Bankrupt influencer shares candid postpartum body update after suffering with fertility issues and anorexia
The 28-year-old influencer shared a gallery of maternity content to social media on Tuesday night, confirming she had given birth to her first child, a son named Rocco, with her fiancé Joel Price.
On Thursday, Christie filmed herself wearing a pair of nude underwear and a slip dress, which she held up over her belly as she examined it in her bathroom mirror.
'Woman [sic] are so incredible! Entering motherhood with nothing but love for my body and what it can do, no rush to bounce back or change,' she captioned the post.
'Also humbling when I get home and Rocco's older brother asks why I still look pregnant.'
In a second photo of baby Rocco wrapped in his designer swaddle blanket, Christie shared the quote a second time.
From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the DailyMail's new showbiz newsletter to stay in the loop.
'Kaden this afternoon: "How come you still look kinda pregnant?" Love kids x,' she captioned the photo of her newborn.
Christie previously revealed that she met her fiancé Joel because his now 13-year-old son Kaden began following her on TikTok, where she posted bikini photos and workout videos, when he was just eight-years-old.
In further baby updates, posted to her 122,000 Instagram followers, Christie wrote: 'My world is now complete and I'm so in love'.
'Being a new mum can be so challenging and I'm really entering this with open arms and zero judgement towards myself, as him and I are both learning each other' she added.
'But I'm so in love and truly this is the best achievement in the entire world.'
The fitness influencer said her first afternoon at home with Rocco was full of 'bonding time' with his brother and visiting family members, as well as, 'a well deserved glass of wine and takeaway food.'
Last year, Christie opened up about her fertility journey with her followers.
Christie has previously revealed that she met her fiancé Joel because his now 13-year-old son Kaden (pictured bottom left) began following her on TikTok, where she posted bikini photos and workout videos, when he was just eight-years-old
What is anorexia nervosa?
Anorexia nervosa is a psychological illness that has devastating physical consequences.
It is characterised by low body weight and body image distortion with an obsessive fear of gaining weight, which manifests itself through depriving the body of food. It often coincides with increased levels of exercise.
There are two main sub-types of anorexia:
Restricting type — this is the most commonly known type of anorexia nervosa, whereby a person severely restricts their food intake.
Binge-eating or purging type — less recognised, this type of anorexia nervosa forms when a person restricts their intake as above, but also has regularly engaged in binge-eating or purging behaviour.
Anorexia nervosa can affect the mind and body in a multitude of ways:
Brain – preoccupation with food/calories, fear of gaining weight, headaches, fainting, dizziness, mood swings, anxiety, depression.
Hair and skin – dry skin, brittle nails, thin hair, bruises easily, yellow complexion, growth of thin white hair all over body (called lanugo), intolerance to cold.
Heart and blood – poor circulation, irregular or slow heartbeat, very low blood pressure, cardiac arrest, heart failure, low iron levels (anaemia).
Intestines – constipated, diarrhoea, bloating, abdominal pain.
Hormones – irregular or absent periods, loss of libido, infertility.
Kidneys – dehydration, kidney failure.
Bones and muscles – loss of bone calcium (osteopenia), osteoporosis, muscle loss, weakness, fatigue.
'I have had some hormonal issues and I have only started to get a regular period again. Joel and I are trying to have a baby, we haven't had much luck,' she said.
Christie first made headlines back in 2015 when she spoke to Daily Mail Australia about her battle with body image issues and anorexia nervosa.
The social media star, then 18-years-old, discussed how comparing herself to supermodels sparked her downward spiral into a near-fatal eating disorder.
'Photoshopped adverts of models like Miranda Kerr definitely started off my body image issues because you think that's how you're meant to be,' she said.
At one point, her weight dwindled down to nearly 30 kilograms.
'I became skinnier than those models and because of my disease, stopped thinking about the models altogether and became obsessed with just losing more and more weight,' she said.
Women who have an eating disorder, such as anorexia or bulimia, often stop having periods because of abnormal hormonal changes.
The body shuts down the reproductive system to help conserve energy to prevent nurturing another body— when the mother isn't eating enough to feed herself.
