
‘How are you holding up?': I don't know if I have the words to describe how I am
'How are you holding up?'
Most of the time, this is asked out of genuine concern. Family, friends, church members, hospital staff who have become a sort of family over the years. People who would actually be willing to take the time to listen to the answer, and would care what I have to say.
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Death and grief in the digital age
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Obviously not everyone falls into that category. There are some who do not really want an answer; they are simply asking as a sort of polite obligation, a social custom that must be observed before we can get down to more pressing matters. Something like a handshake.
READ MORE
But for the people who do care, and for those who have shown their love for me in a thousand ways over this past year, I often find myself wishing I could offer more than my usual response.
'I'm okay. Thanks for asking.'
Tracy Keogh passed away last year in August
So why do I not say more? Well, it is partly because I do not want to hear what people might say to me if I do. And I know that is probably unfair to those closest to me, but I was burned early on by 'advice' from individuals who had no experience with grief, yet somehow were experts in the field. Experts who traded mainly in clichés.
'It's going to take time.'
Well, maybe. But that doesn't change how I'm feeling now.
'You need to get out of the house.'
Okay, and then what? Go and do something without my best friend? Try to enjoy myself without her? Do you have any idea what you're saying?
And another word of 'wisdom' I have heard more times than I can remember: 'Grief comes in waves'.
But if they knew anything about grief, they'd know it doesn't just come in waves. It comes in tsunamis. Great, big catastrophic tsunamis that can wipe you out without warning.
[
How I coped when grief became my new reality
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]
[
Seán Moncrieff: Funeral sandwiches are part of the Irish grieving process
Opens in new window
]
This was the kind of thing I was hearing in those early days, and it always made me feel like my sorrow was being casually invalidated. And so I shut down completely, isolated myself, hid away for fear I would hear some awful advice. And in fear of how I might respond, if I did.
That's one reason I tend to keep my answers short now. Why I don't say how I really am.
But mostly, it is because I don't know if I can. I don't know if I have the words to describe how I am. Certainly not in conversation, where I struggle to express myself even half-coherently at the best of times. When it comes to talking, some vital transmitters in my brain refuse to show up for work.
Can I do it in writing? I don't know. Not in any way that will do more than scratch the surface. But maybe that's better than nothing.
Tracy spent her last few weeks in Milford hospice, Limerick
So, how am I holding up?
I'm a little better than I was. Keeping busy helps – another of those dreadful clichés, though it turns out there is a grain of truth in it. And there are days when I feel I can see the faintest glimmer of light at the end of the tunnel.
Though I say that cautiously, because I felt the same thing a few months ago, only to be knocked out all of a sudden by a sucker punch of grief that hit me almost as hard as the initial loss. As I said, it comes in tsunamis.
But some days are okay. And then there are days when the weight of Tracy's absence is crushing. When I come home and she's not here. When I make dinner for one. When she's missing from family occasions. When friends invite me to do things and I realise I'll be going alone. And even when I'm driving and she's not there beside me, telling me what I'm doing wrong.
On those days, I feel utterly lost. And sometimes horribly guilty that I'm going places and doing things without her, making plans that she can't be part of and betraying her, somehow, by continuing to live. This guilt can be unbearable, and it's been the most unexpected of all the turbulent emotions I've experienced.
I still cry most days, often out of the blue. A word can set me off. A picture, a memory, a song she used to love. Carolina in My Mind by
James Taylor
maybe, a song she used to play when she felt homesick.
I still put her picture at her end of the table when I eat. And when I'm finished I wipe her end of the table too, and ask her how in the name of God she managed to make such a mess.
I still sometimes send myself texts from her phone, so that when I pick up my phone later, just for a second my heart will skip when I see her name.
I don't wash her clothes any more, but I did for a while, like I used to do when she wasn't able for it. Just to feel like I was still taking care of her, like maybe when I finished putting the clothes away she'd be waiting in the living room for her cup of tea.
[
Grief constantly takes on different shapes and forms. It is never quite what you expect
Opens in new window
]
But I do still feel the strong urge to take the exit for Milford hospice every day that I'm on the motorway in and out of
Limerick
, just to somehow feel close to her. It is where she spent her last few weeks, where we last had time together, last laughed together, had our last midnight snack, and where we had our last dance. It is where I last held her hand.
It is also where we last talked. This is what I want to do more than anything. Just talk to her. Tell her the news. Hear what she has been up to and hear the latest scandal. Chat about the kids and the grandkids. Hear her laugh when I tell her something funny, or something stupid somebody said. Not being able to talk to her is the hardest thing of all.
