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New on Netflix July 5-11: our expert picks the 7 shows and movies to binge this week

New on Netflix July 5-11: our expert picks the 7 shows and movies to binge this week

Yahoo05-07-2025
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Where I live the new TV schedule is slow, but Netflix gets new releases from around the world and so my weekly list of new movies and shows on Netflix takes us around the globe.
As part of my job as What to Watch's streaming editor, every week I look through every new Netflix Original coming to the world's biggest streaming service, and pick a handful of the most-watch additions that people are bound to watch.
I only include ones that would be worthy of our lists of the best Netflix shows and best Netflix movies, bringing you only the top picks. This week the list is of new Netflix Originals coming between Saturday, July 5 and Friday, July 11.
Netflix's Trainwreck series of hour-long docs based on headline-grabbing events continues with The Real Project X, which lands on Tuesday, July 8. The name alludes to an American coming-of-age film called Project X.
The doc looks at a 2012 party in Haren, Netherlands, in which a 16-year-old accidentally made a Facebook event listing public instead of private. What transpired was a party that saw tens of thousands of prospective attendees, and slowly turned into a riot on the streets.
Releases on Tuesday, July 8
From Netherlands we move over to Mexico for The Gringo Hunters, which comes out on Wednesday, July 9 and tells a story inspired by real workers.
The Gringo Hunters is about a Mexican police unit which hunts down American criminals escaping across the border. Over several episodes they'll investigate cases and try to bring to justice runaways.
Releases on Wednesday, July 9
Back to Europe! New thriller series Under a Dark Sun is set in Provence, France, on a prestigious flower farm.
The series is about a mother on the run who finds work as a picker at the farm, however she becomes the prime suspect in the murder case of the owner of the farm. As the case continues it emerges that she was the next in line for the estate as she has secret connections with the family who owns it.
Releases on Wednesday, July 9
Netflix loves its Asian-made zombie movies and the latest one is called Ziam, which was made in Thailand and comes out this week.
Ziam follows a retired boxer who gives up his job to spend time with his girlfriend. However, the doctor where this girlfriend works is attacked by zombies and so he must dust off his knuckles and use his boxing fortitude to fight through the creatures and rescue his partner.
Releases on Wednesday, July 9
Netflix fans might recognize the lead of the new German thriller Brick, as Matthias Schweighöfer was also in Army of the Dead and Army of Thieves on the streamer back in 2021.
The movie, which is possibly a sci-fi or a horror (The description isn't clear), is about the residents of an apartment building who wake up one day to find a giant wall blocking them in the building. The tenants need to work together to find a way out and work out what's happening to them.
Releases on Thursday, July 10
The only American production of the week, Too Much is an anticipated rom-com series created by Lena Dunham which you can watch this week.
Too Much is about a New York woman who's rapidly losing friends, and eventually her partner leaves her too. She decides to start again by moving to London and upon arriving, quickly finds a new partner. However this man has just as much wrong with him as she has with her, and they need to improve together if their relationship is going to work.
Releases on Friday, July 11
We return to the Netherlands for our final Netflix Original for the week. Almost Cops is a Dutch buddy cop movie, as you can probably tell from the name.
The film is set in Rotterdam and tells of an officer trying to make his neighborhood safer, who's paired with a demoted ex detective on the job. As they work they realize that they both knew a murdered person who was dear to them, so they team up to get to the bottom of the crime.
Releases on Friday, July 11
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'Then I started realizing, 'Why am I denying even my own name to fit in?' It's so stupid.' The entertainment industry proved just as unwilling to accept all of him. Those advising him warned him to play ball. 'It's already hard enough given the way you look,' Tonatiuh recalls hearing from them. 'I was just like, 'Are we going to change my name to Albert?'' As for his last name, Elizarraraz, he conceded it might be a bridge too far for English-only speakers. 'My first name's already difficult enough,' Tonatiuh says. 'They are not ready for that.' Increasingly, he found the concept of a mononym enticing. 'I was like, 'How many other Tonatiuhs are in the industry?' I looked it up on SAG, and it was just me,' he says. Enamored with drama from a young age, Tonatiuh remembers watching James Cameron's 'Titanic' on VHS as a formative experience. But it wasn't until a friend's mother invited him to see a live performance of 'Wicked' when he was a teenager that acting grabbed him. 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His mother would drive him in traffic from West Covina to the South Coast Repertory in Costa Mesa every morning before work so that he could have a chance at a proper acting education. 