A milestone celebration on Sask. golf course
WATCH: A birthday celebration for a 100-year-old man who still golfs every day was held on Friday. Mick Favel has the story.
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Cision Canada
6 hours ago
- Cision Canada
Government of Canada supports Tlingít cultural revitalization in Yukon
Government of Canada supports the Carcross/Tagish First Nation's Haa Ḵusteeyí celebration of language and community, honouring Tlingít culture. CARCROSS, YT, July 29, 2025 /CNW/ - For Indigenous communities, the act of gathering ais about more than tradition; it is a way to ensure language, culture, history and sacred bonds with the land are able to thrive and grow stronger. Brendan Hanley, Parliamentary Secretary to the Minister of Northern and Arctic Affairs and Member of Parliament (Yukon), announced a $95,000 investment in support of the Carcross/Tagish First Nation's Haa Ḵusteeyí celebration, a gathering of Tlingít communities from across the Yukon, British Columbia and Alaska, held from July 24 to 26, 2025. He made the announcement at the gathering's opening ceremony, on behalf of the Honourable Steven Guilbeault, Minister of Canadian Identity and Culture and Minister responsible for Official Languages. The Carcross/Tagish First Nation received $50,000 through the Development component of the Canada Arts Presentation Fund. The investment helped support the celebration's artistic program, which featured more than a dozen traditional and contemporary dance, drumming, storytelling and musical performances that reflect the histories, identities and living traditions of participating Indigenous nations. The Carcross/Tagish First Nation also received $45,000 through the Events component of the Multiculturalism and Anti-Racism Program to deliver a series of inclusive, hands-on cultural workshops and youth engagement activities. Haa Ḵusteeyí featured Elder-led workshops on seal-skin moccasin making, hide tanning, cedar hat weaving and carving, among other topics. They encourage intercultural connection and intergenerational sharing of cultural knowledge. The celebration brought together more than 3,000 people, to honour Tlingít language and traditions through storytelling, dance, ceremony and shared learning. Quotes "Haa Ḵusteeyí is a beautiful celebration of Tlingít culture and a living expression of Indigenous tradition and identity. It also allows Canadians to build meaningful relationships, rooted in reconciliation. Our government is proud to invest in programs that advance reconciliation, honour culture, preserve language, and sustain cultural teachings and knowledge. Events like this allow all of us to build meaningful relationships rooted in respect and walk the path of reconciliation together." —The Honourable Steven Guilbeault, Minister of Canadian Identity and Culture and Minister responsible for Official Languages "I was deeply honoured to be invited to the Carcross/Tagish First Nation for Haa Ḵusteeyí. It was profoundly moving to see how communities sustain the rich and vibrant traditions of the Tlingít people through language, culture and teachings. Having chosen to call the Yukon home for more than three decades, I am proud of our government's commitment to Haa Ḵusteeyí. It's a clear demonstration of reconciliation in action." — Brendan Hanley, Parliamentary Secretary to the Minister of Northern and Arctic Affairs, and Member of Parliament (Yukon) "Haa Ḵusteeyí is an important biennial celebration of Inland Tlingit culture, but this year has been a difficult one. In such times in our history, Haa Ḵusteeyí has continued. We have upheld this tradition in proudly hosting Haa Ḵusteeyí 2025 and by bringing our ancestors with us through ceremony, by offering a fire plate each evening and keeping a sacred fire burning throughout the celebration. I thank our Carcross/Tagish First Nation citizen and Haa Ḵusteeyí coordinator, Nicole Welin, and her team for skillfully meeting many challenges. Through their work and the support of many volunteers and major sponsors, like the Department of Canadian Heritage, Haa Ḵusteeyí 2025 has been a success." — Maria Benoit, Haa Sha du Hen (Chief), Carcross/Tagish First Nation Quick Facts The biannual Haa Ḵusteeyí is a Tlingít cultural gathering that rotates between host First Nations in the Yukon and British Columbia. The gathering allows Tlingít people to come together, actively use their language and contribute to the revitalization and preservation of Tlingít heritage and culture in their communities. Haa Ḵusteeyí (pronounced Haa Khoo-s-tee-yee) means "our culture" or "Tlingít way" in the Tlingít language and its roots date back centuries. This traditional gathering was revived by Elders in 2005. The Canada Arts Presentation Fund supports organizations that professionally present arts festivals or performing arts series as well as organizations that fund arts presenters. The Development stream supports emerging arts presenters and presenter-support organizations that focus on underserved communities or artistic practices. The Multiculturalism and Anti-Racism Program's Events component helps fund community-based events that promote intercultural or interfaith understanding, promote discussions on multiculturalism, diversity, racism and religious discrimination, or celebrate a community's history and culture. Carcross/Tagish First Nation Multiculturalism and Anti-Racism Program SOURCE Canadian Heritage
CTV News
16 hours ago
- CTV News
‘I felt like the old Genie': Bouchard extends career with first-round win at NBO
