Be a Tourist: Events around town March 7-9
Ron Pearson is a true triple threat: a comedian, actor, and world-renowned juggler. With an impressive resume that includes appearances on The Late Late Show, That 70s Show, and The Drew Carey Show, Ron's unique blend of humor and skill has captivated audiences around the globe. For tickets and show times, click here.
Enjoy a day at Splash Lagoon with your family! Purchase a full-price child admission pass (ages 3-8) and receive an adult admission pass for FREE! Up to 3 additional children (ages 3-8) can get admission passes for only $29 each! This promotion applies to all adults (Moms, Dads, Grandpas, Grandmas, Guardians, Babysitters, etc.!). Click here purchase tickets.
The Erie Otters take on Owen Sound Attack Friday for Women's Empowerment Night. The team will play Owen Sound Attack again on Saturday for Kids Takeover night. Kids of Erie and surrounding counties will once again take over the jobs of game night – from Junior Public Address Announcer to our Kids' Coaching Staff, and all the mayhem in between. For tickets, click here.
Head to Arundel Cellars every Sunday for some live indoor music from 1pm – 4pm. This weekend will feature Uncharted Course. For more information, click here.
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15 hours ago
- Yahoo
Grammys EP Ben Winston on the risks of producing live TV: ‘I always never know quite why we do it'
If you've enjoyed a live TV music special in recent years, chances are Ben Winston produced it. Since signing off The Late Late Show with James Corden in 2023, which he executive produced, he's more than had his hands full with his company Fulwell Entertainment, bringing a slew of music specials to the screen — with Dua Lipa, Elton John, and Brandi Carlile this year alone — along with Carpool Karaoke Christmas, Ellen DeGeneres: For Your Approval, The Kardashians, to name a few. More from GoldDerby 'Ballerina' stumbles at the box office while 'Lilo & Stitch' surfs to another $32.5M Brian Tyree Henry on how 'Dope Thief' let him 'reclaim' his name: 'I was just Paper Boi to people,' and now 'I became Brian again' Emmy experts debate Comedy Series race: 'Hacks' will compete against 'a bunch of new kids on the block' He also took on his own Mission: Impossible when he orchestrated Tom Cruise's jump off the stadium roof as part of the Olympic torch handoff from Paris to L.A. as part of the closing ceremony. And then there was this year's Grammy Awards — held in the wake of the devastating fires that ravaged Los Angeles. Here, Winston opens up to Gold Derby about his life as a producer: Yes, he still gets nervous before going live; no, he doesn't want to tackle the Oscars — and as for the 2028 Olympics, he's waiting for the phone to ring. Gold Derby: Do you miss the late-night days? Ben Winston: Oh, I miss it so much. But it's given us the opportunity to do other things, and we never wanted to overstay our welcome. We never wanted to be irrelevant. We always wanted to be in the zeitgeist. So I think that we left the stage at the right time, as much as I miss it. What does it take for content to break through these days? I think really compelling storytelling is always the way. Whether we're making an episode of The Kardashians or whether we're launching the LA28 games, I think it's about how do you make something that surprises and delights and gets people talking. I think in this environment where there is so much out there that it's hard to find your audience, I think if we can do something, whether that be Benson Boone and Doechii at the Grammys or whether it be Tom Cruise jumping off a plane or jumping off the roof at the Paris Stadium or whether it be Kim and Kourtney going to India for an episode of The Kardashians, if we can create real big moments of content that get people talking and discussing and sharing, then I think we're winning. But it's harder and harder. So when a project lands on your desk like the Grammys or the Olympics, how do you approach it? I think, 'What's the idea? What do I want to say?' The biggest one I would say of this last year would have been the LA28 special. Because usually the handover is kind of a nothing moment in a closing ceremony. I remember in London, I was at the closing ceremony. I think the next Olympics was Brazil. It was just some Brazilian dancers and a musician. So when I sat down with Casey Wasserman and the LA28 team, literally two years before we did it, it was like, what can we do for ten minutes in the closing ceremony that really grabs attention and makes a statement about L.A.? I was really keen to do something big that embraced the Hollywood of L.A., that embraced music because I think music is a huge part of the culture here. I wanted to show off the city because, yes, we don't have the Eiffel Tower and the