logo
SURREALESTATE Recap: (S03E06) Battleground

SURREALESTATE Recap: (S03E06) Battleground

SurrealEstate Season 3 Episode 6, 'Battleground,' depicts a supernatural warzone as a deceased Vietnam War soldier turns the upstairs of one home into a battlefield. Luke gets advice from the Beyond, and Susan meets a handsome guy in a truly Hallmark moment. 'Battleground' is a solid outing with fun character beats. It strikes a nice balance between narrative movement and character development.
RELATED: Read our recap of the previous SurrealEstate episode, 'The Gardener' SurrealEstate, 'Battleground'
We open with Dwight Campbell (Michael Chan) waking up on the couch during the night. He overhears what sounds like gunshots upstairs. Then, he stumbles upon a scene from a war film. A young man (Sam Ashe Arnold) places his hand over Dwight's mouth, shushing him. Love it when a literal war breaks out in my house.
Elsewhere, Bob Livingston (Jefferson Brown) visits Susan (Sarah Levy) with a proposition: he wants to merge his real estate agency with Roman Ireland. Naturally, Susan is repulsed by him, her ex-boss and lover, and the idea. Bob begs her to run it by Luke after presenting her with a breakdown of his agency's annual stats. Well, something of that nature; I never claimed to be a real estate agent. SURREALESTATE — 'Battleground' Season 3 Episode 6 — Pictured: Maurice Dean Wint as August Ripley — (Photo by: Albert Camicioli/SE3 Productions Inc./SYFY) World War Spook
After this, Susan and August (Maurice Dean Wint) tune in for updates from Tag (Alex Ozerov-Meyer). We learn that Luke is checking out a cottage on the lake while Lomax is still assisting her parents at the funeral home. Our trio chats about the Campbell house and its major case of World War Spook. Tag plans to research the house's residential history, while Auggie will conduct a PKT, and Susan will chat with the Campbells.
RELATED: Our 15 Favorite Wynonna Earp Moments
Later, Susan talks to Dwight and his husband, Peter (Colin Andrew Nimblett). They've lived in that house for 11 years without any issues. In addition, neither of them served in the military. Susan reassures them that Roman Ireland will resolve this ghostly issue (but first, a few readings).
Then, Susan calls Luke (Tim Rozon) to brief him on the situation. He's en route to the cottage on the lake but is currently driving through country back roads, utterly lost. The connection between Luke and Susan keeps phasing in and out, too. This is the start of a horror movie, right? Luke parks in front of a tiny house that resembles a shed. He moves toward the door, clearly planning to ask for directions. The War Is Here
Auggie conducts his PKT outside the Campbell house while Susan investigates inside. She wanders upstairs, where she encounters the inexplicable warzone. Auggie overhears the conversation between the soldiers and a great, big boom as a grenade goes off. He rushes upstairs to check on Susan. She points at the closet where the dead soldiers emerged. However, it's empty now. It looks like your typical bedroom closet.
RELATED: Wynonna Wednesday: Theories for a Wynonna Earp Season 5
Next, Luke meets Harry (Stuart Hughes), a curmudgeonly older man who would rather go into hermit mode than interact with people. Listen, I get that. I'm there now. Anyway, Luke asks for directions to the cottage, but Harry brusquely offers terse, one-word responses. 'No' seems to be his favorite word. We hear thunder booming overhead. Luke has misplaced his car keys, and his vehicle is locked. He asks Harry for shelter to wait out the storm. Harry reluctantly lets him inside.
Meanwhile, Tag shares his research with Susan. He asks her to describe the soldier who interacted with her (the man from the beginning of the episode). She struggles to describe his uniform. Tag needs this info to figure out what decade homeboy is from. He pivots, asking Susan how she's doing. She thanks him for caring. Tag's a sweetie. SURREALESTATE — 'Battleground' Season 3 Episode 6 — Pictured: Sarah Levy as Susan Ireland — (Photo by: Albert Camicioli/SE3 Productions Inc./SYFY) Bigger on the Inside