'I must have done something to earn her, because she's such a loving person and her biggest thing was that she just wanted me to be happy,' he says of his devoted parent. Formal training at USC followed, though Tonatiuh still felt uncertain on how to carve out space for himself, joining local L.A. theater companies while auditioning for TV and film roles. 'The hardest part of acting is the auditions, because it's awkward,' he says. 'Once you put the pieces in place, submitting to the story and using the words as your weapons to guide you through it, acting is just so fun.' Showrunner Tanya Saracho became aware of Tonatiuh after seeing him in a play. She invited him to join the ensemble of 'Vida,' a series filmed in his native Boyle Heights, in the role of Marcos, an academically accomplished queer man. Sociopolitically outspoken material has shaped Tonatiuh's resume so far: 'Vida' dealt with gentrification, while the 2022 ABC series 'Promised Land' followed undocumented characters who amassed power by way of wealth. Now, 'Kiss of the Spider Woman' examines authoritarianism through a queer lens. 'My body is being used for a purpose much greater than just entertainment,' he says. 'I didn't have any nepotism. I was very fortunate that people believed in me, and they gave me opportunities.' 'Spider Woman' director Condon credits producer Ben Affleck with the liberty to cast someone talented but not yet a household name. 'He said, 'I know how important this is,'' Condon, an Oscar winner for 1998's 'Gods and Monsters,' recalls. 'He took that off the table right away.' The search for Condon's Molina/Kendall was as extensive as the one he did for Effie in his film version of 'Dreamgirls' 20 years earlier, the role that famously went to singer Jennifer Hudson. 'Hundreds of actors in South America, Central America, Mexico, Spain, New York, Los Angeles, London and other cities,' remembers Condon. 'But it wasn't like with all those hundreds there were dozens of credible choices. There were really just a handful.' Among them, Tonatiuh grabbed attention on a self-taped audition. Condon sought someone who could be persuasive within the gritty realism of a prison movie, while also credibly being a larger-than-life Hollywood musical star. Tonatiuh inhabited both modes seamlessly. 'Tona has the most extraordinary, open, beautiful face,' Condon says. 'And his eyes just invite you in. There's a lot of camp humor and that's not something that comes naturally to someone of Tona's generation, but he just has it in his bones. But it's the depth of feeling that he can convey that mattered most.' Tonatiuh seized the chance to play two distinctly complex characters within one movie. His task, he says, was injecting contemporary ideas about queerness into a period piece. 'When I got this one, it felt super special because I don't think Hollywood always gives people like me an opportunity to play a character this dynamic,' Tonatiuh says. 'There is such a return when Hollywood invests in Latin talent and treats us like normal people. Give us a good story. We're not a genre.' And though he and Condon discussed Molina's mindset as well as the historical context and circumstances, Tonatiuh reveled in creative freedom because he wasn't the focus of intense supervision. 'There was a certain level of mischief and magic that was happening because I was the least-known person on set,' he says. 'And a lot of the eyes were on everyone else.' (That cover of anonymity might not last long.) Throughout the production, Tonatiuh felt that 'Kiss of the Spider Woman' spoke to his aspirations directly, not only to those of his characters. 'There was this moment where Jennifer looked at me in the song 'Where You Are,' and sang, 'Close your eyes and you'll become a movie star. Why must you stay where you are?' And in a weird way, it's happening.' Tonatiuh flew his mother and stepfather out to New York to witness 'Where You Are,' an imposing musical number involving close to 70 people in front of the camera. When Lopez and Tonatiuh performed their dance duet, his mother was in awe. 'Now she wants to be Kris Jenner — she wants to be the momager,' Tonatiuh says, only half-joking. 'In this time where Latinos are getting a lot of s—, it makes me really happy that I can bring her some pride.' Yet, his mother hasn't seen the finished film. He wants her to experience it at the upcoming premiere. 'I want her to get the full experience of getting to walk the carpet,' he says. His eyes wet, Tonatiuh recalls an emotional scene with Luna's Valentin, Molina's improbable love interest, that once again seemed to him as if film and his reality were in direct conversation. 'When I'm telling Valentin, 'The film's almost over and I don't want it to end,' it broke my heart because I realized that the film was actually almost over and I didn't want it to end,' he says. 'I bawled my eyes out as if I'd lost the love of my life, and that, for me as a person — what a gift, because it's fake but it was real for me.' Since wrapping 'Kiss of the Spider Woman,' Tonatiuh has acted in Jeremy O. Harris' play 'Spirit of the People' and Ryan Murphy's upcoming series 'American Love Story.' For his next act, he wants to start from scratch. 'I want to do something completely different than Molina because I love being a shape-shifter,' he says. 'I want to be unrecognizable every time I come on screen.'

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