Seine and the Notre Dame, but we do have beautiful beaches. We have really iconic symbols, whether it be the Griffith Park Observatory or the Hollywood Sign. But more than that, what I had to think about with L.A. was the theme. What is the Olympics? The Olympics is a thing that people from all over the world go to, and they try and achieve their dreams there. And Los Angeles is a city where people from all over the world come to, and they try and achieve their dreams here. Linking all of those things together suddenly got me thinking. I'd worked with Tom Cruise quite a bit over The Late Late Show days. We've done lots of sketches with James [Corden], whether it would him being Pumbaa and Timon in Lion King or jumping out of a plane or flying those Top Gun planes with James, and I've gotten to know Tom well. And I had this idea that maybe he jumps off the roof, shocks everybody, grabs the flag, and then takes that flag out of the stadium and drives from Paris to his airplane, jumps out of the airplane, lands in Hollywood and takes over the sign. And then we showcase some real sporting icons of L.A. who then take that flag and land at the beach, and then we just do a huge beach concert. I love how you start with a really small idea. Gotta think big! It was difficult to do. But it was such a fun, bold, ambitious idea. And everyone was in. So in the end, it became a one-hour special that encompassed all of those ideas that was a real celebration of L.A. What was beautiful about it for L.A. and for me is that the next day of the closing ceremony, the image that was around the globe was Dre and Snoop in front of the LA28 sign and Tom jumping off the roof. So we'd achieved our goal of announcing and launching LA28 in a really great way. So going back to the other question, how do you get attention? That is a great example where I think unscripted television really gripped the world and made an impact. You had to have been worried about pulling all of that off. What was your biggest concern? There were so many. The fact that the biggest movie star in the world is standing on a roof and about to jump off it, that is always a concern. We lost our beach with about four weeks to go, for various reasons. And then it's just all those elements coming together. I was really excited when NBC loved the idea so much that they gave us a special for it, though that meant that what was a 16 minute idea that was live could then become like an hour's special with more music and more Tom could breathe a little bit more in prime time. But that was a very nerve wracking on the day because although it was pre-taped it was live in the ceremony. That was the most nervous I think I've ever been, of anything I've done. You still get nervous? Live television is always nerve-wracking. I always never quite know why we do it. As it gets towards 5 p.m. on Grammy Sunday, I have this sort of sick feeling in my stomach where I'm always like, why on earth did I agree to do this again? We only have six weeks to make that show because the nominations come out around Thanksgiving. Nobody will do anything before they're nominated. You can't even pick up the phone to ask them. And this year with the fires, most of our team were evacuated. Some of our team lost their homes. And suddenly, we were making a show for Feb. 2 with all of that going on as well. The way I always think about it is you're climbing this mountain, you get to the top of that mountain at 5 on Grammy Sunday, and you jump off. And you just hope the parachute opens and you have a really nice flight. But you also know that it's live television. Anything could happen, and you could smack your head on the way down. Luckily, I think this year was probably the show I'm most proud of. Why is that? Because I think that the fact that we were making it around the time of the fires, the fact that there were murmurs of people saying you shouldn't be doing the Grammys a month after the fires have broken out, the fact that I had a real passion to do it and was really feeling that we could actually do something really beautiful for the city of L.A. I worked out that 6,000 people earn a living in some way from the Grammys happening. Now that doesn't mean I employ 6,000 people. That means florists or local car companies or staging companies or removal vans or venue security — 6,000 people earn a living from the Grammys, and they live in Los Angeles. And the worst thing you could possibly say to 6,000 people is because of our concern for you right now, we're not going to employ you at the Grammys. I just thought it was such a ridiculous mentality. I was very passionate as an LA guy that we wanted the show to happen, but I also felt like we could do good. We raised nearly $30 million that night. What changes did you make to the show to address the