logo
Sorry, Boss — I'm just not your biggest fan

Sorry, Boss — I'm just not your biggest fan

Times10-07-2025
Greetings from Asbury Park, NJ. Which will mean more to some of you than others. It's the title of Bruce Springsteen's first album. He played his early gigs with the E Street Band about two minutes from my hotel, at a venue called the Stone Pony.
Others who gigged there on the way up: Blondie, the Ramones, Elvis Costello on his first transatlantic tour. Van Morrison shot a video at the Pony because he thought it had a cool atmosphere. But it's the Boss's lingering aura that is the draw, obviously.
Making me something of an imposter. This isn't a pilgrimage to the source of the river. I'm not the biggest Springsteen fan. I know I'm probably missing something. There's enough people out there willing to testify to his genius and since he's taken a stand against Donald Trump, his standing in Asbury Park is greater than ever. Supportive signs in the shop windows, defiant messages on white tees, a real hagiography.
All wasted. I used to spend a lot of time at tournaments with our golf correspondent, Derek. Absolute Springsteen nut. Golf writers spend a lot of time in the US. Derek had seen his hero dozens of times. The running joke was my lack of appreciation, exaggerated to a regular assertion that Springsteen was rubbish.
• This singer is Bruce Springsteen's heir — here's why
Actually it was more nuanced than that. If I had just trashed Springsteen, Del could have dismissed me as an idiot. But I always qualified it by saying I liked some Springsteen. Which is true. I like it when he doesn't sound anything like how we imagine Bruce Springsteen. So, not good time rock and roll or Born in the USA. Streets of Philadelphia, I love. And his cover version of Dream Baby Dream by Suicide, New York punks with a cheap synthesizer.
And that, I think, made it worse. It's like the old joke about the difference between a dummy and a dummy's dummy. The former believes everything he reads in the Sunday Sport; whereas the latter believes some of the things he reads in the Sunday Sport.
By the way, blue-collar Bruce did not actually come from Asbury Park. He played here. Asbury Park is nice, rather posh. Cool, artistic community, very liberal, very gay. Lovely, picturesque, colourful wooden-boarded houses, as many pride flags as there are stars and stripes. You'd be happy to live in Asbury Park. And it's on the sea.
I'm here because the tournament I'm covering ends at Meadowlands in New Jersey. The stadium is in the state, the NFL teams that call it home are the two from New York, the Giants and the Jets. Most visitors will stay in New York. But I've done that many times, for work, on holiday. So here I am on the eastern seaboard.
And it's America, and quite an important part culturally, so you still get that feeling of being on a film set. You drive the New Jersey Turnpike, like Tony does in the title sequence of The Sopranos; you come off at toll booths like the one where Sonny Corleone is ambushed in The Godfather. Frank Sinatra came from New Jersey; so did rap originators the Sugarhill Gang.
Then, on the Garden State Parkway the other day, there it was: the Jon Bon Jovi Service Area. How great is that? Why don't we do this, name mundane road stops after local rock stars? A Johnny Rotten Little Chef just off the North Circular. A Dave Gilmour Drive-Thru Starbucks and Shell garage at the top of the M11.
You'd be proud, wouldn't you, in Jon Bon Jovi's shoes? He loves it. Called the naming — it was previously the Cheesequake Service Area — a career highlight. I think I'd turn up there one day a year if I was him, put on a uniform and get behind the counter at Auntie Anne's just to see the look on people's faces.
Thinking on it, though, Cheesequake? What a name for a band that would be. Better than Bon Jovi. Although that may have been spoiled for me on discovering there was a tribute act from Yorkshire, called By Jovi. Now they should definitely have their own service station.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Groundbreaking Latin jazz pianist-composer Eddie Palmieri, dead at 88
Groundbreaking Latin jazz pianist-composer Eddie Palmieri, dead at 88

