New York Film Festival announces main slate including ‘If I Had Legs, I'd Kick You' and ‘Jay Kelly'
On Tuesday, the New York Film Festival announced 34 films for their main slate lineup.
More from Gold Derby
Watch George Clooney and Adam Sandler in first trailer for Noah Baumbach's awards-bound film 'Jay Kelly'
Chaos, comedy, and chemistry: Seth Rogen and Rose Byrne ready to take Apple TV+'s 'Platonic' to a new level in Season 2
The Main Slate will showcase films from 26 countries, featuring two world premieres, eight North American premieres, and 13 U.S. premieres, including award‑winning titles from Cannes and Berlin. The lineup includes Jafar Panahi's It Was Just an Accident (winner of the Palme d'Or at the 2025 Cannes Film Festival) and Rose Byrne, recipient of the Silver Bear for Best Leading Performance at the 2025 Berlinale for Mary Bronstein's If I Had Legs I'd Kick You.
Also featured is Noah Baumbach's Jay Kelly, starring George Clooney and Adam Sandler, which is set to premiere in competition at the Venice Film Festival before releasing on Netflix
The NYFF will open with Luca Guadagnino's After the Hunt, starring Julia Roberts, Andrew Garfield, and Ayo Edebiri in its North American debut.
Jim Jarmusch's Father Mother Sister Brother has been selected as a Centerpiece screening, and Bradley Cooper's Is This Thing On? will serve as the festival's Closing Night presentation.
The 63rd New York Film Festival runs from Sept. 26-Oct. 13.
Main slate below:
Opening Night: After the Hunt (Luca Guadagnino)
Centerpiece: Father Mother Sister Brother (Jim Jarmusch)
Closing Night: Is This Thing On? (Bradley Cooper)
Below the Clouds (Gianfranco Rosi)
BLKNWS: Terms & Conditions (Kahlil Joseph)
Cover-Up (Laura Poitras, Mark Obenhaus)
The Currents (Milagros Mumenthaler)
Duse (Pietro Marcello)
The Fence (Claire Denis)
Gavagai (Ulrich Köhler)
A House of Dynamite (Kathryn Bigelow)
I Only Rest in the Storm (Pedro Pinho)
If I Had Legs I'd Kick You (Mary Bronstein)
It Was Just an Accident (Jafar Panahi)
Jay Kelly (Noah Baumbach)
Kontinental '25 (Radu Jude)
Landmarks (Lucrecia Martel)
Late Fame (Kent Jones)
The Last One for the Road (Francesco Sossai)
The Love That Remains (Hlynur Pálmason)
Magellan (Lav Diaz)
The Mastermind (Kelly Reichardt)
Miroirs No. 3 (Christian Petzold)
No Other Choice (Park Chan-wook)
Peter Hujar's Day (Ira Sachs)
Resurrection (Bi Gan)
Romería (Carla Simón)
Rose of Nevada (Mark Jenkin)
The Secret Agent (Kleber Mendonça Filho)
Sentimental Value (Joachim Trier)
Sirât (Oliver Laxe)
Sound of Falling (Mascha Schilinski)
Two Prosecutors (Sergei Loznitsa)
What Does That Nature Say To You (Hong Sangsoo)
Best of Gold Derby
Everything to know about 'The Batman 2': Returning cast, script finalized
Tom Cruise movies: 17 greatest films ranked worst to best
'It was wonderful to be on that ride': Christian Slater talks his beloved roles, from cult classics ('Heathers,' 'True Romance') to TV hits ('Mr. Robot,' 'Dexter: Original Sin')
Click here to read the full article.
Solve the daily Crossword
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
2 hours ago
- Yahoo
‘Wednesday' Cliffhanger: Does [SPOILER] Survive? What the Ending of Part 1 Means for Season 2's Final Episodes
SPOILER ALERT: This story contains spoilers for Season 2 Part 1 of 'Wednesday.' After defeating an evil resurrected pilgrim, a hyde and its master in Season 1 of 'Wednesday,' the Addams family heroine (Jenna Ortega) finds herself at the center of an even more urgent mystery in Season 2. There's been a new string of murders in Jericho, and according to one of Wednesday's psychic visions, her roommate, Enid (Emma Myers), might be next. More from Variety 'Wednesday' Stays Strong in Season 2 With the Endlessly Intriguing Jenna Ortega: TV Review 'T. J. Hooker' Reboot Film Lands at Netflix 'KPop Demon Hunters' Becomes Netflix's No. 4 Most Popular English-Language Movie Ever Wednesday quickly figures out that she's dealing with an avian, someone with the ability to control birds who is using them to kill people. She was too late to save Sheriff Galpin (Jamie McShane), who was in the middle of his own investigation when he died, but is able to recover some of his evidence: the obituaries of several outcasts who were patients at the Willow Hill Psychiatric Hospital. Each newspaper clipping is connected on a bulletin board to the name Lois. In 'If These Woes Could Talk,' the fourth and final episode of Season 2 Part 1, Wednesday and her grandmother, Hester Frump (Joanna Lumley), analyze the ashes of the supposedly cremated outcasts from the obituaries. They discover that the urns contain no human remains, so Wednesday enlists her Uncle Fester (Fred Armisen) to infiltrate Willow Hill and look for clues about Lois. Meanwhile, Wednesday's protégée, Agnes (Evie Templeton), discovers that the outcasts' fake death certificates were signed by Augustus Stonehurst, a normie who used to teach at Nevermore and later became the head doctor at Willow Hill before losing his mind and being institutionalized himself. After a freakish bird attack on campus at Nevermore that almost kills Thing (Victor Dorobantu), Wednesday chases a hooded figure that she believes to be the murderous avian, but she doesn't catch them in time. Instead, she happens upon her suspicious new music teacher, Miss Capri (Billie Piper) having a meeting with current Willow Hill head doctor Dr. Fairburn (Thandiwe Newton), but they say they're simply setting up a new music class at the asylum. Meanwhile, Thing breaks into Willow Hill to tell Fester to find Stonehurst, and he does. Stonehurst is old and nonverbal now, but his talking parrot gives Fester a list of numbers to use to find Lois. In the process, though, he gets spotted by Marilyn Thornhill aka Laurel Gates (Christina Ricci), who was using Tyler's (Hunter Doohan) hyde persona to try to eradicate outcasts last season. Hoping to be allowed to see Tyler, who is chained in solitary confinement, Thornhill tells Dr. Fairburn that Fester is there to snoop on Wednesday's behalf. Fester gets locked up too. When Thing tells Wednesday that Fester has been discovered, she decides to break into Willow Hill by hiding in Miss Capri's car as she drives to the hospital for music class. Inside the asylum, Wednesday finds and frees Fester, and the two of them search for Lois together. Using the numbers from the parrot as the code to get through a mysterious door, they find a secret basement with the acronym L.O.I.S. written on the wall: Long-term Outcast Integration Study. Deeper in the basement, they find all the outcasts from the obituaries alive and locked in individual cells, where they're being kept and experimented on. Wednesday deduces that Sheriff Galpin had discovered the project and was worried that Tyler, his son, would be the next patient to have his death faked. Soon, Wednesday and Fester run into the hooded figure from before: It's Judi (Heather Matarazzo), Dr. Fairburn's assistant, who is really Augustus Stonehurt's daughter. She reveals that Dr. Fairburn is only the public-facing leader of Willow Hill; in truth, Judi has been continuing her father's work behind the scenes. Stonehurst wanted to be an outcast, and was developing a method to extract their abilities and give them to normies. Case in point: Judi was born a normie, but her father turned her into an avian. Using his electric superpower, Fester causes an explosion that frees the L.O.I.S. subjects from their cells. All of them immediately attack Judi except for a quiet, fearful woman played by Frances O'Connor. Wednesday encourages Fester to escape while she stays behind to help the woman. The asylum has gone into high alert, and Thornhill sneaks into Tyler's dungeon amid the chaos to free him. Instead of embracing his master, he kills her. Slurp (Owen Painter), the zombie Pugsley (Isaac Ordonez) reanimated earlier in the season who was sent to Willow Hill after killing a normie, also gets freed. He eats Dr. Fairburn's brain, then calls Stonehurst 'old friend' and kills him too. As Wednesday tries to walk the mysterious outcast out of Willow Hill, she runs into Tyler in full hyde form. The woman with Wednesday escapes, but Tyler picks Wednesday up and throws her through a window as cops arrive on the scene. They shoot at Tyler, but he escapes, unharmed. Over a shot of Wednesday's bloodied, unconscious body on the ground outside of the asylum, she says in voiceover, 'I've always dreamed of looking death in the face. But in my final moments, all I hear is my mother's words ringing in my ears: Maybe I have made everything worse. Much worse.' Of course, we know that these aren't really Wednesday's final moments. A teaser for Part 2 of Season 2, premiering on Sept. 3, shows Wednesday comatose in bed before waking up, wide-eyed. There are also shots of Slurp wandering through a Christmas carnival, Tyler hiding in what appears to be a sewer before emerging back into civilization in a cloak, and Enid nervously wielding a sword. Still, so many questions remain ahead of Season 2's final episodes. What does Tyler want now that he's free, and how will he manage his monstrous abilties now that he's murdered his master? How will Wednesday solve the mystery with her injuries and the loss of her psychic ability? Will her mother, Morticia (Catherine Zeta-Jones), finally help her harness and understand her visions? And who is the woman Wednesday rescued from L.O.I.S.? We don't have any answers yet, but one thing is for sure: As Morticia says in voiceover during the teaser, 'Something wicked this way comes.' Best of Variety New Movies Out Now in Theaters: What to See This Week What's Coming to Disney+ in August 2025 What's Coming to Netflix in August 2025
Yahoo
2 hours ago
- Yahoo
The Netflix Assassin Movie More Deserving Of A Prequel Than John Wick
This year, we got the John Wick prequel spinoff Ballerina, set between the events of John Wick 3 and John Wick 4. It underperformed at the box office. It didn't have to be that way. There were already other action movies ready-made for a prequel that were ignored. At the top of our list is Kate, the Netflix film starring Mary Elizabeth Winstead as a ruthless assassin. Why are we so confident that Kate deserves a prequel just as much (if not more so than) John Wick? Without getting too much into the way of spoilers, Kate is a movie in which our heroine sets out on one last bloody adventure, and it ends with enough finality that we know that Mary Elizabeth Winstead's character won't be picking up her sniper rifle ever again. We love the idea of a prequel because it shares another important quality with the John Wick films: specifically, our titular character's misadventures can be as by-the-numbers or as ambitiously odd as the writers want. In short, we can always