In truth, Tracy is the only one I want to talk to about everything that's happened since she died. About the funeral, about how much she was loved, about the oceans of tears that have been shed. About how empty life is without her and how pointless it feels now that she's not here.
I could tell her how I really am. How I'm holding up. But in her absence, at least for now, I'll probably stick to my standard response.
'I'm okay. Thanks for asking.'

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Irish Times
16 hours ago
- Irish Times
‘How are you holding up?': I don't know if I have the words to describe how I am
There is a question I have not been able to properly answer since my wife Tracy passed away last year in August. And it is the one asked most often. 'How are you holding up?' Most of the time, this is asked out of genuine concern. Family, friends, church members, hospital staff who have become a sort of family over the years. People who would actually be willing to take the time to listen to the answer, and would care what I have to say. [ Death and grief in the digital age Opens in new window ] Obviously not everyone falls into that category. There are some who do not really want an answer; they are simply asking as a sort of polite obligation, a social custom that must be observed before we can get down to more pressing matters. Something like a handshake. READ MORE But for the people who do care, and for those who have shown their love for me in a thousand ways over this past year, I often find myself wishing I could offer more than my usual response. 'I'm okay. Thanks for asking.' Tracy Keogh passed away last year in August So why do I not say more? Well, it is partly because I do not want to hear what people might say to me if I do. And I know that is probably unfair to those closest to me, but I was burned early on by 'advice' from individuals who had no experience with grief, yet somehow were experts in the field. Experts who traded mainly in clichés. 'It's going to take time.' Well, maybe. But that doesn't change how I'm feeling now. 'You need to get out of the house.' Okay, and then what? Go and do something without my best friend? Try to enjoy myself without her? Do you have any idea what you're saying? And another word of 'wisdom' I have heard more times than I can remember: 'Grief comes in waves'. But if they knew anything about grief, they'd know it doesn't just come in waves. It comes in tsunamis. Great, big catastrophic tsunamis that can wipe you out without warning. [ How I coped when grief became my new reality Opens in new window ] [ Seán Moncrieff: Funeral sandwiches are part of the Irish grieving process Opens in new window ] This was the kind of thing I was hearing in those early days, and it always made me feel like my sorrow was being casually invalidated. And so I shut down completely, isolated myself, hid away for fear I would hear some awful advice. And in fear of how I might respond, if I did. That's one reason I tend to keep my answers short now. Why I don't say how I really am. But mostly, it is because I don't know if I can. I don't know if I have the words to describe how I am. Certainly not in conversation, where I struggle to express myself even half-coherently at the best of times. When it comes to talking, some vital transmitters in my brain refuse to show up for work. Can I do it in writing? I don't know. Not in any way that will do more than scratch the surface. But maybe that's better than nothing. Tracy spent her last few weeks in Milford hospice, Limerick So, how am I holding up? I'm a little better than I was. Keeping busy helps – another of those dreadful clichés, though it turns out there is a grain of truth in it. And there are days when I feel I can see the faintest glimmer of light at the end of the tunnel. Though I say that cautiously, because I felt the same thing a few months ago, only to be knocked out all of a sudden by a sucker punch of grief that hit me almost as hard as the initial loss. As I said, it comes in tsunamis. But some days are okay. And then there are days when the weight of Tracy's absence is crushing. When I come home and she's not here. When I make dinner for one. When she's missing from family occasions. When friends invite me to do things and I realise I'll be going alone. And even when I'm driving and she's not there beside me, telling me what I'm doing wrong. On those days, I feel utterly lost. And sometimes horribly guilty that I'm going places and doing things without her, making plans that she can't be part of and betraying her, somehow, by continuing to live. This guilt can be unbearable, and it's been the most unexpected of all the turbulent emotions I've experienced. I still cry most days, often out of the blue. A word can set me off. A picture, a memory, a song she used to love. Carolina in My Mind by James Taylor maybe, a song she used to play when she felt homesick. I still put her picture at her end of the table when I eat. And when I'm finished I wipe her end of the table too, and ask her how in the name of God she managed to make such a mess. I still sometimes send myself texts from her phone, so that when I pick up my phone later, just for a second my heart will skip when I see her name. I don't wash her clothes any more, but I did for a while, like I used to do when she wasn't able for it. Just to feel like I was still taking care of her, like maybe when I finished putting the clothes away she'd be waiting in the living room for her cup of tea. [ Grief constantly takes on different shapes and forms. It is never quite what you expect Opens in new window ] But I do still feel the strong urge to take the exit for Milford hospice every day that I'm on the motorway in and out of Limerick , just to somehow feel close to her. It is where she spent her last few weeks, where we last had time together, last laughed together, had our last midnight snack, and where we had our last dance. It is where I last held her hand. It is also where we last talked. This is what I want to do more than anything. Just talk to her. Tell her the news. Hear what she has been up to and hear the latest scandal. Chat about the kids and the grandkids. Hear her laugh when I tell her something funny, or something stupid somebody said. Not being able to talk to her is the hardest thing of all. In truth, Tracy is the only one I want to talk to about everything that's happened since she died. About the funeral, about how much she was loved, about the oceans of tears that have been shed. About how empty life is without her and how pointless it feels now that she's not here. I could tell her how I really am. How I'm holding up. But in her absence, at least for now, I'll probably stick to my standard response. 'I'm okay. Thanks for asking.'