Reuters

timean hour ago

  • Reuters

Groundbreaking Latin jazz pianist-composer Eddie Palmieri, dead at 88

Aug 6 (Reuters) - Eddie Palmieri, a Grammy-celebrated pianist, composer and bandleader widely recognized as a leading figure in the Latin jazz and salsa music scene, died on Wednesday at his home in New Jersey, according to his Facebook page. He was 88. No cause of death was given. Born in the Spanish Harlem section of Upper Manhattan to Puerto Rican parents, Palmieri began studying piano as a youngster and made his musical debut performing at Carnegie Hall at age 11. Two years later, he grew fascinated with percussion and joined his uncle's Latin jazz orchestra on timbales at age 13, but soon switched again to piano and never looked back, according to a biography posted on Still, his early infatuation with percussion went on to inform his dazzling, thunderous piano style, and compositions that transcended the boundaries of Afro-Caribbean music, jazz, funk and soul. As described by AllMusic, his technique as a pianist incorporated bits and pieces from contemporaries ranging from McCoy Tyner to Herbie Hancock and recycled them through a dynamic, Latin groove. "His approach can be compared to Thelonious Monk's for its unorthodox patterns, odd rhythms, sometimes disjointed phrases and percussive effects played in a manner that is always successfully resolved," AllMusic wrote. In 1961, Palmieri founded the ensemble La Perfecta, redefining salsa by introducing trombones in place of trumpets for a deeper, heavier brass sound that became his signature. The band's self-titled debut album is universally regarded as a Latin music classic. His 1965 album "Azucar Pa' Ti" ("Sugar for You") became a dance-floor favorite and Palmieri's most successful release. It was added to the U.S. National Recording Registry by the Library of Congress in recognition of its cultural significance. Palmieri's 1971 album "Harlem River Drive", also the name of his second band, showcased a genre-crossing, politically charged collection of songs blending Latin jazz, funk and soul that is still considered a hallmark of musical activism. That same year, he also recorded the album "Vamanos Pa'l Monte" ("Let's Go to the Mountain"), featuring his older brother, Charlie Palmieri, playing organ. His elder sibling, known as the "Giant of the Keyboards," died in 1988. Other groundbreaking releases from among a body of work spanning seven decades include the albums "Justicia Sun of Latin Music" (1974) and "The Truth: La Verdad" (1987). Palmieri is the recipient of 10 Grammy Awards, the National Endowment of the Arts' Jazz Master Award and a lifetime achievement award from the Latin Academy of Recording Arts and Sciences, among other accolades.

Diddy plotting major career comeback after prison release, rapper's lawyer claims… amid Trump pardon talks
Diddy plotting major career comeback after prison release, rapper's lawyer claims… amid Trump pardon talks

Daily Mail​

timean hour ago

  • Daily Mail​

Diddy plotting major career comeback after prison release, rapper's lawyer claims… amid Trump pardon talks

Sean ' Diddy ' Combs is aiming to headline Madison Square Garden. Marc Agnifilo, the head lawyer for the 55-year-old music mogul, told CBS Mornings that the I'll Be Missing You vocalist has his sights set on the New York City staple for a comeback concert. 'He's going to be back at Madison Square Garden - and I said I'll be there,' the lawyer told the network's Jericka Duncan in a segment slated to air Thursday. Agnifilo told Duncan that Diddy told him he wants to 'get back with his mother, and the people who love him and miss him.' Duncan asked the attorney, 'So he's talked to you about getting back into music?' Agnifilo replied, 'No - honestly, he has not - OK, one thing he said, he said' was that he's 'going to be back in Madison Square Garden. Duncan asked 'Doing what?' to which Agnifilo responded, 'I guess being on stage, you know?' Daily Mail has reached out to reps for Combs for further comment on the story. The chatter about the rapper's future comes amid news his legal team has been in contact with President Donald Trump's administration about a potential pardon. Diddy was cleared on sex trafficking and racketeering charges in his criminal trial in New York City last month. The Satisfy You artist was convicted in connection with federal prostitution violations - and has been denied bail - but has a hearing on slate for October. Diddy has been held in a New York City jail since he was arrested last fall in connection with the federal charges. Under the counts he was convicted of - transportation to engage in prostitution - Diddy faces a maximum sentence of 10 years in custody. He could have been held for life had he been convicted on the other charges. Attorneys for the hip-hop stalwart said Diddy should be allowed a bond of $1 million to go free until sentencing. Prosecutors maintained Diddy was still was a flight risk in the wake of th verdicts.

