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Celebrate Black History Month with these 14 products from Black-owned beauty brands

Celebrate Black History Month with these 14 products from Black-owned beauty brands

Miami Herald06-02-2025

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Graphic by Lauryn Jiles; photos Amazon
We've officially made it through January and into Black History Month. And as a Black woman who loves beauty, I for one will be taking this month to support and celebrate Black-owned brands. While it's important to celebrate Black-owned beauty brands all year long, I have so many personal favorites that I always go back to every February.
Black women have been setting beauty trends for decades. From beauty staples like dark lip liners and long acrylic nails to hair trends like gelled-down edges, braids, huge afros and the 90s-style short pixie cut, beauty is embedded into Black culture. Black-owned beauty brands have become trailblazers in the industry within the past few years, creating a new standard of what beauty looks like. From Tracee Ellis Ross's haircare brand to Rihanna's Fenty Beauty, these are the products that I am always using — and ones that are currently in my shopping cart. Happy shopping and, of course, happy Black History Month!
This Pattern Beauty leave-in conditioner provides intense hydration to dry curls and leaves your hair smelling like coconut and almond.
>> Buy the Pattern Beauty by Tracee Ellis Ross Leave-In Conditioner for $28 on Amazon
Boast luscious and defined curls with this Pattern Beauty strong hold gel, which is formulated for 3A to 4C hair textures and smells just like a field of flowers.
>> Buy the Pattern Beauty Strong Hold Gel for $28 on Amazon
Combat that 'I just woke up' look with these Topicals under eye patches. They depuff, hydrate and brighten up the eyes.
>> Buy the Topicals Faded Brightening Under Eye Patches for $17.60 (20% off) on Amazon
Clear and reduce hyperpigmentation and dark spots in just weeks with the Topicals Faded Brightening and Clearing Serum.
>> Buy the Topicals Faded Brightening and Clearing Serum for $18 on Amazon
Sport that same lipgloss that Rihanna herself wears and support her Fenty Beauty brand with this long-lasting gloss bomb. It delivers shine and hydration, and it's a personal favorite of mine that I always keep stocked in my purse.
>> Buy the Fenty Beauty by Rihanna Gloss Bomb Universal Lip Luminizer for $21 on Amazon
I absolutely adore the pigmentation and natural finish of this Juvia's Place liquid blush. Plus, this TikTok viral blush is a favorite among Black beauty influencers and makeup artists.
>> Buy the Juvia's Place Liquid Blush for $17.99 on Amazon
Prime and protect your face with the Black Girl Make It Matte SPF 45 Sunscreen. Not only does it hydrate and smooth the skin, but it also protects it against harmful UV rays.
>> Buy the Black Girl Sunscreen Make it Matte SPF 45 Sunscreen for $19.99 on Amazon
For a lightweight foundation that serves medium coverage, this Mented Cosmetics foundation stick leaves a radiant, natural and non-cakey finish.
>> Buy the Mented Cosmetics Stick Foundation for $30 on Amazon
Infused with natural ingredients like jojoba oil and vitamin E, this two-pack of velvety matte lipsticks delivers on hydration and bold pigment.
>> Buy The Lip Bar Nonstop Liquid Matte Lipstick 2-Pack for $14.99 on Amazon
Revitalize the skin and lock in moisture with the Buttah Skin CocoShea Revitalizing Cream, which improves the appearance of aging and retains essential skin moisture.
>> Buy the Buttah Skin CocoShea Revitalizing Cream for $21 on Amazon
Restore growth and nourish the hair with this almond cherry scented Camille Rose Cocoa Nibs and Honey Hair Growth Serum.
>> Buy the Camille Rose Cocoa Nibs and Honey Hair Growth Serum for $14.99 on Amazon
Known as the most influential makeup artist in fashion, according to Vogue, Pat McGrath's makeup brand is used by celebrities and models worldwide. Achieve a flawless look with the brand's smooth satin medium coverage foundation.
>> Buy the Pat McGrath Labs Sublime Perfection Foundation for $66.90 on Amazon
This Oui the People body serum leaves your skin smoother and more radiant, working overnight to dissolve dead skin cells, unclog pores and brighten dark spots.
>> Buy the Oui the People Resurfacing Body Serum for $45 on Amazon
I use this Mielle scalp oil on my hair several times a week. Not only is my hair left smelling minty fresh, but this oil strengthens my strands and soothes my scalp.
>> Buy the Mielle Organics Rosemary Mint Scalp & Hair Strengthening Oil for $9.99 on Amazon