fires? Every ad break, we gave a commercial to a local business. It was a local florist, and we had Doja Cat doing a commercial for them. Or we had Charlie Puth at the local karate den that got burned down or Avril Lavigne at the skate park in the Palisades. And I just thought it was a really lovely idea of showcasing local businesses who had lost so much in the fires and partnering them with a Grammys artist. And then there was also the question of who starts the show. I was having a conversation with Brandi Carlisle, and we were talking about the song 'I Love L.A.' And interestingly, I was playing that in my car as I was driving from my hotel into the office, because I was evacuated. I thought, well, actually, that's a really beautiful way of starting the show, but then who plays it? And then Brandi said to me, do you know the band Dawes? They lost their homes and their studio in the fires. Allowing them to open the Grammys with a supergroup of artists, John Legend and Brittany Howard and all these incredible artists, Sheryl Crow, Brad Paisley — that could be an amazing way to open the show. Everything from the way we reacted to the fires all the way to featuring the best new artists for the time in the history of the Grammys. We didn't stop the music. It just went one after the other after the other after the other. And I love the way we did that in that Trevor went in the audience. He walked through and he introduced each one of them, and you just thought he was going to throw to the package. And he says, oh, let's take a look at the music from these best new artists. And then Benson Boone gets out his microphone and the suit rips off, and that started that was the trigger, and then all the other artists run to their corners, Shaboozey and Doechii and Raye, bringing down the house. And so that was a really lovely moment that was technically incredibly hard. Hamish Hamilton did an amazing job directing that, but staging it where the music never stopped. I love the idea of music never stopping. You also had the added pressure as the first award show back to make it OK for there to be award shows again. Whether it be the commercials for the local businesses, whether it be the fire department presenting the Grammy award for album of the year to Beyoncé, whether it be Dawes opening, which I thought was really powerful. We love this show, and we love music, and we love television. Yes, the fires were brutal for all of us, but they actually made us they made us sharpen our lens. They made us go, OK. How do we make this OK, and how do we pay tribute this city, and how do we make a love letter to this city? And in a way, I think it was an advantage going first because everyone could follow our lead. You've done so many kinds of live TV. What's on your wish list? What do you still want to do? We've been really lucky. We've done a few really wonderful music specials. I love working with artists. I love the challenge of live television. There's a big thing happening in three years in this city, so hopefully, I'll be a little bit involved in that. I'm not after doing more award shows. I really like the one that I make. I love the Grammys. I'm proud of the Grammys. It's become part of me. I don't have a burning desire to suddenly start running other award shows. So no Oscars for you? Nope. Definitely not. I think Raj [Kapoor] does a great job on that, and that's one for him, not me. We're developing a reality show right now in Calabasas, to partner with our Kardashian show, and I'm really enjoying the casting process of that. I'm looking at doing a kids' show with a streaming platform right now, which I've never done before, but it could be quite impactful. As a dad of a 5-year-old and an 8-year-old, if you'd asked me 10 years ago about a kids' show, I'd be like, what are you on about? (Laughs.) I think about what could I be doing at the World Cup next year? I love working with Trevor Noah — what is the next form of variety show that we could do together? I'm really excited about the opportunities that we have over here at Fulwell, and just really want to make things that I'm proud of and I love and I'm passionate about. So what do you have up your sleeve for the 2028 Olympics in LA? I don't know right now, because nothing's been announced. But if I had the opportunity of being involved in LA28, I would love that. I think it's going to be a phenomenal Olympics, and I'd be honored to be involved. I hope they call me! Best of GoldDerby Marlon Wayans on laughing through tragedy in 'Good Grief' and why social media has made comedy 'toxic' Minha Kim 'confronted all new emotions that I had never anticipated' in Season 2 of 'Pachinko' 'Étoile': Exclusive 4-part conversation with creators, star Luke Kirby, cinematographer, and choreographer Click here to read the full article.
