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Caitlin Clark's Appearance in Dude Perfect Video Catches Attention

Caitlin Clark's Appearance in Dude Perfect Video Catches Attention

Yahoo31-05-2025

Caitlin Clark's Appearance in Dude Perfect Video Catches Attention originally appeared on Athlon Sports.
Indiana Fever star guard Caitlin Clark, herself sidelined by a quad injury, joined the five-member crew of Dude Perfect in a short clip posted to the group's X account on Friday.
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In the quick 23-second clip, the Dudes went back and forth shooting actual crystal balls from beyond the arc at Hinkle Fieldhouse, home of the Butler Bulldogs, dubbing it the "Crystal Ball 3-Point Challenge."
Towards the end of the video, Clark casually walks up to the line and sinks the deep ball, turning back to the group with her arms stretched open in celebration.
Within hours, the post had racked up thousands of views, comments and a wave of praise from hoops fans.
"She knew she made it before it even completed the arc," said one user.
"That crystal ball is still spinning perfectly off her hands. 😭 Can't wait for the video!" responded another fan.
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"She knew it was a perfect shot when it left her hands," another fan said.
"Cory💅," another user commented.
"Dude when is the actual video coming out?" commented another fan.
"The next video should be with wemby," replied one other user.
Indiana Fever guard Caitlin Clark.© Trevor Ruszkowski-Imagn Images
Since being selected first overall by the Fever in the 2024 WNBA Draft, Clark shattered rookie records for points (769), assists (337) and 3-pointers (122) in her debut season.
She averaged 19.2 points, 8.4 assists and 5.7 rebounds per game, led her team back to the playoffs for the first time since 2016 and earned both WNBA Rookie of the Year and All-WNBA First Team honors.
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While Clark's 2025 season may be on pause, her star power shows no signs of dimming.
Related: Former WNBA Champion Involved in Caitlin Clark Incident Gets Released
Related: Indiana Fever Turn Heads with Roster Announcement on Thursday
This story was originally reported by Athlon Sports on May 30, 2025, where it first appeared.

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5 mindsets on creativity to motivate anyone
5 mindsets on creativity to motivate anyone