Eugenie Bouchard of Canada celebrates after defeating Emiliana Arango of Colombia during her first round match at the National Bank Open tennis tournament in Montreal on Monday, July 28, 2025. THE CANADIAN PRESS/Christopher Katsarov MONTREAL — Eugenie Bouchard's retirement will have to wait. The former world No. 5 — and first Canadian woman to contest a Grand Slam final in the open era — upset Colombia's Emiliana Arango 6-4, 2-6, 6-2 in the first round Monday night at the National Bank Open, extending her tennis career for at least one match. 'I told my family that if I won the tournament, I would come out of retirement,' she said from centre court. 'I felt like the old Genie out there.' Bouchard, who also earned her 300th singles win, announced on July 16 that she would hang up her racket at the end of her hometown event. The 31-year-old from Westmount, Que., rose to prominence with a sensational season in 2014. At only 20, she reached the Wimbledon final, played in the Australian Open and French Open semifinals and won her only WTA title. Bouchard never returned to that level in a short-lived run among the best in tennis, but for one night at least, she resembled her old self — striking the ball with flair and painting the lines with forehand winners. 'I woke up this morning just telling myself, look I can't control the result, I just want to have a good attitude, have good fight and try to feel good with my shots, feel good with my game,' she said. 'No matter what happens, I wanted to walk off the court having enjoyed that gritty battle. 'I enjoyed every second of it.' Now ranked 1,062nd, Bouchard has moved away from the pro tennis circuit in recent years, spending more time on the PPA Pickleball Tour, where she ranks 12th in singles. Knowing it could be her last dance, fans mostly filled IGA Stadium, welcoming Bouchard with loud applause when she stepped on the court and cheering her on — with mixed chants of 'Let's Go Genie!' and 'Allez Eugenie!' — with every point. Bouchard could feel the crowd's energy running through her. Sometimes a little too much. When Bouchard broke the 82nd-ranked Arango twice in the decisive third set — first with a forehand, then from the Colombian's missed volley — to build a 5-1 lead, she described the feeling as an 'out-of-body' experience. 'The crowd was so noisy that I didn't feel my body for 30 seconds,' she said. 'And I lost the game after that. It didn't help me at the time.' Arango broke back with Bouchard serving for the match to make it 5-2, but the Canadian went up 40-love in the ensuing game. Arango then sent her forehand wide on Bouchard's second match point. The local favourite held her hands above her head in disbelief, blew kisses to the crowd, and later told a shouting fan 'I love you, too!' 'It was electric out there,' Bouchard said. 'I'm so proud of how I competed and stayed focused throughout the whole match and fought. It was a physical battle, a mental battle, and it just felt amazing to play in Montreal in front of everyone.' Bouchard will take on 17th seed Belinda Bencic of Switzerland in the second round Wednesday night. She came out with flashes of her attacking style, pushing Arango out of position with a dangerous backhand before hitting a forehand winner to go up 1-0 in the first set. After holding serve to go up 5-4, Bouchard earned double breakpoint and hit a forehand winner down the line to take the set. 'I know that I have good tennis, but I didn't know if I could show it today,' she said. 'I put effort into practice recently and I really wanted to have a good performance. So I knew I could do that, but it depended on whether I could stay in the game mentally and not be in my emotions or think about all the things that were around this game and around this tournament. 'I'm proud I was able to do that. I still have my focus.' Bouchard's momentum didn't carry into the second set as Arango broke her three times to comfortably force a third. Then she got it back. Also on Monday, Canada's Kayla Cross, Ariana Arseneault and Carson Branstine dropped out of the NBO after the first round. Cross let a one-set lead slip away in a 4-6, 6-3, 6-2 loss to Kamilla Rakhimova of Russia, and Arseneault of Richmond Hill, Ont., fell 6-4, 6-2 to Japan's Naomi Osaka. Branstine, who grew up in California but represents Canada through family ties in Toronto, pushed former world No. 3 Maria Sakkari to three sets, but ultimately dropped the two hour, 23-minute match 6-2, 3-6, 7-5. Toronto's Victoria Mboko, Bianca Andreescu of Mississauga, Ont., and Vancouver's Rebecca Marino advanced to the second round with wins Sunday. Andreescu's status for the remainder of the tournament is unclear after she hurt her left ankle on match point against Czechia's Barbora Krejcikova. This report by The Canadian Press was first published July 28, 2025. By Daniel Rainbird
CTV News
16 hours ago
- CTV News
When moose took over Toronto: Artists reflect on city art project, 25 years later
