logo
Francis Ford Coppola, 86, breaks silence after being hospitalized in Italy for secret heart condition

Francis Ford Coppola, 86, breaks silence after being hospitalized in Italy for secret heart condition

Daily Mail​5 days ago
Francis Ford Coppola, the legendary American director behind The Godfather trilogy and Apocalypse Now, shared a health update after being hospitalized in Italy on Tuesday.
The 86-year-old filmmaker was admitted to Policlinico Tor Vergata, a public hospital in Rome, following a screening of his film Megalopolis in Calabria.
Late Tuesday night, Coppola took to Instagram to reassure fans, explaining that the hospital visit was for a scheduled procedure with Dr. Andrea Natale, a renowned heart specialist who has treated him for over three decades.
He posted a smiling photo of himself looking relaxed, along with a message that read: 'I am well.'
'Da Dada (what my kids call me) is fine, taking an opportunity while in Rome to do the update of my 30-year-old AFib procedure with its inventor, a great Italian doctor – Dr. Andrea Natale! I am well!,' he wrote.
Though not officially confirmed, reports pointed to a possible heart procedure tied to a mild cardiac arrhythmia — a detail that lines up with Coppola's mention of updating his long-standing AFib treatment.
Late Tuesday night, Coppola took to Instagram to reassure fans, explaining that the hospital visit was for a scheduled procedure with Dr. Andrea Natale, a renowned heart specialist who has treated him for over three decades
Coppola's summer in Italy was meant to be a creative reset — scouting locations for a new film and reconnecting with his roots.
The five-time Oscar winner, best known for reshaping modern cinema with The Godfather trilogy and Apocalypse Now, has long had deep personal and creative ties to Italy.
His grandfather Agostino emigrated from Bernalda in the early 1900s, and Coppola has since become an honorary citizen of the Lucanian town, where he often spends his holidays and is working on revitalizing the area — including plans to transform an old building into a boutique hotel.
Coppola, who lost his wife Eleanor last spring, has remained active despite personal tragedy.
In July, he appeared as a guest of honor at the Magna Graecia Film Festival in Soverato, where he was warmly welcomed by a crowd of young fans.
'Young people tell me the world is a mess,' he told the audience at the time. 'But I tell them there's no problem that humanity can't solve. 'We must build a great new future, and do it together for the sake of our children. And tonight, we're taking a leap into the future.'
After decades as a Hollywood icon, Coppola recently took a bold creative gamble with Megalopolis, a self-financed $120 million sci-fi epic that premiered at the 2024 Cannes Film Festival.
The long-gestating passion project was met with mixed — and at times baffled — reactions from critics and audiences alike.
But Coppola isn't done telling the story.
Megadoc, a behind-the-scenes documentary directed by Mike Figgis, is set to debut at the 2025 Venice Film Festival in late August, promising a deeper look at one of the most ambitious swings in modern film history.
A titan of cinema, Coppola's influence spans generations.
Born in Detroit to a flautist father, he spent most of his childhood in Queens, New York.
His first taste of success came with 1968's Finian's Rainbow, but it was The Godfather in 1974 that changed everything.
Ironically, he wasn't sold on the material at first.
The source novel by Mario Puzo struck him as 'cheap,' and the studio reportedly had other directors in mind.
'I was always on the verge of getting fired,' Coppola once admitted.
But the film, powered by career-defining performances from Marlon Brando, Al Pacino, and Robert De Niro, became one of the most influential and revered works in cinematic history.
Now, even amid health scares and artistic controversy, Coppola's vision — and voice — remains as fierce as ever.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Helen Flanagan looks incredible in nautical bikini as she holidays with family
Helen Flanagan looks incredible in nautical bikini as she holidays with family

