Full list of Coronation Street cast returns and exits coming in 2025
There's been plenty of exits this year already – from Max Turner (Paddy Bever), who is now serving a six-year prison sentence, and Yasmeen Metcalfe (Shelley King) who left for a new life in London.
Let's not forget Daisy Midgeley (Charlotte Jordan) who also bid farewell to the cobbles earlier this month.
We've also been introduced to Kevin and Debbie Webster's (Michael Le Vell and Sue Devaney) estranged brother Carl (Jonathan Howard).
However, there are still plenty more changes ahead as we prepare to say goodbye to some beloved characters, as well as welcoming some familiar faces home.
Here's the lowdown on who's returning and who's leaving…
Fans rejoiced when news broke that Eva Price is set to return to Coronation Street, with Catherine Tyldesley reprising her role on a full-time basis.
The character was last on our screens in 2018, when she departed Weatherfield with daughter Susie, following Aidan Connor's devastating suicide.
Her storyline is set to be an 'unmissable' one, with Cath set to start filming in the Summer.
But will Eva have Susie by her side, and what will that mean for Toyah Battersby (Georgia Taylor)?
When is Eva Price returning to Coronation Street? Autumn 2025.
Amy Robbins will return to Coronation Street later this year, and her villainous alter-ego won't have changed her ways!
In her most recent stint, Christina has teamed up with daughter Daisy to enact a vicious plot on Jenny Connor (Sally Ann Matthews) – setting up a fake dating profile in the hope Jenny will give her savings to her new lover, while they'd secretly reap the benefits.
Despite Christina's exit this week, she will come back to Weatherfield soon.
When is Christina Boyd returning to Coronation Street? Currently unknown
Bethany Platt is set to return to the cobbles later this year as actress Lucy Fallon returns from maternity leave.
Bethany left the cobbles for a new job opportunity in London earlier this year, but she will be back before we know it, with Lucy already filming again.
She posted a selfie from her dressing room to Instagram, exciting fans ahead of the character's return.
'And just like that she's back,' the star wrote.
In April, a Coronation Street spokesperson confirmed to Metro that 'Lucy will be returning to filming in the summer after maternity leave, as always planned', and that 'Bethany will be back on screen in October'.
When is Bethany Platt returning to Coronation Street? October 2025.
Although she's only just left the show, executive producer Iain MacLeod has already teased a return for Gail.
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'Helen and I have had a conversation where she's said, 'There might be times in my future where I'll come back',' he told The Daily Star.
'If there's a big storyline going on with the Platt family, she might want to come in and play a role in that.
'We certainly wanted to leave the door open so that was possible. We wanted that to still be on the cards.'
While there are no plans yet for the beloved character to return, we're hopeful we may see her again.
When is Gail Chadwick returning to Coronation Street? Currently unknown (when or if!).
Producer Kate Brooks as also teased returns for other characters, but her lips are tightly sealed.
'There are other familiar faces coming back in 2025 which I will not disclose, but a few people will be returning to the street to cause their own forms of chaos,' she told us.
Debbie Webster is set to be killed off in a harrowing storyline, which kicked off earlier this year.
Viewers have seen the character – first played by Sue Devaney in 1984 – diagnosed with dementia, with a long-running storyline planned as the disease takes hold.
It's one of many major plots new Corrie boss Kate Brooks has planned after taking the helm earlier this year.
A source exclusively told Metro 'there will not be a dry eye in the house' as Debbie's story unfolds, saying her exit will be 'one to remember for years'.
'It's one of the show's biggest storylines of the year and a real chance for Sue to finally get her time in the spotlight – it will just be devastating for fans that it will effectively be her final storyline,' the insider told us.
When is Debbie Webster leaving Coronation Street? 2027.