Fast Company

time22 minutes ago

  • Fast Company

5 mindsets on creativity to motivate anyone

Maggie Smith is a poet and a New York Times bestselling author of eight books of poetry and prose. Her poems and essays have appeared in The New York Times, The New Yorker, The Best American Poetry, The Paris Review, The Atlantic, and many other journals and anthologies. What's the big idea? We are all creative beings because making your life is the ultimate creative act. For those who choose to tune their senses as artists, there are 10 key principles to improving your craft. The societal value of dedicating oneself to a life creating art rests in our essential human need for hope, healing, and a search for answers about our world and ourselves amid a sea of ambiguity. Below, Maggie shares five key insights from her new book, Dear Writer: Pep Talks & Practical Advice for the Creative Life. Listen to the audio version—read by Maggie herself—in the Next Big Idea App. 1. Creativity is our birthright as human beings. I think everyone is born a poet. Years ago, I agreed to visit my children's elementary school for a few days to talk to second graders about poetry and preparation. I got a sneak peek at the language arts textbook they were using in the poetry unit. The authors described poets as having a special ability to see the world in a poetic way. 'Poet's eyes,' they wrote, even suggesting that teachers wear an oversized pair of silly glasses during poetry lessons. On my first day, I told the kids that there's no such thing as poet's eyes. Every child is born with poet's eyes. We all have them. Poetry comes naturally to children because they haven't been estranged from their imaginations and their sense of newness in the world. As we age, we can become distracted and desensitized. We have to pay better attention, but more than that, we have to find ways to make the familiar strange again; to see the extraordinary tucked inside the ordinary. Poet's eyes are for all of us. After all, everyone is creative. Even if you don't make art, even if you're not a writer, photographer, or musician, you are creative every day in your work and in your life. Problem solving is a creative act. Conversations are creative. Parenting is creative. Falling in love, leaving your job, and changing your mind are all creative acts. Creativity isn't just about making art. Making your life is the ultimate creative act. 2. Attention is a form of love. What we turn our gaze to feels that warmth and light. What we dedicate ourselves to feels cherished. And conversely, what we ignore feels slighted, neglected, and devalued. This essential part of creativity requires no pen, no paper, no paints, no canvas, no nothing, only your awareness. Your hands can be empty, but your mind should be open. As I was thinking my way into how to write Dear Writer and talk about creativity in a way that makes it accessible for everyone, I sat down and made a long list on a legal pad. That list included words like curiosity, courage, trust, patience, gumption, improvisation, love, and so on. Looking at this unwieldy list, I started winnowing it down, prioritizing the terms that appealed most to me and seemed the most expansive. I eventually narrowed the list to 10 principles of creativity. 10 Principles of Creativity Attention Wonder Vision Surprise Play Vulnerability Restlessness Connection Tenacity Hope All 10 are essential, but attention comes first for a reason. I can't think of anything more important for a writer or artist than to be a sensitive, finely tuned instrument in the world. Keep your antenna raised. We need you to be all in. Life's everyday activities create static—a constant hum of responsibility, news, reminders, and encounters. Our work is to dial past that static to hear the quiet voice inside us. Some artists call this voice the muse. You can call it whatever you like. For writers, the quiet voice inside might whisper a line of a poem or a bit of description or dialogue, but that voice has things to tell us about our lives too if we tune in and listen carefully. The world is a complicated place full of both beauty and horror. But even when the world lets me down, even when it isn't what I want it to be, I find things to love and to be grateful for. I pay attention. My kids and I do our best to focus on beauty. In our house, it's not unusual to hear one of us shout, 'beauty emergency!' A beauty emergency is what we call something that stops you in your tracks, something you have to look at right away before it's gone. It might be a fiery pink and orange sunrise or an albino squirrel in the sycamore tree or snowflakes that seem to be falling in slow motion. If you take your time getting to the window, the sunrise might be pale peach. The white squirrel might be gone. The snow turned to sleet. Wonder is the opposite of cynicism. The wonder is the key here. There's no creativity without it. Wonder is the opposite of cynicism. It's warm and enthusiastic. While cynicism is chilly and bored, wonder is shushing everyone. Wonder says wow, and cynicism replies so what? Creativity requires us to pay attention and approach the world with wonder. Many of my poems were made possible only because I took the time to look at my surroundings: listen to the wind and the birds, touch leaves to know their textures, breathe deeply to describe what the autumn air smelled like. Being sensitive, attuned, and observant. These things don't just improve your writing. They improve your life. 3. Art changes us. Above all, I think we come to art to be changed. We come to books, films, music, and visual art to be expanded. Unzipped like a suitcase made larger on the inside, able to accommodate even more living. Creativity is the great expander. When you read a poem or listen to a song or watch a play, you are not the same person. 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Without their art, your life would be diminished without the transformation that their art made possible. 4. Every no makes room for a yes. Once upon a time, when I first began submitting poems to journals, rejections arrived in the mail. These days, it's usually an impersonal email that an editor selects from a dropdown menu in the journal's online submission system. Working for a literary magazine has helped me see rejection in a new way. I know how much stunning, worthy work is in that submission queue, and I know how little room we have to publish it. The decisions are sometimes excruciating. A no is a subjective no to one specific batch of work at one specific moment in time by one particular reader for a variety of reasons. A no is not a blanket rejection of you. It's not even a rejection of your work as a whole or your worth as a writer. It's not a no to your talent. Every no makes room for a yes. I tell my students that almost all of my poems were rejected before they found a home at a magazine. 'Good Bones,' my most famous poem, was rejected by the first few print magazines I sent it to before it was published by the online journal Waxwing. Those early rejections stung, but those early rejections were a gift. If 'Good Bones' had been published in print, it wouldn't have gone viral. Meryl Streep wouldn't have read it at Lincoln Center. It wouldn't have been featured on the CBS show Madame Secretary. It would have had a much smaller life. A no is not a blanket rejection of you. We are all playing the long game, and the only way to fail at the long game is to give up. We keep going and remember that sometimes failures clear a path for something better. 5. Creating is inherently hopeful. I think of each poem, each essay, each book I write as a message in a bottle. I don't know when I toss it into the waves, what shore it might wash up on, or when, or who might be standing on the shore to receive it. I don't know if they'll pull the message out or if they'll overlook the bottle altogether. If they do read it, I don't know what they'll think. Will they understand? Will they receive the creation in the way I hoped anyone would? To make things that don't exist yet and don't need to exist is the very definition of art, and to send them out into the world is wildly and practically and gorgeously hopeful in harrowing times. And what times have not been harrowing? Sometimes I ask myself, what can a poem do? A poem isn't a tourniquet when you're bleeding. It's not water when you're thirsty or food when you're hungry. A poem can't protect you from violence or hate. It can be difficult to create—to paint, to sculpt, to compose—when your work feels like it's not doing enough, when it can't do the real, tangible work of saving lives or making people safer. 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Cardinals meet the Dodgers with 1-0 series lead