The Sun

time37 minutes ago

  • The Sun

Helen Flanagan looks incredible in nautical bikini as she holidays with family

HELEN Flanagan dazzled in a nautical stripe bikini as she soaked up the sunshine on holiday. The former Coronation Street star, 35, opted for the blue and white patterned swimwear which gave a glimpse at her toned figure. 6 6 6 6 Helen brushed her blonde locks into a blonde up-do and pulled on a pair of sunglasses. She was seen giving her eldest daughter Matilda a hug before they headed on a boat ride in Italy. The actress was heard asking her while on board: "You OK babe?" to which she simply replied: "Yeah." The pair then enjoyed a cuddle on the shore after Helen picked up a drink. Helen's bikini look came just days after she wowed in a gold bodysuit dress to celebrate her birthday. In her caption, she looked back on her Thirties as a decade and said: "Loved my 30s so far so much feel very blessed. "I got my beautiful dream boy Charlie. I got to watch Matilda grow into the most amazing little girl and my amazing precious darling Delilah x. "Did lots of things in my career that I wanted to do, achieved things that I wanted to do and a hell of a lot of growing. "There's been a fair share of heartache but I wouldn't change anything, I think it's best to feel and love with your whole heart less what's the point? "I get to write the last half of my thirties and I'm excited for this age." NEW CHAPTER The Sun previously revealed Helen had landed an exciting, lucrative new gig. Helen Flanagan looks stunning as she poses in plunging corset top She will be lighting up the stage in Snow White and the Seven Dwarfs from December 12 to 28. Helen will be playing the evil stepmother at Liverpool's M&S Bank Arena this festive season. A source said: "Helen is the excited for panto season and can't wait to get into character, she's a brilliant actress and knows how to put on a show. "She'll also be pocketing a pretty penny, celebrities and soap stars make good money doing panto and always look forward to it as some extra income." Before the announcement, Helen told The Sun that she was preparing to spend Christmas without her kids and admitted it would be "difficult". The mum-of-three, who shares Matilda, nine, Delilah, six, and son Charlie, four, with ex Scott Sinclair, opened up about co-parenting. She told The Sun in a recent interview: "It's really difficult. I won't have the kids for Christmas this year because it's such hard work because me and Scott, he's from Bath and I live in North Manchester, so we co-parent five hours away. Really hard work. "And we've done this since Charlie's been born because he was played for Bristol. "But we're very fair, and I try to be fair with Scott, and he tries to be fair with me. So this Christmas, I won't have the kids." 6 6

Sophia Loren, Gina Lollobrigida and the battle to be ‘the world's most beautiful woman'
Sophia Loren, Gina Lollobrigida and the battle to be ‘the world's most beautiful woman'

Telegraph

time3 hours ago

  • Telegraph

Sophia Loren, Gina Lollobrigida and the battle to be ‘the world's most beautiful woman'

