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Tool and Weezer to Headline Australia's Good Things Festival

Tool and Weezer to Headline Australia's Good Things Festival

Yahoo2 days ago
Australia's Good Things festival has announced the lineup for its 2025 edition, with the likes of Tool and Weezer topping the bill.
The touring rock, metal and punk festival will return to Australian capital cities later this year, with performances scheduled for Melbourne, Sydney and Brisbane from Dec. 5-7.
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Leading the charge this year are a pair of Los Angeles veterans, including prog-metal icons Tool, who return to the country for the first time since a headline tour in 2020; and alt-rock icons Weezer who last year celebrated the 30th anniversary of their self-titled debut, colloquially known as The Blue Album.
The festival is largely populated by U.S. acts this year, including the likes of Garbage, All Time Low, Machine Head, Knocked Loose, and the All-American Rejects, who make their return to Australia for the first time in 16 years.
Swedish hardcore outfit will return for their final dates in the country, while Make Them Suffer and a reunited Tonight Alive help shore up the local representation. James Reyne may be considered a slightly odd inclusion by the traditional crowd, with the former frontman of ARIA Hall of Famers Australian Crawl occupying the now-annual role of veteran Aussie act.
International outfits such as Bad Nerves, Dead Poet Society and Wargasm join the lineup for their debut shows in the country, while local acts such as Civic, Inertia, Windwaker and Yours Truly also make up the lower end of the bill.
The Good Things festival launched in Australia in 2018, arriving onto a scene which had been largely devoid of touring festivals catering to fans of heavier music since the demise of the Soundwave festival a few years earlier.
Since its debut edition, the festival has hosted local and international headliners such as The Offspring, Parkway Drive, Bring Me The Horizon, Korn, and more. In 2024, the festival was to host the final Australian shows of Canadian punk outfit Sum 41, though were forced to cancel following singer Deryck Whibley's diagnosis of pneumonia.
Good Things Festival 2025
Dec. 5 – Flemington Racecourse, Melbourne, VICDec. 6 – Sydney Showground, Sydney, NSWDec. 7 – Brisbane Showgrounds, Brisbane, QLD
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3 Restaurants to Try This Weekend in Los Angeles: August 15
3 Restaurants to Try This Weekend in Los Angeles: August 15

Eater

timean hour ago

  • Eater

3 Restaurants to Try This Weekend in Los Angeles: August 15

Every Friday, our editors compile a trusty list of recommendations to answer the most pressing of questions: 'Where should I eat?' Here are four places to check out this weekend in Los Angeles. And if you need some ideas on where to drink, here's our list of the hottest places to get cocktails in town. For a Beijing duck feast that heals the soul: Ji Rong Peking Duck in Rosemead Since we haven't met yet, hi, I'm Kat Thompson, and I'm joining the Eater Southern California/Southwest team as an audience editor, a role I'm excited to tackle to highlight all the incredible restaurants in our vast region. Still, change can be hard, and when life feels in flux I often gravitate toward something familiar to ground me. The perfect grounding meal, in most cases, is Ji Rong's roast Beijing duck, a dish that has yet to disappoint me across dozens of visits. The duck is consistently great with lacquered crispy skin, accompanied by paper-thin crepes painted with sweet and savory hoisin sauce, fresh sliced cucumbers, and ribbons of green onion. Overall, the experience feels extravagant and comforting at once. Although duck is the restaurant's namesake, there are so many other hits on the menu too. Battered pumpkin sprinkled with salted egg yolk, tongue-tingling spicy cold chicken, and the sticky Shanghai-style spareribs are among my favorites. 8450 E. Valley Boulevard, Rosemead, CA, 91770. — Kat Thompson, audience editor, Eater Southern California/Southwest For dinner in Burbank that is not the Ikea food court: Tun Lahmajo Lahmajune at Tun Lahmajo in Burbank, California. Rebecca Roland Ever since reading Los Angeles Times critic Bill Addison's review of Burbank's Armenian restaurant Tun Lahmajo, I've looked for an excuse to find myself in the neighborhood that wasn't a trip to Ikea, since that always ends with Swedish meatballs. Recent plans (that didn't quite work out) finally brought me to Burbank and I jumped at the chance to make a detour. Even mid-week, Tun Lahmajo was bustling; in the dining room, a group combined a handful of tables into something that could accommodate at least 12, while there wasn't a single open seat on the patio. At the front of the restaurant, a fire licked the edges of a towering stone oven as plates of loosely wrapped dolmas emerged from the back kitchen. But I remained focused on the lahmajune (also spelled lahmajoon) topped with spiced ground meat, tomato sauce, and melted cheese. The lahmajune here is thinner and softer than at other shops like the Lahmajune Factory, more akin to the texture of a roti or flaky tortilla. The rest of the food arrived within minutes: shawarma cradled in a flatbread with sliced tomatoes, a still-steaming bowl of lentil soup, and meat and rice dolmas with a yogurt sauce. The service was casual and warm, an extension of the feeling that Tun Lahmajo is the staff's own expansive kitchen, where they welcome friends in. 2202 N. Glenoaks Boulevard, Burbank, CA, 91504. — Rebecca Roland, deputy editor, Eater Southern California/Southwest For a breakfast of champions, at any time of day: New York's Chopped Cheese Chopped cheese sandwich at New York's Chopped Cheese in Los Angeles. Jakob N. Layman Weekend mornings are my time to shine. After I wake up and walk the dog, exploring Los Angeles during the early hours is pure joy, especially before the afternoon madness. But to traverse this vast city of ours and take in the sights and sounds, one needs sustenance — cue New York's Chopped Cheese. The Hollywood outlet is open until 2 a.m. (3 a.m. on weekends), while the Mid-City location operates from 10 a.m. to midnight. The restaurant comes from a group of former New Yorkers (including one from Linden Hollywood) who wanted to bring New York City's favorite corner bodega sandwich imports to Los Angeles: a chopped cheese and bacon, egg, and cheese. I admit to side-eyeing the prospect of another New York City import, but New York's Chopped Cheese got me with that classic and incredible chopped cheese. The grilled beef patties are evenly chopped and brightened, when, of course, sauteed onions, seasoning, and cheese come into the mix. It's one of those 'I'll be full until dinnertime' kind of meals. There's no mistaking how delicious this is, so please enjoy while it's hot off the griddle. 5109 Venice Boulevard, Mid-City, CA, 90019 or 1471 Tamarind Avenue, Hollywood, CA, 90028. — Mona Holmes, editor, Eater Southern California/Southwest Related The 38 Best Restaurants in Los Angeles Eater LA All your essential food and restaurant intel delivered to you Email (required) Sign Up By submitting your email, you agree to our Terms and Privacy Notice . This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

Alex Warren's 'Ordinary' actually is the song of the summer — but nobody wants to admit it
Alex Warren's 'Ordinary' actually is the song of the summer — but nobody wants to admit it

Business Insider

timean hour ago

  • Business Insider

Alex Warren's 'Ordinary' actually is the song of the summer — but nobody wants to admit it