Eddie Palmieri, pioneering Latin jazz musician and Grammy winner, dies aged 88
Eddie Palmieri, pioneering Latin jazz musician and Grammy winner, dies aged 88

The Guardian

time2 hours ago

  • The Guardian

Eddie Palmieri, pioneering Latin jazz musician and Grammy winner, dies aged 88

Eddie Palmieri, the avant-garde musician who was one of the most innovative artists of rumba and Latin jazz, has died aged 88. Fania Records announced Palmieri's death Wednesday evening. Palmieri's daughter Gabriela told the New York Times her father died earlier that day at his home in New Jersey after 'an extended illness'. The pianist, composer and bandleader was the first Latino to win a Grammy award, in 1975 for the album The Sun of Latin Music, and he would win seven more over a career that spanned nearly 40 albums. He kept releasing music into his 80s, even performing through the early coronavirus pandemic via livestreams. Palmieri was born in New York's Spanish Harlem in 1936, at a time when music was seen as a way out of the ghetto. He began studying the piano at an early age, like his famous brother Charlie Palmieri, but at age 13, he began playing timbales in his uncle's orchestra, overcome with a desire for the drums. He eventually abandoned the instrument and went back to playing piano. 'I'm a frustrated percussionist, so I take it out on the piano,' the musician once said in his website biography. In a 2011 interview with the Associated Press, when asked if he had anything important left to do, he responded with his usual humility and good humour: 'Learning to play the piano well ... Being a piano player is one thing. Being a pianist is another.' Palmieri dabbled in tropical music as a pianist during the 1950s with the Eddie Forrester Orchestra. He later joined Johnnie Seguí's band and Tito Rodríguez's before forming his own band in 1961, La Perfecta, alongside trombonist Barry Rogers and singer Ismael Quintana. La Perfecta was the first to feature a trombone section instead of trumpets, something rarely seen in Latin music. With its unique sound, the band quickly joined the ranks of Machito, Tito Rodríguez, and other Latin orchestras of the time. Palmieri produced several albums on the Alegre and Tico Records labels, including the 1971 classic Vámonos Pa'l Monte, with his brother Charlie as guest organist. Charlie Palmieri died in 1988. Eddie's unconventional approach would surprise critics and fans again that year with the release of Harlem River Drive, in which he fused Black and Latin styles to produce a sound that encompassed elements of salsa, funk, soul and jazz. Later, in 1974, he recorded The Sun of Latin Music with a young Lalo Rodríguez, and the album became the first Latin production to win a Grammy. Eight-time winner Palmieri was instrumental in the creation of the best Latin jazz album category at the Grammys in 1995; when the category was eliminated in 2011, he accused the academy of 'marginalizing our music, culture and people even further'. The category was reinstated the following year. In the 1980s, he won two more Grammy awards, for the albums Palo Pa' Rumba (1984) and Solito (1985). Palmieri released the album Masterpiece in 2000, which teamed him with the legendary Tito Puente, who died that year. It was a hit with critics and won two Grammy awards. The album was also chosen as the most outstanding production of the year by the National Foundation for Popular Culture of Puerto Rico. During his long career, he participated in concerts and recordings with the Fania All-Stars and Tico All-Stars, standing out as a composer, arranger, producer and orchestra director. In 1988, the Smithsonian Institution recorded two of Palmieri's concerts for the catalog of the National Museum of American History in Washington. Yale University in 2002 awarded him the Chubb fellowship award, an award usually reserved for international heads of state, in recognition of his work in building communities through music. Over his career, Palmieri worked with renowned musicians such as timbalero Nicky Marrero, bassist Israel 'Cachao' López, trumpeter Alfredo 'Chocolate' Armenteros, trombonist Lewis Khan and Puerto Rican bassist Bobby Valentín. In 2010, Palmieri said he felt a bit lonely musically due to the deaths of many of the rumberos with whom he enjoyed playing with.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store