Was ‘The Last Of Us' Cancelled? What We Know About ‘TLOU' Part 3
Basically, The Last of Us Season 2 did all it could to bum us out. Did TLOU go too far? Was The Last of Us cancelled?!?
There was not a new episode of The Last of Us on HBO or MAX last week, meaning fans have been left with a devastating cliffhanger. The Last of Us Season 2 Episode 7 ends with Abby (Kaitlyn Dever) tracking Ellie down to the theater she and her friends are using as a temporary base. Abby kills Jesse (Young Mazino) and threatens Tommy (Gabriel Luna). The last we see of this tense stand off is Abby shooting in Ellie's direction. Then, we flashback to what Abby was doing three days earlier, i.e. the day Ellie and Dina (Isabela Merced) arrive in Seattle.
So what comes next? Will The Last of Us come back? Here's everything we know about the future of The Last of Us…
Nope! There is no new episode of The Last of Us on HBO or MAX tonight.
There were a total of seven episodes in The Last of Us Season 2. That means that The Last of Us Season 2 Episode 7 'Convergence' was the season finale.
Nope! In fact, HBO renewed The Last of Us for a third season all the way back on April 9, 2025. We are definitely getting Abby's side of the story…eventually.
Yes, HBO is making The Last of Us Season 3. While The Last of Us's co-creators Craig Mazin and Neil Druckmann have tried to play coy about what comes next, they did confirm some fan theories during a recent virtual press conference DECIDER attended.
As fans of the video games might expect, The Last of Us Season 3 will adapt the rest of The Last of Us II. Meaning Season 3 will tackle what Abby was up to during those three tumultuous days in Seattle.
'There is another side to this story that we have yet to really delve into,' The Last of Us co-creator and co-showrunner Craig Mazin said. 'There's no question that Abby is the hero of her story. Kaitlyn Dever is the hero of a story always, you know? I mean, if you have Kaitlyn Dever, you use a Kaitlyn Dever.'
Mazin also teased that the third season will answer many questions sparked in Season 2.
'What is going on? How did that war start? How did the Seraphites start? Who is the prophet? What happened to her? What does Isaac want? What's happening at the end of Episode 7? What is this explosion? What is all of it?' Mazin said. 'And all of that will become clear.'
We might already know that there will be a third season of The Last of Us, but we don't yet know exactly when it will be back. However, we have some theories.
The first two seasons of the show both took approximately two years to go from scripts to the screen. Logic would state that The Last of Us Season 3 will come out in 2027.
That said, production on the first two seasons of The Last of Us was delayed due to COVID-19 and the WGA and SAG-AFTRA strikes, respectively. That means there's a chance there could be a tighter turnaround for the third season. We think the earliest TLOU Season 3 could come out would be late 2026, but 2027 is our safe bet.
Worried that The Last of Us Season 2 ends with Ellie's death? Still trying to convince yourself that Jesse is okay? Wondering why Mel's (Ariela Barer) death was actually so much worse in the show than it was in the game? Check out DECIDER's breakdown of The Last of Us Season 2 finale to learn more!
Want to rewatch The Last of Us Season 2? Ready to finally start your long-awaited binge? You're going to need a MAX subscription to watch The Last of Us.
If you're new to Max, you can sign up for as low as $9.99/month with ads, but an ad-free subscription will cost $16.99/month.
MAX DISNEY+ BUNDLES
If you want to stream even more and save a few bucks a month while you're at it, we recommend subscribing to one of the discounted Disney+ Bundles with Hulu and Max. With ads, the bundle costs $16.99/month and without ads, $29.99/month.