Elsewhere, Luke discovers that Harry's tiny house is bigger on the inside (but a little less sci-fi looking than the TARDIS). He meets Harry's beautiful senior pooch, Erasmus. Harry goes on about the outside world being irrelevant. Suddenly, Luke notices the front door is missing. Harry claims it's where Luke left it, though, and it reappears.
RELATED: What's New on TV This Week (May 4 – 10)
Then, Luke clocks that Erasmus is a ghost. The pup died at 13 years old. Luke asks Harry when he passed. We've got a ghost double-whammy, folks. Meanwhile, Rochelle (Joy Tanner) brings Auggie his lunch. He's fiddling with a device specially for the Campbell house soldier ghost.
Rochelle makes a crack about The Shining twins finally reaching menopause. Auggie claims he doesn't joke about the deadly weaponry ASDRA creates, so he would like Rochelle to extend that same courtesy for his job. She leaves, irritated. Ghost Soldier
At the same time, Tag and Susan narrow down various battle helmets to one worn from the '40s to the '80s. So, they could be dealing with a WWII, Korean War or Vietnam War soldier. Auggie joins the conversation. It's here that Tag concludes that the soldier hails from the Vietnam War era. Susan offers to tell the ghost soldier that his war is over.
RELATED: The Woman in the Yard Spoiler Review
That night, Susan calls out to the ghost soldier, declaring that the war ended a long time ago. Suddenly, she's rocked by an explosion. The soldier emerges and calls for a medic. Susan looks out of sorts as she tries to break the truth to him.
Later, Harry tells Luke about his life. His wife and kids loathed him. Erasmus changed his life. However, after the poor doggie passed away, Harry wasn't far behind him, plagued by poor health. Harry offers Luke a glass of wine. Then, he delivers a message. Management wants Luke to understand that not every spirit needs to move on. Sometimes, a spirit wants to stay put and relive their happiest moments. Stay Humble
Also, as per Management, Luke doesn't know everything. They advise him to approach his job from that angle. After imparting this message from beyond the veil, Harry hands Luke his car keys. Luke gives Erasmus, the goodness ghost boy, a few pets before departing.
RELATED: Underrated Horror Movie of the Month: Daybreakers
Then, Tag hits the research motherlode, revealing that the soldier's name is Robert Vincennes. He dated Lynette, whose family resided in the Campbell house in the late '60s. They went to prom together. Robert was deployed right after high school and died in action in 1968. Tag found Lynette, who is widowed and still lives in the area. Susan asks for her address.
That evening, Auggie tells Rochelle about his uncle, who served in the Vietnam War. Upon returning, he was a completely different person. Auggie reveals his uncle steered clear of social events, even those of the familial persuasion, after that. Rochelle assumes this is why Auggie struggled at ASDRA. Robert the Ghost's story resonates profoundly with Auggie. He hoped to help this 'troubled young man.' SURREALESTATE — 'Battleground' Season 3 Episode 6 — Pictured: (l-r) Tim Rozon as Luke Roman, Sarah Levy as Susan Ireland, Maurice Dean Wint as August Ripley — (Photo by: Albert Camicioli/SE3 Productions Inc./SYFY) An Interrogation
Meanwhile, Tag gives Susan more info regarding Robert. Before they end the virtual call, Tag offers his condolences for Susan's loss — the passing of her mom. Aw. Inside the Campbell house, Auggie tries to contact Robert. Like Susan, he declares that the war is over. Unfortunately, Robert knocks Auggie unconscious.
RELATED: Read our Reginald the Vampire recaps
The following day, Luke returns to the office. He spent the night at the cottage on the lake, but the trip was worth it. The cottage will make a pretty penny on the market. Susan updates Luke regarding the Campbell house. Why would Lynette's soldier boyfriend haunt her old house decades later? Rochelle calls Luke, asking if he's seen Auggie. Auggie never came home the night before.