expect more John Wick adventures in sequels, but the only way we can expect more Kate is by exploring this character and her world in a prequel. That brings us to a more relevant question, then: out of all the films that tried to bite John Wick's style, why is Kate the one that we want to return to? The short answer is that Kate managed to deliver one kickass action scene after another while engaging in some beautifully subtle world-building. In this way, it surpassed rivals like Gunpowder Milkshake (a movie whose colorful characters couldn't disguise its weak story and lore) and Nobody (a movie that played its main character's deal up so mysteriously that it completely killed our curiosity about his past). Additionally, we love the idea of a Kate prequel because it shares another important quality with the John Wick films: specifically, our titular character's misadventures can be as by-the-numbers or as ambitiously odd as the writers want. Kate's skills as a hitwoman for hire certainly would make it easy to create 'villain of the week' television stories, for example, in which she tangles with one perfectly cast bad guy after another. We want a prequel even more than a John Wick prequel because there is so much of this character and her world left to explore. But a prequel series also has room to tell more powerful stories, including what it was like for Mary Elizabeth Winstead's character to be raised by an employer-turned-father figure (Woody Harrelson) who is destined to eventually betray her. In addition, the Kate we see in the original movie has followed in John Wick's footsteps in another big way: She wants to walk away from the entire bloody affair and start a brand new life. We'd love a prequel that explored Kate's background and how she transitioned from someone who loved what she did to someone who couldn't wait to bail. We could even learn more about her understandable hesitation to commit murders in front of children… where did this personal code come from, and how much has it cost her to maintain it? The final reason that we want a Kate prequel even more than a John Wick prequel is that there is so much of this character and her world left to explore. While later Wick sequels threw in everything but the kitchen sink in terms of action and story, part of Kate's charm as a movie is that it is so wonderfully streamlined. That kept the story moving at a breakneck pace, but if we slowed things down with a prequel series, we could learn more about Kate's background, her colleagues, her family, and the future she dreams of for herself (all of which the finished movie completely glosses over). Realistically, we know it will be difficult for Netflix to create a Kate prequel series to rival the John Wick prequel series, especially since Mary Elizabeth Winstead is so busy playing Hera Syndulla in Star Wars. Still, that means she is spending plenty of time in the fictional galaxy far, far away that helped to make prequels commonplace in Hollywood. Maybe that will be enough for her to trade her blaster for a sniper rifle and help us return to the universe of Kate, one of the coolest action movies we've ever seen.
Yahoo
2 hours ago
- Yahoo
Wednesday's Stalker Is Revealed in Episode 2 — EPs Explain How the Show's Fandom Served as Inspiration
Wednesday It was the question (well, one of the questions) on every Wednesday fan's mind at the end of Season 1: Who is her mysterious stalker? More from TVLine Wednesday Gives Xavier a Mysterious Exit in Season 2 Premiere: 'We Have Seen the Last of Him,' EPs Confirm Wednesday Snags Early Renewal for Season 3 Casting News: Molly Shannon Reunites With Will Ferrell, Trying Adds 5 and More That quandary looms large in the first half of Season 2, now streaming on Netflix, as the stalker continues to taunt Wednesday — you know, as if she isn't busy enough trying to prevent her vision of Enid's death. Fortunately, we don't have to wait too long for answers, as Episode 2 reveals the stalker to be none other than Agnes DeMille (played by new cast member Evie Templeton), a Wednesday stan and fellow student at Nevermore Academy. 'We liked the idea that Wednesday would have these sort of odd super fans after saving the school, and the way that this fan wants to profess their love and admiration is basically to knock off the roommate,' co-showrunner Alfred Gough tells TVLine. Adds co-showrunner Miles Millar, 'We saw so many young girls embrace the show with such fervent ardor, and we thought, 'What if one of those kids was a student at Nevermore became this stalker?' It was based on that and on our own experience witnessing the success and fandom of the show.' Casting Templeton in the pivotal role was also a no-brainer for the producers, and not just because of the actress' 'big anime eyes.' When Templeton is on screen with Jenna Ortega and Emma Myers, 'the three of them together are like magic,' Millar says. Were you surprised by the Agnes reveal in Episode 2? Are you enjoying Templeton as an addition to the cast? And how do you think Season 1 compares to Season 2? Drop a comment with your thoughts below. Best of TVLine Yellowjackets' Tawny Cypress Talks Episode 4's Tai/Van Reunion: 'We're All Worried About Taissa' Vampire Diaries Turns 10: How Real-Life Plot Twists Shaped Everything From the Love Triangle to the Final Death Vampire Diaries' Biggest Twists Revisited (and Explained)