The present regular cast of Coronation Street is made up of: William Roache as Ken Barlow
Barbara Knox as Rita Sullivan
Kate Ford as Tracy Barlow
Sue Nicholls as Audrey Roberts
Ben Price as Nick Tilsley
Michael La Vell as Kevin Webster
Sue Devaney as Debbie Webster
Sally Ann Matthews as Jenny Connor
Sally Dynevor as Sally Metcalfe
Tina O'Brien as Sarah Platt
Simon Gregson as Steve McDonald
Jack P. Shepherd as David Platt
Rob Mallard as Daniel Osbourne
David Neilson as Roy Cropper
Jane Danson as Leanne Battersby
Georgia Taylor as Toyah Battersby
Alan Halsall as Tyrone Dobbs
Jimmi Harkishin as Dev Alahan
Samia Longchambon as Maria Connor
Andy Whyment as Kirk Sutherland
Gareth Pierce as Todd Grimshaw
Sam Robertson as Adam Barlow
Jennie McAlpine as Fiz Dobbs
Antony Cotton as Sean Tully
Sam Aston as Chesney Brown
Elle Mulvaney as Amy Barlow
Adam Hussain as Aadi Alahan
Tanisha Gorey as Asha Alahan
Ryan Prescott as Ryan Connor
Alison King as Carla Connor
Liam McCheyne as Dylan Wilson
Mikey North as Gary Windass
Patti Clare as Mary Taylor
Charlie Wrenshall as Liam Connor Jr.
Peter Gunn as Brian Packham
Cherylee Houston as Izzy Armstrong
Kyran Bowes as Jack Webster
Isabella Flanagan as Hope Stape
William Flanagan as Joseph Brown
Billie Naylor as Ruby Dobbs
Joe Duttine as Tim Metcalfe
Bobby Bradshaw as Jake Windass
Brooke Malonie as Lily Platt
Sair Khan as Alya Nazir
Carter-J Murphy as Harry Platt
Dolly-Rose Campbell as Gemma Winter
Daniel Brocklebank as Billy Mayhew
Liam Bairstow as Alex Warner
Julie Goulding as Shona Platt
Harriet Bibby as Summer Spellman
Sally Carman as Abi Webster
Trevor Michael Georges as Ed Bailey
Ryan Russell as Michael Bailey
Jane Hazlegrove as Bernie Winter
Mollie Gallagher as Nina Lucas
Tony Maudsley as George Shuttleworth
Jude Riordan as Sam Blakeman
Vinta Morgan as Ronnie Bailey
Vicky Myers as DS Lisa Swain
Jodie Prenger as Glenda Shuttleworth
Channique Sterling-Brown as Dee Dee Bailey
Cait Fitton as Lauren Bolton
Claire Sweeney as Cassie Plummer
Jacob Roberts as DC Kit Green
Sydney Martin as Betsy Swain
Star Adam Hussain has left his role as Aadi Alahan.
Taking to Instagram, Adam announced his departure with a sweet post.
'I guess the secrets out now! As some of you may have heard, I will be leaving Coronation Street for new pastures,' the actor penned, alongside a recent photo of the full Corrie cast.
'Over the 5 years I've spent there I have learned so much about the world and the industry and now feel I am ready to spread my wings a little. I have made friends that will last a lifetime and will surely miss such a special family!
'This isn't a farewell for Aadi however, more like a see you later!
'I'm excited to see what the future brings! Thank you Coronation Street for giving me such a privilege of portraying this character for you. Until next time!'
When is Aadi Alahan leaving Coronation Street? At the end of Summer.
A Coronation Street spokesperson has confirmed that newcomer Farrel Hegarty will leave alongside co-star Joe Layton later this year.
The duo arrived in the ITV soap in February as Lou and Mick Michaelis and were tipped to be the Battersby family of the 21st century.
However, just months after their high-profile arrival on Mawdsley Street, both actors are set to leave.
Branded the 'neighbours from hell' by show boss Kate Brooks, the couple have ruffled feathers throughout Weatherfield, sparking complaints from the likes of Steve McDonald (Simon Gregson) and George Shuttleworth (Tony Maudsley).