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Elle
an hour ago
- Elle
Malin Åkerman Explains the 'Hunting Wives' Finale Twist That ‘Got Everyone Gasping'
Spoilers below. Over the course of The Hunting Wives' first season, Malin Åkerman's Margo Banks moves through East Texas society like a woman who's mastered spectacle and subterfuge. As the polished, calculating center of a clique built on indulgence, secrecy, and power, Margo understands that survival often means performing control, even as chaos simmers just beneath the surface. By the season finale, that veneer fractures, and what spills out is not just scandal, but something closer to ruin. Åkerman, who has built a career on characters wielding charisma with precision, from the formidable wife of a hedge fund manager in Billions to the self-centered sister in 27 Dresses, knew The Hunting Wives' full story from the outset. 'I was sent all eight episodes from the very beginning,' she explains over Zoom. 'Thankfully, I had the whole arc in front of me, knew that she was the killer, and got to play with that throughout the whole season.' That foresight allowed her to layer early scenes with subtle tension, even as viewers speculated about who had killed Abby (Madison Wolfe), a local teenager found dead in the the penultimate episode, 'Shooting Star,' Jill (Katie Lowes)—once a prime suspect in Abby's murder—is fatally shot by Callie (Jaime Ray Newman) after the women discover Starr's (Chrissy Metz) dead body. The finale, called 'Sophie's Choice,' picks up in the immediate aftermath with police interviews, fractured alliances, and the slow unraveling of Margo's carefully controlled world. It opens with a flashback of Sophie (Brittany Snow) in a romantic entanglement years ago, and Margo—back in the present—celebrating her husband Jed's (Dermot Mulroney) birthday with a threesome. Each moment reveals the show's dual nature: all gloss on top, rot underneath. At the heart of that collapse is the reveal that Margo, not Jill, killed Abby. The motive is fraught: Abby had discovered Margo was having an affair with her teenage boyfriend Brad (George Ferrier), had secretly gotten pregnant, and had an abortion. When Abby confronted Margo, Margo used Sophie's gun to silence her. Sophie (Brittany Snow), connecting the dots through a remark about tampons (a callback to episode 1), confronts Margo. 'I always refer to [Margo] as a survivor,' Åkerman says. Her instincts aren't just self-preserving; they're reflexive. 'She does whatever she needs to do to survive.' For Åkerman, the emotional centerpiece of the finale is the confrontation between Margo and Sophie at Jed's fundraiser, where Sophie finally learns the truth. 'That was a tough night,' the actress recalls. 'We're having so much fun on set, but I don't like filming scenes like that. I don't like digging that deep and going that dark.' However, she understood its magnitude. 'It's a life-or-death moment for Margo. She's built her whole life to get to where she's at, and someone is threatening to take it all away. Her life is her baby.' To ground the moment, Åkerman drew from personal fear. 'I had to sort of personalize it, and go, okay, someone's coming to me and saying, 'I'm going to take your child away from you.' That gutted me.' The result is a reckoning shaped by desperation and denial, a rare glimpse of Margo stripped of performance. 'It was such a big moment and a beautiful scene,' Åkerman says. 'There was so much going on there. It's a pivotal moment in this show.' Soon after, Margo confesses the affair and abortion to Jed, who slaps her and throws her out. The shift is brutal and swift, underscoring Margo's dependence on the very structures she believed she could manipulate. 'It's hard to watch Margo fall from grace,' Åkerman says. 'She just lost that position of power that she's been in this whole season. What's going to happen now? But I feel like we could see it coming, because she's not fully free. She does have to answer to the man; that is the truth of her situation.' Throughout the season, Margo's power rests in her ability to curate her image, her marriage, and her inner circle. But in the finale, that curation falters. Margo finally tells Callie the truth: their romantic relationship is over, not just for appearances, but because she no longer feels the same way. Yet in a final grasp for support, she briefly goes back to Callie, calling Callie her 'ride or die' and warning that Sophie plans to go to the police. Callie counters that the district attorney has already closed Abby's case, and offers that she and her husband Sheriff Jonny (Branton Box) can keep an eye on Sophie. Margo's relationships with both Callie and Sophie—once strategic, seductive—become charged with emotional risk. 'I personally think it's a mix,' Åkerman says. 'Margo is wild and has a big sexual appetite; she does what she wants. But I do think she cares for both Callie and Sophie.' With Sophie especially, the bond grows more complex. 'They're survivors in their own right,' Åkerman says. 'I read this book that John Cleese wrote with his therapist [Robin Skynner] once that said we have screen doors, and behind them are all our traumas, everything we hope somebody fixes in us in a relationship. I think Sophie and Margo have similar traumas behind those doors.' And yet: 'Margo would let that kinship go in a heartbeat if it were challenged. She'd go, 'No, I choose me.'' That instinct crystalizes in the episode's final moments. While driving, Sophie is intercepted by Kyle (Michael Aaron Milligan) on a remote road. He insists she get out of the car to 'talk,' then seemingly reaches for a gun. She hits him with her vehicle, killing him in a split-second act of self-defense. Her phone rings at that moment—it's Detective Salazar (Karen Rodriguez)—but she declines the call. Moments later, Margo, unaware of any of this, calls Kyle. Sophie answers in silence. 'We filmed a few different versions of that [scene],' Åkerman says. 'One was where Margo says, 'Sophie, is that you?' She's starting to figure it out, and it's the beginning of a panic attack. She's starting to figure out that something terrible has happened to her brother.' Margo doesn't learn Kyle's fate onscreen, but when she eventually does (in a potential second season), Åkerman imagines the loss will cut deep. 'As much as she'd like not to admit it, Kyle is still her blood. He's the only real family she has,' she says. 'When she's in trouble, she becomes a little girl and runs back to him.' But even that bond, she notes, is defined by hierarchy. 'She wields the power there, as well. She decides what the relationship is going to look like.' Margo is not a hero. She's manipulative, calculating, and always vying to be one step ahead; yet she's impossible to stop watching. 'Whether it's controlling, hypocritical or whatever, there's a freedom to her that I loved,' Åkerman says. 'I'm such a people pleaser, and sometimes I just want to go, 'Fuck it, stop. Just be free. Be wild.' Margo's on another level. That really stuck with me.' Åkerman is hopeful that The Hunting Wives will be renewed. She also hopes viewers love what Margo brought to the show, 'even though she's terrible,' and 'that the twist at the very end got everyone gasping,' she says. For Åkerman, Margo is the kind of character you love to hate, and hate to love. 'She's just too fun,' she muses. Like a juicy beach read you can't put down, the show was designed to be addictive, surprising, and a little wicked. 'It's just fun to be taken on a ride—and that's what this show is for.'

