Bolton teenager arrives for her prom night in dad's removal van
Forget hiring a limousine, a teenager "made the best entrance ever" at her school prom by arriving in the back of her dad's removal van.Jessica has just finished her final year at Smithills Secondary School in Bolton, Greater Manchester.The 16-year-old's unusual transport choice was inspired by a similar video on social media.Her mum Sharon and a friend brought a bit of glamour by hanging a silver sparkly backdrop in the van as well as adding balloons and a bubble machine.
Jessica's arrival at her "fabulous, fun night" on Thursday was captured on video.As the van's tail-lift lowered her down to the road, one woman can be heard shouting: "That is the best entrance ever!"Sharon told BBC Radio Manchester she showed her daughter a video of someone in the United States arriving at their prom in similar fashion."I showed Jessica and she was up for it. "It was something in a plain van. I thought: 'We can do that better'!"Jessica said she immediately "had my mind set" on being taken to her prom at Bolton Wanderers' Toughsheet Community Stadium in her father's BVM removals van. She said: "My teachers told me it was the best arrival of the night."I had told my friends I was coming in my dad's removals van but they hadn't seen it."When we pulled up they crowded round and they were wondering who it was." Sharon said it only cost about £40 to decorate the van, which included a silver bow for the front of the vehicle, a silver backdrop covered in balloons, and a white cover for a chair.
Listen to the best of BBC Radio Manchester on Sounds and follow BBC Manchester on Facebook, X, and Instagram. You can also send story ideas via Whatsapp to 0808 100 2230.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Daily Mail
40 minutes ago
- Daily Mail
Charli XCX hits back at 'fraud' claims in scathing post after viewers branded her Glastonbury set the 'worst headline act in history'
Charli XCX has hit back on social media at claims she is a 'fraud' after being criticised for her headline Glastonbury set on the Other stage on Saturday night. The singer, 32, performed to a packed crowd at Worthy Farm but has come under fire after many said they were convinced she was miming or using autotune. Taking to X, formerly known as Twitter, Charli referenced the 'boomer vibe' comments as she hit back at claims. She wrote: 'Like the idea that singing with deliberate autotune makes you a fraud or that not having a traditional band suddenly means you must not be a 'real artist' is like, the most boring take ever. yawn sorry just fell asleep xx 'But to be honest… I enjoy the discourse. imo the best art is divisive and confrontational and often evolves into truly interesting culture rather than being like kind of ok, easily understood and sort of forgettable.' She added: 'Really enjoying these boomer vibe comments on my Glastonbury performance. It's super fascinating to me,' before thanking those who gave her five star reviews. Charli XCX has hit back on social media at claims she is a 'fraud' after being heavily criticised for her headline Glastonbury set on the Other stage on Saturday night The singer, 32, performed to a packed crowd at Worthy Farm but has come under fire after many said they were convinced she was miming or using autotune It comes after viewers called the energetic performance 'truly terrible' and claimed she was the 'worst headline act' at the festival. They wrote: 'Can't be just me? Charlie xcx is truly truly terrible? This is not actual music is it? Who is listening to this on a playlist seriously it's torture sounds. Gotta be one of the worst headline acts ever at Glastonbury'; 'This Charlie xcx thing is the worst headline act in Glastonbury history. There may be headliners that you don't like. But at least they try and fkn sing. Her fee should be withheld, as tbh, you could have put a stripper on stage with a Spotify speaker and got the same results'; 'This Glastonbury set by Charli XCX is one of the worst things I've ever seen in my life. Barely singing, autotune in the rare moments she does sing a bit and horrendous dancing. Be fuming if you spent ages getting into that crowd only to see that'. During her performance, Charli put on a very racy display showing off her toned figure in tiny black leather hot pants and a mesh skull crop top. Charli accessorised with a floaty Alexander McQueen scarf, and hid her eyes behind oversized dark sunglasses. The crowd went wild as she performed hits including Party 4 U, Speed Drive, Sympathy Is a Knife, and 360. Charli later performed her song Apple, and the person doing the famous viral dance was Gracie Abrams, daughter of Star Wars director JJ Abrams. Taking to X, formerly known as Twitter, Charli referenced the 'boomer vibe' comments as she hit back at claims She wrote: 'Like the idea that singing with deliberate autotune makes you a fraud or that not having a traditional band suddenly means you must not be a 'real artist' is like, the most boring take ever' It comes after viewers called the energetic performance 'truly terrible' and claimed she was the 'worst headline act' at the festival During her performance, Charli put on a very racy display showing off her toned figure in tiny black leather hot pants and a mesh skull crop top The crowd went wild as she performed hits including Apple, Party 4 U, Speed Drive, Sympathy Is a Knife, and 360 While the singer headlined the Other stage Neil Young and the Chrome Hearts performed on Glastonbury's Pyramid Stage. At the same time, the Scissors Sisters were performing on the Woodsies stage - and the venue had to be shut down as there were too many people there. Meanwhile festival goers branded Nile Rodgers and Chic the 'best act they've seen in years' after his set on Sunday, as he led the performers rounding out the festival's final day. The 1970s icon, 72, known for hits such as Le Freak and Everybody Dance, took to the Pyramid Stage after Rod Stewart's Legends slot. But fans were quick to praise Rogers' groove-filled performance, demanding that it should have been one of this year's headliners instead. Glastonbury returned to Worthy Farm, in Somerset, this year with The 1975, Neil Young and the Chrome Hearts and Olivia Rodrigo headlining. Taking to the stage on Sunday for the final day of the festival included the likes of Wolf Alice, Snow Patrol and Noah Kahan. And Fat Boy Slim, real name Norman Quentin Cook, took to Instagram to reveal that his set was his 100th time performing at Glastonbury.
BreakingNews.ie
42 minutes ago
- BreakingNews.ie
Kate Nash says she would love to collaborate with Kneecap
Singer Kate Nash has said she would love to collaborate with Kneecap and added that it 'is really important' the band are using their platform for a political purpose. It came after police said on Saturday that they are assessing videos of comments made by the Belfast rap trio, as well as punk duo Bob Vylan, during their performances at the Glastonbury Festival. Advertisement The group are known for their provocative lyrics and merchandise, as well as their championing of the Irish language and support for Palestine. 'I love Kneecap. I'd love to collaborate. I love collaboration, actually,' Nash told the PA news agency. 'I really, really think collaboration is such an amazing and important part of being an artist, because you just learn every time you collaborate with someone different. 'So I just did a duet with Sprints, because they covered Foundations, and that was really fun.' Advertisement Nash, 37, added: 'Kneecap would be amazing to collaborate with. My mum's from Dublin and I think that the way they use their political platform is really important.' She continued: 'I don't think English people really understand their (Ireland's) history at all, they just don't know it. 'So I think there's an opportunity to educate people about England and Ireland's history, and sort of being half-English, half-Irish myself I have quite a good understanding of that, but I didn't learn it at school. Moglai Bap and Mo Chara of Kneecap (Ben Birchall/PA) 'There's so many amazing musicians to collaborate with. I love Amyl And The Sniffers.' Advertisement Before their performance on the West Holts Stage, several British politicians called for Kneecap to be removed from the line-up and UK prime minister Sir Keir Starmer said their performance would not be 'appropriate'. During their set, member Naoise O Caireallain said: 'The Prime Minister of your country, not mine, said he didn't want us to play, so f*** Keir Starmer.' In reference to his bandmate's upcoming court date the rapper, who performs under the name Moglai Bap, said they would 'start a riot outside the courts', before clarifying: 'No riots, just love and support, and support for Palestine.' Bobby Vylan, of rap duo Bob Vylan, had earlier led crowds in chants of 'Free, free Palestine' and 'Death, death to the IDF (Israel Defence Forces)'. Advertisement According to reports, Bobby Vylan is called Pascal Robinson-Foster, 34, from Ipswich. Robinson-Foster is listed on Companies House as being the director of Ghost Theatre Records, which is operated by Bob Vylan. Mr Starmer said the latter chant was 'appalling hate speech' and urged the BBC to explain how the scenes were broadcast. Speaking on the politics of Glastonbury, Nash said: 'What's the history of Glastonbury? It's about anti-corporation, Greenpeace. 