
Iconic composer Marc Shaiman talks "Some Like It Hot" ahead of Denver performances
One of the most famous and recognized composers in the world of performing arts says he is thrilled for Colorado audiences to experience one of his latest works. Marc Shaiman is a Tony, Emmy and Grammy award winner for his scores heard on stage, TV and at the movies.
One of Shaiman's most recent projects was helping create the music for the musical "Some Like It Hot." Alongside lyricist Scott Wittman, Shaiman helped create the sounds of the upbeat musical comedy.
CBS
The show arrives in Denver in early July. However, ahead of the stop in the Mile High City, Shaiman sat down for an exclusive interview with CBS News Colorado.
"Some Like It Hot is a comedy about mistaken identities," Shaiman said.
CBS Colorado caught up with Shaiman in Philadelphia under the historic Forrest Theatre. There, Shaiman explained how the story of the musical not only follows others' mistaken identities but also leaves some to consider their own.
"(The story) also means who are you, and have you been mistaken your whole life about who you are?" Shaiman said.
When asked what Shaiman loved the most about the sounds of the musical, Shaiman was quick to joke around.
"What do I love about the music of this production? Well, I wrote it," Shaiman said.
CBS
Shaiman has worked with some of the biggest names in entertainment, including Barbra Streisand, Robin Williams, Jack Black, Bette Midler, Billy Crystal and many more.
He said he loves every challenge he faces when it comes to music. However, when it came to Some Like It Hot, he was thrilled to be able to explore creating music designed for the feel of a 1930s big band.
"It was just that birth of swing music," Shaiman said. "Such great songwriting was happening. Whether it was Duke Wellington or Harold Arlen or Cole Porter. There was a great melting pot in New York of Black and white creators writing lyrics and music, rejoicing in each other."
Some Like It Hot the musical stays true to the original film, following the story of two men who accidentally witness a mob murder. To avoid being caught, they go on the run, disguising themselves as women and joining an all-women tour band.
CBS
Shaiman said it was entertaining to explore the task of combining a comedy storyline with a big band tune.
"I just love the big band," Shaiman said. "Some Like It Hot was this great moment where I got to revel in this kind of songwriting. We just loved this time period."
While the story and the score of the production may be true to the early-to-mid 20th century, Shaiman said he believed people of all ages would love the show when it plays the Denver Center for the Performing Arts.
"I feel the music of Some Like It Hot is something all generations should be able to enjoy because it is a joyful sound," Shaiman said. It is hard not to be taken in with the sound of Some Like It Hot."
Some Like It Hot plays the Buell Theatre July 8 through the 20. Visit the center's website for more information on tickets.
CBS Colorado is a proud partner of the DCPA.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


CNN
9 minutes ago
- CNN
Nicole Scherzinger, a new Tony Award winner, gave a stunning performance that might make you weep
Nicole Scherzinger had a big night at the Tony Awards on Sunday. Scherzinger, a former member of the musical group Pussycat Dolls, won her first-ever Tony Award for her performance as Norma Desmond in the Broadway revival of 'Sunset Blvd.,' which also won an award for best musical revival. An emotional Scherzinger said in her acceptance speech that the award was 'a testament that love always wins.' Earlier in the night, Scherzinger gave a gorgeous performance during the telecast, singing a ballad 'As If We Never Said Goodbye.' Appearing barefoot on a smoke-filled stage in a simple black dress, Scherzinger's powerful performance earned a standing ovation from the audience, which included Andrew Lloyd Webber, who wrote the music for the production. Stage and screen icon Glenn Close, who played the role of main character Norma Desmond in the original 1994 Broadway production, introduced Scherzinger's performance. Close earned a Tony Award in 1995 for her work in the musical, along with several other accolades. She went on to reprise the role in the 2017 revival of the show. Earlier this year, Close was among those to give the production rave reviews, calling the show a 'thrilling experience' on her Instagram. 'Sunset Blvd.' is based on the Oscar-winning 1950 Billy Wilder film 'Sunset Boulevard' and follows a fading screen star who lives in the past when she was queen of the silent film era, languishing in her decrepit Los Angeles mansion located on the titular boulevard. The original stage production opened in London in 1993. 'Sunset Blvd' won three Tonys Sunday. CNN's Dan Heching contributed to this report.