Associated Press

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Mystery of America's 'Lost Colony' may finally be solved after 440 years, archaeologists say
Mystery of America's 'Lost Colony' may finally be solved after 440 years, archaeologists say

Fox News

time23 minutes ago

  • Fox News

Mystery of America's 'Lost Colony' may finally be solved after 440 years, archaeologists say

A team of researchers believes they may have cracked one of America's most enduring legends: Where did the settlers of the Roanoke Colony go? The Roanoke Colony, also known as the Lost Colony, was the first permanent English settlement in the United States. A group of over 100 colonists settled on North Carolina's Roanoke Island in 1587, led by Sir Walter Raleigh. John White, the governor of the colony, returned to England for supplies in 1587. When he came back to Roanoke Island in August 1590, he found the settlement mysteriously abandoned – and all the colonists, including his daughter Eleanor Dare and his granddaughter Virginia Dare, gone. One of the only clues remaining at the site was the word "CROATOAN" carved into a palisade. It either referred to Croatoan Island, which is now called Hatteras Island, or the Croatoan Indians. The mystery has haunted Americans and Brits for the past four centuries, with several investigations launched into the matter. Whether the colonists were killed by Native Americans, starved to death or left for greener pastures has eluded historians. But new research suggests the colonists' fate may not have been tragic after all. Mark Horton, an archaeology professor at Royal Agricultural University in England, spoke with Fox News Digital about his findings. "This is metal that has to be raised to a relatively high temperature … which, of course, [requires] technology that Native Americans at this period did not have." For the past decade, the British researcher has worked with the Croatoan Archaeological Society's Scott Dawson to uncover the mystery. Horton said they've uncovered proof the colonists assimilated into Croatoan society, thanks to a trash heap. (See the video at the top of this article.) "We're looking at the middens — that's the rubbish heaps — of the Native Americans living on Hatteras Island, because we deduced that they would have very rapidly been assimilated into the Native American population," Horton said. The smoking gun at the site? Hammerscale, which are tiny, flaky bits of iron that come from forging iron. Horton said it's definitive proof of iron-working on Hatteras Island, which could have only been done by English colonists. "The key significance of hammerscale … is that it's evidence of iron-working, of forging, at that moment," he said. "Hammerscale is what comes off a blacksmith's forge." Horton added, "This is metal that has to be raised to a relatively high temperature … which, of course, [requires] technology that Native Americans at this period did not have." Hammerscale shows that the English "must have been working" in this Native American community, according to the expert. But what if the hammerscale came longer after the Roanoke Colony was abandoned? Horton said that's unlikely. "We found it stratified … underneath layers that we know date to the late 16th or early 17th century," he said. "So we know that this dates to the period when the lost colonists would have come to Hatteras Island." "It's a combination of both its archaeological position but also the fact that it's evidence of people actually using an English technology." At the site, archaeologists also found guns, nautical fittings, small cannonballs, an engraved slate and a stylus, in addition to wine glasses and beads – which all paint a vivid picture of life on Hatteras Island in the 17th century. When asked if the colonists could have been killed in a later war, Horton said they survived among the Croatoans and successfully assimilated. "We have one little snippet of historical evidence from the 1700s, which describes people with blue or gray eyes who could remember people who used to be able to read from books," he said. "Also, they said there was this ghost ship that was sent out by a man called Raleigh." Horton added, "We think that they assimilated into the Native American community and their descendants, their sons, their granddaughters, their grandsons carried on living on Hatteras Island until the early 18th century." When asked if he's officially solved the mystery, Horton said that though the archaeological evidence is definitive, the legend will probably still endure. "Have we solved the mystery? Well, you know, it's pretty good evidence, but there's always more work to be done," he said. Horton added, "And people love mysteries. They hate resolving things one way or the other. So I'm sure that the mystery will continue, you know, whatever the scientific evidence says."

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