Some women struggle to to get pregnant long after they've entered eating disorder treatment and recovery.
Christie got steadily worse after her diagnosis and was admitted to hospital three times from collapses before she accepted her diagnosis.
'I looked in the mirror and felt disgusted at what I saw and became aware that I was slowly killing myself,' she said.
Christie's birth announcement came just months after her fiancé was served with a restraining order and charged with domestic violence-related common assault.
Joel, 38, was served an interim Apprehended Violence Order (AVO) by NSW Police on behalf of Christie in April. He pleaded not guilty to the assault charge.
Daily Mail Australia understands the matter was heard in court on August 6.
In 2022, Swadling filed for bankruptcy after racking up a pile of debt that she cannot pay back.
It was revealed that she was bankrupt after an anonymous user on the Tattle Life forums paid $15 to obtain the paperwork on her bankruptcy filing.
The status of her bankruptcy is 'undischarged', which means she will still need to pay back particular debts.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Daily Mail
2 minutes ago
- Daily Mail
The $6.90 item from Coles shoppers can't get enough of - and it's a go-to for one of Australia's top athletes
Daily Mail journalists select and curate the products that feature on our site. If you make a purchase via links on this page we will earn commission - learn more A $6.90 item from Coles has taken 'girl dinner' and 'grazing boards' to the next level - and it might just change how you eat healthily. Sunny Queen Farms Protein Bites have been flying off shelves across Australia, with shoppers creating epic 'protein boards' at home, filled with a variety of ingredients. Perfect for health-conscious shoppers with active, busy lifestyles, these light and fluffy protein bites are high in protein and fibre, gluten-free, super delicious - and may help keep you fuller for longer. Made with 100 per cent Australian Free Range eggs, the range features two new flavours: Bacon & Cheese and Tomato & Mozzarella. Jumping on the viral protein board trend, AFL star Tom Mitchell is leading the charge, revealing his go-to dinner after a late-night training session. 'As an athlete, what I eat really matters. I need food that fuels me fast. My go-to dinner is what I call a protein board... And it's never quite complete without the new Sunny Queen Farms Protein Bites,' the Collingwood premiership hero said. 'They're a game changer and they taste unreal... So good.' What the Brownlow medallist loves most about the flavour-packed protein bites is that each bag contains a serving of just 27g of protein, 17g of carbs and 381 calories. Bacon & Cheese Protein Bites Light & fluffy egg bites packed with protein and low in carbs - perfect for breakfast on the go. Bursting with flavour, they are baked not fried, making them the perfect choice to supercharge your meal. $6.90 Shop Tomato & Mozzarella Protein Bites Made with 100% Australian Free Range eggs, create an easy and delicious protein-packed meal filled with Sunny Queen Protein Bites and your favourite toppings. Perfect for breakfast, lunch or dinner. $6.90 Shop 'They make prioritising protein easy,' Mitchell said. The Collingwood midfielder usually prepares the protein bites in the air fryer, which typically takes just 10-12 minutes to bake. His protein board showcases Sunny Queen Farms Protein Bites, accompanied by cottage cheese, cucumber, carrots, strawberries, blueberries, yoghurt and brown bread. 'Short on time? Why cook, when you can create a protein board,' Mitchell said. 'They're super quick and easy to prepare, which is perfect for busy days.' It's the one supermarket item he always stocks up on from the frozen healthy meals section every time he shops at Coles. Protein boards are the latest obsession - a high-protein upgrade to the viral 'girl dinner', a social media trend where people throw together snack plates with minimal cooking, usually using whatever's left in the fridge or pantry. Aussies have been making their own protein boards at home - using up their favourite ingredients, including the hero Sunny Queen Farms Protein Bites. Known as the only egg-based protein bites on the Aussie market, they are baked not fried, making them the perfect healthy choice to fuel your day, whether you're training like an athlete or looking to boost your daily protein intake. Not only are they packed with goodness but they're also tasty - which is rare for healthy options that can sometimes be bland. Sunny Queen Farms Protein Bites are bursting with flavours, and they might just change the way you eat eggs forever. Shoppers who've tried the new protein bites say they're a favourite for post-gym refuelling or a quick midweek meal on rotation. 