Where is this year's song of the summer? It's the question that's haunted road trippers and pool partiers for months now. But like so many low-stakes mysteries, the answer has been hiding in plain sight (or, in this case, earshot) all along. If we're going with cold, hard facts — Billboard chart data — there's one song that's dominated the airwaves as the weather has warmed. It's just that a soaring love ballad a 24-year-old TikToker wrote about his wife is not exactly the ideal soundtrack for your day at the beach. Released in February, Alex Warren's "Ordinary" took a few months to take off, becoming a bona fide commercial juggernaut by June, when it ascended to No. 1 on the Billboard Hot 100. It's remained atop the all-genre chart for nine weeks so far, and continues to dominate Billboard's Songs of the Summer chart, where it hasn't budged from its No. 1 position since Memorial Day. Though it makes every attempt to sound momentous, "Ordinary" is a love song that's true to its name. Dedicated to Warren's wife, Kouvr Annon, the song uses vaguely spiritual lyrics to describe their connection. His vocals backed by hymnal echoes and a pounding drum line, Warren insists "the angels up in the clouds are jealous" of his marital bliss and compares his wife to a sanctuary, a vineyard, and a sculptor. If the song's theme of divine love wasn't clear enough, the couple also costars in the music video, and Warren later released a "wedding version" of the song paired with footage from their real-life nuptials. That the song is generically gooey has worked to its advantage in the airplay department. "Ordinary" owes much of its longevity to companies like iHeartMedia, America's biggest radio network, which allocates tens of thousands of spins to the song each week. In its most recent week atop the Hot 100, "Ordinary" tallied over 73 million radio airplay audience impressions, according to Billboard, compared to only 12.4 million streams and 6,000 copies sold. The song's lack of specificity also makes it a broadly appealing soundtrack for lovey-dovey moments on TikTok, where both versions of "Ordinary" have been used in millions of videos with billions of cumulative views. Annon's own uses of the song, usually featuring sweet moments with Warren, frequently collect over 1 million likes. Please help BI improve our Business, Tech, and Innovation coverage by sharing a bit about your role — it will help us tailor content that matters most to people like you. Continue By providing this information, you agree that Business Insider may use this data to improve your site experience and for targeted advertising. By continuing you agree that you accept the Terms of Service and Privacy Policy . Call it the home court advantage: As a former YouTuber who joined Hype House, a flashy collective for big-name TikTokers, in 2020, Warren learned and then perfected the art of getting engagement. He and Annon briefly lived in the Los Angeles mansion together, constantly creating content, orchestrating David Dobrik-style pranks, and sharing glimpses of their lives together; Warren described the experience as "college, but for social media." "It helped me learn how to create content that resonates with an audience and can captivate people," he told Variety. Warren's self-conscious positioning as America's top new "wife guy" offers the media a tidy narrative to push while reporting on the song's success — and helps cement "Ordinary" as a favorite song choice for romantic montages and relationship content across the internet. But the differential between the song's commercial utility and its artistic value has perplexed critics and fans alike. "Genuinely WHO is listening to this," reads a recent tweet with over 27,000 likes. Even r/popheads, a Reddit community for recreational pop scholars whose self-appointed mission is to take the merits of the genre seriously, is full of cold contempt for the song's dominance. "I don't think you can deeply hate the song by itself," one commenter wrote, "because it's so fucking boring." Rolling Stone's Larisha Paul coined the phrase "'The Voice' Audition Core" to characterize the musical formula that "Ordinary" follows: ideal for soundtracking a throwaway emotional moment on reality TV, but devoid of any real personality. Indeed, Warren performed the song on the "Love Is Blind" season eight reunion special, slotting easily into a generic vision of happily ever after literally accompanied by a montage of couples. genuinely WHO is listening to this — kaitlyn⋆. 𐙚 ˚ (@kateawaycar) August 4, 2025 Still, there's no denying that "Ordinary" is the summer's defining hit. Remaining atop the Hot 100 for over two months is no small feat, and even as late-season challengers have emerged — most recently in the form of a fictional K-pop group from a Netflix film — there isn't enough time before the autumnal equinox for another song to challenge Warren's reign. It's just a shame that many excellent summertime jams actually have been released this year, they just lacked the radio push or market power to challenge "Ordinary" at the top of the charts. Addison Rae is Warren's fellow former TikToker-turned-singer, but the similarities end there; her cool-girl collaborators and creative curiosity resulted in a debut album, "Addison," that toes the line between nostalgic and eccentric. (The appropriately named "Summer Forever" is a standout.) Lorde's latest album, "Virgin," includes gems like "Shapeshifter" and "Favorite Daughter," which wrap arresting lyrics in melodic, highly accessible packages, the ghost of last year's " Brat summer" hovering on the margins. Care for something a little less personal, a little more irreverent? Tinashe and Disco Lines have you covered with the freshly remixed "No Broke Boys." And forget song of the summer, Haim's "Relationships" may be the song of the year. Danielle Haim and her sisters manage to spin the agony of indecision into flippant, funky magic. As the season winds down, a new Taylor Swift album draws closer, and the charts begin to change shape, may "Ordinary" serve as a reminder that summer trends may disappoint or underwhelm — but they never last forever.