'It is ultimately a political festival, and people come here to find togetherness, community, a sense of hope and to watch people play amazing shows, and to have their lives changed, to be inspired. Advertisement 'I think that we're seeing a lot of really scary things in the world right now, and people want to feel like they can see what they feel on stage being voiced, and I think that politicians need to get a grip.' Asked about artists who say they do not want to be political, she said: 'Certain people, you can't escape the politics of existing in the world. 'If you are a woman and you're like, 'I'm not political', I'm like, 'You are, you are. Everything about your life is political, whether you want it to be or not'. 'I think if you're a very privileged, white, rich man, sure you don't want to be political, or you don't have to be. 'But also, do you even have to comment that you don't want to be? I'm not really sure it helps. 'I think just don't be, then, in a way, if you just want to be a pop band, just be a pop band. 'That's not how I was raised. So it's really difficult for me to understand somebody saying, 'I don't want to be political'.' It came after The 1975 frontman Matty Healy said the band did not want their legacy to be 'one of politics' during their Friday night headline slot. 'I think we don't need more politics, we need more love and friendship,' he said. Nash headlined Glastonbury's Left Field stage on Saturday evening and performed a secret set on the BBC Introducing stage on Sunday. She has released several studio albums and is known for songs including Mouthwash and Foundations, the latter of which peaked at number two in the UK singles chart.
The Sun
an hour ago
- The Sun
Charli XCX hits back after she's accused of miming during Glastonbury set amid ‘fraud' claims
CHARLI XCX has hit back at accusations she mimed during her Other Stage headline slot at Glastonbury last night. The Brat star, 32, slammed 'boomer' attitudes towards her music and use of autotune, which her detractors say diminishes her status as a proper artist. 3 Charli XCX has hit out at critics of her Glastonbury performance Credit: AP 3 She headlined the Other Stage in front of 60,000 people Credit: Getty Taking to X tonight, Charli wrote: "like the idea that singing with deliberate autotune makes you a fraud or that not having a traditional band suddenly means you must not be a 'real artist' is like, the most boring take ever. yawn sorry just fell asleep xx." She continued: "but to be honest… i enjoy the discourse. imo the best art is divisive and confrontational and often evolves into truly interesting culture rather than being like kind of ok, easily understood and sort of forgettable." Charli then linked to a five-star review of her set by the Guardian in which she was dubbed the unofficial headliner of the entire weekend. The forward-thinking singer followed it by writing: "really enjoying these boomer vibe comments on my glastonbury performance. it's super fascinating to me." Charli pulled in one of the biggest crowds The Other Stage has seen as an alternative to Neil Young on the Pyramid stage. The The Brit Award winner looked the part for her time in the spotlight, donning a black leather crop top and matching hotpants. Dripping with attitude, Charli came out with intent, declaring: "Glastonbury, don't fucking play with me, before launching into 365. She rattled through 17 tracks before wrapping up shortly before midnight. The mix of grungey visuals and industrial rave pop didn't excite everyone. Some accused her of miming and suggested an excessive use of autotune in tracks like I Might Say Something Stupid. Watching the set from their sofa, one took to X to write: "Just miming to her own records." Pulp takes swipe at Charli XCX during surprise Glastonbury performance A second put: "Headline act at #Glastonbury2025 #Glasto is miming. Absolutely terrible." A third wrote: "Charli XCX miming her way thru every song at Glastonbury, her mic only used for the odd 'Come On' shout. Live should be live." Yet others loved the party vibe and commitment to the Brat aesthetic. One mused: "Loving that Charli xcx and the 1975 have got all middle aged men in tears this weekend, can't wait for Olivia Rodrigo!!" Another wrote: "Dude… Charli XCX was f**king class." One then put: "How cool is Charli xcx" Earlier in the day, Britpop icons Pulp, fronted by Jarvis Cocker, had a playful nod to Charli in their secret set billed as "Patchwork". A screen behind the band flashed the words: "Are you ready for.... Pulp Summer." The message was a direct reference to the 'Brat Summer' Charli celebrated last year thanks to her smash-hit album of the same name.