As people around the world welcomed a new millennium, Torontonians in the year 2000 were welcoming something even bigger – a herd of hundreds of life-size moose statues. Twenty-five years ago, Toronto launched its Moose in the City campaign, a project featuring 326 colourful moose statues decorated by artists and placed all over the city in an effort to usher in the new year with a boost for local tourism and art sectors. The project came at no cost to the city, according to council minutes from April 2000, and the statues were sponsored by various companies. The public could stumble upon the hoofed, herbivore masterpieces at locations including the CN Tower, Pearson Airport and city hall. Some of the artists involved say the project was emblematic of the city's culture and shows how municipalities can step up to support the art scene — even as some of the famed sculpted creatures have disappeared in the years since. Moose in the City was a 'great collaboration with the city' for artists, said Kelly Borgers, who was commissioned to do three of the statues. There was even a launch party for the project, with music and a sculpture parade. 'All the moose were all together. We pushed them on wheels down the street like a stampede,' she recalled. Borgers said she produced three statues: Park Moose, Driving Moose Daisy and Florence Moosingale. She's not sure what happened to the first two – decorated with nature scenes and granny glasses, respectively – but Florence lives in the city's midtown outside the headquarters of a home care agency. Lee Grunberg, the president and CEO of Integracare, said Florence used to get Valentine's Day cards addressed from another moose that's perched on the roof of a house in nearby Mount Pleasant neighbourhood. 'The people that bought these moose, they love the camaraderie of owning these moose,' Grunberg said. Borgers likes to drive by and see Florence once in a while, she said, and knowing her art is still out there 25 years later brings her joy. 'She's always dressed up in all different costumes, for Valentine's Day, for Easter, for Christmas, for Canada Day,' Borgers said with a laugh. 'It's awesome. I'm proud of my moose. She has a better wardrobe than I have.' Borgers said the project was symbolic of the fun to be had in the city, and it 'lightened things up.' 'I just think it had a good sense of humour, that was nice,' she said. 'Nobody saw moose and frowned.' Lindsay Davies, who is based in Aurora, Ont., said the project gave her and other artists a chance to 'show their thing.' Davies was commissioned by Belinda Stronach, daughter of billionaire businessman Frank Stronach, to paint a moose statue to look like former Toronto Maple Leafs goalie Curtis Joseph. The statue was complete with a jersey, hockey socks and a detailed goalie mask covering the moose's snout. It was placed in front of the Hockey Hall of Fame. 'I just felt totally honoured and absolutely thrilled where it ended up downtown on Front Street,' said Davies. Despite reports at the time of moose vandalism — including alleged antler thefts — Davies said she'd love to see the city do a similar project again, especially given the participants' diverse art styles. 'It's just wonderful, and it's very inspirational,' said Davies. 'I think the public in general really benefits from something like that.' Davies said her moose was auctioned for $25,000 that went to charity shortly after the project. Though she said she doesn't know where Curtis Joseph Moose is today, she theorizes he's somewhere in Little Britain, Ont., after a local bakery took ownership years ago. Toronto-based artist Teri Donovan said George Cohon, the founder of McDonald's Canada, brought up the public art idea with then-mayor Mel Lastman, who became very interested in the project and stood behind it. Donovan said she got involved after a friend sent her a brochure about the campaign and she ended up creating two sculptures: the Bay Street Moose and the Strawberry Moose with Whipped Cream. 'It was really an interesting thing to do. It had its challenges, of course, but in the end, it was a lot of fun,' she said. She isn't sure about the fate of her two moose, although she discovered through online research that the Bay Street sculpture was missing. There were controversies surrounding the project, she recalled. The quality of some sculptures was not very good, she said, and critics complained that the statues were not actually art. 'But it wasn't supposed to be high art, it was supposed to be a fun project for the city,' she said. Donovan remembers her neighbours and their kids routinely checking on the progress of one of her moose creations as she painted it in her driveway. 'I live in a quiet neighbourhood in the east end of Toronto and there isn't a lot of that kind of thing that happens here,' she said. Donovan said Moose in the City was a draw for tourists and it also helped raise money for charities as some of the moose were auctioned off. Laurel Brooks still has the moose her family purchased at auction and moved to their Muskoka cottage, where it stayed until 2012. She said her daughter and ex-husband initially wanted to get Tourist Moose, with a hat and a camera around her neck, but the bidding for that one was 'pretty competitive.' They ended up getting a moose built by Toronto District School Board students, she said. After separating from her ex-husband, Brooks brought the moose back to Toronto where it now sits on an elevated platform in her backyard. The sculpture, too big to fit through the garage or the side of the house, had to be hoisted and moved with ropes, she said. It's made of paper-mache, with layers coming off over the years, and has been repainted with red flowers that look like poppies. 'I just really liked it,' Brooks said with a laugh when asked if the hustle of moving the moose back and forth was worth it. 'It's just a cool thing to have.' With files from Fatima Raza. This report by The Canadian Press was first published July 29, 2025. Sharif Hassan and Rianna Lim, The Canadian Press