When are Mick and Lou Michaelis leaving Coronation Street? Currently unknown.
It's been confirmed that Daniel Brocklebank is leaving Corrie, after playing vicar Billy Mayhew for the past 11 years.
Discussing his departure, Daniel said: 'I have been working on Corrie for a quarter of my life. I have adored every minute I have been in that building and have never not look forward to going into work.
He added: 'I love everyone who works on this show and whilst I am sad to be going, I am equally excited to see what the future holds.'
Producer of the show Kate Brooks noted: 'Billy will be involved in a major storyline over the coming months, which will see him tested in ways he never imagined, as friendships and his faith are pushed to the limit.
'We're incredibly sad to bid farewell to Dan, who has been fantastic in some of Corrie's biggest storylines over the past few years, most notably Paul's MND.
'An actor of immeasurable talent and skill, and an absolute treasure behind the scenes – he will be missed by all of us on the cobbles.'
When is Billy Mayhew leaving Coronation Street? Later this year.
2025 is also set to see some other characters make unexpected exits from the show, as Kate revealed. More Trending
'There are a few exits this year, and some unexpected ones that will send shockwaves. People might not expect the exits, but there are a few.'
Once again, she is keeping quiet about exactly who is set to say farewell, but it sounds like there will be more than one…
This article was originally published on November 25, 2024.
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A couple of days before our interview, in late July, Sharon Stone announced on Instagram that her mother had died. When we meet over video link, I express my sympathies. Stone is known for her straight talking, but now she outdoes herself. 'Mom, Dot, actually died a few months ago, but I was only ready to tell the public about it now because I always get my mad feelings first when people die.' What kind of mad, I ask – grief, confusion, loss? She smiles. 'A little bit of anger and a little bit of 'I didn't fucking need you anyway', you know!' Now she's laughing. 'My mom wasn't of a sunny disposition. She was hilarious, but she said terrible things to me. Dot swore like a Portuguese dock worker.' Which takes us to her mother's final days. 'She said: 'I'm going to kick you in the cunt,' to me probably 40 times in the last five days. But that was her delirium. 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Her son Roan has it 'and he is running three corporations', including Cahuenga Media Group, a production and licensing company that focuses on music, television and film-related media. Her brother Patrick, who died in 2023, had it and was a 'brilliant' master carpenter. She points out that many architects and scientists are dyslexic. 'But what we're looking at now in America, is: 'OK, no more disabilities.' Suddenly, nobody with disabilities has value. OK, we're gonna fire everyone in these scientific jobs. And guess what? France is taking all of our scientists.' Blimey! It's not easy to keep up with Stone or get a word in (evidence suggests scientists are moving from the US to France because of the government's funding cuts). She's straight on to misogyny: 'The sweetest fruit is at the end of the branch. These are the things that nature tells us, Mother Nature, Mother Gaia, Mother Earth. But if you don't like mothers and you don't like women, you're not going to get very far with creativity and expansiveness.' Does it feel like an anti-women time in the US? She removes her glasses and pins me with her glare. 'It doesn't matter, because we make you. And we care for you. And we raise you. And we feed you. And we house you. And we show you where your stuff is, because you couldn't find your fucking socks without us. So if you don't have our intrauterine tracking device to help you find your ass in a snowstorm, I don't know what you would do. So you can be as anti-women as you want to be, and you can make babies in a test tube if that's the world you want to live in – and have a good time!' I assume she's addressing Donald Trump, but it feels personal. I don't want to live in that kind of world, I protest meekly. 