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Led by Sly Stone, with his leather jumpsuits and goggle shades, mile-wide grin and mile-high Afro, the band dazzled in 1969 at the Woodstock festival and set a new pace on the radio. 'Everyday People,' 'I Wanna Take You Higher' and other songs were anthems of community, non-conformity and a brash and hopeful spirit, built around such catchphrases as 'different strokes for different folks.' The group released five top 10 singles, three of them hitting No. 1, and three million-selling albums: 'Stand!', 'There's a Riot Goin' On' and 'Greatest Hits.' For a time, countless performers wanted to look and sound like Sly and the Family Stone. The Jackson Five's breakthrough hit, 'I Want You Back' and the Temptations' 'I Can't Get Next to You' were among the many songs from the late 1960s that mimicked Sly's vocal and instrumental arrangements. Miles Davis' landmark blend of jazz, rock and funk, 'Bitches Brew,' was inspired in part by Sly, while fellow jazz artist Herbie Hancock even named a song after him. 'He had a way of talking, moving from playful to earnest at will. He had a look, belts, and hats and jewelry,' Questlove wrote in the foreword to Stone's memoir, 'Thank You (Falettinme Be Mice Elf Agin),' named for one of his biggest hits and published through Questlove's imprint in 2023. 'He was a special case, cooler than everything around him by a factor of infinity.' In 2025, Questlove released the documentary 'Sly Lives! (aka The Burden of Black Genius).' Sly's influence has endured for decades. The top funk artist of the 1970s, Parliament-Funkadelic creator George Clinton, was a Stone disciple. Prince, Rick James and the Black-Eyed Peas were among the many performers from the 1980s and after influenced by Sly, and countless rap and hip-hop artists have sampled his riffs, from the Beastie Boys to Dr. Dre and Snoop Dogg. A 2005 tribute record included Maroon 5, John Legend and the Roots. 'Sly did so many things so well that he turned my head all the way around,' Clinton once wrote. 'He could create polished R&B that sounded like it came from an act that had gigged at clubs for years, and then in the next breath he could be as psychedelic as the heaviest rock band.' By the early '70s, Stone himself was beginning a descent from which he never recovered, driven by the pressures of fame and the added burden of Black fame. His record company was anxious for more hits, while the Black Panthers were pressing him to drop the white members from his group. After moving from the Bay Area to Los Angeles in 1970, he became increasingly hooked on cocaine and erratic in his behavior. A promised album, 'The Incredible and Unpredictable Sly and the Family Stone' ('The most optimistic of all,' Rolling Stone reported) never appeared. He became notorious for being late to concerts or not showing up at all, often leaving 'other band members waiting backstage for hours wondering whether he was going to show up or not,' according to Stone biographer Joel Selvin. Around the country, separatism and paranoia were setting in. As a turn of the calendar, and as a state of mind, the '60s were over. 'The possibility of possibility was leaking out,' Stone later explained in his memoir. On 'Thank You (Falettinme Be Mice Elf Agin),' Stone had warned: 'Dying young is hard to take/selling out is harder.' Late in 1971, he released 'There's a Riot Going On,' one of the grimmest, most uncompromising records ever to top the album charts. The sound was dense and murky (Sly was among the first musicians to use drum machines), the mood reflective ('Family Affair'), fearful ('Runnin' Away') and despairing: 'Time, they say, is the answer — but I don't believe it,' Sly sings on 'Time.' The fast, funky pace of the original 'Thank You (Falettinme Be Mice Elf Agin)' was slowed, stretched and retitled 'Thank You For Talkin' to Me, Africa.' The running time of the title track was 0:00. 'It is Muzak with its finger on the trigger,' critic Greil Marcus called the album. 'Riot' highlighted an extraordinary run of blunt, hard-hitting records by Black artists, from the Stevie Wonder single 'Superstition' to Marvin Gaye's 'What's Going On' album, to which 'Riot' was an unofficial response. But Stone seemed to back away from the nightmare he had related. He was reluctant to perform material from 'Riot' in concert and softened the mood on the acclaimed 1973 album 'Fresh,' which did feature a cover of 'Que Sera Sera,' the wistful Doris Day song reworked into a rueful testament to fate's upper hand. By the end of the decade, Sly and the Family Stone had broken up and Sly was releasing solo records with such unmet promises as 'Heard You Missed Me, Well I'm Back' and 'Back On the Right Track.' Most of the news he made over the following decades was of drug busts, financial troubles and mishaps on stage. Sly and the Family Stone was inducted into the Rock & Roll of Fame in 1993 and honored in 2006 at the Grammy Awards, but Sly released just one album after the early '80s, 'I'm Back! Family & Friends,' much of it updated recordings of his old hits. He would allege he had hundreds of unreleased songs and did collaborate on occasion with Clinton, who would recall how Stone 'could just be sitting there doing nothing and then open his eyes and shock you with a lyric so brilliant that it was obvious no one had ever thought of it before.' Sly Stone had three children, including a daughter with Cynthia Robinson, and was married once — briefly and very publicly. In 1974, he and actor Kathy Silva wed on stage at Madison Square Garden, an event that inspired an 11,000-word story in The New Yorker. Sly and Silva soon divorced. He was born Sylvester Stewart in Denton, Texas, and raised in Vallejo, California, the second of five children in a close, religious family. Sylvester became 'Sly' by accident, when a teacher mistakenly spelled his name 'Slyvester.' He loved performing so much that his mother alleged he would cry if the congregation in church didn't respond when he sang before it. He was so gifted and ambitious that by age 4 he had sung on stage at a Sam Cooke show and by age 11 had mastered several instruments and recorded a gospel song with his siblings. He was so committed to the races working together that in his teens and early 20s he was playing in local bands that included Black and white members and was becoming known around the Bay Area as a deejay equally willing to play the Beatles and rhythm and blues acts. Through his radio connections, he produced some of the top San Francisco bands, including the Great Society, Grace Slick's group before she joined the Jefferson Airplane. Along with an early mentor and champion, San Francisco deejay Tom 'Big Daddy' Donahue, he worked on rhythm and blues hits (Bobby Freeman's 'C'mon and Swim') and the Beau Brummels' Beatle-esque 'Laugh, Laugh.' Meanwhile, he was putting together his own group, recruiting family members and local musicians and settling on the name Sly and the Family Stone. 'A Whole New Thing' came out in 1967, soon followed by the single 'Dance to the Music,' in which each member was granted a moment of introduction as the song rightly proclaimed a 'brand new beat.' In December 1968, the group appeared on 'The Ed Sullivan Show' and performed a medley that included 'Dance to the Music' and 'Everyday People.' Before the set began, Sly turned to the audience and recited a brief passage from his song 'Are You Ready': 'Don't hate the Black, don't hate the white, if you get bitten, just hate the bite.'

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