CNET
15 minutes ago
- CNET
Today's NYT Connections: Sports Edition Hints, Answers for June 9 #259
Looking for the most recent regular Connections answers? Click here for today's Connections hints, as well as our daily answers and hints for The New York Times Mini Crossword, Wordle and Strands puzzles. Atlantans, today's Connections: Sports Edition should be easy for you -- or at least the green group. Read on for hints and the answers. Connections: Sports Edition is out of beta now, making its debut on Super Bowl Sunday, Feb. 9. That's a sign that the game has earned enough loyal players that The Athletic, the subscription-based sports journalism site owned by the Times, will continue to publish it. It doesn't show up in the NYT Games app but now appears in The Athletic's own app. Or you can continue to play it free online. Read more: NYT Connections: Sports Edition Puzzle Comes Out of Beta Hints for today's Connections: Sports Edition groups Here are four hints for the groupings in today's Connections: Sports Edition puzzle, ranked from the easiest yellow group to the tough (and sometimes bizarre) purple group. Yellow group hint: Woo-hoo! Green group hint: Georgia's capital city. Blue group hint: Billie Jean King. Purple group hint: Little kids learn to draw these. Answers for today's Connections: Sports Edition groups Yellow group: Lively. Green group: An Atlanta athlete, past or present. Blue group: Names of women's tennis players. Purple group: Can be preceded by "line." Read more: Wordle Cheat Sheet: Here Are the Most Popular Letters Used in English Words What are today's Connections: Sports Edition answers? The completed NYT Connections: Sports Edition puzzle for June 9, 2025. NYT/Screenshot by CNET The yellow words in today's Connections The theme is lively. The four answers are animated, energetic, excited and spirited. The green words in today's Connections The theme is an Atlanta athlete, past or present. The four answers are Brave, Falcon, Hawk and Thrasher. The blue words in today's Connections The theme is names of women's tennis players. The four answers are Coco, Iga, Madison and Mirra. The purple words in today's Connections The theme is can be preceded by "line." The four answers are backer, man, score and up.


Geek Vibes Nation
20 minutes ago
- Geek Vibes Nation
‘Ride Or Die' Review - A New Vision Of Love On The Run
There are countless stories about romances on the run, ruined (and enhanced) by crime and violence. Whether you prefer Bonnie and Clyde, Badlands, True Romance, Queen & Slim, or Thelma & Louise (the subtext is everything), the history is certainly there. Two young lovers with nothing to lose get thrown into difficult situations that turn ugly. There is a reason that this is a repeated theme in film. In what other situation would we throw caution to the wind and take these kinds of chances? All love can be a kind of madness. But young love? Young love will lead us down the strangest paths imaginable. In Josalynn Smith's debut as a full-length feature director, Ride or Die, she examines this through a very different lens. This is an upfront queer story, no subtext required. Paula (Briana Middleton) is stuck in her hometown, but harbors dreams of directing films in Hollywood. As the film opens, she takes a purchase to the cash register at a clothing store and sees Sloane (Stella Everett), who we later learn was her high school crush. Even this early in the film, the story hinges on this initial interaction. If we don't feel them together, nothing else will matter. But the chemistry between Paula and Sloane is absolutely electric. Sly touches, smirks, and elongated eye contact do the trick within moments. Even if we didn't find out anything else about the pair, we know that the kinetic attraction between them is undoubtedly mutual. The script, from Smith and Alicia Louzoun-Heisler, shines throughout, but especially here. This flirtation leads to a mild bit of law-breaking in the form of Sloane giving Paula her purchase for free. Given the evocative title, we certainly know that this will not be the last law broken, but it shows what we are willing to accept or let slide when someone beautiful offers it to us. But Smith does not simply allow Sloane to be only a pretty face. Despite being the object of Paula's desire, she is shown to have an actual history, reasons for the way she is, and an understandable connection with Paula. Middleton is unquestionably the lead, but both characters have their moments to shine. The scriptwriters also make the smart decision to only give us one familial background story. We get to see just a bit of Paula's difficult relationship with her mother. We only get hints about Sloane, but it is enough. And given that this is a lesbian love story, and one set in the middle of the country, Smith had many choices about how to represent the challenges that the couple would face on the road and within their families. Repeatedly, she chooses subtlety over intensity to the film's advantage. It would have been easy for them to find violence and screaming at every turn, but the consistent quiet judgment they face is even more powerful. Being two women in an unforgiving world is hard enough, adding the intersectionality of being queer, and in Paula's case, Black and not passing as straight, focuses the narrative on a particular struggle that remains mostly untold. The violence they both face and enact throughout the film is both surprising and expected. When you title a movie Ride or Die, we know that at least one in the partnership will become violent, and the other must make a decision to stay with them or run away. But who enacts it and how these things actually occur left me gasping on more than one occasion. But luckily, the film is not simply violent for violence's sake. It also spends time building this relationship and showing us their journey, both emotionally and visually. Cinematographer Arlene Muller never misses a moment, and she has many challenges. Shooting black skin and white skin creates different obstacles, and this is exponentially true when an interracial couple is at the center of the story. She manages this both in light and shadow, creating softness when times are better and harshness when things begin to go awry. When the two are together sexually, Muller and Smith never shy away from either the explicit physicality or the difficulties of sexual relationships. As the two travel across the country towards the west coast, time is taken to represent this with numerous vistas, but it never feels overly extended or unnecessary. There are two shots, one with the two in sunlight and one that takes place in glistening water that will easily stick with viewers long after the credits roll. It does not matter if you have seen stories about criminal lovers on the run before. You have absolutely not seen it like this. Josalynn Smith introduces us to a brand new version, centering people who usually are not, and she opens brand new doors. Her version, along with a beautiful, aware, open performance from Briana Middleton and stunning visuals, makes Ride or Die worth the trip and then some. Ride Or Die held its World Premiere as a part of the U.S. Narrative Competition section of the 2025 Tribeca Festival. Director: Josalynn Smith Screenwriters: Josalynn Smith, Alicia Louzoun-Heisler Rated: NR Runtime: 85m