'Yum, these are delicious,' one said. 'Best pick for protein boost,' another shared. 'Deliciously healthy... the perfect way to look after your body and your mind.. no compromise anymore,' one explained. 'They are literally pockets of goodness,' another revealed. 'PSA: For time-poor snackers that need more protein, I highly recommend these,' one fan added. From a protein board or a pre/post-gym snack to a salad topping or wrapped in a tortilla, the possibilities are endless - just heat, eat and repeat Nutritionist Michelle, who has lost 25kg so far, said the Sunny Queen Farms Protein Bites are her favourite go-to snack - especially during her weight loss journey. Meanwhile, many said they couldn't wait to add Sunny Queen Farms Protein Bites to their shopping carts. 'OMG I need them all,' one said. 'Will be trying these for sure,' another revealed. 'Yum! I definitely need to try this,' one shared. The protein bites are best enjoyed however you like, whether it's for breakfast, lunch, snack or even as dinner. From a protein board or a pre/post-gym snack to a salad topping or wrapped in a tortilla, the possibilities are endless - just heat, eat and repeat. To buy Sunny Queen Farm Protein Bites, click here.
Daily Mail
4 minutes ago
- Daily Mail
Fans accuse Taylor Swift of ripping off Kylie Minogue's Showgirl: The Greatest Hits era with her new album cover
Taylor Swift sent Swifties around the world into a meltdown when she unveiled the cover of her new album, The Life Of A Showgirl, on Wednesday. But some are now accusing the American star, 35, of copying iconic pop queen Kylie Minogue 's Showgirl: The Greatest Hits era. The Aussie icon commenced her Showgirl world tour in 2005 with performances in Europe before travelling to her native Melbourne, where she was diagnosed with breast cancer, causing her to postpone the remaining dates. Several fans flocked to social media to claim Taylor ripped off Kylie's showgirl look by posing in feathers and a gem-encrusted outfit. 'Kylie is the one and only showgirl! No shade to Taylor but Kylie is the ultimate,' one person wrote on Instagram. 'There's only one Showgirl and that's Kylie!!' another commented while a third person agreed: 'There is only one Showgirl and that's our Kylie.' 'Queen of the Showgirls,' one person wrote as another added: 'The OG showgirl. Still showing the girls how to do it.' Despite some backlash, others rushed to Taylor's defence and insisted that more than one showgirl can exist. 'So is 'showgirl' only reserved for Kylie or what? Don't get me wrong as I am a fan of both Kylie and Taylor... Was just wondering,' one commented. 'These comments dragging Taylor are exhausting. Kylie is one of my faves but how about we stop pitting women against each other?' a second said. 'Kylie and Taylor should do a collab,' another suggested. It comes after Taylor unveiled first-look images of her jaw-dropping upcoming album artwork to accompany her new record, The Life Of A Showgirl. The 14-time Grammy Award-winning singer, 35, looked nothing short of sensational in a skimpy feathered outfits, which were shared alongside the album announcement. Taylor first dropped the news about her 12th studio album earlier this week while teasing her upcoming appearance on boyfriend Travis Kelce's New Heights podcast. On Wednesday, just as her New Heights episode premiered, the Red singer revealed the official album cover for The Life Of A Showgirl. She confirmed that the album will be released on October 3 — just over a year and a half after the release of her 11th studio album, The Tortured Poets Department. In the new album artwork, Taylor sizzled in racy gem-encrusted outfits fit for the stage as she posed in a theatre. Keeping in the showgirl theme, Taylor wore a huge 1920s-themed feathered headpiece and dazzling bodysuit as she gazed away from the camera.