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The 12 Best Deals This Week (Including Paris Park Chair Dupes)
In the words of someone's dad, it's go time. Summer is here and Father's Day is just one extra-charred bratwurst away (so, a week-ish), which means there are all kinds of unfurling kitchen and food deals from brands designed to soup up the occasion. Granted, they orbit around the ooga-booga markers of 'manliness,' such as flasks and bouquets of meat, but I'm eager for any opportunity to buy a knife sharpener at 30 percent off. Last week, we cleared Goldbelly's shelves of Chicago-style hot dog kits and other summertime treats, scooped up the best heritage cookware brand items from Nordstrom's Half-Yearly sale, and browsed REI's camping kitchen sale. This week, the outdoorsy vibe continues with deals from Yeti on durable, I-dropped-it-on-a-rock-by-the-creek barware sets; aesthetic designer glassware from SSENSE's (always intriguing but right now up to 60 percent off) sale; and coffee-lover gifts from Bespoke Post's Father's Day sale section. Slip into something more comfortable (this leather oven mitt, perchance?) and let's shop. Score 20% off barware sets at Yeti Unsurprisingly, Yeti — the brand beloved for its classic, rugged coolers — makes durable, camping-ready barware sets. You can get up to 20 percent off barware sets for Father's Day, including flasks, shot glasses, and cocktail shakers that are made out of 18/8 stainless steel, making them dishwasher-safe and resistant to corrosion. For taking shots and flasks on the camping trip | Yeti Prices taken at time of publishing. Take lowballs on-the-go | Yeti Prices taken at time of publishing. Aesthetic kitchen items and drinkware are up to 60% off at SSENSE SSENSE, home to apparel and accessories by rising and established designers such as Collina Strada, Rick Owens, and Chopova Lowena, is also the keeper of some incredible designer glassware, cookware, and kitchen items. There's a 60 percent off sale live on the site right now, and the barware section is full of particularly personality-heavy finds, from amorphous hand-blown glasses reminiscent of Alexander Kirkeby (that cost a fraction of the price) to a set of tumblers that nod to vintage uranium glassware. This chic water carafe is 52% off | SSENSE Prices taken at time of publishing. Just in time for summer, this substantial set of tumblers | SSENSE Prices taken at time of publishing. This palette-shaped cutting board is 20% off | SSENSE Prices taken at time of publishing. This set of hand-blown glasses for juice and spiked iced tea | SSENSE Prices taken at time of publishing. Get up to 40% off Father's Day-worthy kitchen items at Bespoke Post Father's Day is June 15 this year, which means we're in prime ordering time for pops. Bespoke Post, the man-things lifestyle store dedicated to all things Ron-Swanson-meets- Kinfolk , has rolled out deals of up to 40 percent off all kinds of great Father's Day gift fodder, including a Zwilling knife sharpener that we're also going to grab for ourselves. A self-heating mug For the coffee-obsessed dad Zwilling's knife sharpener is 30% off Let Amazon's best deals this week bring Paris to you Low and behold, a smorgasbord of sales on Amazon this week that understand that what you really need to be doing this summer: sitting on your patio in Bushwick with a robust charcuterie board at a bistro set that is the perfect budget dupe for the iconic, sage-colored park chairs you'll find around Parisian parks (they're by Fermob, and will otherwise cost you $145 per chair). This charcuterie board bundle is 46% off | Drmvalg Prices taken at time of publishing. These dupes for Parisian park bistro sets | Grand Patio Prices taken at time of publishing. Now go suck down an Aperol spritz. The freshest news from the food world every day
Yahoo
5 days ago
- Yahoo
‘I know this dude!': David Alan Grier explains why he leapt at the chance to play a ‘burned-out' doctor on ‘St. Denis Medical'
'For me, it was just an opportunity to see a bunch of friends in the same room and kick it and have a ball,' shares David Alan Grier about his Critics Choice Award nomination for his role on St. Denis Medical. The actor received the acknowledgment last December for the first season of the NBC mockumentary, in which he stars as the curmudgeonly but knowledgeable Doctor Ron. Grier knew from the description of the character alone that he wanted to join the series. He remembers reading the script by Eric Ledgin and Justin Spitzer, which characterized Ron as 'burned out' and 'the oldest staff member' in the hospital, and thinking, 'I know this dude!' Despite the laughs inherent in that type of guy, the performer knew there would be heft to the role, too. 