'Exactly! It's never meant to be that way, because birds do it, bees do it, even educated fleas do it, so the rest of this stuff is just nonsense. To me. OK? Because I am very much in league with Mother Nature, Mother Gaia.' The young Stone was exceptionally bright, as she's quick to tell me. She describes herself as 'fiercely intelligent' (two well-chosen words) and her IQ is reportedly 154 (genius level). She skipped several grades at school; at 15, she and four boys were sent to Edinboro State College in Pennsylvania as an 'experiment', three years ahead of most of their peers. She majored in English literature and excelled at golf, but left before graduating. 'My college professor was furious when I was leaving for modelling,' she says. 'He was like: 'You're throwing away your career,' because he really thought my career was in writing.' She moved to New York and became a successful model. In 1980, she made her movie debut as an extra in Woody Allen's Stardust Memories, dazzlingly Monroe-esque, planting a kiss on a train window. She moved to Hollywood and took lessons from the acting coach Roy London, who also taught Brad Pitt, Robert Downey Jr, Forest Whitaker and Geena Davis. Over the next decade, she played numerous forgettable parts in forgettable films and television shows. In 1990, Paul Verhoeven cast her opposite Arnold Schwarzenegger in the science fiction classic Total Recall. When she discovered Verhoeven's next film was about an enigmatic writer and murder suspect called Catherine Tramell, she was determined to get the part. The problem was, Verhoeven, the screenwriter, Joe Eszterhas, and the male lead, Michael Douglas, didn't want her, not least because she was largely unknown. Twelve actors (including the top choice, Michelle Pfeiffer, as well as Davis, Julia Roberts, Debra Winger and Kathleen Turner) are said to have turned down the part, which was regarded as risque and risky. Even when she started filming, Stone was convinced they were still looking for a replacement. Basic Instinct was a huge success, becoming the ninth-highest-grossing film of 1992 and taking more than $350m worldwide. More significantly, it was the talking point of the year. LGBTQ+ campaigners picketed it because they believed the depiction of Tramell was homophobic – a rare high-profile lesbian or bisexual character in a blockbuster and a sociopath at best. Critics scavenged over the film's cultural carrion. Was it exploitative tack or, as the feminist academic Camille Paglia proclaimed, a compelling exploration of sexuality and power dynamics? Paglia said Stone gave 'one of the great performances by a woman in screen history', calling Tramell 'a great vamp figure, like Mona Lisa herself, like a pagan goddess'. And then there was that image. Or, at least, the idea of it. A split-second long – too short to fully register. Yet, somehow, almost seeing her vulva as she uncrossed her legs was more scandalous than simply seeing it. Stone said she had been duped into the shot, writing in her memoir that she was asked to remove her underwear to prevent light reflection and told nothing revealing would be shown. She had no idea it would be used as it was. Appalled, she considered legal action against the film-makers, but ultimately accepted the shot because it was true to Tramell's character and artistic truth trumped personal humiliation. Basic Instinct made Sharon Stone and, to an extent, destroyed her. Astonishingly, that one image came to define her. She's still proud of the film and regards it as a great performance – one only she could have given. The problem is, she says, casting directors deliberately conflated her with Tramell. 'They said I was just like the character, like, somehow, they found someone who was just like that and she slipped into the clothes and it was magically recorded on film. Not that it was a difficult part to play and that 12 other actresses of great fame and fortune turned it down. Then, as it played everywhere on the globe for the next 20 years, people started to go: 'Do you think this really has anything to do with the fact that we thought we saw up her skirt? I think maybe it's actually a pretty good performance.' 'So it went from me being nominated for a Golden Globe and people laughing when they called my name in the room to people giving me standing ovations and making me the woman of the year. People came to recognise: she's not going away, the film's not going away, the impact of the film is not going away.' When she was named GQ Germany's woman of the year in 2019, she recreated the scene, talked about the importance of empowerment and said, devastatingly: 'There was a time when all I was was a joke.' The film didn't go away, but Stone did. After Basic Instinct, she made one great movie, turning in an outstanding performance as the damaged con artist Ginger McKenna in Martin Scorsese's Casino. And then, I begin to say … She finishes the sentence for me. 