Ryan Castro & Grupo Frontera Team Up For ‘Apodo' & More Best New Music Latin
Ryan Castro & Grupo Frontera Team Up For ‘Apodo' & More Best New Music Latin

Yahoo

time3 hours ago

  • Yahoo

Ryan Castro & Grupo Frontera Team Up For ‘Apodo' & More Best New Music Latin

New Music Latin is a compilation of the best new Latin songs and albums recommended by Billboard and Billboard Español editors. Check out this week's picks below. Ryan Castro, Grupo Frontera, 'APODO' (AWOO Corp./Sony Music Latin) More from Billboard Here's What Mariah Carey Really Thinks About the Billboard Charts Friday Music Guide: New Music From Cardi B, Chance The Rapper, Dijon and More Tokischa Is Finally Ready To Release An Album To 'Let It All Out' - And It Won't Be What You Expect On their first collaborative effort, Ryan Castro and Grupo Frontera unwrap 'Apodo' (nickname): Produced by Latin hitmaker Edgar Barrera, and co-written by Barrera, Castro, and Andrés Jael Correa Rios, the song laces Frontera's modern-day norteño melodies around Castro's breezy Caribbean reggae beats. Sonically, the tune is laid-back and fun, but lyrically, it's heart-wrenching, referring to a person who was not loved nor respected in a relationship. 'It doesn't hurt to see you with another man/ it hurts that you gave this love another name/ almost something/ a madness/ a hook-up/ an adventure/ the mistake of your life,' says the catchy but heartbreaking chorus. The music video—showcasing both act's fun vibes and chemistry—was filmed in McAllen, Texas, where Grupo Frontera and Barrera are from. — JESSICA ROIZ Carlos Vives, Grupo Niche, 'La Tierra del Olvido' (Versión Salsa) (Gaira Música Local) The Pacific and the Colombian Caribbean embrace in this salsa version of 'La Tierra del Olvido' (The Land of Oblivion), a Carlos Vives classic that now takes on a new life alongside the legendary Grupo Niche. This profoundly Colombian tribute unites two of the country's most representative genres: Vives' signature vallenato-pop and the Cali salsa that Niche has brought to the world. In the performance, the voices alternate fluidly, and the salsa-inspired arrangement reaches its climax in the musical bridge, as they chant: 'Waiting for you to come back / with me / to the land of oblivion.' The song doesn't need a complex video: it shows Vives and Grupo Niche in the studio, sharing the energy of the recording and performing salsa moves. Also interspersed are images from the original video and a touching nod to maestro Jairo Varela, founder of Niche. — LUISA CALLE Doctor Nativo, 'Caminantes' ft. Roco Pachukote (Stonetree Records) With 'Caminantes,' Doctor Nativo delivers an electrifying mariachi-tinged ska single that bridges borders, histories, and generations. The track, featuring Roco Pachukote (the Maldita Vecindad frontman), pulses with jubilant rhythms and sharp brassy flourishes, paying tribute to Mayan elder Tata Pedro Cruz and his peaceful pilgrimage for world unity. Rooted in Guatemalan spirituality yet enriched by Mexican ska energy, Nativo crafts a vibrant ode to migration, resistance, and ancestral wisdom. It's an upbeat call to leave comfort zones, connect with nature, and walk in solidarity. Produced with dynamic precision, 'Caminantes' teems with both jubilance and mindfulness. A fitting preview of Nativo's forthcoming BarrioKandela, this song celebrates cultural fusion and unwavering hope. It's punchy, spirited, and deeply moving. (Tata Pedro's family and movement will receive a share of proceeds earned from this song.) — ISABELA RAYGOZA Zoé, 'Campo de Fuerza' (Universal Music Group México) Ending a four-year musical drought, Zoé returns with a bang: 'Campo de Fuerza,' the Mexican alt-rock band's first single since its 2021 album Sonidos de Karmática Resonancia, is a reminder of Zoé's ability to craft hypnotic melodies that thrive on a canvas of instrumental atmospheres — alternating between neo-psychedelic-tinged synths and a head-banging drum beat — that instantly transport you to an alternate universe where sound and lyrics come together to enhance your journey. 