logo
Marvel Reportedly Paid "Millions" to King Charles to Film 'Avengers: Doomsday' at Windsor

Marvel Reportedly Paid "Millions" to King Charles to Film 'Avengers: Doomsday' at Windsor

Yahoo9 hours ago

"Hearst Magazines and Yahoo may earn commission or revenue on some items through these links."
The MCU is getting a royal cameo of sorts. Marvel Studios reportedly plans to film scenes for Avengers: Doomsday at Windsor Great Park this summer. According to The Sun, the Disney-owned studio paid an unspecified 'multi-million sum' to the royal family to be able to shoot the movie on location.
Windsor Great Park is just under eight square miles and stretches from Windsor Castle to Ascot. It is the only royal park managed by the Crown Estates, and the King gets 25% of its annual profits. King Charles is also the ranger of Windsor Great Park, largely a ceremonial role in overseeing the stewardship and protection of the park.
Windsor Great Park is a popular filming spot, serving as film set for movies such as Snow White and the Huntsman, Christopher Robin, and Bridget Jones's Baby. But it turned down a different Disney subsidiary a few years back. In 2017, the Crown Estate turned down a request from Lucasfilm to shoot scenes for Star Wars, although it was not specified which film was rejected. 'Our head isn't turned by star names or star films,' an estate spokesperson told the BBC at the time, explaining that the proposed scenes were not suitable for the park.
Avengers: Doomsday is slated to be released in 2026. It is the fifth Avengers film and the first one since Endgame in 2019. Famed for its massive ensemble casts, Doomsday made even more headlines at Comic-Con in July 2024 when it was announced that Robert Downey, Jr. was returning to the franchise, but not in the role that launched the franchise—Iron Man—but rather a new character: Doctor Doom. He'll join familiar faces such as Chris Hemsworth, Florence Pugh, Vanessa Kirby, Pedro Pascal, Simu Liu, Tom Hiddleston, Anthony Mackie, and many, many more A-list actors when it hits theaters worldwide next year.
Marvel also submitted a request to the Royal Borough of Windsor and Maidenhead for filming requests in May and are still pending approval. According to the BBC, plans filed with the application indicate a house, referred to as 'Annie Reynolds' house,' would be constructed near Prince Consort's Drive by the Windsor Great Park Environmental Centre. Per IGN, Annie Reynolds is the mother of Robert Reynolds. There isn't an actor listed for Annie on the IMDB page for the film, but Lewis Pullman played Robert Reynolds in this year's Thunderbolts and is returning for Doomsday.
As to who will be on location at Windsor this summer remains unknown thus far. But we can guess who won't be there: per tradition dating back to Queen Victoria, the royal family retires to their Balmoral estate in Scotland for the summer.
Sign up for Disney+
You Might Also Like
12 Weekend Getaway Spas For Every Type of Occasion
13 Beauty Tools to Up Your At-Home Facial Game

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

THE FANTASTIC FOUR: FIRST STEPS Featurette and Promo Shows Off Some New Footage — GeekTyrant
THE FANTASTIC FOUR: FIRST STEPS Featurette and Promo Shows Off Some New Footage — GeekTyrant

Geek Tyrant

time26 minutes ago

  • Geek Tyrant

THE FANTASTIC FOUR: FIRST STEPS Featurette and Promo Shows Off Some New Footage — GeekTyrant

If you're even a little excited about Marvel Studios' The Fantastic Four: First Steps , this new behind-the-scenes featurette and promo spot is something you'll want to watch prior to tomorrow's big trailer. The featurette is currently screening in AMC Theaters and now making the rounds online gives us our best look yet at the MCU's fresh take on Marvel's First Family. There's a solid chunk of new footage sprinkled throughout the featurette, including shots of the team traversing what appears to be the massive, crumbled hand of Galactus. There's also a fun peek at Ebon Moss-Bachrach in full motion-capture gear as The Thing, offering a glimpse of how this character is being brought to life behind the scenes. AMC Theaters also lists the film's runtime at 115 minutes. While that hasn't been officially confirmed by Marvel, it lines up with previous reports. The producers also opened up about the surprising amount of effort that went into the Fantastic Four's new suits. Executive producers Grant Curtis and Tim Lewis told Kino: "We looked at over 100 shades of blue. It was a long, long process, but when you see it, you say, 'OK, now I understand why we have the right one.' It would have been very easy to choose blue number 12. But it wouldn't have had the same effect." We also get a quick but delightful glimpse of H.E.R.B.I.E., the team's robotic assistant, who seems to be more than just comic relief. Moss-Bachrach explained: "It's kind of an unexpected, beautiful relationship that develops as we shot. This character that the designers and art department created is really charming. "I just try to incorporate little moments with him into scenes. It's great to improvise with this creature. He makes me happy." This new sneak peek is hoping to reassure fans that Marvel is handling Fantastic Four with care, style, and a little heart. Set against the vibrant backdrop of a 1960s-inspired, retro-futuristic world, Marvel Studios' The Fantastic Four: First Steps introduces Marvel's First Family—Reed Richards/Mister Fantastic (Pedro Pascal), Sue Storm/Invisible Woman (Vanessa Kirby), Johnny Storm/Human Torch (Joseph Quinn) and Ben Grimm/The Thing (Ebon Moss-Bachrach) as they face their most daunting challenge yet. Forced to balance their roles as heroes with the strength of their family bond, they must defend Earth from a ravenous space god called Galactus (Ralph Ineson) and his enigmatic Herald, Silver Surfer (Julia Garner). And if Galactus' plan to devour the entire planet and everyone on it weren't bad enough, it suddenly gets very personal. Paul Walter Hauser, John Malkovich, and Natasha Lyonne have been cast in mystery roles. Robert Downey Jr.'s Doctor Doom is rumoured to appear, though that's surely a given with Avengers: Doomsday on the way. Director Matt Shakman worked with both Avatar: The Way of Water co-writer Josh Friedman and WandaVision 's Cam Squires on The Fantastic Four: First Steps ' screenplay, with Eric Pearson ( Black Widow ) later coming on board for a final polish. The movie is set to be released in theaters on July 25, 2025.