Elsewhere, Auggie wakes up tied to a chair. Robert interrogates him about a fellow soldier who's missing. He accuses Auggie of killing his friend. Luke arrives. He calls out to Robert. Robert threatens to shoot Auggie in the head, training a gun on the latter. Can a ghost gun really kill living flesh, though? SURREALESTATE — 'Battleground' Season 3 Episode 6 — Pictured: Maurice Dean Wint as August Ripley — (Photo by: Albert Camicioli/SE3 Productions Inc./SYFY) A Reunion and a Fire
Thankfully, Luke persuades Robert to stand down. Susan meets Lynette Meeker (Anne Shepherd) and brings her to the Campbell house. Luke and Robert play a game of catch outside while Auggie watches from afar. Robert explains how important Lynette was to him. Sadly, they stopped writing letters months away from his untimely demise in battle.
RELATED: 10 Out-of-This-World Predictions for Resident Alien Season 4
Lynette reunites with Robert. She transforms into young Lynette (Eleonora Poutilova), who kisses Robert. She's grateful for this closure. Now, she can finally say goodbye. Robert moves on. Auggie explains to Luke and Susan that US soldier remains from the Vietnam War were finally transported stateside after decades abroad. This is why Robert is haunting the house now — he's back home.
Next, Susan tosses a piece of Bob Livingston-related mail behind her onto her kitchen counter. Speak of the Devil, he calls her. Susan reveals she didn't bring his proposal of merging to Luke, but she's rejecting it anyway. He wouldn't understand or gel with their moral code. He irritates her during the conversation, and her anger sets the crumpled-up mail on the counter ablaze. The fire spreads up the curtains behind Susan. After she hangs up on Bob, she says aloud that she hopes he dies in a fire. Comedy! SURREALESTATE — 'Battleground' Episode 306 — Pictured: (l-r) Sarah Levy as Susan Ireland, Stephen Huszar as Crash Newberg — (Photo by: Albert Camicioli/SE3 Productions Inc./SYFY) A Warning and a Meet-Cute
Later, Vonda (Jessika Mathurin) stops by the agency. She chats with Auggie, warning him about Tyler/Malec. Tyler isn't himself these days. Vonda tells Auggie about Tyler and Luke's new partnership. Oh, and he's obsessed with Luke. We know Auggie has been suspicious of Tyler since day one. Auggie vows to pass this on to his boss.
RELATED: Read our recaps for The Ark
Then, Susan meets a firefighter, Crash (Stephen Huszar), who saves her kitchen from death by fire. He's a cutie. They flirt with each other. She gives him her card. Crash offers to regale Susan with the story behind his nickname if she has dinner with him. Smooth. Funny that she meets a firefighter after starting a fire with her mind.
After this, Susan returns to the office after Auggie informs her about Vonda's warning. She confronts Luke about his deal with Tyler. Luke insists he was going to tell her about it. Susan doesn't align with Tyler's business methods, nor does the agency. Luke reassures her that he's not like Tyler. SURREALESTATE — 'Battleground' Season 3 Episode 6 — Pictured: Tim Rozon as Luke Roman — (Photo by: Albert Camicioli/SE3 Productions Inc./SYFY)
Once Susan departs, Luke grabs Elvis the Elephant from his desk drawer. He hugs the stuffed animal. Then, he gazes into the 'X' button eyes on the stuffy, almost becoming entranced by them. Luke snaps out of it, though.
Tyler is bad news, dude.
RELATED: Read our SurrealEstate recaps
SurrealEstate drops new episodes every Thursday at 10 pm EST on Syfy.
Syfy Renews THE ARK for Season 3 Contact:
[email protected] What I do: I'm GGA's Managing Editor, a Senior Contributor, and Press Coordinator. I manage, contribute, and coordinate. Sometimes all at once. Joking aside, I oversee day-to-day operations for GGA, write, edit, and assess interview opportunities/press events. Who I am: Before moving to Los Angeles after studying theater in college, I was born and raised in Amish country, Ohio. No, I am not Amish, even if I sometimes sport a modest bonnet. Bylines in: Tell-Tale TV, Culturess, Sideshow Collectibles, and inkMend on Medium.
Critic: Rotten Tomatoes, CherryPicks, and the Hollywood Creative Alliance.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