Business Insider
2 hours ago
- Business Insider
A guide to every historical figure who's been on 'The Gilded Age'
"The Gilded Age" was renewed for a fourth season ahead of the season three finale. While some of its characters are fictional, the show is populated with real people from the era. Oscar Wilde, Booker T. Washington, and J. P. Morgan have all popped up on the show. There are few eras that have captivated people more than the Gilded Age, a period in the late 19th century characterized by extreme wealth (and wealth inequality), progress, immigration, and a certain ruthlessness from the businessmen of the age. And now, any history buff can tune into HBO's " The Gilded Age," which concludes its third season on August 10, to see this iconic time period brought to life. The show is populated by a mix of real-life historical figures, completely fictional creations, and a few characters who differ in name only from real people of the time. Here's a guide to every real person who made the jump from history books to HBO in "The Gilded Age." Carrie Coon plays Bertha Russell, who's based on Alva Vanderbilt. Alva Vanderbilt Belmont was a Gilded Age socialite who married a Vanderbilt railroad heir, William K. Vanderbilt. In 1882, the couple built a mansion that took up a whole city block on Fifth Avenue in New York City — much like the mansion the Russells move into in the series premiere. Bertha isn't exactly Alva, but the similarities are there, including Alva's hunger and determination to be accepted by the upper crust of New York society, her strong personality, and love of the opera. Vera Farmiga plays Bertha's daughter Gladys, based on Alva's daughter Consuelo. If there was any doubt that Bertha and Gladys were based on Alva and Consuelo, that ended when Gladys married off to a British duke against her will, in order to bring her family status and credibility. If you don't want to know what could happen to Gladys, skip ahead. In real life, Consuelo's marriage to Charles Spencer-Churchill, 9th Duke of Marlborough, was largely an unhappy one, though she and her husband mostly lived separately. They separated in 1906 and were officially divorced in 1921. The marriage was annulled in 1926. However, Bertha's husband George (Morgan Spector) isn't based on a Vanderbilt. Much of his character comes from Jay Gould. George is portrayed as a full-blown robber baron, much like Gould was. In fact, Gould is remembered as one of the most cutthroat railroad tycoons of the Gilded Age. As his Encyclopedia Britannica entry notes, he "remained ruthless, unscrupulous, and friendless to the end" before his death in 1892. George is similarly unafraid to cross anyone, as long as it benefits his bottom line. And much like Gould, while George spares no feelings for his competition, he does love his wife and children — and, as fans of the show have pointed out, is quite handsome. They even call him " Railroad Daddy." Peggy Scott, as played by Denée Benton, is inspired by a few real women, including Julia C. Collins. One of the first things we learn about Peggy is that she's an aspiring writer, and a talented one at that. It's clear that "Gilded Age" creator Julian Fellowes was inspired by Julia C. Collins, the first Black female author to publish a novel. Collins' book, "The Curse of Caste; or The Slave Bride," was published in serial form across eight months in 1865. However, she died of tuberculosis before she was able to finish it. Thankfully, Peggy has fully recovered from the illness she contracted at the beginning of season three. Donna Murphy plays Caroline Schermerhorn Astor, the queen of New York high society. During the Gilded Age, the undisputed queen of New York was Caroline Schermerhorn Astor, who, despite the enormous wealth of her husband, William Backhouse Astor Jr., was actually the richer of the two due to her family's wealth dating back to the first settlement of Manhattan by Dutch colonists in the 1600s. Astor was the leader of a group called the Four Hundred, a list that contained anyone who was anyone in the late 1800s. Perhaps coincidentally, her townhouse's ballroom could fit up to 400 people comfortably. Murphy, a two-time Tony Award winner, brings needed gravitas to the role. Caroline's youngest daughter, Carrie Astor, is played by Amy Forsyth. Carrie Astor has had a recurring role across "The Gilded Age," popping up across three seasons mainly to convince her mother to let the Russells become part of their elite group of friends. If the show follows what happened in real life, Carrie's future marriage to banker Marshall Orme Wilson will cause quite a stir, as her