One of the Most Surprising Moments in ‘Elio' Feels Right Out of a Horror Movie
One of the Most Surprising Moments in ‘Elio' Feels Right Out of a Horror Movie

Gizmodo

time42 minutes ago

  • Gizmodo

One of the Most Surprising Moments in ‘Elio' Feels Right Out of a Horror Movie

Pixar's latest is a sci-fi gem that homages the genre in a surprisingly dark way. Elio directors Domee Shi and Madeline Sharafian even dip into space horror for one of the film's most memorable scenes. It was so unexpected for a Disney family film and worked so cleverly in the context of the movie, it left me wanting more of this tone in the future of Pixar in the film, an Elio clone made by the Comuniverse is sent to Earth so his aunt doesn't notice the real Elio is gone. The clone pretends to no longer be interested in aliens, knows how to cook, and is a model boy—totally not sus, right? It makes this subplot with Elio's Aunt Olga more hilarious as she's catching on and realizing the truth, in a very Invasion of the Body Snatchers way. We at least know Elio is off having space adventures, but she thinks he's been abducted. The clone Elio ends up confessing and teaming up with Olga to find her real nephew. But then you're left wondering how the very lifelike and adorably cute clone's fate will play out. They're not going to kill it, right? There's going to be an ending where there's two Elios, surely. The clone will probably go live back in space or something to that effect. This is a Pixar movie, after all. That question gets cleverly answered near the end of the film when the real Elio and his aunt Olga need to infiltrate the base where Glordon is being held. As part of the plan, clone Elio offers to essentially self-destruct as a distraction. And you think it will be cutesy and he'll just go poof or something. No, no… he starts to shudder and melt into a gelatinous goo, something teased earlier in the film to ease kids into the way it ultimately will play out. And it's so gross and amusingly unsettling, but also the perfect set up for gateway horror. When it happens, the clone Elio appears to soldiers in a red cast shadow along the building where Glordon is, while the real Elio sneaks in. Clone Elio calls out to the soldiers for help and they fall for it. Yes, the total 'creepy kid standing in the dark move'—an immediate nope. It then does a bone crunching skitter toward the soldier, in an eyebrow-raising moment. The clone falls into the soldier's arms with its bones melting and its eyes expanding like bubbles. It's truly Pixar's most grotesque moment, yet it's so silly it outweighs the scary with a perfect punch-line to answer that clone Elio went out like a G. It's so effective because kids know the clone did it on its own to help, but still captures the Goosebumps era of kid horror that doesn't hold back. It felt like an homage to John Carpenter and Steven Spielberg sci-fi films as well as a return to letting kids get exposed to horror early. In the past quarter of a century, bigger family films have held back when it comes to scary moments, so seeing Pixar go there felt like a step in the right direction. Fairytales and folklore for children have historically had scary elements to help them understand the horrors of the world; somewhere along the way, after the heyday of Amblin films, the art form got lost. Jurassic Park's raptor kitchen scene is such a core memory for me as my first exposure to scary but exciting elements in movies. Elio's horror film moment is nowhere near as frightening as that, but it does offer a delightful taste of what Pixar could do if it went the spooky route for a film. Give us Pixar's take on dark fairytales, a haunted house film, or even a horror anthology of campfire tales from different Pixar creatives scored by Michael Giacchino, the Oscar-winning composer of Up. It may take Elio awhile to find its audience, but we're confident it will. The voices behind Elio really delivered a fantastically fun and freaky first foray into sci-fi for a new generation—the last time Pixar was this terrifying was when we saw Woody's head spin around while warning Sid that toys see everything. With clone Elio's dramatic end, Shi and the rest of the Pixar team hit that style of '90s-era R.L. Stein camp horror with frightful finesse. It's a testament to the rest of the film's many bold and original choices that stand to inspire more future sci-fi fans. Pixar's Elio is now in theaters. Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what's next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store