 and 2024; Aspara Fashion Week Award 2024; Malaysian Designer of the Year Award 2009; STYLO Kuala Lumpur Fashion Fest Heritage Award 2008; Mercedes Benz/Stylo Asean Fashion Award – Global Fashion Influencer 2016, and; Malaysian National Non-Governmental Organisation Award 2007. Costumes and authentic local ethnic fashion designed by Edric were also commissioned and used in three international feature films shot in Sarawak: 'Farewell to the King' in 1987 with Nick Nolte in the leading man; 'The Sleeping Dictionary' in 2000 with Jessica Alba as the leading lady; and 'The Intended' in 2012 with Janet McTeer. (From right) Alba, with fellow cast members Michael Langgi and Bob Hoskins in a scene of the 2000 Hollywood feature, 'The Sleeping Dictionary'. Alba's costumes were designed by Edric. His many travels to promote Sarawak in all his projects, be they in exhibitions, curated shows, fashion extravaganzas, or in the field of local arts, crafts and culture, had brought him to the attention of many famous public figures in politics, arts and the entertainment industry. In recent times, he met with and befriended famous actress Ali MacGraw (of 'Love Story' fame) during two of his tours at the Sante Fe Folk Arts Festival in New Mexico, USA. Edric, seen here with MacGraw at the Sante Fe Folk Arts Festival in New Mexico in 2019. Recently in Paris for the 'Revelations Biennale Paris 2025', he had met with and spoken with French President Emmanuel Macron and First Lady Brigitte Macron. When asked about his 'personal best and proudest project', Edric did not hesitate to reply that it was the Sarawak Cultural Village at Damai in Santubong. 'Designing the masterplan, main buildings and individual ethnic community houses that involved travelling to the interior parts of Sarawak to research Iban, Orang Ulu longhouses, Bidayuh round-house and reviving the Melanau 'Rumah Tinggi'. 'I am proud of the Damai Hilltop suites as well, as it was a contemporary adaptation of Sarawak architecture, the round 'Baruk' suites, the Malay suites and the longhouse 'biliks'.' On those who had inspired and mentored him through the years, he continued: 'There are many, including the late Datuk Lucas Chin, the late YM Raja Fuziah Raja Tun Uda, the late Dr Clare Brett Smith (Aid to Artisans USA), Imai Toshihiro of Japan and Jasleen Dhamija of India. 'The person I owed most to was my father, Ong Kee Bian, a good and faithful servant of the Lord, loving husband and father. 'He had nurtured my interest in flora and fauna, encouraged my endeavours into art like woodblock print, clay sculpture, embroidery and ikebana. 'He took me into the interiors of Sarawak—into the Iban and Orang Ulu longhouses and others.' During his leisure down-time, Edric can be seen around town, in other fellow artists' homes and studios, or wandering the less-trodden paths upcountry or into more remote areas, in search for the expert artisan or craftsman who could well be the last surviving person who is still practising his 'dying' art. He would also be promoting lesser known artisans' works, or helping to guide them seek new avenues where they can either sell their handcrafted products, or help them with more pro-active and creative ideas. His hobbies? He reads, listens to music, and watches a movie or two for relaxation. His other interests in the culinary arts as well as in music have also seen his versatility resulting in the formation of the Culinary Heritage and Arts Society Sarawak, formed in 2019; and the Rainforest World Music Festival (RWMF) in 1997. The latter, now into its 27th year, was co-founded by Canadians, Randy Raine-Reusch and Robert Basuik, as well as Edric's brother, yours truly. My final question to Edric: 'What made you decide to spend your life to promote Sarawak's arts and crafts?' His reply: 'As a fifth-generation 'Peranakan Chinese' in Sarawak, the love and appreciation for our Sarawak arts and crafts are so much entrenched in our Ong family. 'Sarawak arts, in all aspects, are the most diverse and richest of heritages among all in Malaysia!' Edric's creativity, talent and versatility have cast a giant shadow over the arts and crafts scene in Sarawak since 1983. His persona and international status has been made and he is now well-known in the corridors and annals of Unesco, as well as in countless other international bodies where the mission and vision are to promote the world's ethnic arts, crafts, music and architectural heritage. His name, in the promotion of Sarawak in those specific fields, has been permanently etched and is well entrenched for future generations to come. * The opinions expressed in this article are the columnist's own and do not reflect the view of the newspaper.

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