The Guardian
4 minutes ago
- The Guardian
‘We popped the baby in a flowerpot!' Anne Geddes on the beloved photos that made her famous
When Anne Geddes began shooting her famous photographs, she soon learned she would need a backup baby – or 20. 'Connecting with a child who considers you a stranger is high stress,' she says. 'I remember trying to shoot one baby sitting in a tank of water, surrounded by waterlilies. It took five babies to make it work. One of them was even called Lily, but she was not having a bar of it. She looked at me as if to say: 'You think I'm getting in that water?'' She describes the practicalities of one of her best-known shots, 1991's Cabbage Kids. It shows twin brothers Rhys and Grant with cabbage-leaf hats on their heads, each sitting in an upturned cabbage, turning to one another with mild alarm. Geddes' assistant had tied a balloon to a piece of string, lowering it between them and whipping it up the moment they turned. Geddes got the shot. 'That whole world has changed; that income has gone,' says the 68-year-old Australian from her home in Manhattan, New York. Technology has changed everything. She calls Cabbage Kids 'authentic': 'The props were all real. It was all in my garage. It's funny; with Photoshop and AI, it makes me sad to think that if you came to my work now, you might question whether it was real. 'I think original stories will always prevail. That's why having people and humans behind the photographs is important. AI can't replicate that.' If you grew up in the 1990s, there is every chance that, like me, you tacked a Geddes poster to your wall. Babies upright in a flowerpot or a bucket, or gazing sleepily from a peony, a calla lily or a bed of roses. Some were dressed as bumblebees, others with little fairy wings, snoozing on a bed of crisp autumn leaves. The images are whimsical, otherworldly and sometimes plain weird. But they have that rare quality of appealing to children without being childish and have begun popping up again, often ironically, on social media. They were disseminated initially not just on Hallmark greetings cards, but also on the cover of Vogue Homme, in a Dior advert and even in a 2004 book with Céline Dion (the best image shows the singer holding aloft a baby asleep inside an amniotic sac). The height of that period, for Geddes, was appearing on The Oprah Winfrey Show: 'She came out carrying two babies dressed as bumblebees and we shot up the New York Times bestseller list!' But for many millennials, the peak of her fame was the episode of Friends in which Elle Macpherson's character, Janine, moved in with Joey and attempted to 'girlify' his apartment using Geddes' photograph Tayla as a Waterlily. Geddes is striking, with silver hair, high cheekbones and bright skin, like Meryl Streep if Streep wore her cap backwards. She sits in front of a generic backdrop, warm, if a little reserved, speaking slowly and carefully about bumblebee suits and lily pads. It's almost 30 years since she created Down in the Garden, a series of photographs of babies in and around flora and fauna, some of which will appear in her first ever retrospective, at the New Art Museum in Tübingen, Germany, this month. Among the 150 images are identical triplets sleeping in the hands of Jack, a school groundsman, whose hands also appeared in her 1993 photograph of Maneesha, a baby born prematurely at 28 weeks. For years, people have written to tell Geddes they keep this hopeful image on their fridge. Another photograph is of Tuli and Nyla. Geddes had two days in the studio, lots of babies and a giant Polaroid camera. 'I had no props, but you need a vague plan when you work with babies, as you have to work quickly,' she says. When Nyla began fussing, Tuli rocked her and whispered into her hair. She grabbed the moment. Geddes refers to these prop-less, slightly quieter pictures as her 'classic work' and the babies in flowerbeds as 'what they know' – 'they' being people like me, who grew up with them. 'After Down in the Garden came out, it was all pots, pots, pots,' she says. 'It was like I had a flowerpot tattooed on my forehead. People always want the flowerpots! But I'm like: I do other things. And what I'm looking forward to is that people will see the other work. This exhibition is really the first time anyone has asked me to do this.' Despite selling more than 10m calendars and almost twice as many copies of her seven coffee‑table books (for context, EL James shifted fewer copies of Fifty Shades of Grey in its first decade), Geddes hasn't always been treated with reverence in an industry dominated by single-name stars such as Bailey and Rankin. Is it snobbery? 'It's just a bit of a guy industry,' she says. '[Men] would say: 'I used to shoot babies, but then I moved on to landscapes.' I was always puzzled. To me, babies are magical.' The response to the baby pictures has sometimes been frustrating, she says. 