The great Italian film star Sophia Loren is, of course, famous for the work that she has done on screen over the past seven decades. But she is equally well known for the adoration that she inspired in many of her co-stars. Omar Sharif sighed that he fantasised about her naked after they acted together. Clark Gable confessed that he had had 'the wrong thoughts' about the beauteous Loren when they appeared in the otherwise forgotten 1960 drama It Started In Naples. Cary Grant, meanwhile, was cast opposite her in the 1957 epic The Pride and the Passion and was initially horrified at the idea, declaring 'My God! You want me to play with this Sophie somebody, a cheesecake thing? Well, I can't and I won't.' He was soon converted when he met Loren in the flesh, and the two embarked on a love affair: this was considerably more than Peter Sellers managed, when he starred with Loren in the now-problematic 1960 romantic comedy The Millionairess. Sellers decided that he and the Italian actress were destined to be together, and although Loren did not return his affections, he declared to his wife Ann Howe and his children that he was leaving them for his co-star. When his young daughter Sarah asked her father if he still loved his family, he replied: 'Of course I do, darling, just not as much as Sophia Loren.' Beginnings of a feud Loren, a diva beyond compare and perhaps the last woman standing from the Golden Age of Hollywood, now has a new season of films devoted to her at the BFI. But it's easy to forget that Loren hasn't always been universally loved – at least, not by her fellow doyens of Italian cinema. When Cary Grant first met Loren, he was not above poking some fun at her, and the joke that he chose to express himself with may have touched a nerve. In Loren's 2015 memoir Yesterday, Today, Tomorrow: My Life, she recalled Grant introducing himself: 'He held out his hand, looking at me with a pinch of mischief: 'Miss Lolloloren, I presume? Or is it Miss Lorenigida? You Italians have such strange last names I can't seem to get them straight.'' It was a clear verbal reference to the other leading star of Italian cinema of the day, in the equally beauteous form of Gina Lollobrigida, who was seven years older than Loren and who had begun her career in Italian and international film just a few years beforehand. Both vied for the title of 'the world's most beautiful woman', a description that each of them received, at one time or another, and zealously guarded for as long as they might. A feud had started between the two that would duly become infamous, although both participants alternately claimed that it was simply a PR-confected fantasy or, more amusingly, that it was the other who was continuing it in order to maintain their presence in the headlines. In one of the relatively few pictures that exist of both actresses together in 1954, the body language makes it clear that they are not relishing sitting next to one another, and Lollobrigida, in particular, has an expression that suggests that she would really rather be elsewhere at that moment. The photograph was taken at the Italian Film Festival in London, in the presence of Elizabeth II; Loren attracted most of the media attention due to her ornate outfit, which included a fittingly regal cape and crown. 'The most beloved Italian export since spaghetti' The two women both enjoyed significant success early in their careers, but there were disparities between their levels of recognition and acclaim. Lollobrigida was signed up by the mogul Howard Hughes (who, was, predictably, smitten by her) to a seven-year exclusive contract, but her ventures into English-language cinema were comparatively limited, compared to her standing in Italy. She appeared in such pictures as John Huston's Beat the Devil, and starred opposite a decrepit Errol Flynn in his attempt to revitalise his swashbuckling career, Crossed Swords. More significant roles in films included the circus drama Trapeze and The Hunchback of Notre Dame. However, she won the greatest amount of acclaim and recognition for Italian-language projects, and received a Bafta nomination for her role in 1953's Bread, Love and Dreams. Further awards followed throughout the decade, and Lollobrigida revelled in her standing as the best-known, most beloved Italian export since spaghetti. Picking a fight with the queen herself This did not sit well with the ambitious Loren, who had been born Sofia Scicolone, and had had an early career as a successful model. When she was 15, she met Carlo Ponti, who was judging a beauty pageant that she appeared in. Although the 37-year-old Ponti was no Adonis, he was sufficiently charismatic and intelligent to realise that the young Scicolone had the potential to go far in the film industry, if he could shape her, Svengali-like. He changed her name to the more pronounceable Sophia Loren, encouraged her to learn English and to shed her strong Neapolitan accent. Still, whatever the truth of her lineage, under Ponti's tutelage she established herself as a comely figure with strong sex appeal. She had made over 25 films by the age of 21, which made her a ubiquitous presence in Italian cinema. Perhaps egged on by Ponti, she now decided to pick a fight with the queen herself, Lollobrigida, and told the European press that she was better endowed – 'bustier' – than the older actress Lollobrigida duly snapped back that she was capable of playing a peasant, but that Loren was not able to convincingly embody an aristocrat. 'We are as different as a fine racehorse and a goat!' she complained to one reporter. The barbs must have stung, because, later in her career, Loren suddenly remembered that her father, an unsuccessful railway engineer, had been descended from nobility, which supposedly gave her the right to call herself 'Viscountess of Pozzuoli, Lady of Caserta'. From personal to professional The feud soon stretched from the personal to the professional, when Loren replaced Lollobrigida in a sequel to her hit 1953 romantic comedy Bread, Love and Dreams (the older actress had asked for more money). In recognition of Loren's charms, it was filmed in colour rather than black and white. Matters worsened when Loren had a more significant international breakthrough than Lollobrigida in 1960 by winning both an Oscar and Best Actress award at the Cannes Film Festival for what may well be her greatest performance in Two Women. The film, a gritty and decidedly unglamorous war drama, directed by Vittorio De Sica, featured Loren as a widow who is struggling to care for her 12-year-old daughter. It climaxes with the two of them being raped by a group of soldiers inside a church, and Loren's bold rejection of the sexuality that she had embodied since she began her career made for stunning viewing. 'I thought it was worth taking the risk at 25 to play an older woman because the story was so beautiful,' she later said. Lollobrigida did not make any public comment on Loren's awards at the time, but it was perhaps no coincidence that she lobbied for the role of Napoleon Bonaparte's sister Pauline in the 1962 biopic Imperial Venus, presumably in the hope of attracting similar attention. She won two major Italian awards, the Nastro d'Argento and the David di Donatello, but Oscars and Cannes gongs were not to be hers. Loren, meanwhile, enjoyed an elevated status as a Hollywood film star, appearing in leading roles in such epics as El Cid and The Fall of the Roman Empire and the Hitchcockian comedy-thriller Arabesque. Such was her standing that, when she was cast opposite Marlon Brando in the 1967 Charlie Chaplin-directed flop A Countess from Hong Kong, she was able to put the Method star in his place. As she recounted: 'One day … he suddenly reached out and grabbed at me. I twisted around and very calmly hissed in his face, like a cat when you pet its fur backward: 'Don't you dare. Don't you ever do that again.' As I gave him my dirtiest look, I suddenly saw how small and harmless he really was, almost a victim of an aura that had been created around him.' Disparagingly, she called Brando 'a man ill at ease in the world.' 'She hasn't stopped for 50 years' Loren went on to have a rollercoaster career that even encompassed a brief prison sentence in the early 1980s for tax evasion: she was treated, appropriately enough, by royalty by her fellow prisoners and the guards alike, and the incident did not damage her significant popularity. In their later years, Loren and Lollobrigida were pictured in the same place together exactly once: at a 1988 event honouring Michael Jackson in Los Angeles. Yet Lollobrigida continued to brood, and, in 2015, gave an interview to Vanity Fair in which she attempted to suggest that she was truly first amongst equals. 'My God! She and her press agents started this 'rivalry' with me – and she hasn't stopped for 50 years,' Lollobrigida declared. 'It was really boring for me … we are different. We made completely different careers. I wanted to be an artist more than anything else. I wanted a career on a high level.' Belying, perhaps, the idea that Loren was obsessed by publicity, the younger actress declined to comment. So it was not entirely surprising that, two years later, Lollobrigida was still keeping the feud going. She told the Italian newspaper Corriere della Sera that 'I was not looking for any rivalry against anyone: I was the number one' and, in an obvious dig at Loren and Ponti, announced that 'I succeeded only thanks to myself, without any producer supporting me. I did everything alone.' However, when Lollobrigida died in 2023, Loren was able to have the last word, announcing that she was 'deeply shaken and saddened' by the death of her one-time rival, and thereby exhibiting a magnanimity at the conclusion of the feud that was sorely lacking – on both sides – while it continued.