'I think he's a really good doctor. It's just the system won, for the most part,' reflects the star. He explains that Ron tries to help other staff members avoid the mistakes he made, sharing, 'You sacrifice your family, which he did. You lose touch with your kids, all this stuff happens. He went through a divorce, and he's struggling to hold things together.' More from GoldDerby 'Holy sh-t, this is like "Star Wars"': The ultimate oral history of 'Severance' Season 2 Inside Gold Derby's first digital issue Jennifer Lopez dazzles as a screen diva in the first 'Kiss of the Spider Woman' trailer SEE 'It keeps me on my toes': 'St. Denis Medical' star Allison Tolman on walking a fine line between zany and 'incredibly heartfelt' The balance of comedy and pathos stood out the most to Grier. 'It's a weird show, it's like a hybrid,' explains the actor, who trained at the Yale School of Drama. He finds that 'the humor there is earned and organic. … The way it's written, it's a drama,' and notes, 'The biggest challenge was just, you have to trust … I had to trust that the tone was right.' Grier is a veteran of television ensemble comedies including In Living Color, The Carmichael Show, and Life With Bonnie, and he returns to that format with St. Denis Medical. 'When you're in a good company, it's like a sports team. You pass the ball, someone takes it down the court, sets the other person up for a shot. It makes it all the better,' explains the actor about why he loves working on these large ensemble shows. He did not know the producers or showrunners before reading the script, but his good friend Ana Gasteyer vouched for their brilliance, as she had worked with both Spitzer and Ledgin on American Auto. He also leapt at the chance to work with the cast that had already been assembled, including Wendi McLendon-Covey and Allison Tolman, saying that once he heard they were on board, 'all my fears were assuaged.' SEE Inside the success of 'St. Denis Medical': 'If you're a comedy and you're not trying to make people laugh, I don't think you're doing it right' One of Grier's standout episodes that demonstrates how he walks the show's fine line between comedy and drama comes early in the season. In 'Weird Stuff You Can't Explain,' Ron tempts fate when he dismisses staff members' beliefs in superstitions and puts a hex on the hospital. The doctor has a change of heart in the operation room, though, when a procedure proves more complicated than he thought and he says a prayer before making his first incision. 'To me, that's more true to life,' says the actor about the source of comedy on the show, adding, 'Nine times out of 10, when you laugh … I'll guarantee you it's a dramatic moment.' He notes that Ron's turn to prayer echoes his own life, too. 'The praying is very much me. I wouldn't describe myself as a very religious person, but in the event … I'm going to do some prayers in there, just for the odds,' reflects the performer with a chuckle. A late season installment, "Bruce-ic and the Mus-ic," finds Ron serving as the emcee of the hospital's annual fundraiser, during which he butts heads with administrator Joyce (McLendon-Covey) over how explicitly he should solicit donations. This episode proved to be one of the most challenging for Grier for a simple reason. 'I did stand-up for so long, so in that episode, resisting the temptation to really do it' proved difficult, says the performer, adding, 'It was kind of the anti-David episode. It wasn't me. I couldn't be really funny.' He also cites 'Buffalo Bruce and Matty the Kid' as a favorite, during which Ron struggles with not being invited to a coworker's birthday party, even though he would not choose to go even if he had been asked. Prior to starring on St. Denis Medical, Grier took home the first Tony Award of his career for his performance in A Soldier's Play. The stage veteran remembers the moment vividly: 'When they said my name, I sat there because I wanted to make sure they said my name. … I didn't want to read from my cellphone and I immediately became really emotional, so that's why I had to go to comedy, because in that split second, I was like, 'If I go down this road, I'm going to be a blubbering mess.'' The victory, after three prior nominations for The First, Race, and The Gershwins' Porgy and Bess, continues to resonate with the actor. 'I was very humbled. I continue to be very humbled,' admits the star. SIGN UP for Gold Derby's free newsletter with latest predictions Best of GoldDerby Chloë Sevigny on Kitty Menendez and 'Monsters' fascination: 'People are endlessly curious about those who have privilege and abuse it' Jason Isaacs relives filming 'The White Lotus' piña colada scene: 'It was one of the reasons I was worried about taking the job' Kaitlyn Dever on playing 'horrible' characters in 'Last of Us', 'Apple Cider Vinegar': 'I just don't see any other option but to give 100 percent' Click here to read the full article.