parents did not approve of the match. In fact, according to a biography of the Astors, Carrie "starved herself into bulimia" until her mother acquiesced. One of the show's more eclectic characters is Mamie Fish, played by Ashlie Atkinson. Fish is one of the first people we meet in "The Gilded Age," as Bertha and George's son Larry is invited to vacation at her home in Rhode Island. In real life, Fish was another one of the most powerful socialites of the era alongside Alva Vanderbilt and Tessie Fair. The three ruled as the "Triumvirate" after Caroline Astor's death in 1908. In both fiction and real life, Fish loved to throw a lavish party. Caroline Astor's right-hand man, Ward McAllister, is played by Nathan Lane, distinct mustache and all. While trying to make it as a writer, Peggy meets Timothy Thomas Fortune, played by Sullivan Jones. After deciding not to take her name off her writing to be published in white newspapers, Peggy meets Fortune, the real publisher of The New York Age, a leading Black newspaper of the day (called The New York Globe in the show). In both the show and reality, Fortune was married by the time of "The Gilded Age," but it didn't stop Peggy and Fortune from developing a relationship during season two. John Sanders plays the famous (and problematic) architect, Stanford White. If you've ever walked around Washington Square Park in Manhattan, you've seen one of White's most renowned pieces of work: the Washington Square Arch. In the show, White is also responsible for designing the Russells' behemoth of a townhouse on Fifth Avenue. In real life, White was involved in one of the era's biggest scandals. When he was 48, he was accused of drugging and sexually assaulting 16-year-old Evelyn Nesbit, a model and actor. In 1905, when Nesbit was 21, she married another prominent New York figure, Henry Kendall Thaw. When Thaw learned what White had done to his wife, he murdered him during a performance at Madison Square Garden (a building he designed). The subsequent trial was a media circus and was even dubbed the trial of the century. Public opinion of White plummeted during the trial when the public learned about his private life. According to The New York Times, Vanity Fair even ran this headline: "Stanford White, Voluptuary and Pervert, Dies the Death of a Dog." Clara Barton, as played by Linda Emond, appeared in the first season. In season one, Marian (Louisa Jacobson) takes her aunts to a talk being given by Barton, a Civil War nurse, voting rights and equal rights activist, and key member of the American Red Cross. J. P. Morgan, as played by Bill Camp, joined the cast in season three. The real Morgan was considered the greatest banker who ever lived, so it shouldn't be surprising that George, in need of capital, would turn to him for help. Jordan Waller played Oscar Wilde in a season two episode. The famous playwright and author of "The Portrait of Dorian Gray" popped up in season two while his play "Vera; or, The Nihilists" premiered in New York. Of course, he found time to hit on John Adams (Claybourne Elder), as well. Emily Warren Roebling, one of the engineers of the Brooklyn Bridge, was played by Liz Wisan in season two. Roebling essentially took over for her husband, Washington Roebling, as chief engineer of the Brooklyn Bridge after he developed decompression sickness and became bedridden. The Brooklyn Bridge is unveiled during a season two episode, and George sends his son, Larry (Harry Richardson), to represent him at a trustees meeting, when he discovers that Emily is the one running the show. Suffragist Sarah J. Garnet, as played by Melanie Nicholls-King, appears in season two as well. Nicholls-King appeared in three episodes of season two as Garnet, a landmark figure in Black history, as she was a principal, the founder of the Equal Suffrage League, and owned her own seamstress shop. Booker T. Washington, played by Michael Braugher, also appeared in two episodes of season two. Washington is known for his work in advancing the education of Black Americans in a post-Civil War America, including as the first leader of the Tuskegee Institute, which is now the HBCU (Historically Black College or University), Tuskegee University. Washington is in two episodes of the second season, when Peggy and Fortune make their way to Tuskegee to report on it for the newspaper. Gladys gets her portrait done by artist John Singer Sargent (played by Bobby Steggert). Sargent's season three appearance is in 1883, just before he became famous for his painting "Portrait of Madame X" in 1884 — in fact, he mentions the then-scandalous painting while speaking with