‘The Accountant 2' Is One of the Year's Best-Reviewed Sequels. Does It Live up to the Hype?
‘The Accountant 2' Is One of the Year's Best-Reviewed Sequels. Does It Live up to the Hype?

Yahoo

timean hour ago

  • Yahoo

‘The Accountant 2' Is One of the Year's Best-Reviewed Sequels. Does It Live up to the Hype?

The Accountant 2, a long-in-gestation sequel to 2016's The Accountant, is one of the best-reviewed sequels of the year. But does it live up to the hype?The film sees Ben Affleck, playing deadly accountant Christian Wolf, reteam with original director Gavin O'Connor (Miracle, Warrior) for a continuation of Wolf's arc. Critics have been surprisingly enthusiastic about The Accountant 2. On Rotten Tomatoes, it holds a 76 percent critical consensus against the original's middling 53 percent. Audiences have equally embraced the film, with its international box office grosses exceeding $100 million (nearly $70 million of which came from North America). With The Accountant 2 now streaming, is the Amazon/MGM sequel really as good as everyone is saying?The Accountant concluded with Affleck's formerly meek CPA (who did time in prison for an accidental murder and then became an assassin whilst cooking the books for crime families, don't ask) gunning down a bunch of hitmen, sparing his contract killer brother (Jon Berenthal), and installing Marybeth Medina (Cynthia Addai-Robinson) as the Director of the Treasury Department in the seat vacated by Raymond King (J.K. Simmons). Phew! The Accountant 2 picks up several years after the events of the original. O'Connor opens with a terrific hook, an impeccably choreographed, nearly dialogue-free sequence in which King is tracked down and assassinated in the middle of a Los Angeles nightclub whilst trying to recruit assassin Anaïs (Daniella Pineda) to recover a kidnapped child. Medina is brought to identify his body and finds an ominous message—'Find the Accountant'—scrawled on King's arm. That leads her to Wolf, who agrees to help Medina find the missing boy on the condition that they bring his brother, Braxton, into the you can't already tell, the contrivances pile up fast and furious in The Accountant 2. The movie is tonally all over the place, veering from mass child murders to dating-game comedy skits to Face/Off style revelations, sometimes within the same scene. There's also a most unexpected journey into X-Men territory come the third act, and a chase scene in which Affleck, on a motorcycle, seems to morph back into Batman. But because the movie wears its outlandishness with such confidence, all of it works better than it should. The Accountant 2 is nothing if not unwieldy (frankly, it's bizarre), but it knows what it is and embraces itself. There's even a bit of genuine emotion in how the day is saved, however predictably, come the end. The Accountant, which was a fine programmer in its own right, called back to low-key action movies of the early aughts, which boiled down to men solving problems with their guns, both rifles and muscles. The Accountant 2 offers the same solution for life's woes, but this time filtered through an action/buddy-cop formula that recalls straight-to-video shoot 'em ups of the late '80s and early '90s. It's an interesting about-face for the franchise, one which inherently allows everyone to loosen up and have a bit more can tell the filmmakers are particularly enthralled with Bernthal—he essentially gets three introductory scenes, all of which pay off with a fairly clever punchline. He and Affleck are quite good together, finding an odd-couple rhythm which the first movie lacked. Addai-Robinson, as the buttoned-up fed, essentially steals the movie with a sharp straight-man performance. The unexpected third wheel in this sibling reunion, she brings a warmth and wit that's typically missing from this sort of character and grounds the movie even when it threatens to spin out of control.O'Connor proves himself a much more adept director of action and schlock than he managed on the first installment, which often toppled into self-seriousness. Here, he deftly toggles between neo-noir tropes and building a proper mystery while still indulging in a level of off-the-wall chaos that will please genre fans. The final action sequence, an extended homage to Dirty Harry, is well-staged and rooted in logical stakes. It's a refreshing antidote to the world-saving bravado of most modern blockbusters, a callback to a nearly forgotten era of action filmmaking. Believe the hype: The Accountant 2 is one of this year's best, and weirdest, sequels.'The Accountant 2' Is One of the Year's Best-Reviewed Sequels. Does It Live up to the Hype? first appeared on Men's Journal on Jun 5, 2025

John Wick Lives? Let's Unpack the Keanu Reeves Cameo in 'Ballerina'
John Wick Lives? Let's Unpack the Keanu Reeves Cameo in 'Ballerina'

Yahoo

timean hour ago

  • Yahoo

John Wick Lives? Let's Unpack the Keanu Reeves Cameo in 'Ballerina'