'People said I was a one-shot wonder. I'm just as interested in shooting pregnant women or new mothers. It's just people don't want to talk about that as much.' With some earnestness, she says she now prefers photographing anything pertaining to the 'promise of new life, the miracle of pregnancy and birth'; she hopes the exhibition will draw attention to that. 'I've found that once the Europeans say: 'This is amazing,' then the Americans are like: 'We want this, too.' It has to be that way round.' Geddes was born in 1956 and grew up on a 10,500-hectare (26,000-acre) ranch in Queensland alongside four sisters. They were country kids who attended a two-room primary school. Photography wasn't a big part of her life: 'I only have three images of myself under two and none of me as a newborn.' As a teenager, she subscribed to Life magazine and became fascinated by the idea of telling a story through an image. Still, she lingered on the periphery of photography, going to work in television, where she met her husband, Kel. It was in those corridors that she came across the 'magic' of the darkroom. Shortly after they met, the couple moved to Hong Kong, where Kel was running a new TV station. 'Then we got married and I thought: I've got a roof over my head, now's the time to pick up a camera.' She began putting up adverts in supermarkets, offering to photograph families and children, traipsing around their gardens and homes with a Pentax K1000 she borrowed from her husband. When she was back in Australia and pregnant with her second daughter, now 40, Geddes began taking her classic baby pictures. She realised that, in a studio, she could control everything. She started taking photos for new parents, spending months creating elaborate sets in her garage and trying out different props. A lot of the shots came about by accident. One day, a six-month-old called Chelsea was brought in for a portrait and Geddes spotted an empty flowerpot in the back of the studio: 'We just popped her in there.' To keep her comfortable, she lined the pot with fabric. After a few months, she sent a collection of these images to a small greetings card company. That was that. At the beginning, she would put a call out for babies and take 'whoever came through the door'. But she learned to be discerning. 'Under four weeks is good. If they're full of milk and warm, they'll sleep.' She also liked working with six- and seven‑month-olds, 'because they're not mobile, but suddenly they're sitting and have this whole new perspective. Also, their heads are too big for their bodies, which is funny.' 'The more you charge [for a portrait], the more they want you to make magic with a two-year-old who is having a bad day,' she says. As she became well known, 'people began sending in photos of their babies, or rang from the labour ward in tears saying: 'I've just had the most wonderful baby.' I was just like: 'OK, yup, sure, let's go.'' The images that appeared in calendars, posters, books and magazines were always used 'with the permission of the parents', she says, and the parents were always on set. 'To me, a naked newborn baby is perfect,' she says. 'They are us, essentially good people, at the start of their lives, and that's what I love about them. That's what I was trying to capture. You look at these tyrants that are running rampant [in politics] and think: they were once newborns. What happened? Why didn't your mothers just tell you to sit down and behave?' Her main inspiration is May Gibbs' 1918 book Tales of Snugglepot and Cuddlepie, about little brothers who went on intrepid adventures in the Australian bush: 'Photographers have to have their own visual signature. This became mine.' Her success is unusual, given how kitsch her images are. 'This subject of mine is not deemed to be art and that's been evident throughout my career,' she says. But that was also the point. 'It was meant to be a children's story, not serious.' Does she think it would be harder to make her images now, in the digital era, because of privacy concerns? She says she doesn't think the web has affected her work in that way: 'I know a lot of people talk about having their babies online, or not having them online, but this sort of work is not exposing the babies personally.' Geddes still refers to her images by the name of each baby, partly because she is still in touch with some of them. She recently put out a call, hoping to reunite with the babies, now in their 30s, many of whom are parents themselves. After we speak, I go to bed and begin scrolling through pictures of my own baby, asleep in the room next door. We love looking at our own babies, but why do we like looking at other people's, too? We don't always, says Geddes. She once came close to winning a big portrait award in New Zealand. 'I remember the head of Kodak in New Zealand coming up to me and saying: 'Thank God you didn't win. How could we have a baby on the boardroom wall?'' Anne Geddes' retrospective exhibition, Until Now, runs from 16 August until 21 September at Art 28, Neues Kunstmuseum Tübingen, Germany