'Campo' comes on the heels of Zoé's upcoming five sold-out shows at Estadio GNP Seguros in Mexico City, which kick off Sept. 27. — GRISELDA FLORES Zhamira Zambrano, 'Quisiera Ella' (Dynamic Records) Zhamira Zambrano ventures into bolero with 'Quisiera Ella,' a song about resilience and self-love in the face of heartbreak which continues to demonstrate her versatility as a performer. 'She would like you to bring down the sky and the stars for her/ That after the altar you would travel the world/ And that the honeymoon never ends… But that's not possible because you're a lie/ A dream seller with your filthy gift ofgab,' she sings warmly over elegant orchestral arrangements. Accompanied by a cinematic music video in which she plays a waitress unexpectedly called on stage — in which her husband Jay Wheeler makes a special appearance — 'Quisiera Ella' is the third single from the Venezuelan singer's upcoming debut album. — SIGAL RATNER-ARIAS iLe, 'Un Amor de la Calle' (La Buena Fortuna Music) Puerto Rican singer-songwriter iLe delves into a musical genre rooted in her sonic DNA, the bolero, reinventing some of her favorite songs in this style to give them strength and passion. 'Un Amor de la Calle,' the first single from her upcoming album Como Las Canto Yo, is a profound expression of disillusionment and heartbreak. The former Calle 13 member impresses her sensitivity to this piece, originally written by Orlando Brito and popularized in 1975 by the great Héctor Lavoe, giving it new life with her powerful, dramatic voice, accompanied by street guitars and harsh, aggressive chords that captivate the listener. – NATALIA CANO Isabela Merced & Tony Succar, 'Apocalipsis' (Unity Entertainment) Actress and singer Isabela Merced teamed up with Peruvian musician Tonny Succar to release a dynamic new version of her 2020 song 'Apocalipsis.' This revitalized interpretation elevates the original track into a dazzling exhibition of Latin music's rich artistry. The lively anthem blends vibrant salsa rhythms with catchy pop melodies, honoring their shared Peruvian heritage. Succar brings his unique flair to this rendition as he masterfully integrates iconic salsa instrumentation, such as brass and percussion, with modern arrangements that enhance the song's energy and unites two generations. — INGRID FAJARDO Duelo ft. Louie Padilla (La Firma), 'Soy Como No Soy' (La Bonita Music) This new live version of the 2010 hit — recently recorded at Domo Care in Monterrey, Nuevo León, Mexico — brings together two iconic voices of the Tejano norteño: Oscar Iván Treviño, vocalist of the group Duelo, and Louie Padilla, vocalist of the group La Firma and author of the lyrics, which tell the story of a man who doesn't dare confess his love and feels that he's no longer who he was. With the distinctive sound of the accordion, and a rhythmic beat that, from the first chords, invites listeners to dance, 'Soy Como No Soy (En Vivo)' is a gift for fans and proof that the tejano norteño is still relevant for new generations. — TERE AGUILERABest of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart Solve the daily Crossword

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