Irish Times
2 days ago
- Irish Times
There's a feminist argument against a writer spending time cooking and sewing, but it pleases me
I've had the sewing machine out for the first time in a while this week. For months I'd been hankering to make a dress, for no discernible reason. The pattern is in a Japanese book I've had for years without going further than thinking that one day I might like to make that, and there is no definition of 'need' that would include my possession of a new dress. Even so, one of my vague projects for this year – career break, turning 50 – is occasionally to do things because I feel like it. The career break is of course a rare luxury, but on whatever scale it's possible to follow the odd harmless whim, I recommend it. I learned to use a sewing machine as a child. My mother made most of our clothes, and passed on her skills. As a teenager, with the brazen confidence of someone who doesn't know what's supposed to be difficult, I embarked on whatever stood between me and the item of clothing I had in mind. I cut and sewed dresses on the bias, became confident with the strange geometry of the crotch seams of trousers and the counterintuitive curves of sleeve-heads. I added pockets and linings when I wanted them, learned the hard way which fabrics suited which designs. There is no need, now, for me to make my own clothes. For years it was a choice between buying poor quality and making good quality; we can all afford badly made fast fashion but I had learned to respect natural fibres and French double seams. These days I can buy durable, well-made clothes, but I still knit my own jumpers and apparently, this week, sew my own dresses. I know a couple of my friends think it's a waste of time, all this handicraft. There's an obvious feminist argument against a writer spending her time cooking and sewing. Still, it pleases me. READ MORE Making things yourself only sometimes, unpredictably, gives you better than you can buy. (Home-made pitta bread is revelatory. See also hummus, crackers and rice pudding.) But the professionals are often better at it, and it's certainly cheaper to buy even the poshest jam than devote an afternoon to fruit-picking and an evening, a lot of sugar and a lot of electricity to making your own, which may or may not turn out well. Price my time at minimum wage, add materials, and the dress-in-progress has already cost more than buying a ready-to-wear equivalent. You could plausibly argue that by doing these things myself, I'm depriving the sustainable small businesses from which I would otherwise buy. But that's not it. Making things isn't about penny-pinching. And I don't think cooking or sewing, or for the matter of that carpentry or wood-turning, are intrinsically moral acts. Maybe it's a declaration of independence, and certainly there's temptation to keep going down the production process; my mother now grows the plants to dye the yarn she spins to weave scarves and towels. I have a friend who progressed from making bread to feeding sourdough to grinding flour, and he daydreams of growing the grain. Some of my own cooking experiments have seemed absurd even to me; I'm sure efficiency comes with practice but the time it took me to make enough tortellini for a dinner party, including making the pasta dough and rolling it by hand, was wildly out of proportion to the time it took my friends to eat it. Never again. I feel similarly about sewing my own underwear and maybe knitting my own socks, though I know people who do both. [ Sarah Moss: 'I'm a classic first child. A driven overachiever. Slightly neurotic' Opens in new window ] If the pleasure of this kind of make-do-and-mend is not about saving money, the planet or achieving independence from consumerism, what is it? Something about knowing how things work, how the objects we handle and need and love are made; something about being able to make things well, or at least making them badly often enough to learn respect for good makers. There are places for machines, technology, software. I don't want to ride in an artisanal handmade helicopter and if I were to need a ventilator or pacemaker, I'd want the latest tech. Dishwashers, vacuum cleaners and washing machines are obvious godsends to those of us who have lived without them. But I have a deep sense that it's good to know with your hands and your body where things come from and how they are made.