'And then I got nothing. I never got any more parts.' Why? 'I really wish you could tell me. Sometimes I think it was because I was too good.' Stone is not averse to bigging herself up. Nor is she averse to a conspiracy theory. 'Sometimes I think when you get nominated for an Academy Award and the greatest living actor on the planet doesn't, that's an imbalance in the male-female dynamic that is not great.' Does she mean Robert De Niro, her Casino co-star? She nods, before suggesting it wasn't De Niro that was upset, but the powers that be. Stone returns to the 'too good' theory, telling me about a party she was at with Hollywood's glitterati before the Oscars ceremony. 'We were in this very small room. Sidney Poitier was there, Woody Allen, everyone. Francis Coppola came up to me and he put a hand on my shoulder, like my dad used to when something really serious was about to happen. And he said: 'I need to tell you something and it's really hard.' He said: 'You're not going to win the Oscar.' And I said: 'What?' And he said: 'You're not going to win the Oscar, Sharon.' I went: 'Why?' And he went: 'I didn't win it for The Godfather and Marty didn't win it for Raging Bull and you're not going to win it for Casino.' 'I looked at him and he went: 'They can't hear opera. And when you lose, Marty and I are going to be in the room, Sharon, and we want you to know you're going to lose with us and we are there with you. But your performance will stand the test of time. Over the years, no one will remember who won and lost, but they will remember your performance.' The way she tells the story, with such po-faced gravitas, is some performance in itself. She continues, in the voice of Coppola: ''And what you have to do as an actress is remember you are not a regular actress, you are an opera singer. And not everyone will understand you, and not everyone will understand your ability. You will lose with Marty and you will lose with me, but you will always be in our losers' circle.'' She finally allows herself a smile. 'So that is what I have carried through my life – that I am a big fat loser like Marty and Francis Ford Coppola.' It's hard to know why Stone didn't get offered the roles she deserved after Casino, although, aside from the conspiracy theories, there were some other reasons. In 2000, she and her second husband, Phil Bronstein, adopted Roan and she focused on motherhood. A year later, at 43, she had a near fatal stroke. It's a miracle she survived – she says her brain bled for nine days and doctors gave her a 1% chance of survival. She had to relearn to walk, speak and read. Incredibly, she made a full recovery, but offers of work dried up. 'In those days, as a woman, if something happened to you, you were done,' she says. 'It was as though you did something bad or wrong. So even when I wanted to come back to work, it was like: 'Sure, you can do four episodes of Law and Order,' and that's it. I did everything I was allowed to do to pay my penance for getting sick.' How long did that last? 'That went on and on and on and on and I made nothing. And it just eventually became impossible to work.' When she was offered parts, she says, they were rubbish. 'I reached the point where, after my stroke, and nobody wanting me, and people wanting me to do this silly, diminished work, I decided that I'm not going to work any more.' She corrects herself. She decided not to accept roles she didn't like, which in effect meant not working. She believes she has continued to be punished for Basic Instinct by the industry and in her private life. Stone says that when she and Bronstein got divorced in 2004, the film played a significant role in her losing custody of Roan. 'They had my eight-year-old on the stand at one point, asking him if they knew his mother did sex movies.' She claims they reduced her to a soft pornography actor, then suggested that made her an unsuitable mother. She says the battle for Roan lasted 11 years, at which point she was finally given responsibility for Roan again. Nevertheless, at the end of her book, she thanks Bronstein and his wife 'for finding a path to a whole, healthy and blending family with me. There is no greater gift.' As she says, she looks for the positive. In 2005, she adopted her second son, Laird, now 20, as a single parent, followed by her third son, 19-year-old Quinn, a year later. With no quality film work coming in, she focused on the art forms she had loved as a child – writing and painting. Her gorgeous impressionist and abstract expressionist paintings now sell for tens of thousands of dollars. The titles (Quaaludes, Hoisted on My Own Petard, If We Make It) could be short stories. I ask what the painting It's My Garden, Asshole is about. 