John Wick lives again–or does he?–in From the World of John Wick: Ballerina (now in cinemas) a new spinoff directed by Underworld's Len Wiseman. Ballerina follows Eve Macarro (Ana de Armas), who is trained by the Director (Angelica Huston) of the Ruska Roma crime syndicate to be both an accomplished ballet dancer and a cold-blooded assassin. As Eve seeks revenge upon the men who murdered her father, she recieves a bit of help from Reeve's Wick. There's been some confusion about Reeves's role in Ballerina, considering Wick was definitively killed off at the end of John Wick: Chapter 4. But the filmmakers have figured out a clever loophole to have their cake (their Wick?) and eat it, too. Here's everything John Wick does in Ballerina, and how he fits into the movie's takes place between the events of John Wick: Chapter 3–Parabellum and John Wick: Chapter 4. The break between part three and part four is the longest in-world interim period between John Wick movies. Both John Wick 2 and John Wick 3 pick up moments after the conclusion of their predecessors. Parabellum ended with a grievously wounded Wick being left for dead by the High Table, only to be rescued by Jason Mantzoukas's Tick Tock Man (more of him, please) and brought to the safe haven of the Bowery King (Laurence Fishburne). When Wick turns up in Ballerina, despite sharing a few of the facial cuts he had at the end of part three, he seems to be entirely recovered from his injuries. Yes, John Wick has a small role in Ballerina. He appears briefly in one scene at the beginning of the film and returns for a slightly longer sequence during the third Wick's role in Ballerina is entirely incidental, and Reeves's participation smacks of being added during reshoots. He first appears at the 32-minute mark, though except for his and Eve's exchange which appears in the trailers ("How do I do what you do?" "Looks like you already are.") this sequence is mostly recut footage from Parabellum. In that film, Wick went to Huston's Director of the Ruska Roma crime syndicate, who also happens to run the ballet school at which Eve is training, to seek safe passage from America to Casablanca. That's repeated here, with much of the context removed, before he's cornered by Eve as he leaves the school. In Ballerina, he provides Eve with some sage advice before promptly disappearing. As the third act kicks into gear, when it seems Eve will ignite a war between the Ruska Roma and Gabriel Byrne's Chancellor, the Director calls in Wick to assassinate Eve. Wick travels to her location, but instead of killing her, simply tells her to leave. She refuses, and the two roll around in the snow, exchanging punches. Wick loses the fight, and then disappears from the narrative for a few minutes before randomly showing up in a sniper tower, picking off bad guys to assist Eve. (The film's troubled production is never more obvious than in the way characters disappear and reappear willy nilly.) There's a classic John Wick fight, after which he's suddenly back in his sniper position once again assisting Eve, and then he's gone from the movie for good. Honestly, despite Reeves's best efforts, all of the stuff here involving Wick feels labored and Ballerina does not retcon or in any way affect the ending of John Wick 4, which ended with the titular character definitively dead and six feet underground. Since Ballerina takes place between the events of Parabellum and Chapter 4, there's no intersection between the events of Ballerina and those depicted in part four. In fact, aside from Wick's first scene in Ballerina which occurs at the same time as one scene from part three, there is no plot carryover from the John Wick franchise to Ballerina. If you're hoping to see the ending of part four reversed, you're going to be waiting a long time. Speaking to The Hollywood Reporter this week, franchise megamind Chad Stahelski (who directed the first film, has shepherded the franchise, and oversaw extensive, months-long reshoots on Ballerina) said that, despite his and Reeves's ambition to make a John Wick 5, they have no intent of walking back the ending of Chapter 4. "Keanu and I are not interested in going backwards," Stahelski said. "I'm not going to lie to you, it's a bit of a conundrum. Me and Mike Finch—the writer on four who's also writing five—we've got a pretty good story that I think is cool. Once we have a 50-page book, and if we're feeling it, we'll sit with Keanu and shape this thing. Look, everybody seems to want it. It's a matter of whether we crack it. We're actively working on it. [But] is it going to be satisfying?"In short, no. Stahelski told THR that Wick "wasn't in the original [Ballerina] script" and that he "was kind of against" the cameo was first suggested. In the end, the decision to include Reeve's character was a political decision to keep the franchise true to itself. "I do see the benefit, and we wanted to help out [director Len Wiseman]," Stahelski explained. "We had just opened John Wick 4, and it was huge. He couldn't go back to the model of the first John Wick and do a little $18 million indie thing and try to build it up. In order to stay in the same game, you got to give [Wiseman] a fighting chance. And the easiest way to transfer that over—at least, from the studio point of view—was have Wick in Ballerina in a special this time, there are no plans for John Wick to reprise his role in the spinoff series named after Donny Yen's fan-favorite blind assassin, who debuted in John Wick 4. "The Donny Yen spinoff doesn't have the John Wick character," Stahelski definitively told THR. "It's got Donny Yen and it's an ode to kung-fu movies. If John Wick was [inspired by] Charles Bronson and Lee Marvin, this is about Chow Yun-fat, John Woo, and Wong Kar-wai. So, I think that one is a little easier to get across to audiences because it's in a sub-genre of what we love."John Wick Lives? Let's Unpack the Keanu Reeves Cameo in 'Ballerina' first appeared on Men's Journal on Jun 6, 2025

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store