Bertha, who notes that some scandal will only make him more expensive. Gladys' husband, Hector Vere, the Duke of Buckingham, is based on Charles Spencer-Churchill, the Duke of Marlborough. He's played by Ben Lamb. In the show and real life, this duke is desperate for a sizable dowry so he can continue upkeep on his castle (Sidmouth Castle in the show, Blenheim Palace in real life). However, Hector seems like he'll (hopefully) be a better husband to Gladys than Charles Spencer-Churchill was to Consuelo Vanderbilt. Frances Ellen Watkins Harper is played by LisaGay Hamilton in season three. Peggy brings Harper to a ladies' tea she's hosting to help drum up support for the suffrage movement, much to the displeasure of the conservative Elizabeth Kirkland (Phylicia Rashad). Harper was one of the first Black female authors to be published — and left behind a large body of work — and also was an activist for suffrage, temperance, and abolition. Russell Risley Sage, played by Peter McRobbie, joined the show in season three. When George is summoned to a meeting by J. P. Morgan, he meets other financiers, including Sage. Sage, in real life, worked closely with Jay Gould (if you'll recall, the basis for George's character). The two managed railroads together. However, in "The Gilded Age," the two have a much more adversarial relationship. Sage is perhaps most famous for surviving an assassination attempt at his office by using one of his employees, William R. Laidlaw Jr., as a human shield. Laidlaw survived but sued Sage after he was permanently disabled. As The New York Times put it, Sage was found to owe him $25,000, "simply because he used William R. Laidlaw, Jr., as a shield to save his gray hairs from being brought prematurely to the grave."
Yahoo
4 hours ago
- Yahoo
Kim Cattrall Shades ‘And Just Like That' Cancellation With Cryptic Post
And just like that, the Sex and the City reboot has reached a bitter end—and Kim Cattrall is breathing a sigh of relief. And Just Like That, the follow-up to the award-winning HBO series, reunited original stars Sarah Jessica Parker, Kristin Davis, and Cynthia Nixon. Cattrall, who played fan favorite character Samantha Jones, was absent from the spin-off due to her public feud with Parker. Cattrall seemed to shade the series' end with a picture of a sunset and the caption: 'It's the end of a very long week' alongside a red heart and kiss emoji. Fans were quick to pick up on the viral diss. 'Kim, we need a fabulous new series just for you,' one said. 'Real ones knew.' 'Without 'Samantha' it is the end of a very loooonnnngggg three seasons!' another chimed in. 'Translation: finally this thing is over (in a Samantha voice),' a third commented alongside a winky emoji. Cattrall has accused Parker of behaving cruelly toward her during the original series and said that the two had never really been friends. Cattrall said Parker was not genuine in her condolences after Cattrall's brother died in 2018. Parker has called the feud 'very painful.' 'We did not ask her to be part of this [And Just Like That] because she made it clear that that wasn't something she wanted to pursue, and it no longer felt comfortable for us, and so it didn't occur to us,' Parker told The Hollywood Reporter in 2022. 'That's not 'slamming' her, it's just learning' And Just Like That showrunner Michael Patrick King announced the series' end after its third season, hours before Cattrall's post. 'It's with great gratitude we thank all the viewers who have let these characters into their homes and their hearts over these many years,' he said. He added that he held off on announcing the news until now 'because we didn't want the word 'final' to overshadow the fun of watching the season.' Although Cattrall, 68, made a brief cameo in the season 2 finale, she otherwise steered clear of the reboot. Cattrall's short cameo, where she calls Parker's character, Carrie Bradshaw, was filmed separately and without involving the other cast members. The other actresses expressed sadness and the series' end. Davis said she was 'profoundly sad' about the show's ending, and Nixon said that the filming had been 'such a delight from start to finish.' Parker, 60, posted a montage reel of her character's moments on Instagram. Carrie 'changed homes, time zones, boyfriends, her mind, her shoes, her hair, but never her love and devotion to New York City,' she wrote. 'I am better for every single day I spent with you,' she said to her fans. 'It will be forever before I forget. The whole thing. Thank you all. I love you so. I hope you love these final two episodes as much as we all do.' Solve the daily Crossword