'I was with a friend who was in her early 40s and had just had her second baby after losing her first. We were discussing how her in-laws had the audacity to tell her they thought she was a little too fat from the second pregnancy when a drone flew over my back yard. I thought: so many people have a lot of opinions about what we should do with our bodies and our faces while we're delivering life on this planet, and taking care of everybody, and I was like: 'You know what, it's my garden, asshole!'' Stone also became an activist, raising millions for people with HIV. In 2016, at 58, she went back to university to get the degree she had started at 15. 'When Hillary [Clinton] was running for president and said: 'You can do anything,' I thought: that's true, I should get my degree.' Since Basic Instinct 2 in 2006 – much disparaged by critics and which she called 'a piece of shit' – Stone has made few movies of note. But things are changing. This month, she's back with Nobody 2, about a nobody, played by Bob Odenkirk, who turns out to be a top assassin. 'Now, I'm making good films. I was good in Nobody 2 and I know it.' She certainly looks as if she's having fun as the crime boss Lendina. Stone says when she was offered the part, she insisted on transforming her into a feminist hero. 'I said: 'I need this villain to be more personal to me.' I don't want to play villains unless they touch the zeitgeist. So I wanted this villain to feel as if she came out of social media, because that is the most scary thing right now.' Why is she so often cast as a villain? 'I think very beautiful, smart people are perceived in very specific ways. Because I'm a woman who is beautiful, it's easier to have me not be emotionally intelligent, not have me be deep, not have me be tender and full. People don't really believe that a beautiful woman is accessible to them.' And inaccessibility, she says, is regarded as a form of villainy. 'Men don't even ask you to date because they can't imagine you are accessible to them. Within society, we have never said a woman can be beautiful and smart. And kind. And nice. And funny. And a mom. And the breadwinner. No, no, no, no. She couldn't be all those things, because then, oh my God, she would be equal to a man! If I was beautiful and smart and nice, what would happen to society?' Five more minutes, the publicist says. Stone is on a roll. 'I could be UN person of the year, which I was [she was named the UN Correspondents Association global citizen of the year in 2023 for her humanitarian work]. I could pitch ideas to the United Nations and have them fulfilled and no one may ever know. I could be a Nobel Peace Summit award winner [in 2013 for her HIV and Aids work] and an Einstein winner [she won the Einstein Spirit of Achievement award in 2007, also for her HIV and Aids work]. I could win these awards, but we can't also have me be nice, or kind, or compassionate, because what would happen? The. World. Would. Fall. Apart.' Actually, I say, one of my favourite films of hers is one in which she is kind. In The Mighty, she plays the mother of Kieran Culkin's Freak, a 12-year-old with a terminal condition. She says it's one of her favourites, too. 'And you know why I got that film? I'll tell you exactly why I got that film. I got that film because I had a production deal with Harvey Weinstein and after years of him paying for my offices and my staff, paying for everything, he realised he wasn't getting anything he was hoping for. And he turned around and said: 'I've got this children's book and I have to produce it.'' She stops, briefly. 'But I was not going to fuck Harvey Weinstein.' Did he try it on with her? 'Well, I'm not the girl he's going to take into a hotel room naked and I'm not the girl he's going to grab. I am the girl he threw across the room at a cocktail party. And I am the girl that he hit. And I am the girl whose ass he grabbed, but I'm not the girl he's going to rape or molest and I'm not the girl he's going to ask for a massage, right? But I am the girl he's going to give a production deal to and going to get fed up with and give a children's movie to deal with.' Stone has been associated with amfAR, an Aids research foundation, for 30 years, hosting many of its fundraising galas. In 2007, Weinstein got involved with the charity. 