Irish Times
3 days ago
- Irish Times
Why does your heart feel so bad? It may be the midlife happiness slump
Lately I've been thinking a lot about the U-shaped happiness curve. You probably already know it – this theory posits a dip in happiness in midlife, one so universal that even primates are thought to experience it (though I have no idea how they measure that). According to the data, wellbeing peaks in our 20s and again in older age, but slumps somewhere in the middle – with 47 often cited as the most abject age. The slump can be more pronounced in men. For women, it's often accompanied by more emotional volatility and higher rates of anxiety and depression . There's lots of reasons put forward for declining happiness among women in their 40s, from increased responsibility, to unmet expectations to hormonal biology – oestrogen goes offline at about age 45, inducing an upheaval worse than puberty for some women. The graphs feel grim; they promise nothing good. But maybe, with unhappiness on the horizon, it's time to interrogate what happiness is, what it's for and ask whether choosing to be 'unhappy' might not be the worst thing. In The Promise of Happiness, the queer theorist Sara Ahmed claims that happiness is framed as a moral or social good, something we all should want and pursue. But who gets to define happiness? And how might those definitions serve power in a society where certain lives, choices or identities are often framed as unhappy, or as blocking the happiness of others? Happiness behaves like a promise, Ahmed writes. It's the reward that follows the 'right' life choices, like getting married, having children or building a successful career. But this happiness payout is endlessly deferred. People – women especially – can find themselves at the end of a road of all the right choices, wondering why they are (still) not happy. In fact, we might attribute much of the unhappiness of the U-shaped curve, not with goals unmet or roads not taken – not even with hormones that have fled the building – but with this gulf between what women are promised and what they actually get. READ MORE To be a happy woman, Ahmed argues, is to adapt yourself to a world that has already taken shape. We're told that if we live the right kind of life by the right social script, happiness can be ours. For women, these scripts arguably include acts such as abdicating your own desires, dedicating yourself to others, or even the impossible condition of 'having it all'. If you can do these things without feeling conflicted, you might just be happy. [ Health takes a back seat when working and raising young children. We just get on with it Opens in new window ] Other identities have scripts too – the good man, the male provider – but I wonder if this gulf isn't particularly keen for women, who may have more to lose by following the scripts society writes for us. Society still frames motherhood and marriage as essential tenets of the good life for women. And yet the reality of this path often includes not just compromises, but a bad deal – financially, emotionally, physically. According to the social script, single women in their 40s are lonely and sad. But the graphs tell a different story – childless, single women actually report the greatest life satisfaction, more than their married cohort. Could it be that happiness keeps us attached to things that are ultimately bad for us? It seems I'm not alone in asking these questions. Lately a whole range of stories, from Taffy Brodesser-Akner's hit TV Show Fleishman is in Trouble to Miranda July's novel All Fours explore women and middle-aged malaise. Miranda July: her All Fours has been hailed as the perimenopausal bildungsroman. To me, it felt like a distillation of every conversation we'd ever had over lukewarm prosecco. Photograph: Elizabeth Weinberg/The New York Times In July's All Fours, the protagonist (who reads like a version of July herself – a 40-something artist with a public profile, a loving partner and a young child) plans a solo vacation to New York with money she's earned from an ad campaign. Instead, she turns off the highway into a small town 30 minutes from her house, rents a room in a motel and begins a kind of affair. On finishing the novel I was straight on to my book club (like middle-class perimenopausal women the developed world over, I'd imagine). All Fours has been hailed as the perimenopausal bildungsroman. To me, it felt like a distillation of every conversation we'd ever had over lukewarm prosecco. All Fours is, at heart, a novel about the U-shaped happiness curve. It contemplates what happens to women in their mid-40s – when oestrogen falls off a cliff, when society suggests they're worth less and when life choices made solidify into what they now must live with. But it's not all gloom. July offers the possibility of midlife unhappiness as a space for personal growth and change – but only if we're brave enough to reject what's supposed to make us happy. Throughout, the character builds a getaway, outfitting a motel room in sumptuous fabrics and in a truly revolutionary scene (why?) has a rapturous sexual experience with a woman old enough to be her mother. These explorations aren't framed as a crisis or a woman throwing away all she has built to chase a thrill, but as a U-turn into new territory. [ Róisín Ingle: Middle aged? Embrace it, there's plenty to enjoy and appreciate about it Opens in new window ] 'You had to withstand a profound sense of wrongness if you ever wanted to get somewhere new,' July writes. As I approach the supposed happiness dip, I want to ask what unhappiness can do. What if women embraced 'unhappiness', not as a personal failing or even a fact of our biology, but as a chance to live more authentically – to reject the roads that promise women so much but sometimes (often) fail to deliver? What if we rewrote the script? Bring it on. Do you think mid-40s is tricky time for women? What can be done to help? Tell us your thoughts using the form below