Jimmy Kimmel gets Italian citizenship to 'escape Trump'
Jimmy Kimmel gets Italian citizenship to 'escape Trump'

Daily Mail​

time8 hours ago

  • Daily Mail​

Jimmy Kimmel gets Italian citizenship to 'escape Trump'

Jimmy Kimmel has revealed he has obtained Italian citizenship as a backup plan to escape Donald Trump's presidency, after Trump said he was next to be canceled. The 57-year-old late-night host made the revelation while appearing on the Sarah Silverman Podcast earlier this week. He said: 'I did get Italian citizenship, I do have that. What's going on is as bad as you thought it was gonna be. 'It's so much worse, it's just unbelievable — I feel like it's probably even worse than he would like it to be.' The news from Kimmel comes after Trump said on Wednesday that he and his fellow late-night host Jimmy Fallon were next to be canceled. The commander-in-chief was asked about rumors that Howard Stern is to part ways with Sirius XM, before giving his two cents on both Jimmy Fallon and Kimmel. Inside the Oval Office, he said: 'Fallon has no talent. Kimmel has no talent. They're next. They're going to be going, I hear they're going to be going.' During the same podcast appearance, Kimmel also slammed what he called the 'loud' left for woke cancel culture. The comedian added: 'It's not the party. It's not the majority. It's the loud voices that scare people from saying what they believe and make you think twice about a joke. 'You know, a lot of their points are valid, but a lot of them are also just repulsive, in that they repel people. 'They go like, "Oh, you're no fun. I don't want to be around you." And I think if you had to boil it down to one thing, that's kind of what it is.' Kimmel and Silverman discussed how Trump supporters who expressed their regret for casting their vote for the president have faced backlash from the left online. Silverman noted the hate that famed podcaster Joe Rogan received after criticizing the president's second term. 'Now you see like these clips of Rogan saying, "Why is he doing this? He shouldn't be deporting people," and people go, "F*ck you, you support him, whatever."' 'I don't buy into that. I don't believe the "f*** you, you supported him",' Kimmel added. 'If you wanna change your mind, that's so hard to do. If you want to admit you were wrong, that's hard and so rare to do, you are welcome,' he said. His remarks come after he found an unlikely ally in Fox News host Greg Gutfeld, who lauded him with glowing praise for not being afraid of the left's cancel culture. Gutfeld, who appeared on Fallon's show Thursday night, joked that the pairing was 'the biggest crossover since the Harlem Globetrotters visited "The Golden Girls."' The Fox host dubbed Fallon 'a great, genuine guy who wants to make people laugh instead of putting them to bed angrier than "The View at a salad bar."' But it was his praise of Fallon's late-night show that grabbed everyone's attention, as he applauded Fallon's ability to break from the typical liberal late-night mold. 'Unlike the other guys, Jimmy doesn't reside in a liberal echo chamber,' Gutfeld said. The industry has been left grappling with uncertainty after Colbert announced last month that his show was being brought to an end next year. CBS said the move to axe Colbert was due to low viewership and a decline in profits, but critics believe the network crumbled under pressure from President Trump.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store