'Harvey then put himself on the board, right? And backstage he would shove me around and yell at me and come on stage and grab the mic from me and try to make these inappropriate deals with his friends, like we're gonna take that money from that guy on this item. Then I'd take the mic from him and say: 'Harvey, get off the stage, I call the numbers, we're not taking that deal.' 'I'd come off the stage and he'd shove me across the room and go: 'Don't humiliate me,' and I'd go: 'You're a crook, Harvey, get your fucking hands off me.' He did not try to fuck me, but he was definitely physically violent with me. He slapped me, he threw me across the room, he shoved me around countless times.' Last question please, the publicist says. Perhaps she's as exhausted as I am. Stone is over the top, a little unreliable, thoroughly immodest and rather magnificent. But it feels as if she has barely started. There is so much more to talk about. She has not even mentioned the time the producer Robert Evans advised her to have sex with her Sliver co-star, William Baldwin, to save the film and get a better performance out of him. (She was appalled and refused.) Or the time she had her breasts reconstructed after having benign tumours removed and the surgeon gave her a nonconsensual breast enlargement because he thought she would be grateful. A couple of days before our interview, it was announced that Eszterhas, the Basic Instinct writer, was planning a reboot. Would she take part in it? She laughs. 'There's not going to be a Basic Instinct reboot. I hate to break it to you, but Joe Eszterhas couldn't write himself out of a Walgreens drug store.' It's 20 minutes since the publicist told me to wrap up. I'm beginning to feel guilty, but Stone is still happily talking about empty nest syndrome, now that her youngest boys have left for college, and her plans for the future. She says she may lease out her home because she has so many projects on the go in so many places. She mentions her part in the new series of Euphoria and 'a beautiful film' called In Memoriam that she has already completed. It sounds like you're in a good place, I say. 'I'm having a fun time. All of a sudden, the kids are out and I'm like: now what am I going to do? I think going back to work is what's happening.' Despite everything – the abuse, the stroke, the fallout from Basic Instinct, the losses – she says she has always been a glass-half-full kind of gal. Actually, she says, even an empty glass can have its positives. 'It can get refilled, right? Sometimes an empty glass is what you need.' Nobody 2 is in cinemas in Australia from 14 August and the UK, the US and Ireland from 15 August
South Wales Argus
an hour ago
- South Wales Argus
Emmerdale star to exit the ITV show after 19 years on screen
Isabel Hodgins, the actress behind Victoria Sugden on the programme, first joined the soap 19 years ago. However, last night, she shared that she and her husband, Adam Whitehead, are expecting their first baby just months after getting married. Emmerdale star Isabel Hodgins to leave the ITV show after announcing pregnancy Because of this exciting news, the Emmerdale star has hinted that she will be exiting the show for a period of time to focus on the child. Discussing this decision, the ITV star told The Mirror: 'I will miss it. I love the people there, but I've worked there for 19 years, so I feel like I've done what I've wanted to do and been selfish with my career. 'Now, it's time to devote my life to being a mum, that feels right to me. But there's still FaceTime, so they won't forget me!' Announcing the news of her pregnancy over the weekend, she shared an emotional Instagram post reading: 'First comes love, Then comes marriage, Then comes… Baby Whitehead." Co-stars were quick to write heartfelt messages in response, with Mandy Dingle star Lisa Riley penning: 'Congratulations-absolutely wonderful news. Made up for you both.' Daisy Campbell said: 'Omg iz!! So happy for you both, big congratulations," while former co-star Charley Webb commented: 'Cutest.' Recommended Reading: Who is Isabel Hodgins and what shows has she been in? According to IMDb, Isabel Hodgins is an English actress born in Salford on November 23, 1993. Best known for playing the role of Victoria Sugden on Emmerdale since 2006, she has starred in a number of other programmes. She appeared in one episode of the 2024 ITV show Drama Queens and even featured in the holiday special Text Santa in 2014. Emmerdale is available to watch live and on demand via ITV and ITVX.
